It's a joke or a trick or a misunderstanding. A twisted bond, an odd display of mutual trust, a weird exhibit of unusual affection. It's a cautious dancing around a subject that they can't quite directly tackle. (Michael/Lincoln, pre-series, incest)

Late night dinner in the Scofield household. MiSa. Fluff. Oneshot.

After a riot breaks out in the Fox River state penitentiary, a lock-down is declared, giving the inmates a chance to do as they please. T-bag takes advantage of this situation and uses Lincoln as blackmail against Michael in order to get what he wants from him. Will Michael give himself up for the sake of his brother? *Disclaimer* I am an amateur writer, this is my first story.

What if Michael didn't die? Will he be able to escape his captures and reunite with his family? Alternative ending to the final break. I also do not own any of the characters, or the show, or anything associated with Prison Break.

It's not that Paul daydreams about kissing her – for starters. He's not a daydreamer. (Set during 2.11 Bolshoi Booze, one-sided Sara/Kellerman)

When Sara gets an unexpected visit from her cousin, her father, the Governor, tells her that his niece has been getting into some trouble lately. It is Sara's job to help her family member out by letting her start her life over somewhere new, but she needs to work at Fox River prison and not always side by side with Sara. (NO FLAMES. R&R PLEASE)

Sara takes care of a sick Michael. Fluff. One-shot

How do two people who'd lost faith in words of love tell each other how much the other means to them? To them, there's only one way to say that. [During 2X16, "Chicago"]

Obviously, Michael never died breaking Sara out of Miami Dade... (Post-series, fix-it ficlets)

He's not a better man than any of the monsters he's encountered in Fox River. After hearing what he did to Sara, he finally understands it. But Lincoln disagrees and is determined to show his little brother that. [During 2X04 "First Down"]

Sara may be ready to let go of the past but the past isn't ready to let go of her. Michael tries his best to help despite Sara's constant refusal. One-shot. Misa. Some fluff, some angst.

There's no light for them at the end of this road. (Michael/Lincoln, Season 2)

After breaking out of Fox River, Michael finds out Sara took an overdose of morphine. Risking his newly achieved freedom, he comes to see her in the hospital. [Set after S1 finale, "Flight". Haven't watched the rest yet so no spoilers!]

When Lincoln wriggles his eyebrows and says: "Confession time!" everybody thinks it's a great idea. (Michael, Lincoln, Sara, Sucre, Jane, Maricruz. Crackastic.)

She knows it's a terrible idea the second she trips back and her shoulders hit the wall of the warehouse. (Season 4, Lincoln/Sara, implied Michael/Sara)

Maybe it's not Sara that Sofia wants, but what Sara has. (Post-series, alternate canon). One-sided Sara/Sofia, Michael/Sara, Lincoln/Sofia.

Rise and fall and rebirth. (Post-series, alternate canon, Michael/Sara/Lincoln)

Sometimes suicide seems like the only option. Take it from Sara Tancredi, it's not. Two-shot

Sara and Michael run into an old friend in a coffee shop. One-shot.

Whatever it takes to have him stop hurting and brooding. (Set during 2.20 Panama. Michael/Lincoln, implied Michael/Sara)

Someone talks in their sleep... (Post-series, alternate canon). Part of the Roses and Cabbages series.

Sara is expecting; Michael is anxious; Mikey is curious; Lincoln is Lincoln. (Post-series, alternate canon). Part of the Roses and Cabbages series.

It's Sara who found the house when they arrived here... (Post-series, alternate canon). Part of the Roses and Cabbages series.

He knows when Sara goes into labor. He knew right from the start that he wouldn't be here for her, and that's okay. (Post-series, alternate canon). Part of the Roses and Cabbages series.

Just a short conversation between Sara and Alex. Takes place in Season 4. Misa