When their lives finally go back to normal, a weighty piece of the past comes back to upset the fragile balance. Post season 5.

Michael Scofield normally has a plan. But there are some things that you just can’t plan for.

The reason why we can't let go of someone is because deep inside we still have hope. Set 5 years after Miami-Dade.

Post season 5 fluff. OS Michael and Sara bring their second child, Faith Scofield home, and navigate through their first days of renewed parenthood. AU from What Hardships Bring.

Et si Sara et Michael avaient eu un peu plus de répit dans le train pour Chicago (ils l'auraient bien mérité, mais les scénaristes étaient un peu sadiques avec eux ) ? Écrit du point de vue de Sara. Ça commence juste avant que Michael ne toque pour la 2e fois à la porte des toilettes (saison 2 épisode 16 "La fin du voyage")

5 years after the Fox River breakout, 3 years after Michael and Lincoln were finally exonerated after taking down The Company. Sara has moved on. Michael seems to have moved on too. Till one fateful evening. MiSa

What if Michael and Sara had been given a little more respite on the train to Chicago (which they certainly earned, but constantly weren't allowed...) ? Sara's POV, begins right before Michael knocks for the second time at the bathroom door. (season 2 episode 16 "Chicago")

Title traducted and inspired by Zola's Au Bonheur des Dames. A mundane sunday morning at the Scofields, post season 5.

This is Prison Break fanfiction. This show is not exactly my favorite, but I saw it and this occurred to me. Perhaps it isn't precisely in the character Michael Scofield, but well, everyone is sometimes a little angry, isn't it!

The Burrows and Scofield men decide to go on a bike ride. Michael’s back from Sanaa, LJ is thrilled, Lincoln is Lincoln. Complete.

Michael is dead. Sara is trying to move on but he'll always be her past, present and future. (i've decided to compile the exile series into one rather than keep them separated.) xo

Lincoln and Sara are high school friends when the new kid shows up. Sara’s nerdy and Lincoln’s the jock, which makes for an odd match. Sara wonders why Lincoln takes the new kid under his wing so fast. Hint of MiSa, one-shot.

AU... Just have a little faith, a little voice reminded her. "but the star-crossed lovers would be thwarted no more. and as they rearranged the stars they reasoned, "if the stars control our fate, we'll just have to control the stars."" #MiSa

What if Michael and Sara had gotten to have their filet mignon in season 2? Mi/Sa. Warnings: sexual content.

it was today. not one more day. MiSa one shot

Answers to, “Why did the chicken cross the road?” Jokes according to what the Prison Break characters would say.

Kompass-Fic. Michael Scofield würde alles tun um seinen Bruder zu retten, außer denen zu schaden, die ebenfalls auf seinen Kompass stehen. Doch was wenn er sich beides nicht vereinen lässt? Sara Tancredi muss lernen, dass sich jeder immer für denjeningen entscheiden wird, dessen Name als erster auf seiner Haut auftaucht. Und Paul Kellerman muss lernen zu akzeptieren, dass der Kompa

Oder "5 Personen, die dachten zu wissen, dass Michael Scofield nicht das war, was er vorgab zu sein, und eine Person, die es wusste". Ein A/B/O-Ficlet.

A/B/O-Fic. Fortsetzung von "The Things We Do For Love". Reihe zusammenhängender One-Shots, die sich über eine alternative Version der 4. Staffel erstrecken. Michael und seine Patchworkfamilie leben glücklich in Panama, bis eines Tages Whistler bei ihnen auftaucht und ihnen eine Möglichkeit anbietete die Company für immer zu zerschlagen...

A prequel to Sandcastles/The Bars Between Us. Can also be read as a stand-alone fic set in 2x10.

A/B/O Fic. AU. Michael/Alex-Fic. Um seinen Bruder zu retten ist Michael Scofield bereit alles zu tun, sogar vorzugeben jemand zu sein, der er niemals sein kann. Um seine Familie zu beschützen ist Alex Mahone bereit alles zu tun, sogar Leben zu nehmen. Doch das Leben von Michael Scofield will und kann er nicht nehmen, was Konsequenzen nach sich zieht.

Mid-Season 2. Michael and Sara catch some time alone in the backseat of a car, when Kellerman and Lincoln are out. Things get out of hands. Mi/Sa. Dark humor. Rated M for allusions to sexual content.

So what if Richard Sullins also came with Agent Felicia Lang and Wheeler to listen to Alex Mahone? My take on Mahone's escape, or rather attempted escape :')

Après quatre ans de fuite en avant, il était plus que temps que Paul Kellerman réponde de ses agissements envers La Compagnie. [Se passe pendant la scène de fin de Paul Kellerman, S04E22]

An assemblage of one-shots dealing with Michael's come back after seven years, deals with a few situations that would have him set him off and reminded of ghosts from the past. Michael is back to his family but can he ever be normal again ?