Another dream comes true for Harold and Marian.

Marian Paroo has never met a man that infuriates her the way Harold Hill does. She's so angry, in fact, that she can't stop thinking about him.

The absurdities, inconveniences, and unexpected joys of staying home during a worldwide epidemic. Set October-December 1918.

Harold Hill's evolution from callous love 'em and leave 'em cad to devoted husband and father.

Marian Paroo steels herself for a frank chat with the music professor regarding her brother. Or, why Harold Hill takes it upon himself to deliver Winthrop's cornet to him personally.

When the Spanish flu epidemic threatens River City, Harold and Marian struggle to convince the perpetually stubborn Mayor Shinn to take decisive action before it's too late.

The morning after Harold Hill's redemption, he spends an ordinary Sunday with his beloved Marian and his new neighbors, and finds himself reckoning with the nature of unearned forgiveness and a miracle far greater than he deserves.

Harold Hill takes Marian Paroo to the Fireman's Ball and continues to realize his intense longing for sweet domesticity with her.

Harold Hill dances the Shipoopi with Marian Paroo. It's not the first time they've danced together, so why does he feel so dizzy and disoriented, like he's circled a carousel one too many times? The counterpoint to Chemistry.

Marian has always craved love, family, and acceptance. But now that she has found these things in Harold, she realizes it isn't as easy as she expected to relinquish her freedom.

When Marian tutors Harold in tempo rubato, he can't help reflecting that his time with her still feels somehow finite. But he quickly learns that music isn't the only thing the librarian has to teach him…

For a woman who isn't in love, Marian Paroo finds herself disturbingly affected by Harold Hill's proximity, as if she was water and he was Greek fire - the two of them dancing together make a decidedly lethal combination.

After the dust settles, Harold Hill ponders what it means to be himself.

Harold Hill has established his music emporium and purchased his house - all that's left to do is propose to Marian Paroo! But Harold finds himself hesitating...

Harold and Marian have a heated interlude in the library three days before their wedding. Or, how to flirt using the Dewey Decimal System.

Marian approaches the age that Harold was when he first came to River City, and reflects on all the wonderful things he's brought to her in their sixteen years together.

Harold and Marian celebrate their engagement by sharing a private picnic in the place where the former conman once planned to seduce her.

Harold Hill pays Marian Paroo a visit while she is home alone, and a thunderstorm forces her to let him in for shelter. They share tea by the fire, and then things get even more heated when the power goes out...

It's nearly Halloween, and River City is on edge – there have been sightings of a large black dog around town. Mrs. Paroo insists it's Black Shuck, an omen of death. Marian is skeptical, but when Morticia Addams knocks on her door, things take a strange turn…

On the run after a con goes bad in Appalachia, Harold Hill and Marcellus Washburn cool their heels in Yonkers. But Dolly Vandergelder isn't about to put up with their shenanigans...

They can't stop themselves from falling. But perhaps they can help each other land.

Harold Hill and Marian Paroo bump into each other - literally! - and the sparks fly.

Marian Paroo tries really hard to hate Harold Hill. Thanks to him, she doesn't dream of white knights any longer.

Harold Hill overhears Marian Paroo sing My White Knight. It unsettles and intrigues him.

According to Grimm lore, Casanova, Frank Sinatra, and JFK were famous ziegenvolk. What if Harold Hill was one, as well?