Originally written in February 2002. Post–Ep for "The Two Bartlets." Donna mulls over jury duty, dating a local lawyer, and Josh's lovemaking.

Originally written in October 2001. Donna's feelings on the downer events of "Manchester I" and the corner that is turned in "Manchester II."

Originally written in January 2002. Post–Ep for "100,000 Airplanes." Donna mulls over surreys with fringes on top, government manuals, and bacon.

Originally written in May 2001. Donna's feelings on the events in "Two Cathedrals" and her anticipation of Bartlet's answer to the big question of re-election. The lyric "Let me bid you farewell" comes from the Dire Straits song "Brothers In Arms" which was featured in this episode.

Originally written in October 2001. Post Ep for "Ways & Means." Donna had some plans. Plans to organize boxes of stuff at the White House, plans about her life, her future, and maybe some new plans with a cute Republican.

Originally written in February 2001. Donna muses about her feelings for Josh while watching Dial M for Murder in "Ellie."

Originally written in November 2001. Post–Ep for "The Indians in the Lobby." In the spirit of Thanksgiving, Donna is feeling thankful.

Originally written in February 2002. Post-Ep for "Night Five." Donna thinks about her job offer and why it might be time to move on.

Originally written in December 2001. Post–Ep for "Bartlet for America." Donna gives some thought to the loyalty between Josh and Leo, and to the demons that keep Josh from emotional intimacy.

Originally written in November 2001. Post–Ep for "War Crimes." Donna considers the Green Bay Packers, betrayal, and loyalty.

Originally written in May 2001. Donna's thoughts on being told by Toby about the President's MS in "18th and Potomac."

Originally written in May 2001. Donna just knew something was being kept from her at the White House, she just didn't realize until later that everyone was in on the Chinese satellite joke. Post ep. for "The Fall's Gonna Kill You."

Originally written in March 2001. After the events of "Someone's Going to Emergency, Someone's Going to Jail" Donna thinks about how things really can change "in a New York minute," and Stephanie, Sam, Josh, and Dr. Freeride.

Originally written in March 2002. Post-Ep for Hartsfield's Landing. Donna contemplates the appeal of wearing Josh's coat.

Originally written in November 2001. Post–Ep for "Gone Quiet." Donna contemplates the Before and After effects of the Cliff Calley Catastrophe on her rhythm with Josh.

Originally written in March 2001. After the events of "The Stackhouse Filibuster" Donna is proud of catching the Stackhouse thing. She ponders the wise and powerful Bast, thinks about wearing leather pants, and contemplates a promotion.

Originally written in December 2001. Post–Ep for "Bartlet for America." Donna mulls over surreys with fringes on top, government manuals, and bacon.

Originally written in February 2001. Donna thinks about Josh and the White House late at night. Takes place on Donna's way home after leaving Josh in his office with Joey and Kenny at 2am after "The War At Home."

One day, Danny brings home a furry friend and C.J. is not happy about it.

Originally written February 2001. Donna thinks about Josh and Joey Lucas. Takes place where we left off after "Bartlet's Third State of the Union."

Originally written in the Fall of 2001. Original Summary: Someone mentioned the lack of Josh/Donna smut lately…I had jotted some notes after Ways and Means thinking that Storage Room Smut could be fun. I didn't quite manage to get the actual down and dirty smut in here, but if someone wants to take it up where I left off….have at it.

Donna muses to herself about her place in the West Wing, in the world, and in Josh's life after the events of "Noel." This was my first fic, written in December 2000 (unless you count those "Moonlighting" and "Scarecrow and Mrs. King" hand written ones from high school!)

A series of letters Jed writes to Abbey at significant points in their lives together.

An interview with Delegate and 8th Congressional District Candidate Donna Lyman. Set in August 2024, three months before the Midterm Election.

"I still don't know your name," Danny said then. "C.J. Cregg," she yelled over the music. "C.J.?" "Claudia Jean." "Claudia Jean," Danny repeated, testing how her name sounded from his lips. "I like it," he told her and if it hadn't been so damn dark, he thought he might have been able to see her blush.