Christine Daae is lost, she must choose between two lovers, who will she cherish and who will she keep as a friend? /an/ i am using things from the musical not the movie, in essence, this is a how it should have ended

The Triolet is another fun French form. It is an eight line poem or stanza that follows a strict rhyme scheme and meter and also has refrains. The scheme is as follows: A, B, a, A, a, b, A, B. Seeing how this is a French poetic form, something Phantom related seemed appropriate

Raoul de Chagny and Christine Daae are looking forward to being first-time parents but their nursery is far from ready. (At least Christine isn't due for another few weeks, right...?)

Christine steps out from behind the curtain, wearing her nightgown. "Do you remember what he called you?" I think for a moment, than look to Frederick. I hold him to my ear so he can tell me the answer. "Belle. And he called you Little Lotte." My sister nods. "And he never believed us when we told him about the Angel of Music"

This intimate scene takes place after my other fanfic, "Melancholy's Duet". Christine knows there's no use resisting when it comes to the Phantom, especially when they're in love.

A re-telling of what happened when Christine removed the Phantom's mask. It needed more fluff.

There were only two instances wherein Christine got to see the other side, the more grotesque side of the Phantom's face. This fic elaborates on both. One-shot. Musical-verse. Takes place during "I Remember.../Stranger Than You Dreamt It" and "Down Once More/Track Down This Murderer." Written in third-person but focuses more on Erik's POV.

If a kind woman met Erik while he was still a child in the Gypsy camp, would things still turn out the way they did?

As Christine departs from the Phantom's lair with Raoul, she attempts to collect her thoughts and look ahead to the future. (This piece takes place after the final act of Andrew Lloyd Webber's musical.)

A seventeen year old girl by the name of Alice falls into a world not too unlike her own. However, she has fallen right into the plot of the 1990 Phantom of the Opera, starring Charles Dance. What will this phan do to save the story she has fallen in love with? And more importantly, what will she do when it comes to an end?

When a mysterious ring takes Philipa Laurens and Orla Foster back to 19th century France, the friends must learn to live in the Opera Populaire. As they prepare for the grand reopening of the opera house, will Erik make his comeback or will he stay hidden in the shadows? An original Phantom story

Christine Daae and Meg Giry fill the opera stage at seven years old, they are supposed to be rehearsing, however they are playing a spinning game while singing a child game, when a shadow appears on the rafters. Who was the mysterious figure with the porcelain mask?

A fan fiction around the time of Phantom of the Opera, or when Christine Daae was a young girl. Her first meeting with the Opera Ghost had not been expected. And more continued.

It's been 5 years. Now, Erik is awakened from his depressed and vulnerable state by a new voice travelling down towards the catacombs of the Opera House. Faline Carr is a girl who was brought to the Opera House in the hopes of training under the costumes mistress. Will this seamstress' voice lure Erik from hiding? Will she be the one to finally mend the Phantom's heart? Erik x OC

The infamous night of Don Juan Triumphant has arrived, the events unfolding just as we know them to. But the next day, Erik hears crying coming from what he thought was the empty theater. And when he finds a little boy crying over the body of his injured sister, he has to make a choice. To remain the feared Phantom, or to begin again.

When Christine enters her afterlife, the Phantom's lair surprisingly shows up as a choice alongside Heaven and Hell. She decides to take it. They reunite and bond with each other, but the Phantom's haunting music of the night still stands in the way of their happy ending. He might not be able to put his dark side at bay alone, but with Christine's help, the outcome may change.

This is a Phantom of the Opera Story. If my name isn't in the credits to the musical, it is safe to say I don't own it. There is a glitvh, so it may seem like I'm not updating but I'm updating just about every other day

Erik finds a young songstress at an abusive Circus and helps her to escape, but will he let her help him?

"She didn't hear her own scream when the hallway collapsed over him. His panic-filled eyes on her were the last things she saw."

A multi- vignettes of Christine and Erik's relationship. No particular order or importance. Just ideas too short for individual stories but stories I like.

Christine Daae has stayed with Raoul Vicomte De Chagne for five years until a spirit deep within her longs to hear the music of the night. Prepare for a haunting and tragic drama starring all of your favorite characters from Andrew Loyd Webber's classic, "Phantom of the Opera." Will Christine once more run toward the kind loving man, or the man who awakens the spirit of music?

So here the challenge: Pick a band or musician and write a cohesive poem by weaving together one line from each song. I took this a step further and picked Andrew Lloyd Webber, specifically "Phantom". Under the poem is the order of the songs I pulled from, I did not use every one. The italic type is Christine's musings and the rest is Erik.

Martha was a sweet girl who lived in the household of the Firmin's; lead to believe that that was her family. Little did she know that her desires to be a ballerina came from another woman who had no idea that the girl was still alive and was trying to move on with her own life. Anastasia, Martha's mother, tries to keep Martha hidden from the public in fear of her dark secret being

Christine Daae had never dreamed of having her work published before she met the Angel of Words. Now, as she comes into her career, she must face revelations about her Angel that threaten her livelihood, her resolve, and her very life. All while struggling with her heart being torn in two directions, to two very different men.

AU where the Phantom didn't vanish, he and Christine end up together, and the Paris Opera House has a new manager. This is a note Christine sends the manager to tell him the Phantom's rules and requirements. I literally saw the play last night, so I'm sorry if it's horrible. Comments are very much appreciated!