Paul is six years old the first time it happens. He doesn't mean to do it — he wouldn't have a clue where to start, or even a reason why — but one minute he is falling asleep in his single bed in Tacoma, tucked in tight under a Teenage Mutant Ninja Turtles bedspread, and the next —
Well, he thinks he is in Aunt Ruth's spare bedroom, except the walls are blue, not yellow, and all his baseball cards are on the desk, and there's no way he'd cart them all the way to Oregon for vacation. It's not real Aunt Ruth's house, except when he rolls out of the bunk bed, clad in Chicago Bulls pajamas (the Wizards are best, everybody knows that) he can hear her humming in the kitchen, can see her setting a bowl of cinnamon oatmeal on the dining room table.
It's her, but it isn't. Not really.
The next day, he wakes up in the familiar clutches of Michelangelo and Donatello and nobody seems to have realised he was gone.
By the time he is eight, he's mostly sure that he is slipping sideways, like a turntable needle jumping a groove. He is never younger, never older, though everything else seems negotiable. Some things remain the same; Other Paul always shows up to take his place — except for one time when he is ten years old, and he wakes to his dad shaking his shoulder, demanding to know where he has been — and falling asleep always makes them switch back.
Sometimes he wakes up at his mom's house in the suburbs; sometimes his dad is there, too, and one time he wakes up with a little sister. He's woken up to blankets of snow, to noisy houses filled with people he cannot recognise, to a version of himself that speaks a language he's only ever heard in movies.
Each life is different — some better, some worse, and some that are just plain weird.
Even if he can't always spot the differences between the lives, Paul can take comfort in counting down the hours, knowing that he'll never wake up in the wrong reality twice.
He hasn't yet, anyway.
There's a first time for everything.
Paul doesn't need to open his eyes to know that he's slipped. Some things are the same: he's in his bed, for starters, and his alarm clock is blaring the same ear-piercing warble as always. He can hear his dad making coffee in the kitchen, grumbling to himself in words too quiet for Paul to hear, and his cell phone even chimes the right tone.
So far, so good.
He scrubs his hand over his eyes, slaps the alarm clock into submission. There's a couple of texts waiting for him — a popular Paul, he thinks dryly — and, even though he has the general policy of not replying to messages, not making changes for Other Paul to reverse, he still has the urge to snoop.
JARED
need a ride ?
o wait u have a gf for that
A girlfriend, he thinks, considering. There's not a whole lot of options (unless he is in a reality with double the female population) but none of them quite make sense. Not that Jared texting him makes sense, either, but at least they're on a first name basis in his usual timeline.
Paul continues to the next message.
RACHEL
dnt 4get u have gym 2day
He stares at the tiny LCD display, fingers hovering over the keys. There's only one Rachel he can think of — the smoking hot older sister of one of the guys in his grade — but that doesn't make sense, because someone like her would never go for a guy like him.
Except that it turns out that he is, somehow, dating Rachel Black, even though he's a freshman and she's a senior with a whole posse of older girls who'd normally sneer at the very sight of him. In this reality, he and Rachel eat lunch together on one of the benches outside the cafeteria, hang out at the beach after school, and she even kisses him after she drives him home.
Okay, it's a kiss on the cheek, but it makes his heart race and his mouth dry and he can do nothing but squeak out a pathetic goodbye.
He falls asleep with the knowledge that Other Paul has it made, and it sticks with him even after he wakes up in his own life, armed with the sense memory of Rachel's lips on his skin.
After the first slip, he can't help but notice Rachel.
He's not really interested in dating, and his curiosity about girls is outweighed only by a suffocating sense of self-consciousness, but that doesn't stop his eyes from being drawn to her like she's the sun, or one of those other cheesy metaphors his English teacher keeps raving on about.
Once he starts noticing her, he can't stop; soon, he knows that she prefers the warmer weather, will linger outside after the first bell if the sun is out, and sometimes even dares to sneak a cigarette from inside her coat. She has the same thing for lunch every day, except for the last week of the month, when she has nothing more than a can of coke. Jacob eats less, too, and Rebecca, and he can only assume it's money troubles or something.
So maybe that is why he does it — why he lets Other Paul guide his hand in the lunch line, placing a second raisin bran muffin on his tray, as if he and Rachel have exchanged more than a simple excuse me in this reality.
He channels the memory of her lips on his cheek as he walks by her table, depositing the muffin on her tray and power-walking away before she can say anything.
Paul ends up eating lunch at an entirely new table — because there is no way in hell he is walking past Jacob Black, not when he is suspiciously eyeing Paul like he's been personally wronged — opting instead to sit with a few guys from his homeroom.
One of them leans across — Jared, he corrects himself, he needs to be better with names — to fistbump Paul, grinning broadly. "She's staring at you, man. Smooth moves."
"Good," Paul says, stuffing his mouth with muffin to avoid further conversation.
Because it is good — the tiny quirk of her mouth, the glimmer of surprise in her dark eyes, the fact that she even noticed him in this plane of reality.
Maybe Other Paul is on to something.
He slips again a couple of months later, a short while after his fifteenth birthday. This time, it's a little harder to pinpoint exactly what is different. His bedroom looks the same, his wallet is tucked into his jeans pocket, and the only texts on his phone are from Jared.
First period is still Geography, and the cafeteria still sells hot wings with ranch. There aren't raisin bran muffins in this reality, though, which is weird, because raisin bran muffins are vastly superior to anything else on the menu.
There are oat muffins, though. He pays for two, taking his usual route past the window table, and —
He has to abruptly shift his course, pretending he doesn't see the strange looks from the girls at the table. Rachel isn't there, but the rest of the usual crowd is, including her twin sister, Rebecca. There isn't an empty chair, though, which is even stranger, because Rebecca normally sits across from Rachel, claiming the same seat every day.
"What's up your ass?" Jared says when Paul sits, frowning across the table. "Your face looks all weird again."
"Where's Rachel?" he asks, taking a bite of his muffin.
It tastes terrible.
"Who?" Jared says, eyebrows pinched together.
"Rachel," he says slowly. "Rachel Black. Jacob's sister."
"It's Rebecca, idiot," Jared scoffs, leaning back in his chair. He purses his lips, then, drops his voice a couple of decibels. "You're not drinking again, are you?"
Paul inhales his mouthful of muffin, shakes his head no.
"Good. Here for you, P," Jared says easily, snagging the spare muffin. "You know we've got that spare bed. You can have it if you do my Algebra homework."
Huh.
Other Paul has problems, too.
Most of the time, the major parts of Paul's world stay intact between lives.
In all except one, Jared is his best friend — though the one version where he and Other Paul are sworn enemies and get into impromptu fistfights is kind of fun — and, almost all of the time, he lives on the Rez.
That's including the one time he woke up on Sam Uley's futon, in which Sam promptly ordered him outside into the yard and commanded him to shift into a werewolf and run around.
Worse still —
He could do it.
In more and more of the slips, Rachel is there — not just present in that version of his life, but somewhere in his orbit.
Or maybe he is in hers.
Either way, those first few moments after realising he's slipped stop being so scary. It's still a little nervewracking, trying to figure out what specifically has changed, what he needs to be wary of, but the years of slipping have given him an easy confidence that strange surroundings can't easily chase away.
Rachel's sustained presence definitely helps.
The closer he gets to his eighteenth birthday, the higher the probability that Rachel will be close by. Some days, he wakes to the smell of coffee, curled up in a ball on the Black family couch. Sometimes they sneak around; sometimes Billy catches them, or Jacob, and in a small subsection of those lives, it ends in a fistfight.
One time he wakes up somewhere entirely new, squished against the wall on a twin-sized mattress. His head's kind of hurting, both of his feet are dangling off the end of the bed, and there's a sick ache in his chest when he realises that Other Paul is going to have to take the SAT for him.
"Stop moving," someone says, right in his ear, but it has the exact opposite effect.
"Rach?" he mumbles, turning his head to face her, and sure enough, it is.
He is in bed with Rachel Black.
And, apparently, that is a regular thing in this life.
She kisses him on the cheek, rolls out of bed wearing what looks to be one of his sweatshirts. "I'll make coffee. Don't think too hard."
Paul does think, though, and he falls asleep that night dreaming of a life in the Washington State dorms.
In the weeks, the months that follow, he starts to wonder.
He doesn't bother trying to figure out why he slips — he assumes that it's not a thing that everybody can do, because someone would have talked about it by now — but lining up the good choices, the ones that are the same between slips, takes up an increasing amount of space in his brain.
In almost every life, he is on track to graduate, applying for WSU and community college and, oddly enough, the Marines. Paul breaks his no meddling rule on that one occasion to withdraw the enlistment package.
Now, in one-hundred percent of the lives, Rachel is there. Her number is in his phone, his truck in her driveway, her voice on the answering machine. There are times when they're best friends, when they're a couple, when she's his best friend's irresistible older sister who he is hopelessly in love with.
The realisation that his feelings for Rachel transcend realities is kind of terrifying.
He recognises the room the next time he slips, successfully fumbles through making coffee and foraging for snacks that can pass for breakfast in bed. Rachel sleeps through most of his ministrations, eventually rolling over with a long yawn and a sleepy stare that could kill.
"You're not my Paul," she says finally, taking the steaming mug from his outstretched hand. "Thank you, though."
He stirs some sugar into his coffee, watching her curiously. "What gave it away?"
Rachel rolls her eyes. "He rides my ass over caffeine. Says it's bad for your blood sugars, or something."
He scoffs. "Your Paul sucks."
Rachel smiles, but he doesn't need to be a genius to know that her smile isn't really for him. "I like my Paul just fine. When he's here, that is."
It's weird, having someone that knows about his secret. He's never told anyone back home — never really thought about it, either — but it's strangely relieving to be able to talk about it.
"Does this happen much?" he asks, perching on the end of the bed.
She shrugs. "Not that often. It's pretty easy to tell when one of you is visiting. I have to ask, totally a selfish question — why do so many of you look freaked out to see me? What's the story there?"
Paul smirks into his coffee mug. "Well, in my life, you're my friend's hot older sister, and we definitely don't wake up in bed together."
Rachel's eyebrows shoot up. "Really? That's weird. I thought we'd be together in, like, every timeline."
"Romantic," Paul says sarcastically, grinning at her sour expression. "Alright. I want to hear all of your Paul's smooth moves. Spare no detail."
It's not intentional.
There's no planning to it.
He hasn't slipped in months, either, but that doesn't mean Paul isn't thinking about things — thinking about her, which has become a well-established part of his daily routine. Paul wants. He wants things that he cannot have — wants a life that is not on offer in this plane of being — but that doesn't negate the ache for a person he misses as acutely as a phantom limb.
So it's no excuse, but it does explain why he gives in to the hair-trigger compulsion to talk to Rachel when he sees her on the beach.
Her back is turned to him, but her head whips around the moment he calls her name, jogging across to meet her on the rocks. It's a few degrees above frostbite, and her cheeks are a luminous shade of pink that looks almost painful, but she's doing one of those big eye-crinkly smiles and it's for him.
The real him, too.
"Paul," she says, a little disbelieving. "I didn't realise you were back from college."
"Even the shitty ones let you out for winter break," he jokes, trying to let the sound of her laugh buoy his nerves, distract from his heartbeat thrumming in his ears. "Hey, I've been thinking —"
Rachel tips her head to the side. "You're twenty-one, right?"
He shrugs. "Give or take."
"You should take me out for a drink tonight. Maybe two, if the conversation's good."
"And if it's bad?" he asks, fighting back a smile.
"You'll have to buy me a third."
And in the end, it doesn't take a grand gesture. He doesn't need the advice of countless alternate Rachels, or hasty post-it notes left by visiting Pauls, or even a dedicated game plan —
Actually, she'd probably appreciate some planning.
He'll save that for their second date, though.
