Ricks spaceship zips across the sky. Rick and Morty (in black SWAT gear) inside. The song 'Never going to give you up' by Rick Astley plays on the sound system.
Rick and Morty in the midst of conversation.
Rick: No Morty. No, I'm not doing it.
Morty: Come on, Rick. You can do it.
Rick: Yes, I could do it. I'm a genius. But I'm not a saint. No, Morty. For the last time, I'm not finding the cure to cancer. Helping better humanity with my genius doesn't interest me. You want the rest of this burrito?
Morty shakes his head 'no'.
Rick: Anyway, we have better things to do today.
Rick turns off the music.
Rick: You ready?
Morty puts on a 'scary demon' mask, followed by Rick.
Ricks spaceship slopes downward - crashing into a 'Buddhist temple' looking building. Rick and Morty exit the vehicle and storm down a large hallway, weapons drawn. Through big doors, they approach 'Space Dalai Lama' sitting like an idol, in cross legged meditation, on a throne at the end of the room. Some monks get in the way and are shot down. Morty stands guard as Rick captures 'Space Dalai Lama' - tying him up and putting a bag over his head. They turn to leave and are met with resistance - monks with magic powers like characters from the cartoon Avatar: The Last Air Bender - these monks display their mighty magic powers.
One monk displaying his power of fire.
Close up shot of Mortys fearful face - slow zoom in on his widening eyes with reflection of fire on his pupils.
Scene cuts to - the Smith house. Ricks spaceship parked in front of the garage - heavily damaged as evidence of a daring escape.
Cuts to - darkness - a door opens shining light into a room. 'Space Dalai Lama' tied to a chair. Rick approaches.
Rick: Do you know who I am?
'Space Dalai Lama' sits silent, stoic, sanguine in a calm meditative state.
Rick gets annoyed.
Rick: DO YOU KNOW WHO I AM?!
'Space Dalai Lama' is unfazed, unchanged.
Rick calms himself down, realizing who he is speaking to.
Rick: You are here, sadly, because you have something I want. Just give me what I want and you'll be set free. Got it?
Rick: Give me the secret to eternal happiness. You have it. I want it.
'Space Dalai Lama' is silent.
Rick: Well.. I guess I'm going to have to torture you now.
Morty (dressed in a suit) appears at the doorway.
Morty: Hey, Rick. We have to get to the ceremony by seven thirty.
Rick: Well what time is it now?
Morty: Six fifty one.
Rick: (signs) Alright. Just wait for me in the spaceship will you.
Morty leaves the doorway.
Rick to the 'Space Dalai Lama'
Rick: To be continued.
The end of Part 1
Part 2
A black tie gala celebrating the ten thousandth birthday of 'the don' ( looks like a really old 'stone like' Star Wars movie character Jabba the Hutt). Live orchestra, standing room crowd of well dressed aliens, waiters serving drinks, buffet table, 'the don' is seated behind a table on a stage at the end of the huge ball room.
Rick and Morty (dressed appropriately) appear.
Rick: Sorry we're late. We got.. tied up in something.
Rick smirks at Morty. Morty frowns.
Summer (dressed appropriately) looks at them.
Summer: I don't even want to know about it.
Morty: Where's the restroom?
Summer: Down the hallway, first door on the left.
Summer points. Morty leaves for the restroom.
Summer: Rick. I want you to meet someone.
Rick gets a champagne glass from a passing waiter
Summer: This is my fiance Roy. Roy, this is my grandfather, Rick.
Roy (dressed appropriately, tall muscular alien)
Roy: Nice to meet you.
Rick: Likewise.
Roy and Rick shake hands.
Roy: Summer tells me you're unemployed, living off the guilt and insecurities of your well meaning daughter.
Rick: Umm.. yes. Pretty much. And what do you do for a living, Roy?
Summer: Roy's a professional wrestler. The king of farts.
Summer smiles at Roy. Rick almost spits his drink out.
Rick: I'm sorry. I thought I heard you say the king of farts.
Roy: You heard correctly.
Rick: What? What is that, french for something?
Roy: It's not french. It's what I am known for.
Rick: Farts?
Roy nods.
Rick: Really?
Roy with a confident smile.
Rick: Huh.. okay. So you're good at farts?
Roy: I'm the king of farts.
Rick: The king.
Roy nods.
Rick: Of farts? You?
Roy: Yes, I am.
Rick: Huh.. okay. Well I don't believe you. You're going to have to give me a demonstration.
Roy: You want a demonstration?
Rick: I would love a demonstration.
Summer gets concerned.
Summer: Rick. Rick don't do this to me, Rick.
Rick: It's fine, Summer. Every things just fine.
Roy is taking off his coat.
Summer: Roy. Roy. You don't have to do this, Roy.
Roy: Summer, your grandfather apparently wants to be farted on. Here hold my coat.
Summer: Oh my God.. Oh my God..
Roy approaches Rick. Rick stands defiant.
Rick: Blow me away, Roy.
A low rumbling begins to emanates from Roys gut. The rumbling grows louder, shaking champagne glasses from neighboring patrons of the party who take notice to the strangeness. Rick gets scared.
Cut to - the orchestra tuba player as he's about to play a big note.
Cuts back - as Roy farts on Rick - like an explosive concussion, Rick is sent airborne.
Cut to - Morty returning to the ball room. He witnesses Rick going airborne.
Cuts to - Rick crashing down onto a waiter.
The crowd of party goers are in momentary shock and disbelief at what had just happened before returning to enjoy the party.
Morty reaches Rick and helps him up.
Rick POV of double vision, ringing in his ears as Morty asks.
Morty: Rick. Are you okay?
Rick stares at Roy from across the room as he and his entourage laugh among themselves.
Rick: Morty, I need you go back home and get something for me.
Morty: But I just got here.
Rick: Morty, this is very important. Here, let me write it down for you.
Rick writes on a piece of note paper and hands it to Morty. Morty reads.
Morty: What? What is this stuff, Rick?
Rick: Morty. Take the keys. Go home. They're in the chemistry cabinets in the lab. Bring it here. Got it?
Morty: Yeah.. alright.
Morty leaves.
Rick: Hurry Morty. Move those legs!
The end of Part 2
Part 3
The black tie gala continues. The orchestra plays.
In the kitchen - a team of cooks busy about. A giant birthday cake for 'the don' is being prepared.
Cut back to - the gala - Summer and Roy in conversation while Rick stares at Roy from afar beside the buffet table, eating from a plate.
Morty returns to Rick with a tote bag of chemical bottles. Rick sets his plate on the table.
Rick: You got everything?
Rick going through the bag.
Rick: Good. Good.
Rick leaves for the restroom.
Morty: Where are you going?
Cut to - Summer and Roy in conversation. They turn to Morty as he joins them.
Morty awkwardly.
Morty: Hi.
Cut to - the orchestra playing.
Cut to - in front of the restroom door. Guests entering and exiting. Guests are blocked from entering by someone exiting. They part to reveal Rick (who is now bloated to a ball shape in a tuxedo). A smirk on his face.
Cut to - the gala - the groupings of guests are disturbed and part, making way for Rick who is waddling toward Summer, Roy and Morty.
Rick reaches Summer, Roy and Morty.
Rick: Hey Roy..
Summer, Roy and Morty turn to Rick with Summer and Morty wide eyed surprised.
Rick, with a confident look, lets out a fart.
Rick: Let's dance.
Summer: Rick. What the f*** are you doing? You are not doing this, Rick.
Ricks now looks sick in the face, his gut grumbles, he farts some more.
Rick: Oh.. Oh f***. I think I over did it. (farts)
Rick farts a green colored gas. A passing waiter inhales, passes out, crashing a held platter of champagne glasses to the floor.
Things escalate as Rick begins to slowly balloon in size, farting uncontrollably - emitting green colored gas - slowly filling the room - offending/passing out guests.
The orchestra stops playing.
It's now an emergency as guests head for the exit.
Summer gets too close to Rick, inhales his fart and passes out. Roy retrieves Summer.
Roy: Morty. Take Summer and get her away from here. Save Summer, Morty.
Morty: What about you, Roy?
Roy: I will try to save your grandfather.
Roy says as he takes off his coat and bow tie.
Roy: Tell Summer I love her.
Morty heads for the exit, dragging/carrying Summer with him.
From the buffet table, Roy pulls the tablecloth off, sending dishes of food crashes to the floor.
With the tablecloth, Roy wraps it around Rick (now hugely bloated) in an attempt to squeeze all the farts out of Rick to prevent him from exploding.
Cut to - outside the gala - where the many guests have gathered. Morty with a passed out Summer. Firefighters arrive on the scene.
Summer comes to.
Summer: Where's Roy?
Morty gives Summer a look. Summer reacts with a scared look.
Cut to - 'the don' is seated behind a table on a stage at the end of the huge ball room. Servants work to move the 'stone like' creature to the exit to no avail.
Cut to - the kitchen - the team of cooks have finished the giant birthday cake for 'the don' with ten thousand birthday candles lit. They rush to push the carted cake out to the gala - singing the song 'happy birthday' along the way.
Cut to - 'the don'. A lead servant, hearing the song 'happy birthday', turns to see the giant cake with candles. Panic in his eyes as he screams - "NOooooo.."
The candles on the birthday cake ignite fart gas which has filled the room.
EXPLOSION - the entire building explodes.
The gathering of guests outside the building are in shock.
The end of Part 3
Part 4
The sound of funeral bells. In a church, a mourning Summer (dressed in a black gown) accompanied by Beth (dressed appropriated) is given an urn by a priest.
Next scene - the Smith residence. In the living room, Rick sits on a couch watching television, when Summer (carrying the urn) and Beth return home.
Summer stand in front of a seated Rick, blocking his view of the television. She sets the urn on the coffee table in front of Rick.
Summer: Well I hope you're happy with yourself.
Summer angry stares at Rick.
Rick: Summer. I said I was sorry. Think about how I feel? I mean I died too, you know.
Scene cuts to - hell. A naked Rick (wearing a birthday cap) sits at a table before a birthday cake, surrounded by starving naked Ricks singing the song 'Happy Birthday'. The Ricks finish singing and immediately unceremoniously disperse and the birthday cake is removed from the table to a confused Rick. A demon guard approaches Rick and dumps a shovel on the table. Rick looks at the shovel and frowns.
Scene cuts back to - the Smith living room.
Summer angry stares at Rick, breaks down, crying into her hands, she runs away, upstairs to her room.
Beth: Summer.
The sound of a door slamming shut.
Beth approaches Rick.
Rick: I said I was sorry.
Beth: Dad. Summer's really upset right now. Maybe it's best not to aggravate the situation.
Rick: Yeah, well..
Beth leaves upstairs to Summers room.
Rick clicks off the television with a remote. And picks up the urn, pondering.
Rick: Roy. The king of farts. I hardly knew ye.
Rick: The king is dead, Roy. Long live the king.
Cut to - shot of - Summer and Beth re-entering the living room and pause in shock as they see Rick, pants down, butt over the open urn on the coffee table. Rick looks back at Summer and Beth in surprise as he lets out a fart causing a plume of ashes to erupt from the urn.
Cut to - wide shot of the Smith house as Summer screams:
Summer: RICK!
The end of Part 4
Part 5
Darkness.
Ricks voice: Don't go anywhere.
The sound of a door closing shut.
Next scene - a strip club. The song 'The hand that feeds' by Nine Inch Nails plays.
Morty appears from the exit of a restroom - making his way through the strip club to a private room, he finds Rick (intoxicated, wearing 'cool guy' shades) seated on a couch huddled by three young strippers. They are all gathered enjoying photos on Ricks smartphone that he is holding.
Rick: Morty. Hey Morty. Morty. Answer this question.
Rick shows Morty a photo of himself and the three young strippers from his smartphone.
Rick: Does this make me a pedophile?
Morty, confused, shakes his head 'no'.
Rick: Really?
Rick uses an app on his smartphone to 'morph' the faces of the young strippers to 'baby faces'. He re-shows Morty the photo from his smartphone.
Rick: How about now?
Morty: Rick, you told me we were getting replacement parts for the spaceship.
Rick: We will, Morty. We will.
Rick says as his attention is returned to his smartphone and the strippers.
Morty stands there, looking at Rick.
Rick, enjoying himself, glances at Morty, and gets uncomfortable. Rick stands up.
Rick: Alright ladies. It's been fun, but playtime's over. Big Rick has work to do.
The strippers are disappointed with a collective 'awe'. They each say their goodbyes by giving Rick a hug before leaving the room.
Rick removes his shades and pockets them. From his coat pocket, he retrieves a device (looks like a metallic baseball).
Ricks smartphone rings, he answers - it's a text from 'the dons' estate reading
'You are out of the family.' Rick with an expression of slight sadness. He pockets the smartphone.
Rick: You ready?
Morty nods.
Rick activates the device - (behaves like the movie Terminator time travel effect) a black sphere with electricity expands outward engulfing Rick and Morty before collapsing into nothing.
Next scene - the Smith residence - the living room. Summer is seated on a couch, watching a video from her smartphone. On the television - the music video 'Never going to give you up' by Rick Astley plays.
Beth appears and sits beside a mourning Summer reminiscing.
Summer: This is me and Roy on the beach. Roy loved the ocean.
The doorbell rings.
Beth: I'll get that, sweetie.
Beth clicks off the television with a remote.
Cut to - Beth opening the front door to a man (looks homeless).
The man speaks forcefully.
Man: Is this the Smith residence?
Beth: Yes.
Man: Does Summer Smith live here?
Beth: Yes. What is this about?
Summers voice: Mom. Who is it?
Summer is now standing within view of the man.
Man: Summer Smith.
Summer: Yes. Who are you?
Man: My name is Michael Biehn. I'm on a mission from the future to impregnate you.
The end of Part 5
Part 6
The Smith residence - from behind window curtains, Summer and Beth peeks out, scoping the man, who is standing at the sidewalk in front of the house. He is facing the street as though he is on guard.
Beth: What is he doing?
Summer: He's just standing there.
Summer opens the window a crack - yelling at the man.
Summer: Go away!
Mans voice: The survival of humanity depends upon us copulating together.
Summer: No, it doesn't!
Beth: I'm calling the police..
Beth, away from the window, on her smartphone.
Beth: Hello. Hello. 9-11. This is an emergency. There is a man standing outside our house and he won't leave. Yes. Yes, I tried that. No, he not hostile..
Cut to - the man standing outside the house. He spots something down the road. From his trench coat, he reveals a shotgun. The man (with shotgun in hand) turns and rushes toward the house.
Cut to - Summer at the window.
Summer: Oh, my God! He has a gun!
Beth on her smartphone.
Beth: He has a gun!
The front door kicks in, with the man rushing in toward a screaming Summer (who is in the dinning room). Summer and Beth (in a panic) back away.
The man is about to reach Summer, when he looks out the window to see a car speeding directly towards them.
In quick action - the man tackles Summer out of the way as the car crashing into/through the dinning room of the house.
Smoke and rubble.
A tackled Summer, comes to. Doing a double take of a picture of Rick on the wall, she curses.
Summer: Oh, f*** you, Rick. This is all your fault somehow!
The car door opens and out steps a movie The Terminator character T-800.
Summer, Beth and the man flee to the living room.
In the living room, the T-800 enters.
Man: Get back, Summer!
The man says as he fires his shotgun at the T-800. Summer and Beth scream.
The shotgun blast rip off the fleshly face, revealing the metallic skull of the T-800. Summer and Beth scream some more.
Man: Run! Get out of here!
The man says as he reloads his shotgun.
Beth and Summer (in a panic) flee through the entry to the front door. They are stopped by another man ('man 2', looks homeless).
Man 2: Summer Smith. My name is Jai Courtney. I need to have sex with you!
Summer screams.
Summer and Beth (in a panic) flee through the dinning room to the garage. As they do so, another man ('man 3', looks homeless) appear from the car smashed opening of the dinning room.
Man 3: Summer Smith. My name is Anton Yelchin. I'm from the future..
In the garage, in the family car, Beth starts up the ignition. She activates the cars remote garage door opener. The garage door opens, revealing another man ('man 4', looks homeless).
Man 4: Summer Smith. My name is Jonathan Stevens Jackson..
The family car backs out the driveway fast - running over man 4.
The family car speeds down the road.
The end of Part 6
Part 7
The family car speeds down the road. Beth driving, Summer in passenger side. The women are in panic.
Summer: Oh my God. What the hell is going on? Why are all those men after me?
Beth: I don't know, Summer. I don't know. I'm going to call Rick. Maybe he'll be able to help.
Beth calls Rick from his her smartphone. Ringing.
Beth: No answer.
Summer looks scared.
Beth: I'm going to call your father.
Summer give a 'WTF/ are you for real?' expression.
Scene cuts to - a strip club. The song 'My sharona' by The Knack plays.
Jerry is seated on a couch huddled by five young strippers. His smartphone rings, he answers.
Jerry: Hello. Oh, hi honey..
Jerry cups the smartphone with his hand - whispering to the strippers - "It's my wife" - before resuming the call.
Jerry: Yes. No I'm not at the office. I'm out for lunch right now. Why, what's wrong?
Jerry: Honey, you're going to have to speak slower. What about Summer? Have you tried calling Rick? Have you tried calling Morty?
Jerry: Uh huh.. Uh huh.. Well this is clearly a code 2. Evacuate to the safe house and I'll arrive as soon as I can.
Jerry: Okay. I love you, too. Tell Summer daddy loves her. Okay, bye. (hangs up)
Jerry stands up.
Jerry: Sorry ladies. Jumbo Jerry has to go. Family emergency. My wife and daughter need me. Anybody see my jacket?
Scene cuts back to - Beth and Summer in the family car.
Beth: Jerry's on the way. We will be safe at the safe house for the time being until we can figure this out. I should call Morty..
The family car stops at a red light intersection.
Beth calls Morty on her smartphone. Ringing.
Beth: No answer. Where are those two?..
Summer: Mom, look!
From the hood of the family car, (like a moment from the movie Terminator 2), a liquid metal body begins to slowly emerge upward.
Beth and Summer scream.
The end of Part 7
Part 8
In a white void (looks like wavy/shifting Memphis design pattern) Ricks spaceship (undamaged) floats stranded. Rick and Morty seated inside.
From the interior - Morty looks out his side window to the strangeness of the void.
Rick: I'm sorry for getting you into this, Morty.
Morty: Where are we, Rick?
Rick is focused with small tools trying to fix a broken disassembled device (the metallic baseball). He tosses the butt of his lit cigarette out his down side window.
Rick: Liminal space time.
Morty looks a Rick. Rick explains.
Rick: Imagine space time like the fabric of a knit sweater. Stretch that fabric and gaps are exposed in the weave of its threads. We are presently stuck in one of those gaps.
Morty: How is that possible?
Rick lights himself another cigarette, resuming to repair the device.
Rick: Morty. Space can be infinitely vast, matter can be infinitely small, and time can be immeasurably brief. On a sub-quantum level, the physical world gets very weird. But hey, look at my wristwatch. It's ticking forward so what the f*** do I know. This is all theoretical physics I am not interested in exploring right now. Returning back home to our original point in time is what concerns me.
Morty, processing the information, looks out his side window.
Rick: There. I think I got.. Oh, nope. no.. dang it. This is going to take more time than I thought.
Rick glances up from his work to Morty who is looking out the window.
Rick: Strange isn't it? Kind of makes you wish we were back at the strip club. Am I right?
Rick with a smile. Morty looks at Rick, un-amused.
Rick corrects himself, clearing his throat.
Rick: Anyway.. I'll get this thing fixed. Nothing to worry about. Big Rick can fix anything.
Rick: You know what they say about time right?..
Wide shot of Ricks spaceship floating in the void - slow zoom out as Rick speaks.
Ricks voice: Time is best spent.. um. no it goes.. Time is best invested.. Is that how it goes? Time is like a best friend, it will always.. how does this go again..
The end of Part 8
Part 9
The sound of Beth and Summer screaming as the family car speeds down the road, weaving in and out of traffic.
Beth driving, Summer in passenger side. The women are in panic.
They look behind them to see a movie Terminator 2 character T-1000 scaling up the rear of the car (like a moment from the movie Terminator 2). The T -1000 shatters the rear window with it's liquid metal forearm protrusion.
Beth and Summer scream.
The car makes a sharp turn at an intersection - sending the T-1000 tumbling off.
Beth: Is it gone? Is it gone? Did we lose it?
Summer looks behind. The sound of police sirens as she sees a police motorcycle following.
Summer: Mom..
The family car pulls over to a stop at the side of the road. A male police officer approaches by foot.
At the driver side of the car, the officer stands silently as Beth and Summer immediately begin panic rambling over each other as to what has happened.
The officer, with a stern voice, interrupts their rambling.
Officer: License and registration.
Beth and Summer go silent/collecting their senses.
Beth: Um.. Yes, okay officer. My license..
Beth reflexively checks a non-existent purse - realizing it's absence.
Beth: I don't have that with me right now.. Summer, can you hand me the registration forms from the glove compartment. I think they're in the brown envelope.
Summer opens the glove compartment and retrieves a brown envelope and a black cube (size of a baseball). Beth takes the envelope with Summer staring at the black cube.
Beth: Okay officer. Here's my registration..
Beth says as she opens the envelope - as she pulls out a piece of paper and hands it to the awaiting officer, something falls in her lap - Beth lifts it up to eye level to reveal a clear baggy of purple crystal and a straw.
Beth in a sad/disappointed tone of voice.
Beth: Oh Rick..
As Beth tries to explain herself to the officer, Summers attention is caught behind her as she sees a big diesel truck (gasoline truck) some distance away approach in their direction.
The truck runs a red light at the intersection - cars swerve to a stop, honking; pedestrians rush out of harms way.
The T-1000 liquid metal begins rising from the surface of the road to form a body as the truck runs it over - continuing its path forward.
Summers eyes goes wide. She tries to get Beths attention as the truck speeds towards them.
Summer: Mom.. Mom.. MOM!..
Beth is preoccupied trying to explain herself to the officer.
Summer acts quickly - she leans over taking hold of the steering wheel, shifts the gear to drive, and presses her foot on the gas pedal.
The car accelerates away from the scene.
Beth: Summer. What are you doing?
The family car is immediately rammed/bumped by the truck.
Beth and Summer look behind them to see the movie The Terminator character T-800 (metallic skull exposed) at the wheel of the truck.
Beth and Summer scream.
The family car is chased by the truck around city streets.
Beth: I need to call Jerry.
Beth says as she dials her smartphone. Ringing.
Beth: Jerry. Pick up, Jerry. JERRY!
The family car is immediately rammed/bumped by the truck.
Scene cuts to - a Wendy's fast food drive thru. Jerry in his car as the pay window.
Wendy's employee: That would be twenty one sixty four.
Jerry: Alright then..
Jerry says has he reaches into his jacket for his wallet - it's not there.
Jerry: Now where did I leave my wallet?
Scene cuts to - the strip club. Bored strippers are seated around the bar and adjacent tables counting handfuls of dollar bills. On a couch, between cushions, Jerrys smartphone sits ringing/ unanswered.
Th end of Part 9
Part 10
Lots of action.
Honk Honk. The family car is chased by the truck around city streets. Beth driving, Summer in passenger side. The women are in panic.
Beth: Get out of the way! Get out of the way!
The car narrowly avoids a pedestrian.
Scene cuts to - the police officer standing beside his motorcycle radioing for backup. The T-1000 approaches from behind - the officer turns to face it.
T-1000: That's a nice bike.
Scene cuts back to - the car chase.
The sound of police sirens as three police cars appear - joining the chase.
As police officers within the police cars receive radio instructions to keep their distance, the T-1000 on the motorcycle speeds past them.
The motorcycle flanks the truck - it does a wheelie to overtake the truck and is now flanking the driver side of the family car.
Beth and Summer look over in confusion. The T-1000 draws a punch (with its forearm morphing into a blade). It 'stretch punches' into the driver side of the family car - shattering the window.
Beth and Summer scream. The family car momentarily loses control, wobbling before careening into the T-1000 on the motorcycle - the motorcycle wobbles and falls over, taking the T-1000 with it.
The truck runs over the T-1000 on the motorcycle.
Police officers within the police cars radio about situation.
From the interior of the truck - the T-1000 liquid metal begins to rise from the passenger seat - forming a body. It kicks the T-800 out of the truck (sending it tumbling onto the road) and takes control of the wheel - continuing the chase.
The police officers stop and exit their vehicles in front of the T-800s body on the road to rescue him (not knowing it's a robot).
The chase continues.
Shot of a road construction scene - construction workers, equipment, etc.
Shot of road sign reading 'Road Construction Ahead'
Summer: Mom..
Beths eyes narrow.
Shot of road sign reading 'Farmers Market Ahead', followed by a shot of a farmers market scene - old women and hipsters, produce stands, etc.
Summer: Mom..
Beth makes a frustrated growl sound.
Close up shot of Beths hands on the steering wheel - turning. The family car turning into a street..
Scene cuts to - A Halloween dog costume parade - dogs in Halloween costumes accompanied by their owners and onlookers, etc.
The family car and truck interrupt the parade.
Honk Honk.
Beth: Get out of the way!
The truck runs over dogs in Halloween costumes.
Beth: Oh my God. I'm so sorry.
The chase then continues on through the farmers market, followed by the road construction zone.
Beth: Oh my f***ing God! No.
The chase pass the construction zone. The car makes a sharp turn, losing the truck.
The car narrowly avoids a pedestrian, runs a red light at an intersection and collides with a crossing vehicle - sending it spinning to a stop in the middle of the road. Engine off.
Beth: Summer.. Summer are you okay?
Summer: What the f***, mom?
Summer and Beth look at each other, catching their breath.
The car is suddenly rammed from behind by the truck - pushing the car forward.
Beth and Summer scream as the cars driver side hits a guard rail - pressed against it, being pushed forward by the truck. Sparks flying.
A police car appears from behind the truck/car. It flanks the passenger side of the car.
Beth and Summer look over - it's the T-800 driving.
The police car flanks/ 'pins in' the car. The T-800 reaches its arm out its side window and shatters the passenger side window of the family car - reaching in, trying to grab Summer.
Summer is screaming in terror.
The T-800 rips Summers shirt off in its attempt to grab her.
To recap - the family car is being pushed from behind by the truck, is pinned on the driver side by a guard rail (sparks flying), and is pinned on the passenger side by the police car (T-800 reaching it's arm in, trying to grab a terrified Summer).
Ahead of them in their path, Beth spots in the distance - a railroad crossing. A train is approaching with signage sounding and crossing gate lowering.
Beth with an expression of exasperated desperation as she attempt to restart the car engine (turning the key).
Shot of the train approaching - shot of T-800 and Summer - shot of Beth trying to restart the car engine.
Close up shot of Beths hand turning the key in the ignition with the sound of the car engine starting.
Close up shot of Beth slamming her foot on the pedal.
The family car accelerates away from truck and police car - crossing the railroad crossing - narrowly missing the train.
The police car and truck collide with the train - derailing it.
The gasoline truck explodes. BIG EXPLOSION.
The family car speeds away from the scene.
The end of Part 10
Part 11
The wilderness - Jerry in his car drives along a vacant road when he spots a hitch hiker.
Jerry (singing): My sharona.. My sharona..
Jerry: Hold the phone. What do we have here?
Jerrys car pulls over to a stop at the side of the road.
Jerry: Jerry, you sly dog. It must be your lucky day.
Jerry says as he looks himself in the rear view mirror, fixing his hair. The hitch hiker approaches the vehicle.
Jerry being flirtatious.
Jerry: Why hello there. Going my way?
It is revealed the hitch hiker to be Terminator 3 movie character T-X.
The sound of a car door closing. Jerrys car restarts - driving away from frame.
Next scene - the white void. Ricks spaceship floats stranded. Rick and Morty seated inside. Rick still trying to repair the device. The song 'Never going to give you up' by Rick Astley plays on the sound system.
Rick (smoking a cigarette) turns off the music.
Rick: Okay. I think I finally figured it out. I can be such a dummy, sometimes. You know this device ha beta switch connected to its main operating relay port. Can you believe that, Morty? This entire time I've been checking and retesting coil converters for off signal relay leakage and the problem has been there staring me right in the face. Unbelievable..
Rick tosses his spent cigarette butt out his open side window - joining the many other butts which have collected into a small ball floating in the void.
Rick uncaps a bottle of water and haves himself a drink.
Rick: Anyway. It should be a relatively quick fix from here on out. Morty open the glove compartment and hand me the emergency survival cube.
Morty opens the glove compartment and retrieves a black cube (baseball sized) and a large revolver handgun. Rick talks both items, pocketing the handgun in his coat.
Rick: Thanks.
Rick: Alright.
Rick sets the cube before him, squeezing the water bottle with both hands, 'hydrating' the cube - the cube begins to gradually expand/inflate.
Rick: Morty. I'm going to need you to fill this up for me.
Rick says, dangling the empty water bottle in Mortys face.
Morty rolls his eyes in grief.
The end of Part 11
Part 12
In the white void - an assortment of survival equipment floats aimlessly (inflatable raft, life preserver ring, parachute, umbrella, rocket pack, etc).
Ricks spaceship floats stranded. Rick and Morty seated inside.
Morty: Rick. What are you doing?
Rick sits bare chested, wearing a red bandana over his forehead, loading a large revolver handgun with bullets.
Rick: Morty. There comes a time in every adult mans life when they have to admit defeat. I was under some deluded spell to think otherwise, but I see it all clearly now. All of this is some grand cosmic joke the universe is perpetrating against me, obviously. In this abysmal life of mine. In this abysmal timeline that I am forced to be a part of.
Rick: The subtle vibrations of the universe are touching my skin, alerting my senses. They're making faces at me. Pointing and laughing at my inevitable failure. I am convinced of it..
Rick: I've surrendered to this reality, but there is a path way out for me. I've prepared a solution to it all. I have found my salvation.
Rick says as he lowers the bandana over his eyes.
Morty confused.
Morty: Rick. Are you okay?
Rick calmly.
Rick: I'm fine, Morty. Every things just fine.
Rick says as he puts the barrel of the revolver in his mouth.
Close up shot of Morty. BANG - the sound of gunfire.
Scene cuts to - the same scene in another parallel Rick and Morty timeline.
Morty: Rick. Are you okay?
Rick calmly.
Rick: I'm fine, Morty. Every things just fine.
Rick says as he puts the barrel of the revolver in his mouth.
Close up shot of Morty. BANG - the sound of gunfire.
Scene cuts to - the same scene in another parallel Rick and Morty timeline.
Morty: Rick. Are you okay?
Rick: I'm fine, Morty. Every things just fine.
Rick (dressed normally) is still working on repairing the device.
Rick: There okay. I think I got this thing figured out.
Rick says as he connects what looks like a voltage tester to the wires of the device.
Rick: Alright. We're making progress here. It's going to take a little bit of time, but we'll get there eventually. I just have to reboot the CPU and re-calibrate the conduction array, then we'll be back in business, Morty.
Rick: Alright. Here we go.
Rick say as the device begins to reboot.
Rick: You know what they say about time - 'You can't make up for lost time. You can only do better in the future.'
Rick: Buckle up, Morty.
And with a flash of blinding white light, Ricks spaceship 'teleports' out of the void.
Next scene - Prehistoric scenery. Ricks spaceship is grounded. Rick and Morty seated inside.
Rick: Just sit tight, Morty. The conduction array needs time to re-calibrate.
Morty looks outside his window to the sight of a amphibian-like creature emerging from a body of water.
Rick is head-down, focused on the electronic readouts of the device.
Rick: We're at ten percent.
And with a flash of blinding white light, Ricks spaceship 'teleports' out of that period in time.
A series of quick scenes of this nature - Ricks spaceship 'teleporting' throughout the progression of history/time (cowboy/Indian fighting, WW1, etc) with Morty looking out the window, Rick head-down, counting the percent of progress they are making.
With the last scene - Ricks spaceship on a railroad track, a train barreling behind them. The spaceship 'teleports' out as the train barrels into the frame of the shot.
Next scene - the wilderness. Jerry in his car drives along a vacant road with the Terminator 3 movie character T-X passenger side.
Jerry: I really feel sorry for you. People can be so unkind and self-serving in this world.
Jerry says as he adjust the angle of the cars rear view mirror to frame the T-Xs cleavage.
Jerry: Not me, though. When I see someone in need, I jump at the opportunity to help. For instance, right now I'm currently on my way to rescue my wife Beth and my daughter Summer from something or another. And I'm still willing to take the time to help someone else along the way. That's just the kind of guy I am, really. I'm a regular superman.
Jerry: I'm Jerry, by the way. Jerry Smith.
Jerry says with a smile, extending his hand for a handshake. The T-X looks at Jerry - smiles.
Close up shot of hands shaking.
Shot of Jerrys car driving away from frame.
The end of Part 12
Part 13
In a remote cabin in the wilderness, in a bathroom, the shower is running - a traumatized wide eyed Summer (clothed sans shirt) sits in a fetal position, rocking.
The shower turns off. Beth appears and covers Summers with a bathrobe.
Cut to - the living room of the cabin - Beth assists Summer to a seat on a couch and presents her a bowl of soup. Beth sits beside Summer for a moment while she eats before leaving to the kitchen of the cabin. In the kitchen, Beth begins washing dishes, she looks out the window over the sink to the sight of a 'police stand off' (many police cars parked in a barricade like fashion in front of the cabin).
Wide shot of the cabin surrounded by police cars. A police helicopter flies overhead.
Next scene - the Smith residence. It's a 'crime scene'. The house has been quartered off with police searching the house.
In the living room.
Detective: What have we got here?
Officer: Four bodies. All male. One in the living room, two in the dinning, one in the garage.
Detective: Mmm.
The police have found Ricks underground laboratory, searching and touching the exotic gadgetry/ equipment.
Darkness. A door opens, two police officers step inside a room and immediately gasp/ recoil in disgust and horror at what they are seeing.
In the underground laboratory - a security alarm sirens, triggering a 'lock down' of the entire Smith house (metal walls enclose the house, trapping the police within).
In the underground laboratory - lights go out, lit only by red glow of sirens. The police are locked inside.
The huge monitor of a supercomputer lights up and Ricks digitized face appears onscreen.
Ricks digitized face: Naughty. Naughty. You've been a bad boy. No touching.
Ricks digitized face continuously repeats this line as the voice of the computer speaks.
Computer voice: Permission for access denied. Unauthorized personnel detected. Security lock down initiated.
Computer voice: Self destruct sequence commencing.
A count down clock appears on the monitor.
The police panic. Rushing to climb the ladder out of the underground laboratory, but the entry has been locked.
3 - 2 - 1
Ricks digitized face: .. No touching.
0
EXPLOSION. The Smith house explodes.
The end of Part 13
Part 14
The 'police stand off'. The remote cabin in the wilderness surrounded by police cars.
At the police side of the stand off - a lead police officer with binoculars scopes the cabin. Another officer asks.
Officer 2: What are we waiting for?
A SWAT van arrives on scene. A team of SWAT exit the van. The lead SWAT officer approaches.
SWAT Officer: What's the situation?
The lead police officer hands the SWAT officer the binoculars and points.
From the SWAT officers binocular POV he sees Beth looking out a cabin window from behind curtains before focusing on automated machine gun turrets positioned in front of the cabin.
The SWAT officer mutters.
SWAT Officer: What the hell?..
Cut to - Jerry in his car with the Terminator 3 movie character T-X passenger side arrive on scene.
Jerry: What the hell?
Jerry stops the cars, grabs a bag of Wendys fast food, and exits the vehicle.
Jerry: Wait here.
Jerry says to the T-X before approaching the police side of the stand off.
Jerry is stopped by the police.
Jerry: It's okay.. It's okay.. I'm the husband. If I can just talk to my wife for a moment, I'm sure I can get this mess sorted out.
The police let Jerry through.
Jerry: Hey, nice car you have there. I like the hat. You look good in black.
Jerry comments to the adjacent officers as he makes his way to the lead police officer.
Jerry extends his hand for a handshake. Shaking the lead officers hand.
Jerry: Hi. I'm Jerry. Jerry Smith. I'm the husband. There must be some sort of mistake. My beautiful wife and daughter are in that cabin. I love them both very much. If I could just speak to them and they could hear my voice, I'm confident there will be no need to resort to any unnecessary force of action.
Jerry: May I?
Jerry says, referring to the megaphone one of the police officers is holding. Jerry is handed the megaphone.
Jerry: Thank you.
Jerry puts the megaphone to his mouth.
Jerry: Beth..
Jerry: How do I turn this on?
A police officer points to the side of the megaphone.
Jerry: Op. There it is. Thank you so very much.
Jerry tries again.
Jerry: Beth. Beth, can you hear me? It's me, Jerry.
Jerry says as he crosses to the front of the police barricade. The automated machine gun turrets aim at Jerry.
Beth from behind the window of the cabin.
Beth: JERRY!
Cut to - inside the cabin - Beth rushes to a computer console and shuts off the automated machine gun turrets - she then rushes to the entrance door of the cabin and opens it - standing at the entry way to talk to Jerry.
Jerry: Beth. I don't know what is going on here. I don't know what this is all about. All I want you to know is that I am here for you.
Beth: Jerry. We're in danger. Jerry..
Beth rambles, but Jerry continues speaking, ignoring what she said.
Jerry: I'm the husband. Our wedding day was one of the most important events in my life, in our lives together. I took a vow that day. I made a promised to take care of you. Through thick and thin. Through hell or high water. I made that promise and I want to keep that promise to you. Thus, here I am. I'm just sorry I couldn't be here sooner.
Beth stern/ flatly.
Beth: Jerry.
Jerry: I'm doing the best I can. Maybe I'm stretched too thin trying to manage all my responsibilities. Maybe I'm spending too much time at work when I should be spending that time with you and the family. If all of this is some desperate cry for attention, then I hear you loud and clear. I have been neglecting my role as a husband, as a father to our children. I see that now. I'm just sorry it had to come to this.
Summer (still traumatized) appears at the cabin door entry way beside Beth.
Jerry teary eyed.
Jerry: I'm sorry, Beth. I'm sorry Summer. I'm sorry I haven't been there for you when you needed me the most.
Jerry: Hey, I brought Wendys.
Jerry says with a teary eyed smile, lifting the bag of Wendys fast food over his head.
Suddenly, Jerry explodes. His disembodied head airborne falling on the ground, rolling before Beths feet.
Beth looks down to Jerrys disembodied head and screams.
Close up shot of the T-X pointing its smoking 'forearm laser cannon' where Jerry was standing.
The end of Part 14
Part 15
SWAT Officer: Fire!
The police and SWAT fire upon the standing T-X. Unfazed, the T-X aims its 'forearm laser cannon' upward and fires at the police helicopter overhead - explosion. The police and SWAT scatter as the flaming helicopter falls - crashing upon the SWAT van. The T-X fires at the parked police cars causing them to explode up into the air.
The T-X turns its attention toward Beth and Summer - approaching the cabin.
Honk Honk. The T-X looks behind and is promptly run over by a large diesel truck.
The truck continues forward, stops and transforms into Transformers movie character Optimus Prime.
Optimus Prime: Summer. You risked your life to protect the cube.
Summer looks down in, her hands she is holding the black cube. The cube expands, tearing off its 'black wrapping' to reveal itself to be Transformers movie macguffin the All Spark.
Optimus Prime turns around, runs and 'football kicks' the T-X high and away into the sky in comical fashion.
Cut to - the sky. The airborne T-X soars past Transformers movie character Megatron (in spaceship jet form) who is flying towards the cabin.
Cut back to the scene. Megatron (jet form) appears in the sky.
Megatron (jet form) fires down laser missiles at the police barricade - explosions.
Megatron (jet form) fires missiles down at the cabin.
Optimus Prime: Get down!
Optimus Prime covers Beth and Summer with his body as laser missiles explode the cabin.
Megatron (jet form) swoops down onto the scene and transform lands into robot form.
Megatron: I'll kill you! Mine.. All Spark!
Optimus Prime: Summer. Push the cube into my chest, now!
Summer, disinterestedly, tosses the cube to the ground - flump.
Optimus Prime with a 'WTF' expression.
Megatron tackles Optimus Prime to the ground. They fight - rolling around the wilderness, fighting.
Cut to - a close up shot of Jerrys bag of Wendys fast food on the ground. (like a moment from the movie Terminator) a T-800 foot steps on the bag, the frame pulls up to reveal a full robot skeleton T-800.
The T-800 approaches Beth and Summer.
Suddenly, with a burst of light and sound, a Back to the Future movie vehicle DeLorean appears out of thin air. Speeding, it runs over the T-800 and makes a stop in front of Beth and Summer. Vehicle doors open and two men (dressed like Back to the Future characters Marty Mcfly and George McFly) appear.
Marty: My name is Michael J. Fox. I'm from the future! Summer, you have to kiss and fall in love with this man or I will never exist!
George: Hi. I'm Crispin Glover.
Suddenly, with a burst of light and sound, another Back to the Future movie vehicle DeLorean appears out of thin air. Speeding, it runs over the T-800, runs over Marty and George and crashes into the first DeLorean. Vehicle doors open and two men (dressed like Back to the Future characters Marty Mcfly and George McFly) appear.
Marty 2: Hi. I'm Eric Stoltz and this is Jeffrey Weissman.
George 2: I don't know what I'm doing here.
Suddenly, with a burst of light and sound, another Back to the Future movie vehicle DeLorean appears out of thin air. Speeding, it runs over the T-800, runs over Marty 2 and George 2 and crashes into the second DeLorean. Vehicle doors open and a man (dressed like Back to the Future characters Doc Brown) appear.
Doc looks at the dead McFlys.
Doc: Great Scott!
Beth: Dad?
Doc: No. I'm not your father. My name is Christopher Lloyd. I come from the future. Beth. Summer. All of this mess around you can be corrected if you come with me to the future.
Beth and Summer exchange looks.
Beth: Umm.. okay, dad. How?
Doc: Get in my car. It's a time machine. It will take us back to the future.
Beth looks at Summer who shrugs her shoulders.
Beth and Summer get in the car. Doc driving, Beth passenger side, Summer back seat beside a dog.
Doc: Time circuits on.. Inputting destination time..
Doc: Buckle up, you two.
Beth and Summer buckle up.
From the flaming/ smoking destruction and robot fighting around them, the DeLorean accelerates off.
Doc: We have to get this thing up to speed..
Smoking destruction reveals the T-1000.
Beth: Look out!
The DeLorean collides with the T-1000 - splat.
From the hood of the car, a liquid metal body begins to slowly emerge upward. Beth and Summer scream. Doc wide eyed shock.
The T-1000 with its 'blade forearm' 'stretch punches' into the windshield, shattering it - skewering Doc (through the head), the dog (through the head), and stabbing the flux capacitor - damaging it.
The speeding DeLorean loses control to the contours of the wilderness - swerving off a high cliff, down a ravine, the DeLorean falls in a spinning motion just as the time circuits activate.
With a burst of light and sound, the DeLorean vanishes, leaving the T-1000 falling alone down the ravine.
The end of Part 15
Part 16
In a 'time tunnel' (looks like the effect from television program Dr. Who), Ricks spaceships travels. Rick (piloting) and Morty inside.
Speeding towards Ricks spaceship, traveling in the opposite direction is the DeLorean (spinning). Beth and Summer inside screaming.
Morty: Rick. Look out!
Rick: Shit!
Ricks spaceship evasively turns, dodging the spinning DeLorean and exiting through the 'wall' of the 'time tunnel'.
Scene cuts to - the calm nights sky - a full moon - interrupted by a burst of light and sound - Ricks spaceship appears out of thin air.
Rick: Alright. Alright. We did it, Morty. Now lets get back home.
Ricks spaceship zips over the city - away from frame.
Next scene - the Smith house (intact/ appears normal). Ricks spaceship parked in front of the garage.
In the living room, Rick and Morty enter.
Rick: It's so quiet around here. Where is everyone?
Ricks smartphone rings. He answers a text from Summer reading 'Where are you?'
Scene cuts to - the 'Buddhist temple' looking building from Part 1.
Through big doors, Morty and Rick (both in black SWAT gear) flee. Rick carrying a tied up 'Space Dalai Lama' over his shoulder. A huge burst of fire erupts through the doors after them. Morty slammed the doors shut.
'Space Dalai Lama' is dumped in the backseat of Ricks spaceship. Rick and Morty inside, ready for take off/ escape.
Rick turns the keys to the ignition. Nothing. Rick and Morty look at each other in confusion.
Cut to - the hood of Ricks spaceship lifting open. The engine is gone.
Rick stands staring/ confused.
A taped note dangling on the interior of the hood catches his attention. Rick snatches the notes and reads 'Rick. Thanks for the engine. Rick'.
Rick gets angry - crumbles the note as he makes a fist. Muttering profanities.
Top down shot of Rick as he yells into sky shaking his fist.
Rick: RICK!
Next scene - The song 'Anyway you want it' by Journey begins to play. The story is closing.
At a concert, Rick and Morty appear.
Rick: Sorry we're late. We.. lost track of time.
Rick looks at Morty. Morty rolls his eyes.
Summer looks at them.
Summer: I don't even want to know about it.
Morty: Summer. Who are you with?
Six men accompany Summer - Man 1,2,3,4 and George 1,2
Summer: Oh, this is Michael, Jai, Anton. And that's Jonathan, Crispin and Jeffrey
Rick: What about Roy?
Summer: Roy? We broke up. Summers on the rebound. Me and the boys are going to have a great time, tonight.
Summers says defiantly. The six men smile.
Rick slack jawed befuddled.
Ricks phone rings. He answers a text from the dons estate reading 'The don is sorry you were unable to attend his birthday celebration.'
Morty: What is it, Rick?
Rick in slack jawed contemplation interrupted by the appearance the three young strippers from the strip club.
Strippers: Big Rick!
They excitedly give Rick a hug and join him. Taking selfie pictures on Ricks smartphone.
Beth and Jerry are there, enjoying the concert.
Five young strippers from the strip club appear.
Strippers: Jumbo Jerry!
They excitedly give Jerry a hug. Beth looks on - arms crossed, eyebrow raised.
Beth: Jumbo Jerry?
Jerry smiles nervously.
Stripper: Jumbo Jerry. You forgot your phone at the club.
The stripper hands Jerry his smartphone.
Jerry: Why thank you, Cinnamon.
Beth: Cinnamon?
The band plays. Onstage, playing the guitar is Marty, who gives a thumbs up to George. Marty give a thumbs up to Marty 2 who is standing backstage.
The concert attendees look up in awe at what appears to be a shooting star.
Rick produces binoculars from his coat - zooming in on the 'shooting star' to the sight of a pig in astronaut gear piloting a rocket ship. The pig smiles and winks at the frame from out the ships window.
The rocket ship suddenly explodes and 'fairy dust sparkles' rain down upon the concert attendees to their delight.
Cut to a shot of - Optimus Prime, Megatron, T-800, T-1000, and T-x. Frame pulls back to reveal them to be children toys of a young child. The child is being led out of the concert by his mother.
Cut back to - the Smith family, Man 1,2,3,4, George 1,2, and the strippers among the attendees enjoying the concert.
the end.
credits roll
end credit scene begins.
Wide static shot of the DeLorean floating in the white void.
The sound of a phone ringing.
Beths voice: Rick.. Pick up the phone.
Summers voice: I hate the writers.