JENNIE
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I used to think one of the more compelling reasons authors write together is because they have someone else to cheer them on, someone to be accountable to besides themselves. If you slack off, you have someone to tell you to pick up the pace, hit you upside the head, force you to work. After all it's harder to let two people down rather than just one, especially if you're used to disappointing yourself all the time.
But the more I write with Lisa, the less I get done. Somehow when we hated each other we were able to get a lot more writing done. Now that we've tried to actually make this a career, now that we're actually making fucking money, the words have stopped flowing and writer's block is forever rearing its ugly head in my life once again.
Oh, who am I kidding? I can't pretend I don't know why we've been slacking. It's not the pressure of trying to top Falling for the Secret Male Stripper (not entirely). It's the challenge of choosing writing over fucking. Because, Jesus, for once in my life I've got every single sexual fantasy I've ever wanted, everything that my ex never was, all at my fingertips. It's instant access to an orgasm whenever Lisa is around and when she isn't around, I'm getting hand cramps from masturbating so furiously. It's not just the smut that we're writing. It's the smut that we're doing.
Every spare second.
Obviously the only solution is to avoid each other and try and write separately. That was my plan anyway and I knew just the place to do it. My parents have a cottage on a nearby island that's been in the family for at least fifty years. It's small, nothing fancy, though some of my fondest memories were being young and running amok there with my sister. Usually our nanny Karen would take us there when my parents wanted peace and quiet in the house, but sometimes, some lucky weeks during the dog days of summer, it would be the four of us. Dara, me, mom and dad. For once I could actually feel what it was like to have a family and since the cottage is small, we really got to know each other. Even my mother, who would never drink anything other than wine now, would drink beer on the porch, wear flip-flops and no makeup and take us for walks along the beach while I entertained her with stories.
The minute though that I told my parents I wanted to use the cottage for a few days to "relax", the more I realized I wanted Lisa there with me. It's a completely stupid idea - invite the very reason why your work ethic is non-existent. But I can't really explain it. It's not that I want her company, I mean the girl drives me crazy outside of the bedroom, but some tiny part of me wants to show her something of my past. Besides, a change of scenery will probably do us some good and even though it's scary to take the two of us and remove us from the world we're used to, I think it will work out.
If it doesn't completely blow up in our faces.
But we'll see.
First, though, I have to work up the nerve to ask her. And the fact that I have to work up the nerve, that I'm actually nervous, that I'm actually worried, says a lot of things I don't want them to say, mainly that I care what Lisa Manoban thinks of me.
Because, shit. I do care.
A lot.
On Wednesday night I send her a text. I'd just seen her yesterday for another writing session turned sex romp and I'd casually mentioned that the next time we saw each other we had to get something done besides each other.
Totally fine if you say no, but did you want to get away for a few days to write? I was going to go to my parents' cabin on Salt Spring Island this weekend for inspiration. Thought it might help.
I stare at the phone and lie back in bed.
Just staring.
Waiting.
I spy on a few Facebook profiles.
Still waiting.
Paint my nails emerald green.
Still waiting.
I hear Ana opening the fridge so I scamper out into the kitchen, looking for a distraction.
"Busy writing?" she asks me before pulling out a jar of mayonnaise and closing the fridge door with her ass. I watch, mystified, as she unscrews the lid and then dips a spoon inside of the jar. She leans back against the counter, that dollop of mayo resting in the spoon, her dark purple gel nails like dinosaur claws.
God, I hope she doesn't eat that.
"Uh, no," I say. "I'm having a hard time concentrating."
"It's all that penis you're getting," she says, the spoon going to her other hand.
"Cock," I tell her. "It's always cock. Maybe dick. Never penis unless you're talking about someone related."
She scrunches up her nose. "Why would you talk about the penis of someone you're related to?"
"I have no idea but from now on its cock."
She shrugs. "I can deal with cock. I can deal with a lot of cock. This you know." I watch as she opens her palm and plops the spoonful of mayo into it. She puts the spoon down and starts rubbing her hands together, like she's putting on hand cream.
"What," I start, pointing at her, "uh, what?"
"What?"
I nod at her mayo hands. "What are you doing?" I hiss.
She looks down and grins. "Oh, you've never seen this before?" she asks, seeming pleased. She then starts rubbing her mayo-covered hands over her fucking face. "It's great for your skin."
I raise my brow. "Yeah. I'm sure GMO-filled canola oil does as much good for your face as it does your immune system."
She makes a dismissive sound. "My grandmother used to rub fresh goat's milk all over her face and she had skin like a baby."
I don't bother pointing out that fresh goat's milk and canola oil is like comparing apples and poisonous oranges and instead I try not to stare at her in revulsion as her face turns an oily white. It must be the erotica writer in me because all I can think about is how much it looks like an epic cum shot. Cream pies all over the place.
"Well tell me how I can help you," Ana says as she washes her hands in the sink. "Need me to be firm with you, like a dictator? I have experience."
I shake my head, unable to take her seriously as a dictator with a face full of mayonnaise and/or cum. "No that's okay. Actually I thought I might go away for the weekend, you know, for inspiration."
"Oh yes? Where?" She frowns quickly, looking hurt. "Am I too much of a pain?"
"No, no," I assure her, even though she is around an awful lot now that her makeup schooling is over. "It's not you. I just can't think. I can't concentrate and I'd rather be doing everything else except writing. Procrastination is at an all-time high."
"And you're sure it's not me?"
"Nooooo," I reassure her. "My parents have a cabin on Salt Spring Island, just a thirty-five minute ferry ride from Swartz Bay. It's small, cute, with a little wood stove and a big deck overlooking the ocean. It will do me some good. Recharge the batteries."
"So you're going all alone..."
"Well...," I say slowly, studying the linoleum pattern on the floor. "I may have just invited Lisa."
A lengthy pause falls over us. She takes a moment to think that over, pursing her lips. "I see," she eventually says, her expression growing disarmingly suspicious.
Don't take the bait.
"Interesting."
Don't do it Jennie. You don't want to hear it.
But I can't help myself. "Why, why is it interesting?"
Damn it.
She shrugs. "I may not know many things but I know things about people."
"Do tell."
"This isn't about writing."
"It is!" I exclaim. "A change of scenery, fresh air, all of that will be good for me!"
She wags her pointed nail at me. "You do not jet off to some island somewhere with someone if you're not interested in them."
"Hey, it's not like I'm not interested at all. I mean...I'm only human."
"Mmmhmmm."
"I mean," I say and bite my lip, wondering how much I should say, "the sex is just...incredible."
Her eyes roll to the ceiling. "I know, I live here, remember?"
I ignore the heat in my cheeks. "But just because I like to have sex with Lisa doesn't mean I like her. More than a friend. I mean, I guess it is more than a friend. But we're fuck buddies and that's pretty much it. You know. A fuckgirl, like Jisoo would say."
"Which makes things kind of complicated when you go away together, don't you think?"
Shit. Will this make things complicated? Maybe I'm scaring Lisa off. Maybe she won't want to write with me anymore...or have sex. I'm not sure I could survive without either.
Then again, the other week we both agreed to get tested for STDs. I mean, that's a pretty big commitment in its own way. It said we weren't sleeping with anyone else. And luckily, the tests came back negative. I've been on the pill forever, so it's just been so much easier and sex has gotten that much better. There's nothing like the feel of her raw, hard cock inside me.
I just hope I haven't scared that cock away.
"Well she hasn't responded yet so maybe..." I trail off, wondering if I should quickly send another text, telling her I've changed my mind and would rather go alone. But what if that makes her feel rejected? Wait, can Lisa even feel rejected? I'm not sure that's emotion she's capable of, along with empathy, sympathy and shame.
"She'll say yes, don't worry," Ana says with a sigh, heading into the bathroom. "Time to wash this off."
I watch her go and then nervously head back into my room, eyeing the phone as it sits on my pillow, like it's going to lash out at any moment.
You can fix this, I tell myself.
I gingerly pick up the phone and peer at it.
Lisa finally texted back, for once not calling.
Sounds great. When do we leave?
Ah.
Shit.
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It's Friday morning and I'm standing on the curb outside my place, waiting for Lisa. The sun is just starting to peek out over the maples, streaming through in columns of golden light. There's always been something magical about summer mornings. I guess because when I was younger, the summer meant vacation and if you were up early during the summer that usually meant you were going somewhere fun.
That's true today, even though I'm excited about heading to the cabin for the weekend, I'm also flat-out nervous as fuck. I woke up before the sun even rose, taking my shower and spending extra time on my appearance, like I'm going on a date. And in some ways, it is a date-a really long one. I also went through my duffel bag for the millionth time, packing and repacking my clothes. I want to stay comfortable, earthy and sexy, which is somewhat of a tall order. The girls in the Free People catalogs can pull it off, but I'm another story.
Even though I'm the one who invited Lisa and we're going to my family cabin, she insisted on taking Mr. Mean. Can't say I have a problem with it. The Cooper is cute but Mr. Mean is a sexy beast, just like its driver.
Butterflies toil in my stomach, heating up my spine and cheeks. I suck in a deep breath and somehow manage to hold it in as I hear the roar of Mr. Mean's engine and see the black car coming around the corner.
Lisa pulls up alongside the curb and gets out, shooting me a grin that I wish didn't weaken me at the knees.
"Madame, your chariot awaits," she says, sliding her aviators to the top of her head. "Sorry I'm late, I literally rolled out of bed fifteen minutes ago."
"It's fine," I tell her, coming over with the bag. To my surprise she takes it from me and puts it in the trunk, then opens the passenger door, gesturing to it. "After you."
I shoot her a wry look. "How very gentlewomanly of you. You feeling okay?"
"Darling, you should know I'm not a morning person by now," she says, going around to her side while I get in. "And you should know that they make me delusional. Appreciate the gentlewoman while it lasts." She starts the car and slips her shades back down, the corner of her mouth quirking up. "I'm certain all vestiges of decorum will vanish the moment I get you alone."
"A," I say to her, holding up a finger. "We're alone right now and B," I tick off another finger, "you need to stop reading the thesaurus. It's good in a bind and that's it."
She leans over and snaps her teeth at my finger, trying to take a bite out of it.
I shriek, a little too loudly, and then dissolve into nervous giggles, also a little too loudly. I need to calm my panties, stat.
"And you, my peach," she says, "need to relax a little."
"I have been relaxing. Too much. Hence this trip."
"No," she says with a quick shake of her head as we cruise down the tree-lined street, passing by folks walking their dogs and a kid delivering the paper. "I said yes to this trip not because we're going to work."
"What?"
"Let me finish. I said yes because I think the problem you're having with so-called writer's block isn't that you're not inspired. After all, you're getting my dick, how much more inspired can you get?"
"You think that's the solution to everything."
"It's never not been," she admits and I can tell she believes it. "Your problem, Jennie, is that you're succumbing to the pressure of success."
"The pressure of success?" I repeat. "You really are delusional in the mornings."
"Hear me out," she says, licking her lips. "Look, when we wrote our class project together, we were so focused on just getting it done and producing something and fucking surviving it that neither of us really thought too much about the final grade."
"Speak for yourself," I tell her, even though she's somewhat right. Even though I cared deeply about getting an A and acing it, I also knew I would be graded on how well my part was done and the act of completion, rather than the quality of the story as a whole.
"Then," she continues, "we decided to have a go at Stripper and see if we could really do the whole erotica self-published ebook thing. There was no pressure at all, it was, for all intents and purposes, an experiment. It was for fun. It was a challenge. And it lead to some pretty amazing discoveries. Like you're phenomenally good at not only writing about cock but getting it too."
I let out a snort.
"And you're incredibly cute when you make those noises," she adds.
I try not to take that as a compliment. "Anyway..."
"Anyway, now that we've proven we can do it, now that we're committing to do another book, to make the fucking big bucks, to make this something real...the pressure is on. And I don't think I've ever met someone who takes pressure like a job itself. It's like if you don't feel the weight of the world on your shoulders, if you're not grim and serious and suffering, that it's not real."
I swallow and gaze out the window, wishing I made coffee to go. The coffee at the ferry terminal is heinous and I'm going to need some sort of stimulant to handle all of this. "I can't help it if I take it seriously," I say quietly. "If it's going to be my career, I have to take it seriously. Stephen King said that writing isn't something to be approached lightly."
"Stephen King is also a liar." I frown at her. She goes on. "He's a liar for a living, all authors are. So are we."
Except we're acting out our written fantasies, I can't help but think.
"Look," she goes on, her tone softening. "I'm not saying we can't take this seriously. I think we already are. We're going about it the right way. But at the same time, we're writing about billionaires and strippers. Respect for the written word and all that, but you have to have fun too, find the joy, and most of all, forget about everything else. Forget about the other book. Forget about the future. Writing is about the now, is it not? It's about putting down words and creating worlds and really, that's it. Worrying about how the book will do, how it will be received, about if it will all be worth it is just a waste of time and it takes away from the creation of it all."
She pauses and I can feel her eyes studying me underneath this glasses. My own face reflected in them looks tired and pained. "I agreed to this trip because I think it's a great chance for you to let go. Just forget the whole world exists. Let's not use our phones. No internet. We won't talk about the future or the past. It will just be about you and me and the book and that's fucking all."
Wow. I know she was just telling me not to take things so seriously but I don't think I've ever seen her look so serious. I wish there wasn't something so incredibly attractive about this, the way she's taking charge and acting like...an adult.
"Okay," I say, my voice soft. I attempt to smile and lighten the mood. "I thought maybe you agreed to this weekend because of sex."
"There are more things to life than sex," she says. "I think writing might be one of them."
I try not to look too shocked that she actually just said that. I hate to admit it but this woman is doing a pretty good job of keeping me on my toes.
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Thirty minutes later we end up at the ferry terminal in Swartz Bay, barely squeezing on the ferry with our heinous BC Ferries coffees in hand, one step up from gas-station garbage. There are some giant cruise-ship sized ferries that head to Vancouver and the mainland but the one that goes to the island is like an open barge. There are some small indoor lounges at the side where walk-on passengers can sit, protected from the elements, and there are some seats above that on the upper deck but for the most part the ferry is a raft topped with parked cars.
AKA there is no privacy.
AKA anyone can walk past your car at any given time and look inside. Or just be parked beside you and look inside.
AKA it's extremely inappropriate that Lisa's hand is currently reaching over and sliding over to my denim shorts, slipping between my legs.
"What are you doing?" I hiss, looking around us to see who could be watching. The ferry is on the move and the people in the truck next to us have left to go sit on the deck, out of sight. The rest of the cars around us also seem empty, except the sedan on Lisa's side. There's an old couple in that one, the woman reading the newspaper, and if they were to even look in this direction they would clearly see what she's doing.
Or attempting to do.
"Relax," she says. "No one is going to see." With her hand she deftly undoes the button of my shorts and works the zipper down.
"Those seniors reading the free newspaper might see!" I tell her.
She looks over her shoulder and grins back at me, those bloody dimples. She really does wield them like a weapon. "I really doubt it."
She leans over a fraction more and her hand slips down into my underwear, down into my cleft. Surprise, surprise, I'm wet as hell already.
"That's a good girl," she murmurs, her languid eyes taking me in, watching me, as she glides over me, her fingers long, hard, slick.
Fuck.
I know I really should keep my eyes open, pretend this isn't going on, act natural.
But I want to feel it. Every inch of it.
I close my eyes and rest my head back, melt into the seat, melt into her touch.
My body prickles with need, so aware of everything. The diesel smell of the ferry exhaust, the salt air coming in through the window, Lisa's heavy breathing, the faint, wet sound of her fingers slowly working me. It's not long before the car smells like sex.
"You're so gorgeous," she tells me. "Just like this. Just taking what I'm giving you."
Her fingers continue in the lazy motion, like she's beckoning me, but I want more, so much more. My hips start to rock into her hand, my own hands gripping the seat and armrest.
Friction. I need more friction.
For once in my life, I'm too fucking wet.
She groans, withdrawing her hand for a beat and then easing it back in. Teasing me.
I whimper, soft, eager little noises.
"Tell me," she whispers hoarsely and even the sound of her voice is a turn-on. "Tell me what you want."
I normally don't tell guys what I want in bed. But I think that's Lisa's point.
She drags her fingers down, teasing at my entrance.
"Tell me," she repeats.
"To come," I moan breathlessly. "More pressure, your fingers inside."
She slides her fingers inside me and I gasp, my body clenching around her, holding on, wanting more, so much more where that came from.
"You like that?" She asks and I know she's watching every inch of my response but I don't care. I like it. I love it. I fucking need it.
"More," I whisper just as she slides her fingers out and comes back in, thicker, with her thumb now rubbing my clit. All the tension inside me spreads and tightens and glows and I know I can't hold back any longer.
I want to tell her to keep going.
But I can't speak.
It doesn't matter that this is happening in plain view of the people on the ferry, it doesn't matter that I feel myself being so bare and vulnerable with Lisa once again. It's been this way from the start, from our first encounter in the library. Hell, before that. When I was writing my heart out, baring my soul for her.
None of it matters because I'm in the here and now and all I feel is a part of her inside me, feeling through me in a way no one has.
I come in an explosion, a firecracker, a bomb.
I cry out, soft at first and then louder as the waves grip me, shake me, loosen everything inside me that wants to hold on. My fingers squeeze the seat and armrest until they cramp up and my body jerks with each spasm until they slowly fade away, leaving me in a puddle of bliss.
"You came just in time," Lisa says, clearing her throat. "The ferry is docking."
And just like that she takes her hand away and quickly zips up my shorts.
I open my eyes, trying to get my bearings, to see the couple from the truck walking toward us. I button the top of my shorts and straighten up in my seat, shifting toward Lisa like I've been talking to her this whole trip.
She bites her lip and grins, her eyes roaming over my face. "Never done that before," she admits.
I raise my brow, still trying to catch my breath. "I suppose I should be honored that I'm the provider of so many firsts for the famous Lisa Manoban."
She shrugs. "I'm honored you played along."
We both stare at each other for a moment until the ferry docks with a lurch and the cars start offloading. The lane next to us goes first and just as the seniors in the sedan pull away, I swear the old lady looks right at me and winks.
Job well done.
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