Or, the Five Awkward Conversations Neal had to have because of Peter, and the One Conversation that was perfectly natural. A 5-and-1, Peter/Neal slash.

Something always brings me back to you. It never takes too long. No matter what I say or do.// angst-filled, Neal-centric.

“Why is everybody looking at me?” Neal asked, his eyes flickering back and forth before finally settling on Peter.

Peter lays claim to Neal. Slash.

Peter kisses everyone differently and every time it means something new. Slash, het, and OT3 implications.

“Caffrey?” Lauren Cruz’s voice is a squeak. “What are you doing?” Neal takes another step towards her, a look of concentration on his face. “What are you doing?” she asks again. - Because Aquawolfgirl asked so nicely.

Neal and Peter are too clever for their own good. They keep almost kissing, almost being honest, etc. But then they don't. Neal/Peter pre-slash, don't read if you don't like. Not OT3. UPDATED

Neal is kidnapped on the job while trying to retrieve paintings from a ruthless art thief, and Peter must save him before it's too late. Bad summary, better one inside. Rated T for some language and Neal whumping. Complete!

Neal and Peter have an angry conversation while on a stakeout. Written for Gen in January, to the prompt "Stakeout". Spoilers for 1:08 "Hard Sell."

Peter has a cold, and Neal's stuck with helping him out and caring for him. What could go wrong?

“Kate doesn’t like kids much.” He said finally said. - After a few minutes of - suddenly tense – silence, Peter leaned over and flicked the radio on – the soft, mournful whispers of a nameless singer filling the painful void for the rest of the drive.

How does one let go of someone they love to make room for two more?// Neal/Peter/Elizabeth, rated T.

Sometimes it was hard to remember that one of them was a federal agent and the other one was a convicted criminal…

For people who are so smart, Peter and Neal can be really dumb. But that's OK because Elle's got plans. Peter/Elle/Neal because who could resist them?

Neal inevitably integrates himself into their lives anyways. Fluff. Friendship.

And then Neal Caffrey showed up – with a pearly white smile, deceivingly innocent blue eyes, and a list of alleged crimes a mile long... but you weren’t supposed to be friends with a criminal. You. Weren’t. Supposed. To. Be. Partners. With. A. Criminal.

Peter peered out the window intently, searching for any sign of the conman… a white toothed grin – an overpriced silly hat – anything... Nothing."

Neal reads an article that brings back memories.

The man who originally was his enemy and the one who caused this rift was now his friend and trying to help him find Kate. Ah, irony.//One-shot, angsty at end

Neal glanced up at him, looking slightly startled at the unexpected words. And then – ah… there it was… that trademark smile that was without a doubt – completely and utterly Neal Caffrey.

He should’ve known better than to trust someone on the other side of the road; hell, he should’ve known better than to trust anyone. A good conman knows that everyone else is conning, too. The only difference is why. Written for help haiti.

Neal Caffrey had an odd way of looking at things. Oneshot.

Maybe Peter was a little jealous. Maybe not. Whatever it is that motivated him into jumping into this sort of situation, the exact same situations he always tells off Neal for getting into, must have been pretty extreme.

Something goes horrible wrong in the vault. Based on the episode “Hard Fall”. Some AU from “Hard Fall” MAJOR SPOILER ALERT! Major Neal Whumpage! Peter/Neal brother/friendship. No slash.

Peter invokes the history of an ancient Greek philosopher to talk to Neal about trust in a missing scene for the end of episode 3.08