They told Sorelli that Philippe had drowned. But here he is standing before her.

It was only fitting that the pair of gentle expatriates should gravitate toward each other. It was more a question of what their conviction could withstand. Prompt-based oneshot.

They have been married for four months, and still Erik asks for Christine's permission when he wishes to be intimate.

Advanced English Literature Professor Erik Lantier stumbles upon a rather erotic and graphic essay, that details her sexual fantasies and deepest lewd desires, written by a certain freshman student named Christine Daaé. He confronts her and nothing is ever the same with this teacher and his young student. Modern day. M for Explicit content.

Leroux-y modern A/U. Erik sits alone on NYE, working and regretting. But these days, it seems even his moping doesn't go interrupted. A tiny bit angsty with the promise of fluff.

Christine made a promise that she very well intends to keep.

Since Christine was a child, she has been comforted by her angel of music. When she is captured and taken beneath the Palais Garnier, she begins to fall in love with her angel from childhood. Erik becomes more and more distressed, causing him to debate confessing himself to her. Told in multiple points of view, this is the story from the other side of the mirror.

Erik was in pain, but Christine massaged it away, and her arms around him are all he knows.

Entry for 2nd annual Christmas Phantom One-Shot Contest. Based on Leroux and Kay. Set before Erik gets to know Christine.

Erik Laurent flees to New York after a job goes wrong in London. After trying and failing miserably to escape his past, he works his way up in the criminal world and becomes even more notorious than his mentor, until a certain little songbird changes his view on everything. Modern day A/U. (E/C)

A One Shot for Not a Ghost 3's Christmas Competition.

It finally hit him, days after he watched that dark and rail-thin figure step into a cab bound for the Opera: Erik fully expected to die. Pharoga. Oneshot.

Not long after burying Erik, Christine goes for a walk and is joined by someone unexpected.

Four months after the horror, Christine returns. Kind of. Short modern holiday AU phic. Lots of angsty E/Cness with a cup of fluff and a teaspoon of humor. Complete!

Erik has done a great deal of harm in the past day, and a hurt Daroga demands to know why. Persia-era, pre-established Erik/Daroga relationship, cw for drug use and some reasonably graphic violence.

Kintsugi - the art of repairing the broken with gold. Her passion was fading, her greatest talent hidden even from herself. His humanity lost, his spirit broken long ago. In the hulk of an abandoned opera house, the art of restoration begins. M for Erik's past. E/C. Very dark in places so that light can shine on others. COMPLETE

She was lonely and afraid. He was abandoned and hurting. How will fate connect these two lost souls to one another? Phantom, but with birds! Please R&R.

In 1882, Erik, the man once known as the Phantom of the Opera, struggles to make a living in the Bowery of Manhattan. But there is magic in the world. He and a fellow street musician turn discord into harmony. For the WA One-word Prompt Challenge, inspired by the word "Drive".

Memories retain both pleasure and pain, even for a mirage. [A series of memories from Erika's past as requested by readers of 'The Mirage of the Opera (A Gender-Bent Retelling)' on Tumblr and elsewhere.] *All memories are canonic with my Retelling!Verse*

After the falling of the chandelier, Christine is recast as Countess in Il Muto, leaving Carlotta in the role of Serafimo. She doesn't think she's meant for the part. Christine disagrees. Oneshot, Carlotta/Christine.

After the 1919 fire that destroyed the New Orleans Opera House, musicians, performers, and stagehands found a new home in The Barrelhouse. A young Yankee writer travels to be apart of a Renaissance and is immersed in jazz, liquor, romance, and the affairs of a Ghost. E/C, C/R, Meg/OC.

The offer from New York's Metropolitan Opera House was all that Raoul had dreamt of for him, Christine and their young son. They could finally leave Paris for good; could leave behind the ghosts. But they soon found out there's no escape from the Phantom they once thought gone forever. Now it's up to Detective Matt Rivers to be able to see through the couple's shadows.

Christine is given the gift of a second chance, but fate is difficult to control even with a love that reorders time. When elements of the past bleed into her present, they put the love she and Erik have fought for in jeopardy.

Paris 1882. L'offre du Metropolitan Opera House à New York était ce que Raoul attendait depuis des années. Quitter Paris. Emmener Christine et leur fils Émile loin des cauchemars. Loin des fantômes. Mais encore une fois, ils étaient tombés entre les griffes d'un être qu'ils croyaient mort depuis longtemps. Le détective Matt Rivers saura-t-il vaincre les ténèbres?

Fearful of forgetting the wonderful moments of Christine's presence, Erik journals them, reflecting his own hopes and thoughts. Leroux, canon-era.