All right, so I wanted to clear up something a reviewer said about Link seeming to be brash. That is completely unintended, I just am not a good characterizer. I will work on it, but I can't promise extreme improvements in that regard. It might because I am not an expressive person besides the obvious, and that might be the problem with the characterization of it, so yeah. I will try to work on it, but other than that, I can't give a promise about it. Also, 1,000 views. I never expected this story to get that many. Then again I don't have a schedule that I follow, so I release chapters at random. Also, there will be Tatl bashing. I love Tatl, but Jesus she was stupid at the beginning of Majoras Mask. Be warned, this story will have a disturbing talk about Puberty, the light, and dark side. Other than that, enjoy the chapter!

The next day, Taget wakes me up saying someone whats to talk to me. I look and see it is Apollo. "Hello Apollo. I didn't expect you to be here. Can I ask why you are here?" I ask, confused about Apollo's appearance, who is looking at me with a look I can't explain.

"I am here to just do a quick scan of you. Nothing major, honestly." Apollo says. I agree with it, and he uses his power to scan me.

After a few minutes, he looks at me with a very worried look. "Link, what do you know about the mind?" Apollo asks me with a neutral tone to him, but he looked like he was shaking in anger.

"Not much sir, other than when you lose it, you tend to either be incapable of doing anything or just dying." I say, with a confused tone, with some worry creeping in from the questioning. I got a feeling the answer won't be something I will like.

"Well I ask that because you have all the symptoms of a few mental conditions that honestly, I can't cure. I can get you help for them." Apollos says, shaking with anger, which confused me even more.

"Sir, what are you talking about? What are they, and why are you shaking in anger for?" I ask, with a worry growing that he might have discovered something he shouldn't have.

"The ones I know you have, are PTSD, Post Traumatic Stress Disorder, though it seems to trigger under very specific conditions, which is a case where you will not be able to tell a case of what is real and fake, a case of Emotional and Social detachment, where you just don't get let's say, why people worry about you, or how to accurately describe your emotions beyond a blunt way. Both can be helped by with a professional, that I can provide, as I am the God of Healing, and I know who is the best regardless of what others will try and claim. I did overhear the story of your first adventure when you were telling it, so I also can tell you flat out, you need more help than you think. From what I know, you weren't supposed to be thrown in those situations willy nilly, and while I am not a God, Titan, or Primordial of the fabric of Time, I do for a fact know that the brain doesn't simply just age you mentally to make you an adult. That is an overtime process which is what happens with puberty. Skipping it, while not documented, and only possible to explain in theory, will mess you up in the head, and make any potential chances of understanding yourself in an emotional or social understanding next to zero. Even if you went through puberty naturally, it wouldn't change anything, because you physically were an adult at one point, and your mind remembers that. It basically makes you sound like you are being brash, without meaning to be. Meaning there is nothing anyone can really do for that. Maybe like the others, someone to help you with your mental issues, but there is nothing really studied about it, and because you are the only known case of this, there IS nothing that can be done. So the best I can do is get you help for the first two. The last one, there is no way to know how to help that one. The best I can do is just talk to those who either are going through puberty and learn from them or continue to talk to the hunters. Either way, it helps you in some capacity, as you are getting a better idea, slowly, of how to actually interact in a nonsocial way. I can see why the hunters wanted me to give you a check-up. Physically, other than a few scars, you are fine. Mentally? You are borderline messed up. You won't be doing anything bad, you just are very blunt, and unable to explain or socialize your emotions beyond an obvious Happy, Sad, or Angry as examples. Even if you explain the physical, you would have a hard time communicating it. PTSD is a weird one, but I believe talking about it will also help. Other than that, I will be listening to your second adventure, due to the fact it might be able to help me understand where some of your mental issues come from." Apollo explains in a long explanation.

"I understand sir. I will see first if the hunters have any questions about yesterday's story, before moving on." I simply say. Apollo nods his head in understanding, and I walk over to the group of hunters, waiting for me, and Apollo disappears.

"So, before I start about my second Adventure story, you have any questions for me?" I ask the hunters, and one instantly raises her hand.

"Yes, I have a question. Do you have anything you fear or are terrified of?" The hunter asks.

I just sigh at this. "Well, to be honest, my biggest fears are corpses, fresh or skeleton, though that is only in some special conditions, and the Moon itself. Before you ask about the ring deal, I didn't have any control over that. I believe I was influenced to have it made the way it was. But yeah, dead bodies and skeletons, and the moon are my biggest fears." I say, to the shock of the hunters.

"Why are you afraid of the Moon, when it is her symbol?" The same hunter asks.

"Well, the reason I am afraid of it, is because of my second adventure, which will be self-explanatory then. Any other questions?" I ask. The hunters shake their heads in no, as none of them had any questions.

"Well then, I will start the story of my second adventure. It begins me leaving Hyrule, as I wished to get away from the memories I had, and the fact that I wanted to see if I could find Navi or Saria in the Lost Woods, and I brought Epona, my once friend with." I start with it.

I explain that the section of the Lost Woods, was a different section to the Hyrule one, and explain that the Lost Woods is a complex part of creation, that to simplify, is a giant crossroad of dimensions. Epona and I stop at one spot, to look around for a good place to rest when we are ambushed by two fairies, named Tatl and Tale, knocking me off my horse. I wasn't knocked out, just temporarily stunned, and a figure in a mask that screamed danger appeared from nowhere, and walked up to me and began searching through my things, and eventually finding the Ocarina of Time, the item Princess Zelda of this time gave to guide me through my adventure and to protect me. Though, when she gave it to me, she said it also represented something else, but I missed it due to her whispering it. Skull kid, the being wearing Majoras Mask, began messing with the Ocarina, while fairies seemed to fight each other like siblings, on whether or not one could mess with the Ocarina of Time or not. I quickly get over my shock and stand up to make a grab at the Skull Kid, who avoids it, and lands on Epona, who neighs and starts to gallop away, and I quickly latch on to Skull kids leg, and we ride for about 10 minutes until I get thrown off, and I regain my bearings, and go down the nearest tunnel that they went through, and jumped over to an entrance to another dimension.

I walked into it, and stop at an edge, which seemed to be bottomless. I look down, to see if anything is down there, and I see just pitch-black void. I take a leap of faith, and jump down it, to find what looked like lights just floating around as I fell, before landing on a flower that broke my fall softly. I stand up to see Skull kid floating in the air, looking at me. After insulting me and Epona, he starts shaking his mask and unleashing a wave of energy at me, which I quickly jump to the side to avoid, before the wave followed me, and hits me anyway.

I then find myself in a room, surrounded by Deku, all shaking in a dance-like motion, staring at me. Before they all started merging, to create a giant version of themselves, and just a giant shaking version. Eventually, I just ran from it, as something in my gut told me that it was the best choice at the time.

I eventually came back, to see myself as a Deku, wooden body, hat larger than the majority of my body, and a giant wooden nose, mouth, thing. I look at the Skull kid with an irritated expression, which Skull kid just laugh saying how goofy I looked, before floating away, I go to make chase, but Tatl smacks into and growls, which was something I didn't know fairies could do up to that point, and the giant door closed on the two of us. Tatl realizes that she was left behind, and slams into the door multiple times, trying to open it, before realizing that I was the only way to open the door.

"YOU! If I wasn't dealing with you, I wouldn't have been left behind!" Tatl starts to rant, but I interrupt her, not in the mood to deal with such a narrow mind at the moment.

"And who's fault is that? You are the one to decide 'Hey I will stay back and body slam this guy for following when clearly all three of us could have outflown him because he has no idea on where to go, and we have no limits in terrain! Genius!' so it isn't my fault you stayed back. You are the moron of a fairy to stay back, and try and slow me down when clearly you and the Skull Kid could run laps around by the sheer fact that YOU CAN FLY! For the sake of Din, Farore, and Nayru, how is it I go from a quiet, but smart fairy, to a glowing yellow yelling dumb ass like you already! Now shut the fuck up, and either stay or leave when I open the door. My only path anyway." I yell, then just quietly say. I really don't like being mean, and I feel really guilty about it, but she is one of the two fairies that ambushed me, allowed Skull Kid to do his things, and then attacked me for trying to keep up. My anger while justified, doesn't make me feel any better about it.

After that, and I open the giant door to the other side, I walk to a flower, and I just get this feeling to go in it. But before I actually try to follow my feeling, Tatl catches up to me from the relatively small pathway.

"Hey, sorry about back there. I am very worried about my little brother and Skull Kid." Tatl apologizes, though I can easily tell it is a forced one, but I just take it for what it is and go into the flower, to float, fly, something among those lines, to the other side with a door. I walk through the door, to find a giant ass cavern with a pit that seems to go on forever. On each platform, there is a flower I can use, to float to each one. On one platform, there was a chest I opened that contained Deku Nuts. I take them, and when I fly with the next flower, I accidentally send one of the Deku nuts out of my mouth hole thing, and it falls down, before exploding lighting up absolutely nothing of the pit. One more flower float and I reach the final platform that holds a sad-looking tree, that looks like me, but dead.

It's odd, I know things about the Deku I didn't know, I can do things I didn't know they could do, as soon as I was... Transformed... Into... this... form... Oh sweet Din, help me. No. Not this. Skull Kid didn't just transform me into a Deku, but he took a life of a once-living Deku, and made me turn into its shell, and left its c-corpse there to sit there, forever. As a lifeless husk of a Tree. While realizing it is a corpse of a Deku having its soul sucked out, I feel bad for it, and the soul that Skull Kid forced into fusing with me. Oddly enough, I think the soul is just aware enough, as after thinking that, I hear "It's, Okay, Hero." paced out, like it was forcing itself to use whatever energy it had, to say it. I quickly regain my composure and leave through the tunnel, which twisted and turned from forest to a city. Now, at this point in time, I didn't know that wasn't normal. The Lost Woods can only connect through forests, Jungles, stuff like a Mushroom Forest, Bone Forest, so long as it was either natural or a natural Magic in nature. Skull Kid was the one who moved the entrance to beneath the location, though at this point, I wasn't truly aware of the true enemy.

Entering the room, and the door closing behind me, locking me out, I just look around. Machinery I have never seen before, I quickly learned where called cogs, where powered by a water mill. I eventually go up the stairs and look around. Nothing followed me besides Tatl, and nothing was in the room with me.

I make my way to the only exit, to only be stopped by a voice I was familiar with. The Happy Mask Salesman.

"You've met with a terrible fate, haven't you?" He asks, in his forever smiling face.

"Hey Happy Mask Salesman." I say, not knowing his real name.

"Please, call me Shigeru, for simplicity purposes. I was following you through the forest, and I admit you are a tough one to keep up with, as I know who you are, and I know you can help me. The Skull Kid ambushed me at one point, though it was when he was still just playing jokes, and found a mask I spend a very long time looking for. Majora's Mask. I need you to get it for me, and when you get your special item back, return to me and I will help you." Shigeru says.

"Just so you know, even if I get my item back, I won't be able to get your mask back right away. It might take a while to get it done. I definitely won't be able to get it back, at the same time as my item." I say.

"I understand Hero. Though, Majora's Mask must be returned, as it has the power to destroy the world. Please, do it quickly hero." Shigeru said, as calmly and serious as possible, for a man with an eternal smile says.

I quickly leave through the doors, having and an idea of the threat now, and as those doors close, I take a few steps and notices a strange shadow that doesn't seem right, I turn around and start moving my head upwards and "WHAT THE ACTUAL DIN FARORE AND NAYRU IS THAT THING!?" I scream when I see the moon. It was the most horrifying thing I have seen, well second to the Shadow Temples shit, and it instantly terrified me. Shakes, shivers, and some indescribable movements. I quickly run back into the tower, look at Shigeru, and ask him "WHAT THE FUCK DID I JUST SEE IN THE SKY!?" I scream at Shigeru in terror.

"Oh. What did you see?" Shigeru asks calmly, yet concerned.

"I saw what looked like a moon but with a face that can only be summoned up with red-orange eyes filled with malice and a desire to something I don't know, and a mouth that was just a flat mouth with horribly spaced teeth and a nose more pointed than a spike. What the fuck did I just see though!?" I say, stuttering and stammering at it. Shigeru gives a look of shock, and sadness.

"What you just saw, was a representation of Majora's power. I was going to wait a bit to tell you, but your reaction proves that the simple route of explanation won't help in this case." Shigeru says, before clearing his throat, and grabbing a canister with a lid to drink from.

"Now, because we are in an area where time stands stills for some reason, I can give you a better understanding of what's going on without a time restriction. Many centuries ago a group of interlopers practiced dark magic, and created a few creations capable of destroying the world, all to overthrow the power of the Golden Goddesses and claim the Triforce for themselves. They create the mask the created that moon, and the mask wiped out most of the interlopers, using their powers against them, and escaped before being sealed away by a hero of the land. But the Hero couldn't truly lift the Masks power, and the mask's power continued to fester, it's anger, hatred, and will to destroy continued to grow. The Mask is capable of destroying the world, and Termina earned the Golden Goddesses anger, partly because of the land that you will end up visiting to stop it. Flat out, the moon can't be stopped without this lands Guardians, which was beaten by Majora's user, the Skull Kid. The Mask was caught by Skull Kid, to bring an end to this world, but you appearing, you are the second chance this land should get. The Goddesses will allow you to save this land, and prove that Termina deserves a second chance. I know you don't want to go on a second adventure, but you won't be able to leave until Majora is beaten. Heo, save this cursed world and lift its curse. If you don't, every single living being in this world will be killed, including you and me. Then it will move to other worlds, and eventually Hyrule, and slaughter everyone. Please, don't let this happen." Shigeru says, smiling, but tears in his eyes, shaking with fear.

"I... I will do it. I can't let such a thing happen when I can still do something." I say, knowing full well that I now fear the moon for the rest of my life, as I do with corpses and the other types of corpses, not including monsters and Redead, technically.

"Thank you hero. Thank you. This world deserves a second chance, but I will tell you this, if you want to truly save it, you need to help everybody. Take this. "Shigeru gives me a notebook." I was going to wait to give you this, but because I told you that, you will need it to do what you need to do. It is a magical notebook, that will update for you when it detects when it is needed automatically. It will help you immensely, even if right now it isn't super helpful due to your state." Shigeru says.

"Thank you Shigeru. I will be back." I say. I leave the towers inside, and when I exit I see the moon again, and shiver in fear. "Sweet Din that thing is creepy as hell. Don't think I will be able to look at a moon the same way again." I say, and begin exploring the Town.

I quickly learn a few things. First, is that the moon will fall in three days, judging by its size and falling speed. Second, the town is called Clock Town, and the tower by extension is called Clock Town Tower, very original. Third, a bank that I can deposit rupees in. Fourth, I found out that Tatl is VERY annoying. She won't shut the fuck up, basically calling me useless, and blaming me for this situation. Fifth, I find out the location of the local Great Fairy Fountain, which I am about to enter.

I entered the Fountain, to find the room filled with little fairies, not like the healing fairies, but instead a bunch of strange fairies just floating there in a circle. I quickly run up to them and I hear them tell me that the Skull Kid broke the original Great Fairy, and I need to find their friend to return them to their Great Fairy form.

I explore the town and eventually reach an area with a creak and a fairy just floating above the water. I quickly reach up to it, and it tells me to take it to the Fountain, and reunite them to become whole again. So I quickly run as fast as my Deku body can go, and eventually return to the fountain, and the Great Fairy returns to her former glory.

"Thank you hero. When you return to your original form, come see me again. For now, I will give you the ability... Wait you can already use magic, so I will give you a deeper reserve of magic, and teach you how to spit bubbles in your Deku form." She says and teaches me to create Deku bubbles, and my magic seems to be more in tune with me, something tells me that when I return to my Hylian form, my magic will have some different abilities.

Leaving the fountain, and thanking the Great Fairy for helping me, I find a Majora balloon that a kid with a red scarf is shooting something at, an old woman that was being robbed, that I sadly couldn't do anything about, and I pop the balloon to get the kids attention. I quickly talk to him, and after playing a game of hide and seek, which took about an hour, I learn a code to visit an observatory, and quickly run to it, and walking through a catacomb sewer thing, and eventually reaches the observatory, and after talking to an old man, I look through the telescope and find Skull Kid on the top of the tower, who just dances at me, and spanks his butt as an insult to me, and then just disappears from it.

Then something drops from the moon and lands outside. The old man told me that another Moon Tear fell and that I should go get it, which I do and return to the town, and it by the time I return to the town, it is the middle of the second day, and I go to the main section and see a flower I missed somehow, and when I approach it, a Deku Scrub yells at me to wait, and when he falls into it, he pops back up, and yell at me it is his private property, and he isn't giving it up unless I give him a Shiny gem like a Moon's Tear. Quickly pulling it out, I offer the Moon's Tear I have to him, and he quickly gives me the deed to the flower and flies away singing how he is getting something great tonight from his wife.

I just explore more of the town, finding people who would need help as the notebook expands getting more entries and eventually, the night of the third day comes around, and I go to the bank behind the tower, which I open an account and put about 99 rupees into. I then go into the flower, and fly to the over the platform in front of the door that leads up to the top of the tower, and wait for midnight to round the corner.

Waiting for it, with the moon so close, and the ground shaking throughout the Third day, really is terrifying, and eventually, colorful explosions pop up in the air, and the door leading to the top of the tower opens up, and I walk up it to the top of the tower, where I encounter the Skull Kid wearing Majora's Mask and throwing up and down the Ocarina of Time.

After insulting me a bit, and Tatls brother getting smacked, Skull Kid just unleashes a scream that makes the moon shake, and start falling and a noticeable to the eye rate, and makes the moon's eyes start glowing, and realizing I couldn't do anything other than firing a Deku bubble at Skull Kid, I do just that, and run over and grab the Ocarina of Time.

After a useless flashback, as I still remembered the Song of Time, I play the song on Pipes, which I assume is the Deku version of and Ocarina of Time, and then I just start falling through a void of white, with clocks all over the place as I fall, back to the beginning of the First Day I arrived. Quickly gather my thoughts, and seeing that the Clock Town deed is gone, I enter the Clock Tower where Shigeru was.

"Ah Link, I see that you returned. You also got your special item. I will teach you a song, that will help you, it is called the Song of Healing." Shigeru says, making a massive organ appear via magic, and plays three simple notes twice, sounding similar yet different to Saria's Song. I play the three notes via the Deku Pipes and I start to get a feeling os contentment, then enter a state where I see the Deku that soul that was forced to fuse with me. I see the soul leave, and as I return, it formed as a mask that falls to the ground.

"Link. Pick up that mask, and take it with you. I believe that it will help in your quest to save Termina. Couple more things before you go, since you have the Ocarina back. The song that lets you go back in time, can be played in two different ways. A double noted version, which is where the normal repeat of the notes is played together, is played twice at once, so the one note is played twice in a row, so it would be like "Doo Doo dee dee doo doo", to give an idea. It will let you go forward in time to a specific time which you can pick. The second one, is where you play it backwards, which will slow down time. I know this, and I tell you this, is because I wish to help you. Be careful Link, and just believe in your strengths, and you will succeed in anything you do." Shigeru says, trying to help where he can.

I leave the tower, and start exploring the town, doing quests that people either needed help with, getting masks, and stopping the robbery of the old lady, buying the larger bomb bag from them, and quickly getting about six masks, and one from the north Termina Field, dancing on a rock mushroom. I get another mask from a ranch, though I had to wait until the third day to get, which I just played the song of time to restart, and then went straight to the Swamp.

After listening Tatl talk about how she and Tale meet Skull Kid, and how I was so irritating to deal with, we eventually entered the Swamp to find the waters looking wrong. I also see lily pads and put on the Deku Mask, to transform back into my Deku form, and hop around, eventually reaching a location with a potion shop I assume, and a forest entrance. I enter the forest, explore it a bit, and eventually spot a familiar face. Koume, the fire witch of the Spirit Temple, but how? Wait, she seems wrong, the feeling isn't the feeling I got from the Hyrule ones. No, she feels nicer, content, and a bit paranoid, understandably. I check on her, and she mutters quietly to herself, hoping I would leave, and wishing she brought one of the potions Kotake happens to make, as she could use one right now.

I quickly leave at that, and run to the Potion Shop, and find Kotake running it. After explaining to her about Koume, she quickly gives me a bottle filled with a red potion to give to Koume, which I quickly do, and she thanks me saying that I am earned a free ride on the swamp tour, as I saved her. When I leave the forest, about four to five monkeys stop me, and explain they need my help to save a friend of theirs who was imprisoned for a crime he didn't commit. I agree to help, and they run off back into the trees.

I quickly run and hop back to the building back at the entrance to the Swamp, and get the free ride to the Deku Palace, and a free pictobox, which takes pictures of whatever you want, and after the guard let me in because I was still in my Deku form, I find the monkey that was being talked about, and I search and find a way to the monkey to learn the Song of Awakening.

After getting thrown out, I make my way to the Woodfall Temple, learn the Song of Soaring, and exiting the Deku form, activate the statue at the pedestal where I could play the Song of Awakening, but since it is the middle of the second day, I decided to just play the Song of Soaring, deposit my Rupees, get the Adult Wallet, and play the Song of Time to return to the First Day again.

After returning, I play the Song of Soaring to return to the area with the pedestal, turn into my Deku Form, and play the Song of Awakening, which makes the Temple rise from the murky waters, and I dig into the flower, to fly towards Woodfall Temple.

As soon as I enter the dungeon, it is dark, damp, and smelly. Though, considering it was under poisonous water for a time, it isn't a surprise that it smells less than pleasant. So I go through the dungeon, and getting the Hero's Bow, which is different than the Fairy's Bow, as that one wasn't meant for adults to use for any longer than necessary, this one was meant for any age.

After exploring the Temple, and getting all the Stray Fairies, finding one by accident, and it explaining that all four temples have fairies like them scattered in them, and this one holds fairies like her, I eventually gather the fifteen in there and reach the boss room.

As soon as the boss room door closes, I hear chanting. The kind that sends shivers down your spine, that makes you nervous, like a war chant. A giant pudgy warrior drops down from the ceiling, and starts speaking in a language I never heard, and just starts dancing. Time to time, I would get a hit on it, stunning it, which let me get hits on the eye in the back of its head, eventually making it stop.

"You wish to do a true fight, little boy? Well then, I hope you are ready for double the trouble!" Odolwa says as a shadowy twin appears before it slinks away, and I narrowly avoid a slash by the shadow twin. Facing a fight on two sides, I focus on the shadow twin, which wasn't easy, as the original decided to be an ass, and at one point, blanketed the entire room in fire. The Shield I was using blocked it, thank the goddesses, and the shadow twin went into hiding until the fire disappeared.

I eventually killed the shadow twin, and it rejoins with its original twin, and after a bit, the original is forced onto its knees, with its sword in the ground. "Boy, I will tell you this. This land is doomed to be destroyed. No matter what you do, no matter how many times you try and delay it, this world will disappear. Your "goddesses" oriented the destruction of this land, whether you save it or not." At that, Odolwa dies, and leaves behind its mask for me to collect, as the body turned to bugs.

After grabbing the remains, I am warped to a location filled with water, and bubbles everywhere, like a giant bubble bath. Then I hear what sounds to be a roar or a call. I look around and see a giant simply put. Taller than the Clock Tower, and easily the tallest being I have seen yet, it was roaring in a way like it was singing. Quickly picking up on it, before Tatl could be a bitch, I learn a new song, that is called the Oath to Order.

It then starts talking in a way I didn't understand, and then I hear a voice. "Hero. You have freed me from my curse placed upon me by Majora. Thank you. I know that fairy will not tell you everything I say, so I will tell you this. Odolwa was not wrong when he said that the Goddesses have ordered this land's destruction. But it was for those who originally created Majora, as they entered the areas of magic forbidden on every level. Majora was created by the ones who went deep into the forbidden magic, and Majora killed them, but some escaped and lived on. This land is doomed, but only if you fail to truly save it. Make everyone happy, and help everyone. When the time comes, only the timelines where you helped people will remain, and you will be able to leave. Hero, save the others in the North, East, and West. I alone can not help you in stopping Majora, and all together, we can stop the moon from dooming this world. Before I forget, Skull Kid is innocent, for the most part. He is a mischievous being of the forest, but he never acted in a malicious sense until he got Majora's Mask. We forced him to leave after a prank of his went too far, none of it intended the way it went. He is still our friend, even if he doesn't know it. It broke our hearts to do it, but we had to. Save our friend, save the others, save Termina Link. You are our last chance." The giant says. I agree, and we are teleported back, into a room that has a plant cell behind me.

I cut the plants down, and meet the captured princess of the Deku Palace, and carry her back to the Palace, to calm the King down. The Princess beats the King, has the monkey released and tells me to go to where the butler was waiting for me. Needless to say, I went to the butler and raced him and another mask. Telling him the location of his son, and explaining and comforting him when he learned of his son's death, I went to a nearby building that was a spider house, and cleared it out and got another mask. With nine masks in hand, at this point, and multiple people helped, and it's beginning to turn to the middle of the second day, I first return to the Swamp Great Fairy, and reunite the Fairies to its other half, and get my magic doubled from my first magic upgrade, making it insanely huge. I then decide to use the Song of Soaring to head to Clock town, so I can head to the Mountains, just to get a head start there and find out what I would be dealing with there.

The first thing I find when trying to go up the mountains is a wall of ice, which I destroy thanks to the floating icicle hanging above it. I go up the mountain, bomb a few giant snowballs, and eventually reaching the cleverly named, Mountain Village. Calling it a village would be a joke, as it was just one house, which was a blacksmith, and I see an owl statue, so I hit it and activate it, for easier travel purposes. Exploring the mountains a bit, I go through a bath over an ice lake, and to an area where I assume gorons live, but because of the snow, there is no way in, minus a snowball that is just rolling around. I ignore it, and move to the giant Ice thing in the middle of nowhere, after following an owl to it. I enter it and get a second Len's of Truth, and use it to leave return to the area where I meet the owl, and meet a ghost named Darmani the Third, who guides me to his tombstone, which I end up playing the Song of Healing for him, and he turns into a mask, thanking me for healing him.

I pick up the mask, and I am transformed into a Goron form. I look like myself, but as a younger-looking goron. I assume that since I am a child physically, I would reflect that form in this case. Moving the grave, and the room is flooded by Hot Spring Water, I bottle some up, and just start smacking giant snowballs, and finding an ancient Goron by accident locked in ice. Quickly freeing him from the ice, so I just talk to him, and convince him that the gorons need help.

After an hour of convincing, and going to the Goron City to talk to his son, I get him to teach me the first half of a song that doesn't remember. I return to the Goron Elder's son and learn the rest of the song, which is called Goron's Lullaby, and the entire city is sent to sleep because of it. I leave the city, and head to Snow Head, as it is now the Third Day, but I also notice a goron on an ice ledge, get Rock Sirloin for him, and he gives me a mask in thanks, and then I wish to be able to go to it straight on the first day. As I reach it, I see the source of the Blizzard, a giant, invisible goron breathing with ice powers. I turn back to my Hylian form, and activate the owl statue for easy soaring to it. I then play the Song of Healing, and return to the First Day, to enter the Snowhead Temple.

Turning back into the Goron form, I play the Gorons Lullaby and put the giant Goron to sleep, ending the blizzard protecting the temple. I roll to the temple and look around the area, find the Great Fairy Fountains location for the mountain. I eventually walk up a ramp to the entrance of the Temple and enter it.

As soon as I enter it, I am faced with a White Wolfos, which I quickly put down. I then am faced with a block that I wouldn't be able to move in my Hylian form, but can since I am in my Goron form. I go through a few rooms gathering stray fairies and fighting enemies, I eventually get stuck. I eventually just jump down in the central pillar room, and land on the ground near lava, and find a switch I could ground pound into.

Throughout the Temple, I fight enemies, solve puzzles, and enter a mini-boss room. The Hylian like figure, called Wizrobe, comes out of a pillar, and runs around for a bit, before going back under to hide. It is a very easy, if not annoying battle, and I get the Fire Arrows, which will make it easy to transverse most of the temple. I eventually reach the top and gathered all the Stray Fairies, and once again, faced with Wizzrobe. I swear he was going to be the comeback mini-boss for the adventure. Quickly beating him, and getting the Boss Key, I go run back to the path to the Boss Room, and enter the room.

As I enter the room, I notice two unstable walls, and a giant mechanical bull thing frozen in ice. I nock a fire arrow at it and release it. The ice melts, and the mechanical bull named Goht bellows breaks one wall and rams through the other and rams it as well. I then give chase by rolling in my Goron Form, the fight lasted to until the middle of the Second Day when it was heavily damaged, and a bomb got stuck in its bomb launcher, and it panicked, running around until the bomb exploded, and it rammed itself into a wall, getting crushed and destroyed by rocks. I get the feeling I will be doing this boss a few times to get everything needed. I grab Goht's remains, and I am teleported to the area where the Giants live, a world of a giant bubble bath.

"Hero, My southern brother told me about you, while you gathered the remains. Tatl, the fairy with you, will betray you very soon. After you leave me for sure. Tatl the fairy hates you, for an idiotic reason. She is under the impression that you caused Majora to take over the Skull Kid, our friend, and do what he has done up to now. Hero, if you were to put her in a bottle, one that will have our connection to that will be put in your bag we will talk to her directly. Please, save our brothers Hero." The Giant says, sending me back to the Village. I use the Song of Soaring to return to the temple, and head to the fountain, who gives me an even more powerful sword spin. I go to where the Goron city is, and gain the ability to use powder kegs and go to the only house in the village, and learn that my sword upgraded to a razor sword, and I am told that I need something, to make the sword even better. I wasted a hundred rupees, but I now know that I need to go back in time to get something called Gold Dust to make my sword better, which I learned was at the Goron track, which is only open during when spring comes, so I use the Song of Time to return to the past.

Back on the first day, I quickly return to Snowhead Temple, and since I now have an easy way back to Goht, I just go in, and beat him easily, open the race track, and have my sword upgraded. I then race in the track while my sword is being upgraded to the Razor Sword, and win the Gold Dust, and have it upgraded to the Gilded Sword. I then play the Song of Time to return to the past, get a powder keg, and go to Romani Ranch, and help stop THEM, which I believe were aliens, and get another mask, and find and get Epona back. I then play the Song of Time again, to return to the past, getting a red potion, as I had a feeling I would need it, and finally go to the Ocean, riding on Epona.

That's when Tatl attempted to betray me. When I landed, she changed her flight path to try and knock me on the spike poles, which I was able to avoid, and I grab Tatl's wings and shove her in a bottle. "Now, I know I didn't say much of what she said throughout the story of my adventure through Termina, but if I were to say each statement about me, we would be talking for at least a month in just my first exploration in Clock Town Alone. That's why I didn't say each and everything she said, but to sum it up, she would say stuff like 'Useless boy, you can't do anything right' to ' Skull Kid wouldn't be in this situation if it wasn't for you', as well as a multitude of insults ranging from mild, to just outright disgusting. So I just kept most of it out of the adventure retelling, just to keep the story moving. Back to it." I say, explaining it.

With Tatl in the bottle, having to talk to the Giants by herself, I make my way into the bay, to see a flock of seagulls circling a Zora that was just floating in the middle of the bay, who I pushed to shore, to help him. He stands up slowly, and in severe pain from what I could tell, and he walked up to a stable part of the beach and just collapsed. He tells me he failed in getting Lulu's eggs back, and he wanted to heal. So, I played the Song of Healing, and he seems to smile, seeing something I can't, as he fades away, leaving a guitar, which I make a grave for him, with his guitar as the marker for it. I then talk to a guy in a house, who tells me that his Gerudo picture is ruined, and he needs a new one for his own needs.

So, I head to the Pirates Fortress, and infiltrate it, finding a clock Town Guard who needs a red potion and could only be seen with the Lens of Truth. I happen to have the potion, give it to him, and receive the Stone Mask. This mask, as I find out, is the best not transforming mask, and I use it to infiltrate the Gerudo Fortress, and after learning that the Pirates don't have all the eggs, I make two trips throughout the Fortress, getting their Hookshot, getting the Zora eggs, and taking them to a professor, and taking a picture of one of the pirates, who I give to the guy, in exchange for a sea horse, who guides me to the remaining eggs, and I learn the New Wave Bossa Nova. I look for the home of the Zora, and look for a bit, find it, and meet the one called Lulu, and hit the owl statue nearby. I talk to her, and find out she lost her voice in worry for her eggs. I try to tell her, but she either doesn't listen, or doesn't acknowledge it. I think for a bit, and realize that's what the Song I learned is needed for. To prove that she has to hear it, in order to believe it. I play the song as a Zora, she starts singing, and the island that was in front of us turned out to be a giant turtle. Never would have thought I would have said that, but it happened.

I use the Hookshot to get on the giant turtle, and we travel to the Great Bay Temple. When we arrived I jumped off the Turtle, and thanked it for bringing me to the Temple, which it didn't have any problem with doing. I look around the room, light a few torches and get a chest. The Great Bay Temple I will say is a convoluted mess. It took was easily the second most confusing temple I ever went through. I spent half of the time swimming in the Zora form, just trying to find where the fuck do I go, while I also spent the other half of the time trying to make sure I checked everywhere, and get the stray Fairies while I was at it. It wasn't a hard temple, just confusing. I did get the Ice arrows for this adventure from the temple.

Eventually, I reached the Boss room, and the boss was a giant fish. It was easy in the beginning until it made the central platform sink, and then it basically became an underwater version of feed King Dodongo bombs, just a little more difficult mainly due to swimming and underwater shit. I quickly found out the fish's name was Gyorg, and I am transported to the bubble bathroom again.

"Hero, thank you for freeing me. You have done well to come this far. Tatl... Is beyond help sadly. While once you release her, she will try to kill you again. Leave her in the bottle, until your journey is done, Hero. I am sorry I don't have much else to say to you, as anything I can say wouldn't be very helpful other than the ranch next to Romani's Ranch has something to help you in your quest." The Giant of the Bay says, before transporting me back to where I meet Lulu and the Giant Turtle.

After visiting the areas Great Fairy, I first play the Song of Time to bring me back to the first day, go around helping more people, and find myself with eleven, not transformative masks, so I decide to go to where Romani's Ranch is, and go through the way, and race the brothers on Epona, beat them, and get the Garo's Mask. After that, I head west, to the final location, called Ikana Canyon.

As soon as I enter the canyon, I get chills, similar to the Shadow Temple chills. But I move on, knowing that I won't let a world with innocent people die just because I am afraid. I move forward, past a few jumps on Epona, and head left, as I didn't see a way forward, and the guy sitting on the cliff gave me a creepy feeling.

Entering the Cemetery, I see it is empty minus some bats and a grave keeper. I walk father along and see the b-biggest skeleton I have ever seen. Oh Din help me. I really hope this isn't a Shadow Temple again. I read the tablet next to the damn skeleton, and it talks about awakening it. So I play the Sonata of Awakening, and it BREAKS the fucking stone bridge and starts walking away. I make chase, and after killing a few stalchildren, I catch up and beat the giant skeleton.

The Giant skeleton, after requesting a quick end of hostilities, makes me his commander basically and tells me the chest holds the Captain's hat, which will give me command of his restless troops. After two grave destroying nights later, I enter the grave that leads me to a room with a fucking Iron Knuckle. Needless to say, I beat it after a pretty tough fight. A ghost then appears, and teaches me the Termanian Song of Storms, and asks me to save his brother, who sold his soul to the devil.

After I leave that, I go to the cliff, and the guy on the cliff talks about a mask gotten from a ranch, and I figure it quickly that he is talking about the Garo Mask, which I wear, and he lets me through. After wandering the area, and using the Hookshot to get to the top of the Canyon, I see four Gibdos circling a house and a dry river. I decided to look at the source of the river and save a ghost who was corrupted by his own stupidity to selling his soul to the devil. After music plays, I exit the cave to see the Gibdos gone. So I decide to enter the house after a little girl left it, and find a half-man, half gibdo leave a closet in the basement. So I try the Song of Healing, and after a heartfelt family reunion, I get the Gibdo's mask, and I decide to head towards the only place I haven't gone to yet, The top of the area, and I also find the location of the last Great Fairy I need to help.

I then find a well, and I go down it, wearing the Gibdo's mask, and see the Gibdo's asking for stuff, but after realizing I was now the captain of their army, I assume, they let me go without stopping me. I eventually reach the enclosed castle, Ikana Castle, which was abandoned. After a bit of walking around, exploring, I eventually reach the Throne Room of the castle and nearly have a heart attack. The beings waiting for me are actually living skeletons, not like Stalfos and Stalchildren. Actual fucking living dead people, moving around like they never died. At least it is just three of them and not an entire Temple of dead people coming to life.

After they reveal their one weakness, light, I use the Mirror shield to bring them to the light, and the King teaches me a song to allow me to enter the final temple, Stone Tower Temple. He told me thousands died trying to topple it, as it was the source of the curse on the land of Ikana, and the only remaining remnant of the curse this world has. He admits that the ancients created the temple to insult the three Golden Goddesses, proclaiming the four giants were better than them. While most of the ancients agreed, some didn't and left to avoid the disaster they could see coming. Those that remained couldn't do anything to stop their greatest mistake, other than seal it away. The Majora's Mask. It was created to be the ultimate fuck you to the Golden Goddesses, and be used to destroy their symbol of power, the Triforce. But because the Goddess were less than pleased with them, they essentially had most of them killed. The survivor's descendants are what populate this world, including what was once the might of Ikana, as they existed before they were born.

After learning that, I head to Stone Tower Temples entrance, and after a long and tough climb, I hit the owl statue to allow easy travel to it, and play the Song of Time to return to the first day, as it was nearing the night of the Third Day.

Because I knew once I finished Stone Tower Temple, I was going to go straight for Majora, I decide to finish gathering the remain side quests I could have done, which only was like 2 things. Getting the only masks I didn't have, one of them I assumed to be in the Temple, I complete the hardest quest, one that would take three days, and get two masks from it. The Keaton Mask and the Couples mask. I notice I have nineteen not transforming masks at this point, and three of the transforming kind, so I decide to buckle up and topple the Stone Tower.

I will say right now, the Stone Tower Temple is the third most creepy Temple I have ever explored, and the most confusing Temple, easily. Tons of backtracking, strange puzzles, and literal flipping of the temple, with a multitude of oddities in it. "To describe the Stone Tower Temple, is difficult, mainly because I necessarily can't describe some of the murals drawn on them." I say, about the drawing on some of the tower's walls.

"Are you able to draw them?" Zoe asks. I go to draw in the dirt, but it seemed like I blacked out, and when I came to, the hunters and Apollo were around me, and I was laying on the ground for some reason.

"What the hell happened?" I ask, confused as hell.

"You started the bare bones of the drawing, then suddenly got a blank look in your eyes, and passed out. Looking at the drawing, I think I got a good idea of what it was. The Giants you described, and the Golden Goddesses your land worships correct?" Zoe says. I look over where I started drawing it and see it isn't finished.

"Yes, but it isn't finished. The drawing has more." I say, get up, and walk over to finish the drawing. I believe I entered another trance or something, as when I come back, it is a semi-accurate redrawing of it. The hunters and Apollo look over it, and the hunters look infuriated, and Apollo gains a strange look like he knows something I don't know about.

"Link, do you know that the drawing actually means?" Apollo asks slowly, looking me dead in the eyes, with a look that barely hides his worry and confusion.

"No. I only saw them throughout the Temple, I saw different versions of the drawing, but each one symbolized the same thing. That. Whatever it is." I tell Apollo, while the Hunters looks pissed.

"Link, remind me again, you were raised by a group of children right?" Apollo asks, for clarification.

"Yes, I was raised by the Kokiri were children of the forest." I say, confused at what Apollo was getting at.

"To go along with that question, what do you understand about the differences between a boy and a girl?" Apollo asks seriously, and the Hunters look at him with confusion.

"They are essentially the same right?" I ask Hunters and Apollo looks at me with a look of shock, though Apollo turns to a look of understanding.

"So you never had the Talk. Though, considering that you were never able to learn it, not surprising." Apollo says, confusing me, and making the hunters realize what he meant.

"So he is innocent in that regard?" Zoe asks carefully.

"I am sure of it. He didn't go through puberty normally, raised by children, and never realized what the drawings meant, leads me to the conclusion that he has never had the Talk, or even knows what it is." Apollo says. The hunters look on at me, with a look that I don't understand at all.

"Well, should I continue the story or-" I say, only to be interrupted by Apollo.

"No, I think you need to know what I am referring to with the Talk." Apollo says.

"I think it should wait for later Lord Apollo. Maybe his parents could tell him. But it shouldn't be you, in all honesty. You aren't someone-" Zoe says before Apollo interrupts her.

"I know I may have done some less than stellar things in the past Zoe, but I am speaking as a serious, no fucking around, doctor way. Link NEEDS to be told or else it will be worse for him in the future. I understand, and agree with you that normally, I shouldn't be trusted with this kind of conversation, but I in all seriousness, am going to tell him what he needs to know. For the sake of Chaos, he doesn't know what the drawing even represents! It needs to be explained!" Apollo says, in a no-nonsense tone, shocking the hunters. "I don't like acting like this, but I am being very serious about this, and I don't want to dilly dally with this. Once he understands, even if it isn't fully due to his issues, the better it is for him. Chaos, it might even help him! If it makes you ladies feel better in this case, I will be explaining it in front of you, and you can help explain it where you can and clarify some of the cases to him. Okay?" Apollo explains, before asking the hunters. The hunter's group up, talk a bit, and Zoe agrees to it, in a tone I don't get, but seems forced.

"Now Link, to begin with, you know what your gender is right?" Apollo asks me seriously.

"Yes. I am a male." I say, easily though confused at where this is going.

"And what is Zoe?"Apollo asks me again.

"A girl." I say, still confused, wondering what is the point of these questions, isn't he supposed to be talking about this Talk thing?

"In most cases, a boy will like a girl. In some cases, its a boy liking a boy and a girl liking a girl. Tell me, have you ever felt attracted to someone?" Apollo asks.

"No?" I say with an even more confused tone.

Apollo just sighs. "That's right, the fucked over puberty did fuck you over in that aspect. Well, to give it a simplification, you feel a pull to a guy or girl, in a way that feels natural. Like most growing on another surface, or gravity pulling an apple to the ground. Something that feels right to you. That is an attraction to another person, either to a guy, girl, or both. Simply put, you want to be closer to them than what friendship allows. That's a state most people who go through puberty normally will understand. Because of your mess with puberty, it didn't happen in a way that should have happened. To sum it up, a healthy form of attraction is one that happens naturally, like a connection. Sometimes it happens right away, sometimes it takes time to build up. Any questions so far Link?' Apollo explains, then asks.

"What is a sign of this attraction to others?' I ask.

"That one can't be defined in any one way. Simply, you usually just want to be with them more than other people. It is not easy, if possible to explain in words, the only way to truly explain it is for you to go through it yourself." Apollo says.

"Okay. I don't fully get it, but I think I got a general idea." I say.

"Now, the bad side to this, and using that drawing as an example. That image depicts a horrible side to the attraction I am talking about, do not associate with it though, it is a far more evil side than you think. While a natural version of it is encouraged, which is what marriage is, that is the sinister side of what I am talking about. The word for it is rape. Simply put, that drawing is depicting the giants from the land of Termina raping your Golden Goddesses. It's is a disgusting act that only the most disgusting, evil, or just plain assholes due. The ones who do it either abuse their power, authority or just plain are disgusting beings who do it. Yes, most of the Olympians have done this in one shape or form, and we are guilty of it, even if some of us view it in a better light than others do. Point is, that drawing is a disgusting thing that the mortals made at their point of time, and the Golden Goddesses of your land wanting to remove them is understandable, and the Ikana King was justified in wanting to topple such a disgusting piece of history, though I would state holding parts of it to remind their people what lead to their moment, is necessary." Apollo says.

"Okay, but what is rape exactly?" I ask.

"Rape is forced sex to simplify it. Sex can be multiple things, oral, by the ass, handjobs, or a dick entering a vagina, just to give an idea. While sex is with consent, meaning you both are agreeing to do it, rape is where one side is forcing the other into it. It can be forced by authority, power, or drugs." Apollo says, with a grim tone.

"That's... Why." I say, dumbfounded, and disgusted.

"It exists because beings, human, god, titan, and primordial, can be very cruel beings. Most beings will say that immortals never change, and I disagree for the most part. We just change at a slower pace. Some are just extremely stubborn, making change much harder, others can change easily. I will not lie and make us look pretty, which I can't as I am the god of truth. For all purposes though, that was the talk, and that's what those drawings represent." Apollo says. I just look at him with a less confused, but still unsure face.

"I... I don't think I completely understand. Maybe it is because I didn't go through puberty normally, I was raised by children, I don't really know. Maybe in the future, I will understand what you mean, but right now, I don't. Experience in it might help, but that is hard to say." I say, in a low, confused, and worried tone, just a bit nervous as a whole. I really, really don't know how to put into words how that whole conversation is confusing, and hard to understand, in a way that is more mental than anything. I understand what they are saying, but it isn't connecting so to speak.

"You might be able to, or it might be locked away. I honestly can not tell you if that is the case. The only one who could, I wouldn't trust with you to be alone with, and she would all but demand it to be the case." Apollo says, with a grim look. "Link, I want you to have this. No catches. It is a small pearl-like orb, that can be broken. When you need it, break it. I am breaking a ton of laws by being here, but my domain of healing is what lets me be here, laws be damned in this case. Now, I must leave before certain beings get mad, but if you need to, break the orb, and unless I am with the other gods fighting, let's say Typhon the Father of Monsters, I will come. Also, can I have a sample of the Red, Green, Blue, and if you have it, Great Fairies Tears? It would help me come up with ways to help others who need healing. Lets me learn their recipes as well." Apollo asks for, which I give him about one-fifth of a bottle of each, even the tears. I do it understand that one day, those can help those in serious need of help and care. "Thank you Link. I do owe you one, and the orb of light is a gift, so if you need something of me that's within my power, ask for it. Later on though, as it is almost three pm, and I am sure that the hunters, as well as I do, want to hear about the rest of the Stone Tower Temple, ignoring the drawings, and how it went." Apollo says, before leaving the hunters and me in the arena again.

"Well, to go back to the start of it, the Stone Tower Temple was confusing as all hell." I say. I start explaining the amount of walking in it, the backtracking, the amount of times I use the Transformation masks and the fact that it was HUGE. To explore the first part took two and a half DAYS. I only got through half of the Temple at that point! I did get the light arrows in the temple, to flip it, and once I got the idea of it, and see the temples stone blocks having their tongues beings weird to the Triforce, I played the Song of Time, just so I could explore the flipped Stone Tower Temple.

The flipped version, was harder than the unflipped version, partly because now there was now a lot of gaps, open-air falls, and if I fell, it wouldn't end well for me. I eventually faced off against a grim reaper that Majora corrupted, who thanked me for freeing it, and said it will not go after me, as it was against its rules to claim a soul before it's time, which its appearance was supposed to represent, and the fact that I freed it, would earn me a gift from it. My Sword went from its golden form to a black, blue, and gold form.

"What I did to your sword, was give it the ability to force the dead and undead being to obey you, or to send them back to the afterlife or to help them move on from their deaths. There are only two blades that I know of, that are stronger than this one now. The Master Sword, since I can sense it's magical presence on you, and that one is because of its own unique creation, and the Great Fairy Sword. That one, you already can get since you have all the Stray Fairies of this Temple. Though, while those two swords are better for their own ways, the upgrade I gave your sword is unique for it can do what I said, while the others can't. Granted, one can create their own Great Fairy Tears with, which is the best for healing, while one is just a fuck you to beings and creatures made of, or are pure evil. The sword is also only tied to you, meaning it will only except you as a wielder. Anyone else who tries to use it will suffer increase health issues until they die or give it back to you. This is a thank you gift, and when you die, the sword will join you in death, as it will follow you through the flow of time. I can say that it will harm immortal beings quite badly, and force them to fall, not die, just fall to it. Though I can't say what will happen in that case, as I don't even know. But it is yours now, Hero of Time, and Savior of Termina. I recognize you as the Hero this land needs. Save the final giant, and teach Majora not to fuck with anything again." The Reaper says, before fading away into shadows.

More exploration, which wasn't much due to the Temple being almost completed, I eventually get the Boss Key and reach the Boss Room.

The boss, Twinmold was both easy, and irritating to deal with. The first part of the match was easy, just hit one with arrows until it died, leaving nothing behind. The second one on the other hand, was a nightmare. To fight it, I had to wear my twentieth mask, the Giant's Mask. No, it doesn't make me into a being like the Termina Giants, I just turned into a giant version of myself. Since I couldn't use my sword or shield, I had to use my fists and the environment against the remaining Twinmold.

NOT. EASY. The bastard flew around, firing fireballs, and was a general pain to hit at all. I got lucky a few times and realized the more I spun it, the more damage it would take. It took for spins, the first one was a slow spin, and I quickly learned from there, doing three fast and powerful spins, and defeated Twinmold. It was hell honestly.

I am then transported to the Giant's Bubble Bathroom. "Hero, you have freed the four of us. Tatl can only be released after Majora is defeated. Link, save Termina please! We can promise you to let you keep the masks you gained over this adventure, and their powers to stay, but if the Moon falls, we all will die. No one is safe. Not even us Giant's if it falls. Save Termina, save this land's people! Please." The Giant says, shocking me as it had tears coming from its eyes. "Hero, the Goddesses did curse this land because of the Ancients that created the Stone Tower Temple. I can tell you flat out I will destroy the Temple myself so that the Goddesses themselves know that Termina doesn't support such a thing at all. It was our fault that we let the Ancients think so highly of themselves, to the point that they believed us to be better than the Creators. Majora is one of the few remaining artifacts with power that the Ancients created. Either destroy or remove the power of it, but don't let it win Hero. We all are counting on you!" The Ikana Giant says, before teleporting me back into the main Canyon of Ikana.

I quickly run towards the Great Fairy Fountain nearby to reunite all the Stray Fairies to reform the final Great Fairy. The Great Dairy Reforms, and speaks to me. "Hero, I see you blade was blessed by the reaper Gregormy. You must have helped him immensely to bless it. By extension, he must have told you about the Great Fairy Sword, which I will give you in thanks. He also must have told you about its special power, so I ask you to not abuse it. Wield the sword, and save Termina!" The great Fairy says, giving me the Sword, which is too big for me to wield right now, but as an adult, I could easily. After thanking her, and leaving the fountain, I see it is the beginning of the Third Day, so I decide to head to Clock Town via Song of Soaring, and wait for it to become midnight.

It strikes midnight, and I shake in worry, anticipation, and sadness. Worry, because I don't want to fail the people of Termina. The living members are innocent of the crimes of their Ancestor, which I know that now. Anticipation, as I finally no longer have to worry about that moon after the equivalent of a month and a half of worrying about it. Sadness, as I know I won't return to Termina, as it isn't my land, and Termina will be better off without a person who seems to attract enemies capable of destroying lands. I might return to Hyrule after saving Termina if all goes well.

I run up the stairs to the top of the Clock Tower, and see Majora and Tale looking at me. "Swamp, Mountain, Ocean, Canyon. Hurry, call the four who live there." Tale says, looking at me before Skull Kid smacks Tale, knocking him off the Clock Tower.

But I do just that. I play the Oath to Order. At first, nothing seems to happen. Then the roaring starts. A call to action among the Giants. They begin appearing from their respective locations of Termina, the Ikana Giant "accidentally" knocking over the Stone Tower Temple, destroying, as the walk up to the walls of Clock Town. They look at each other, then the moon, and roar challenge, before throwing their hands up at the moon, using magic and their considerable physical strength, based on their shaking legs and arms, before the Moon is stopped in place, barley stopped before hitting the Tower, it's eyes a dead look to them, like it's only purpose was stopped.

I look at Skull kid and see him passed out, but I know better. The Mask suddenly pops off his face. "A weak-minded puppet is of no use to me. Then again, neither is a fool trying to stop this lands fate of death. The Goddesses orientated this lands death Hero, and you won't stop it." Majora says in a feminine, yet evil voice, before flying up and EMPOWERING THE MOON! Its eyes, for a bit dull and dead, return to life glowing with rage, power, and desire to crush everything. I see the Giant's barely able to hold the moon, struggling to stay standing against the combined might of the Moons power, and Majora powering it up.

I see the path Majora left open, and I go into the moon. As I come to, I see it is like a field, a grassland with four playing children around the tree, and one sitting at its trunk. I speak to each one and realize why I had the not transformative masks. They were to be given, to prove once and for all, that Termina can let go of it's past and issues, for a better future. It was disguised as them wanting to play, but I could tell the true intentions as I went along.

Playing with each child, who wore one of the four masks of the bosses I fought, I am left with the Deku, Goron, and Zora mask, facing the final child. The one wearing the Mask of Majora. He gets up, says all I have left are weak masks, and I am given a mask so powerful, that I only consider it a last resort mask. The Fierce Deity Mask. Also known as the Oni Deity Mask. I didn't use it at first against Majora, as it wasn't necessary. That was, until the third phase. It was something I couldn't keep up with, almost as if it entered a realm of power beyond my own. I was forced to use the Fierce Deity Mask. Its power was enough to turn the third phase Majora into dust, and it was beaten. But using it was dangerous. Its power is enough to destroy a world if used improperly, and it only lets me use it. I swore not to use it unless absolutely necessary, and I still stand by that oath.

After Majora was beaten, I return to the Termina fields to see the citizens celebrating, about how the festival was still happening, and that the moon was stopped. The all but the Giant from the Swamp go back to their homes, and the Ikana Canyon one making sure to destroy the remains of the Stone Tower Temple, making sure it would never haunt the land of Termina again.

The Skull kid turned out to be the one I taught Saria's song to in the Lost Woods, and I release Tatl, who joins the group of Skull Kid and Tale, before leaving. All that remains is me, the Shigeru, who looks happy at me, and the Swamp Giant.

"Link, Hero of Time and Savior of Termina. I thank you for not only keeping your end of our deal and going beyond it by ending the Darkness in the Mask. It will never bother anyone again. Return to Hyrule, after speaking to the Gaint of course." Shigeru says, before leaving, with his never-ending smile.

I then look towards the Giant. "Hero, you have saved Termina, and the Goddesses acknowledge that Termina will continue to exist. We, the people and guardians of Termina, thank you Link, Hero of Time and Savior of Termina!' The Giant of the Swamp roars, and the people cheer. I quickly get on Epona and leave Termina in embarrassment, as I didn't do it for the praise, but because it was the right thing to do. I quickly find out that the entrance was still under the Tower, and leave as it shifts away from the Clock Tower.

Leaving the entrance to Termina, I look back at the tree, and see the bag I held all the masks in, filled with them again, and a note from the Giant saying "We keep our promises, Hero. Thank you for everything. May we cross paths on terms that don't involve the world ending." Swamp, Mountain, Ocean, and Canyon Giants.

"I still have the note. I kept it knowing that getting rid of it would be idiotic. That is the end of my story, as I returned to Hyrule for a while, Zelda got strange, and I eventually arrived here. That is the past adventures I went through, so any questions?" I ask.

"What do you mean Zelda got strange?" Zoe asks, with a strange look in her eye.

"Well, I really don't have a good way to explain it, as I think it is something I don't truly know." I say, honestly.

"I won't push it, but if I found out that it was something much worse, I don't think she will be happy to know that you hid something important to us." Zoe says.

"If there was something like that, I would have said it, if I knew of it. But hey, you got the full story of mine. I just need to rest, as I don't like remembering certain parts of my adventures." I say, before leaving the area, going to the woods to think, and relax. The woods would help me, even if it isn't a good idea.

Jesus Fucking Christ on a Pogo stick jumping through a ring of fire, lit by the Fire Lord Ozai. I did not intend for Majora's Mask to end up so long, but hey, it happened. I will just now say thank you for the 1,000 views again, and thank you for following and Favoriting, and reviewing. No, I won't ask you to do it. I am just thanking those that do, as I know that they made the effort to do it without asking. Now, a bonus thing, an Omake. It IS canon by the way to the story. This one is from the King of Hyrule, who I will name Daphnes Hyrule here for simplicity, point of view.

Omake:

I just look on, from my throne, listening to my advisors suggest a war with the Gerudo, even though the country is still recovering from the civil war that was fought, about seventeen and a half years ago.

"ENOUGH! I want to be alone. No more talk about war until further notice, understood?" I ask, well more demand from my advisors, who nod their heads in agreement, then for all intensive purposes run out of the room. I then slump into my throne, with my head against my head, trying to weaken the headache that was coming. But instead of pain, I get a signal disruption. The spell I placed on my grandnephew, who I was hoping after all this time was alive, was disrupted. I instantly sit up in my throne, with a shocked expression. I made that spell to only be disrupted by either him turning eighteen, or him dying. I know it isn't either though, as I placed a second spell that would tell me his condition. While it would basically read him as near death at times, it always went back to living, and I still sense he is alive.

"Serry. I want you to bring me, my daughter. I wish to speak to her." I command the guard, who salutes to my order, then leaves to fetch her. I sigh, wishing my daughter wasn't so odd acting. Ever since the boy who looked a lot like my grandnephew's disguise, down to the fucking hair and eye color, warned me about Ganondorf's betrayal, with evidence of songs and knowledge only those of the Royal Family could know of, Zelda went from being a normal daughter to something akin to a possessive woman, and by possessive, I mean she could very well just try and lock up Link so she could have him to herself. I worry about her at times, as I worry that she might end up doing things that not even out ancestor the Goddess Hylia, would not only disapprove of but flat out leave her, which might kill her. I love her, more than she thinks, as ever since her mother died, I wanted to keep her safe, even if it meant I would ignore the dreams of prophecy, which I knew was stupid. She has gotten worse, ever since Link left and her failed attempts to woe him, and the one time he visited me, saying Zelda was being extra strange around him and left. I didn't stop him, as I knew that Zelda was acting very, very odd, if not worse. My daughter enters the room.

"Zelda, I wanted you here to tell you something. Years ago, my Nephew died as the civil war ended, his wife assumed dead. His son's fate was unknown for the longest time. I now know for sure he is alive. He is related to the Royal Family by blood, and when I see him again, we WILL welcome him into it. He deserves that much after what happened to him." I say to my daughter, who nods slowly to what I say, understanding.

"Father, I understand, but what about Link?" Zelda asks, blushing a little and playing with her dress. I instantly look at her, confused.

"Link?" I ask. That's the name of my grandnephew. While I never learned the Hero's name, if it is him, oh Din help me.

"Link, the one who warned us about Ganondorf Father." Zelda says, blush deepening.

"My grandnephew is also named Link... Oh Hylia help me." I say, realizing it. My grandnephew was in front of me this whole time. While it was nearly seventeen years in two weeks since I last have seen him, as I set the spell up on his birthday, While I can't control the fact that that long of a time does dull the memory, I SHOULD have realized it. "Zelda... The Hero Link and my grandnephew Link are the same person." I say, as Zelda stops blushing and looks at me with shock at first, then gets a smile that only fits a person in heat.

"That's nice, so that means he will be around more often then. Maybe finally I can get him to be with me." Zelda says, shocking me.

"Zelda. You know marrying family like that is not allowed." I say, in shock and worry. I think I know now the problem. My Daughter is more than attracted to him, she WANTS him. Din help me as I try to explain to her the problem here, though I believe she isn't listening. I just hope Link is doing okay, and Zelda didn't try anything bad to him.

Omake end. Yeah, if you can guess what Zelda did, you get a free block off internet cookies. The whole Zeldas thing is important by the way. Well, I hope you enjoyed this chapter and Omake. Have a great day, and see you next chapter!

EDIT 1: Italic and some minor fixes.