After 50 years on the island, Gilligan finally finds the peace he needs. This is a companion piece to 50 years on the island. I got this idea from Tim66 and I wish to thank him for the idea.

Mary Ann and the Professor get together. Reposting from old account.

Two men, making a documentary about the missing SS Minnow on the 50th anniversary, make an unsettling discovery.

To Mary Ann, Ginger looked like an advertisement in a magazine. She remembered the poster that she had of Ginger Grant, pinned up in her bedroom. She would look at it every night, wondering if her skin was as soft as it looked, and knowing that this was the person she wanted to be. So far Ginger had met all of her expectations." Mary Ann and Ginger meet. Contains lesbians.

A haiku for each of the castaways.

Hunterfic. Man truly is the most dangerous game, and the most lethal of his weapons are almost never the ones that confine themselves to inflicting mere bodily harm. The hunt may be over, and Jonathan Kinkaid may no longer be on the island, but he is by no means gone.

A tribal couple wishes for Mary Ann to marry their son. It is up to Gilligan to prevent it from occurring!

Nothing happens in a vacuum, and there's usually a story behind even such oddities as the world's least appetizing-sounding baked goods. Stories can explain a lot, if you listen carefully enough, and Mary Ann discovers a bit more than she might have expected while she and a friend wait for a pie to cool.

"I was with Randolph Blake the night before we sailed." But what was Blake thinking? And how did he manage to make such a disparate group of people hate him? Here are the events of that fateful night from Blake's POV. Prequel to "Not Guilty."

Tensions are running high on the island, and everything comes to a head when a truly memorable argument breaks out over the dinner table. Terrible, horrible things are said. Battle lines are drawn. And the best laid plans of mice, men, and castaways gang aft agley. Very, very, *very* agley.

The castaways have a new rescue scheme, and this one's bound to work... but in the meantime, a chance remark leads the Skipper to reminisce about his Navy days, and his meeting with a certain young recruit. And when their scheme fails, as they invariably do, the Skipper travels a bit further down Memory Lane, and not everything he finds there is sweet.

Most action scenes are Gilligan Centered. Thought I'd show an action episode from another perspective. Also show why only Ginger of all 7 castaways never has dreams that are included in the broadcasts. Set just after season 3. Multi chapter. Now complete.

After his star turn in the castaways' production of Hamlet, Gilligan dreams about being a real Broadway actor. Follows "The Producer" (but includes references to other episodes).

Wrongway Feldman. A legend in his own time. He's probably the worst navigator in the history of aviation. Possibly a bit mad. A walking- er, flying- disaster. One of the few people the castaways ever met with the distinction of disappointing them *twice.* This is his side of the story.

Sometimes it's not that easy to figure out just who we are, or where we fit. It's not a simple question, and there's rarely a simple answer. Mary Ann doesn't have a pat label, like most of her fellows do, and she has to decide for herself just who- and what- she wants to be. But nobody ever said she had to do it alone.

A different take on the All About Eva episode. A very good episode, but I decided to write my own version. I hope you like it! Pinger, and later, MAG I was inspired to write this story because of Miss Bridget Sharpe. She has a story called Two of a Kind Ginger, and it gave me the idea to write my own.

Hoping to find rescue from the island, Gilligan and Skipper take a raft out onto the ocean. They happen upon what seems to be a functioning pirate ship and are forced to join the crew.

A Pinger Valentine Story.

Music, they say, hath charms to soothe the savage beast. It may not do much for tropical storms, but it turns out that it hath charms to soothe the savage castaway, too. Riding out yet another storm, it's up to Gilligan to salvage morale.

The radio is quite possibly the most valuable of their material possessions. It's the single remaining thread they have to connect them with the world they've left behind, and each of the seven castaways listens to it in their own way and for their own reasons. Character study.

The Skipper's thoughts as he stands at the helm of his crippled ship in the middle of an uncaring ocean. They're alone out there, drifting and helpless; it's just him, reflecting on his ruined ship, the six lives for which he's responsible and the fact that there's not a single thing he can do... except stay strong.

The turtle races were, perhaps, a bit more illuminating than was strictly comfortable, and taking a good hard look at oneself is rarely pleasant. A series of drabbles illustrating different aspects of the races and their effects on the various characters. Episode tag to 'They're Off and Running.'

Set during "The Hunter" episode, but takes place after the hunt. Gilligan contemplates about dying while laying on a cave floor, bleeding out with two gunshot wounds as he waits for the castaways to come find him. Will the castaways find him in time to save Gilligan's life? Or will the future see six stranded castaways instead of seven? AU. Happy Ending. No character death.

Mrs. Eunice Howell has had, all things considered, a charmed life. She has always been wealthy, and cosseted, and spoiled, first by doting parents, then by a loving husband. She has never been denied anything she needed or wanted. Except for the one thing that mattered. Episode tag to 'My Fair Gilligan.'

The Maritime Board may have cleared the Skipper of blame for the shipwreck, but that doesn't mean that there still aren't questions to be answered. And there is a vast difference between blame and responsibility; they don't always go in tandem. Who is really to blame for their plight? And what does it really mean to 'take responsibility?