Something's Building

Chapter Notes

Well, the muses certainly made up for the recent shorter chapters here!

Since Panyan is always keen for chicken wife content, this popped in my head and was

tapped out in such a hurry I misspelled a few things so badly, it took me a moment to

figure out what I was trying to say! :D

See the end of the chapter for more notes

Chickens and Pirates. November 1 through 7.

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Rainbow Haven Acres

Published on November 11, 2017

"So, it has been brought to my attention-"

Alex was interrupted by Kara ducking into frame, rocking her smaller sister with a

rough shoulder. "See, we read the comments!"

The cheeky comment was accompanied by a large, familiar chicken being shoved into

Alex's arms, clucking with annoyance. Alex looked discomfited for a moment,

abruptly rearranging her hands to support the animal.

"That we haven't had enough chicken content," she finished wryly and flinched away

when the bird whipped her head around. Thankfully, there was no attack, just

curiosity. "Thank you for the mercy, evil overlord."

As though in punishment for the cheek, CWC squirmed wildly, one wing landing a

hard hit right across Alex's chin.

"And now I have been suitably punished. Okay, all silliness aside, Crazy White here

has settled into the hoop house remarkably well. Apparently married life suits her.

That said, her demonic wife, I swear, finds a way through every attempt we've made to

keep her confined. Including a set of claw marks through the plastic that would make

her t-rex ancestors proud."

If a chicken could look smug, CWC did just that.

"But she comes back every night. In fact, she screams her head off if I've patched up

her escape and she can't get back in."

Suddenly, Alex looked over to her right and her expression was priceless.

"Speaking of the real evil, here she is to make a guest appearance. Brainy, over there."

The camera swung around to reveal Ginger walking elegantly over the soggy pasture,

carrying on a burgling conversation with her white companion.

"It is not like her to come in so early," Brainy noted as he kept the camera on Ginger

where she walked over to join CWC, now standing at Alex's feet.

"I agree. She doesn't look alarmed, so must not be a close call with teeth and claws, but

I wonder if we're in for a weather shift."

"I concur," Brainy said decisively and the camera swung wildly to show a leaden sky

above the towering fir trees. "Look at the clouds."

"Storm's a brewin'," Kara drawled in a terrible southern accent and the camera panned

to show her with thumbs hooked over her belt and squinting like a sour old man. Then

she exploded into action, throwing her fists up and yelling in some sort of horrible

British accent, "batten down the hatches!"

And with that piratical announcement, she was off like a shot, a pair of chickens

hopping along in her wake.

Alex sighed but her smile was soft. "You heard the pirate. Prepare for battle!"

Alex's POV

It's status quo for nearly two weeks before we're shook up again. Monday the 13th is Veteran's Day

and Monica is home from school for the holiday, which is nice. I'd offered -borderline begged for-

- a project day, her choice. The enthusiasm for the idea is just more proof how we miss Team New

York.

Shake it off, Alex.

I've got the wood stove cranking out the heat and we're working side by side on some upgrades for

the chickens. Later, when she inevitably gets bored, I'll get with the rest of the gang on the winter

shelters for the pastured critters. The morning is pleasant enough, even with the stoic silence

between me and my young cousin. Which she breaks in fine fashion.

"Is it bad luck that it's Monday the 13th?"

Completely caught off guard, I scoff, "Monday the 13th. Good one! If I had an office job, I would

totally agree."

"Mom likes Garfield," Monica says with a shrug and I laugh again, delighted with her humor and

the little smile on her face.

"Your mom is a nerd. Well, the short one is anyway."

Our humor dies abruptly when a big engine is heard chugging our way.

The alertness in this quiet place is very different than it was living in a city. Sure, you always want

to keep your wits around you, but danger is just… different. An unexpected vehicle of what is

clearly a large size is not something to ignore.

"Gimmie a sec," I tell Monica distractedly and hop the obnoxious beam that separates my shop

from the rest of the barn. It only takes a few steps to get to the person door at the front and throw it

open to the cold.

Guess Lena wasn't kidding about being in a hurry! The noise is a fleet of large vehicles caked in so

much ice and road grime that I can't make out any markings. Well, this better be the new toy or I'm

going to be having a very awkward conversation.

In the lead is a flatbed pickup truck, massive enough that anything bigger would start to look like

an 18-wheeler. Behind it looms an unmarked trailer that makes the huge pickup look almost small.

Somehow the husky boom truck behind it threads past, towing a trailer full of… I can't remember

the name of that piece of equipment. Like a forklift with a telescoping arm, though this thing is

larger than any forklift I've ever seen!

There's a dump truck towing a tractor that looks like it ate both of mine and a jumble of big, steel

gear. With much groaning and hissing, the convoy of semi-trucks come to a halt, lined up neatly,

and snaking out of sight behind the trees alongside the Rambeau cabin. The first two are towing

enclosed trailers, the rest heavy loads of steel girders in various configurations, stacks of pipes and

mysteriously tarped shapes.

As engines start to fall silent, a beanpole figure in heavy jeans and a white t-shirt scoots around the

back of the dump truck's trailer, slapping a beanie on their leg. Good thing it's a relatively pleasant

day. Those short sleeves show enough ink to make me look like a child's attempt, the art crawling

right up to the jowls of a foxy, androgynous face and a smirky grin that reminds me of Lena.

Doesn't everything seem to remind me of that family?

"Glad for that long driveway. You Alex?" the stranger calls out in a voice that sounds distinctly

feminine. Too baffled to find words, I just nod and the smirk becomes a real smile. "Kane. Lena

sent us."

Seems that my association of that smile wasn't very far off after all.

"Me and Baby Luthor go way back and this is a project perfectly timed and too intriguing to pass

up. Besides, what a great place for a working vacation!" Kane's handshake is hearty and I'm glad

for all the months of hard work or I would have winced. Kane's lanky to the point of almost being

skinny, but clearly packs a punch. "So, you might be the star of the show, but I believe our contact

is Lucy Lane?"

"At your service," my best friend, the sneak, calls out as she trots up, flapping a sheaf of papers at

us. "Your boss is an efficient negotiator. The permits were just emailed and printed out. Oh, and by

the way, surprise Alex!"

That smug grin makes me shake my head. "Asshole. You're the best."

"Damn right," she sasses and switches her grip on the papers to step towards our guests with an

extended hand. "Kane, right? Lucy Lane, a pleasure. You made good time."

"Yeah, the brains of the operation found us a better route. More miles, less snow." Kane's

expression softens to real adoration and a little relief as a drop-dead gorgeous black woman joins

us. "Ah, here she is. My partner, Sophie Moore."

That warms a neutral expression to soft warmth as Sophie hands off a black sweatshirt trimmed in

yellow to be shrugged into. "Flatterer."

Their affection is sweet and leaves me nostalgic. Sophie's smile warms a bit when she turns it to

me and my inner playboy mourns that she's taken. The twinge of attraction doesn't feel right

anymore and doesn't that feel weird…

"This is a nice setup you folks have here. Is there a large corner where we can set up camp?"

Thankfully, I have the perfect solution for that, gesturing back the way they'd come in. "That

clearing off to the right when you pulled in? Do whatever you want to that. It's been doing nothing

but go feral since long before we came here. Hell, you chewing it up will probably make it easier

to plant something in spring."

That earns me a real smile then, wide and charismatic. "Good. We'll get unloaded and get rid of

this caravan as quick as we can. I'll apologize now for the long night. I'm sure we'll be a

disturbance to you and your livestock. I promise it's just one night and we'll behave more civilized

after that."

"We appreciate that," I manage to say somewhat seriously, despite Kane's clearly holding back

some manner of smartassery. I like them both already. Particularly when they excuse themselves

and Sophie whacks Kane in the belly with the back of her hand, laughter echoing through the air.

Sophie was right and the noise hasn't let up even as the skies darken.

With all the animals agitated, we all agree on a little extra food since no one will be sleeping much

tonight. I miss said feeding as Kara and I spend several hours rounding up the damn ostrich into

their barn. Frankly, the big idiots are liable to panic and kill themselves running loose in the dark.

We don't lock them up much, even in cold weather, since lots of reading and asking experts

reassures us that the birds are hardier than their African roots would suggest. If people can raise

the damn things in Alaska, they can sure as hell survive the mountains of Oregon!

"Makes me wish we'd waited another week to release the babies," I grouch at Kara once we finally

get the flock behind gates and can close up the old chicken barn. Kara just chuckles wearily and

stretches out her back before heading back to the ATV.

While I know I should go clean up my little shop, or get dinner, or grab a shower or a hundred

other things, I hop in the UTV and head over to the new chaos.

The Rambeau cabin sits facing my house and Lucy's yurt, the side road between us. The land

humps up behind it before falling gradually away to the county road. We laid down an offshoot of

the gravel side road to lead up to the top of the rise where a double garage stands for them. The rise

glows from behind as I send the UTV up the gravel to join my cousin and her family in ogling the

spectacle.

And what a spectacle it is!

All the construction equipment has been unloaded, two little earthmovers on tank treads buzzing

around their larger cousins. Rows and rows of overlong pallets encased in shrink wrap are lined up,

quickly being added to so that the seemingly endless stream of semitrucks can move on.

"Wow," is all I can think to say, climbing out of the UTV to stand with my relatives.

"Look," Monica says excitedly, tugging at my sleeve to get my attention. "Brainy left me a camera

and has me watching the stationary one he set up."

Sure enough, just under the eaves of the garage is a tripod, trained on the action. Another camera is

in Monica's hands and she is clearly delighted with the responsibility.

"Very nice! This mess won't get old soon will it?"

"It will when I want to sleep," Maria grumbles and Carol just snickers and leans into her side for a

hug.

Monica rambles on excitedly about the equipment, pulling out her tablet to show me where she

found them. Turns out their tractor is actually called a loader and the telescoping forklift thingie is

a telehandler. The latter is the busiest thing down there, pulling off smaller pallets as the large ones

get fitted with straps to be lifted away by the beefy boom truck. The little tanks -skid steers,

Monica helpfully informs me- push around the loads on the ground to maximize the rows and

generally help out.

"You should have seen it," Monica gushes on. "The big crane lifted the yellow one right out of the

back of the dump truck! It was cool."

I'm too curious to resist grinning wickedly at Monica and saying, "wanna get closer?"

Carol stifles down amusement, having a harder time of it as I make an exasperated teenager huff at

Maria's expression.

"Relax, Mom, just over to the old house to watch."

Now Monica and Carol are both sniggering and Maria is the very picture of affectionate

exasperation. "You are all children. Be safe!"

We're off like shots, Monica keeping her death grip on the camera. Good girl. Peering around the

dilapidated house -and fuck if it doesn't smell as bad as it looks, eww- we take in the closer view

of our new neighbors.

The clearing is nearly twice the size of the one that contains the village and our septic fields. The

old, derelict home currently stinking at us hasn't been touched despite its needing to be torn down.

At first it was to keep a legal dwelling on the property; now it's just a matter of time and effort.

Maybe if I ask nicely, these folks will just raze the damn thing with that big tractor, err, loader.

Equipment has been lined up neatly behind the house, maximizing the lower half for supplies.

There's an enclosed semi-trailer still attached to its truck and I have no idea what it is, though

windows march down its side at even intervals. Beside it is the big pickup and trailer and then

there's the damnest rig I've ever seen. It seriously looks like a semitruck nose and tail end with a

boxy RV shape filling out the middle. And attached to its 5th wheel hitch is yet another boxy

trailer, though not quite of the proportions of the other two. Both of the smaller trailers have ramps

at their ass ends, standing open to the closing night, tread marks leading away from both in the

light that spills out of them.

It's all fascinating, but when Carol calls it, I follow her and Monica back up the slope and off to a

late dinner. We still have normal lives to live, in spite of the fascinating noise and mess!

We all head to bed early to try and get what sleep we can. Opening the blue door has a noisy

Biscotti rubbing up so avidly it's hard to walk, which is why she gets carried so much. Paying

attention to her and BP soothes me and taking care of their food and mess makes me feel needed.

But soon there is no avoiding my own heart and mind. It's easy to stay busy away from the peace of

my little house, to use effort to cover the ache that has nothing to do with muscle and bone.

With the muffled din of city-like noise that I left behind and took unexpected love away from me, I

dig out the foam earplugs that are so handy before snuggling in with my pets. The bed still feels too

large and too empty, but my body has no choice but to remember life before the couple who I still

miss so much.

Sam's POV

Life carries on. It doesn't give a damn about our frail human foibles. Whether we like it or not. In a

great many ways, I'm grateful for it. The quietness of the apartment and my family is… notable,

but I don't want to make a big deal out of it and potentially cause more stress.

And I can't exactly figure out my own mixed feelings either.

The club is busy with Halloween past and the Christmas season already blaring cheer and

consumerism at us. Can't we wait until after Thanksgiving? Which is only a week and a half away,

dammit!

At least I don't have to do any planning for that holiday. We go up to the Luthor estate every year

to enjoy the pristine pastoral manor and eat like royalty. I feel like the place is going to seem

sorta… artificial after the farm.

As I keep trying to do, I shove away thoughts of Rainbow Haven Acres and those deep brown

eyes…

It takes a physical shake, like a horse with flies, to get my head back in the game. The club is

hopping with the federal holiday of Veteran's Day giving many an extra day off. So, really, I'm too

busy and distracted for the chaos that walks in, but she's as good as family, so what can I do?

Besides, for all that Andrea Rojas is a pain in my ass, she does know how to make an entrance.

The poster child of HBIC in Armani or something more likely to be far more expensive and

handmade just for her, Andrea pauses for exactly the right count of milliseconds to make an

impression to the whole bar without being ostentatious. A glance takes in the whole room before

she makes a beeline for me and takes a barstool that her mysterious powers have seen evacuated.

Exhausting to deal with, yes, but also strangely fascinating. Like a car wreck.

"So, I hear there's a vacation home to decorate in my future?"

Smirking, I nod but don't bother to speak just yet. She's barely warmed up.

"Where was this again?"

"Oregon."

How anyone can look so daintily disgusted and yet remain dignified is beyond me. Bet this is

where Lena learned it from.

"You mean hell and gone. What possessed you two to go to Oregon?" she says it wrong, like ore-egone.

Knowing Andrea it's purposeful. There must be some sort of subconscious warning in my

expression because she actually backs down. "Still, I suppose it must be a gorgeous place with all

those trees and mountains."

"Yeah, the scenery had something to do with it." Yes, there is a distinct leer in my voice, which

earns a sharp, speculative look.

It's a cheap shot to make our wonderful experience with Alex sound like a casual fling, but I feel

like I need the emotional armor of pretending around this shark. Besides, Andrea gets on my

nerves, what can I say. That she has history going way, way back with Lena is the root of that. So,

sometimes I get a little competitive and stupid.

Why I can never hide a damn thing from this woman is a phenomenon I can't figure out as

Andrea's expression goes from speculative to sly.

"Ah, one of your little 'excursions' was involved."

She ought to know, as she was the first one. At least it seemed to have gotten her permanently out

of Lena's system. Lucky for me, because she makes me nervous when it comes to the love of my

life, dammit.

"That's quite a commute."

I don't normally drink on the job, even if I have the alcohol tolerance of the Irish. It's time for an

exception and I grab two shot glasses and the top-shelf bourbon few have the coin to afford,

pouring generous portions. It's all one smooth movement, my body on auto-pilot. Andrea is curious

at the offering, but raises her glass in response to my doing the same.

"Worth it."

Yeah, it feels good to make her splutter a little.

One of the things I insisted on making room for when we remodeled years ago was a half dozen

mobile phone rooms scattered around. And, frankly, people are stupid and never use them enough.

Though at least in the old bar, we're militant in intimidating people into taking their damn calls out.

I'm 100% behind my staff chucking people out if need be. Anyway, I gesture to Wanda that I'm

stepping away and shoo Andrea out ahead of me.

The first room we can see is occupied through the glass door, but the second one is available.

Unusually, Lena doesn't answer immediately and I'm beginning to wonder if it will go to voicemail

when her quiet hello finally comes through.

"Hey, sweetie, guess what the cat dragged in?"

That is as good an invitation as a formal card for Andrea to get sassy. "Oh, you would make a

pussy joke, Samantha. Hey, baby doll, so let's take a meeting for your new love nest, hmm?"

Again, a long pause and my concern grows.

"Yes, the building," Lena says distractedly. "I'm not really ready for a meeting right now."

She sounds upset, despite the valiant effort of hiding it. Andrea recognizes it too, her characteristic

intensity softening with worry. It's a rare empathetic moment between us.

That softening is reflected in Andrea's voice. "Hey, no problem. How about I come back in a

couple days? We could do lunch."

There is real relief in Lena's voice when she replies, "that would be great."

Alex's POV

I'd somehow had the braincells to make a phonecall last night. Not bad considering what a mess

I've been lately. After a surprisingly decent night's sleep thanks to the earplugs, I'm dressed and out

the door around the time I'd normally be getting up anyway. I suspect no one will be up and at 'em

with any expediency this morning, so I'm off to provide a welcome treat.

The drive into town is nice, the world quiet and dark around me. Just black asphalt, patchy old

snow and the shapes and shadows of farm and forest. Every shop but one is closed, the warm light

drawing in all who are awake at this hour. Like bakeries everywhere, lovely things to eat and the

promise of hot coffee is a familiar beacon.

"Hey, Anita," I call out as I push open the door to the whimsically named 'Diamond In The Rough'.

"It smells as fantastic as always in here."

"You bet!" she yells from the back. "Your order's on the counter, you know the routine!"

There are certain cliches about a small town that I've grown to love. A big one is the built trust that

comes with our small numbers. Fuck up that trust and the whole population will know and fast.

That would be a disaster for all persons involved. Besides, I'm not a dick.

Reaching around the low partition that separates Anita's workspace from the serving counter, I feel

out the credit card machine. Checking my tally -ouch- I run my card and open every warm,

fragrant box until I find an apple fritter. Mmmmm, worth every penny!

I've stuffed half the thing in my greedy maw when Anita appears, wiping her hands on a towel and

sporting a sly grin. "What kind of army are you feeding up there? That was some caravan that

came through last night."

Swallowing too hard makes my throat hurt and my eyes water. I blame the mild pain for the

bluntness.

"The sugar mamas bought me a warehouse."

For a moment, Anita is taken aback before she bursts out into peals of laughter and waves me off.

Pleased with amusing her by taking a little potshot at myself, I head home, as grateful as always for

the warm sense of belonging that embraces me. There are lights on at the construction camp and I

can see shadows flickering in the gloom where once again one of the trailer's ramp is down. So I

turn off the gravel and bump over the soggy ground until I'm close.

The open trailer is a traveling mechanic shop, I recognize that in a glance. The damn thing is about

the size of my shop and far more carefully fitted out. Manning it is a small woman with a sleek

ponytail of black hair and warmly brown skin who is dressed for the morning temperatures. I

recognize the way she jumps and goes into a combat mode when she spots me. Not with the feral

danger that Lucy can manifest, but familiar nonetheless. So I pause, keeping my body relaxed and

my hands visible.

"'Morning. I'm Alex, the owner. Well, one of them anyway. I brought donuts and coffee for your

crew."

That breaks the tension and she walks down the trailer, boots thumping lightly against the rubber

and aluminum. Somehow she is more attractive than even Sophie, with grave eyes offset by a

winning smile.

"Hi, sorry for-" the introduction breaks off when there's a muffled racket of sound and the side

door of the trailer up near the front opens. An adult leans in to set down a fury of energy that

beelines for the lady with a squeal. "Good morning, sunshine!"

I take no offence at being dismissed for the child, who is maybe sixish with a happy little face and

a headful of floppy brown curls.

"Mimi!" is the yelled greeting as the child is swept into a big hug. When I'm spotted it earns quite

an intense stare, so I wave a little. "I dunno you."

"Nope," I agree easily. "I'm Alex and you're building that huge thing for me."

The munchkin lights up in delight and crows, "Cool!"

Awww! Adorable.

That my heartstrings are twanging in missing another munchkin who stole my heart is something

I'm trying to ignore. Which reminds me, I have that call in an hourish.

"Charlie, stop squirming," the hot mom admonishes and flashes me that smile again. "This is my

son, Charlie. I'm Kelly and the muttering outside the door is my wife, Brin. Brin! Come in and say

hello."

"Hang on, my laces are all muddy. The princeling really wanted to see his Mimi!"

A moment later a woman steps in, dark haired and average height but with a presence that fills up a

space. Brin is butch enough to intimidate me, massive enough to spindle an ox but moves with the

lightness of a dancer. Or a martial artist.

Thankfully, she has a welcoming grin and strides over with an open hand to meet me. We don't get

past names when a voice I don't know sounds nearby.

"This soggy shit is better'n snow!"

Kelly cackles together with another unseen female and I grin at Brin's eyeroll. "I promise they're

housebroken."

My laugh feels good.

With coffee and donuts as bait, I entice Sophie's whole team over to the clubhouse where my loved

ones are sleepily gathering. The babble of early morning turns into a din as introductions are made

and strangers become pals.

Only when we start to naturally gather around our inadequate seating do I get an almost familiar

jolt. The beautiful cedar slabs are meant to go here, to complete this space. But as so much does,

finishing them doesn't feel right without the lovely family from New York.

I zone out for a bit while the others hash over locations on the farm for the new building. It could

be minutes or hours when I dimly register Monica commenting on how neat and new their

equipment is under the dirt, endearing a smattering of chuckles. Kara laughingly blurts out, "how

long have you guys been doing this anyway?"

Firmly snapped back to the moment, I am stripped of melancholy over different New Yorkers as

these ones are instantly wary, bordering on hostile, and Kara shrinks against my side. Almost as

quickly, they force themselves to back down, Kane rubbing her face and speaking up.

"Sorry, that wasn't aimed at you. Sore spot. A few months ago we were at our last job and

somehow, a crew stealthed in one night and made off with nearly every scrap of equipment we

own. Pretty much only the loader and dump were left."

The collective horror in the air is a sensation I can feel. Carol voices it first with, "that's fucked."

The sympathetic bluntness earns several huffs of agreement that is almost amused and the mood is

mostly defused.

"Yeah, I agree. After fencing with the damn insurance for a month, I gave up and just bought the

damn replacements myself and I'll see them in court to reimburse me."

Everything but the dump truck and the loader. There's a lot of equipment out there, and knowing

what our big Kubota tractor cost, I can't even fathom how many zeros were needed. Probably along

the lines of the damn warehouse.

Well, seems Lena isn't the only one percent that decided to strike out on her own and get a real job.

"Well, we'll help you break in your new toys," I tease and hug a still-unsettled Kara to my side.

"How did you guys end up taking this job if you're, I'm assuming, based in New York? I mean,

besides Lena's involvement."

Again, Kane takes the lead, clearly comfortable with the role. "There's not a lot of us that run our

inherited circles, and fewer still that I can tolerate. Lena is one of the few. And she's diverse and

classy enough to get on with my twin too. Who is as much a highbrow socialite as I am a tattooed,

non-binary grease monkey. We love each other, but have little in common. Still, she takes care of

the bulk of the paperwork we collect, so serves a crucial role."

"Sounds complicated," I say breezily and wave at the clutter of papers and electronics over the

inadequate table space. "So, while I can't argue that the clearing you're in right now is big enough, I

don't like feeling isolated. If Lena hadn't gone quite so extra, I would have liked to have smooshed

the new toy in next to the barn, but I'm not going to argue that it would be far too close to the pond.

And as much as I agree about losing pasture space, we have to expand those anyway, so let's

snuggle up to the end of the low barn. That reinforced turf road is already in for deliveries and we

can expand that big concrete pad by the wood and hay storage to incorporate one end of the

warehouse."

"Shouse," Sophie chimes in with a little smile. "Like shop-house. I know it's a stupid name, but we

can't exactly call it your evil lair."

Again, my unexpected laughter feels good and I just know the nickname is going to stick.

"Oh, I dunno, I kinda like evil lair. Okay, everyone, grab chainsaws and get them ready. Time for

chores and then some land clearing!"

My aching heart is relieved that our next adventure has begun.