He had lost her once to Raoul; losing her to death was even worse. A graveyard, a rose...some things, and feelings, never change. ALW musical-based.

All Erik has ever wanted is a normal life, and he finally has one - a wife, a child. But nothing is ever as it seems at the house across the lake. Leroux-based.

Poussé par le Persan, Erik rencontre Lisa, une jeune fille défigurée à cause d'un incendie et planifie sa vengeance, en utilisant Lisa contre Christine et Raoul...

She was his angel of mercy. One-shot, E/C, complete. Thank you for reading!

He is presumed dead or gone, but nine months after the infamous "Don Juan" incident, the very-much-present Phantom is tackling more challenges than ever: crippling guilt, Christine's continued presence as star soprano, that insufferable vicomte, and an unlikely houseguest. Mostly ALW-based. COMPLETE.

Dragged into the chaotic world of Parisian society, Christine Daae soon becomes Erik's obsession. Between the extravagant parties and vicious gossip, the line between truth and lies becomes blurred as she finds herself caught in a dangerous game of love and vengeance. But of course, these violent delights have violent ends... Erik/Christine

Erik and Nadir take a nighttime stroll. One-shot. Kay-based.

Estelle is a courtesan for the highest classes in Paris - she makes dreams come true for a princly fee. One day she has a highly unusual customer. (Leroux based one shot)

An ordinary, strong-willed, and hard-working woman woke up to a broken stage, an outrageously fabulous violet dress, and the name "Carlotta" in a supposedly fictional universe. [SI-as-Carlotta]

Sometimes, Raoul's children remind him of himself and Christine. But mostly they are very much themselves. And a long walk on a hot day is not to everyone's taste... (Musical-based, fluff)

far in the future of the world, a girl comes across book, one that she falls endlessly in love with. As she grows up reading the book and learning the play and finally watching the movies, she wishes for nothing more than to save the phantom from himself. One small wish on a candle grants her passage to that world, yet falling directly into the heartbroken (more in prologue)ExOC

Several years after the book, Erick takes in his young niece.

RE-WRITE IN PROGRESS. In which Erik fails to die of love, and a little match girl finds more than she bargained for in the cellars of the opera house. Leroux-based crossover with Hans Christian Anderson.

A pair of poems I wrote from the perspectives of Erik and Christine, detailing (poetically) how things should have gone. Was originally going to include poems from other characters POV, but got bored with it.

A modern-day take, with twists and deviations from the plot of the musical. Living in the city, Christine and Meg are roommates and are also part of the Opera; from night clubs to emails to operas and old fashioned notes, sometimes the right choice isn't always the best choice, and with the arrival of Raoul, she may end up learning this to be true (E/C of course)

Christine is sacrificed to a dragon in a medieval, small-town world, and for some reason, she does not need saving. Meanwhile, Raoul investigates the dark secrets of her past, and Philippe tries to retreat into the solitude of simplicity. The world seems intent on misfortune for everyone, and misunderstanding and close-mindedness abounds, but in the end, love will win…right? E/C.

He had asked for a living bride...but was he prepared for that prayer to be answered?

Erik tells his love story to the only person left alive to hear it, but it is not the love story one might expect. Kay-based. Erik/Luciana.

When others cannot relate to a man's experience, he tends to silence himself. But Nadir Khan has stories to tell and he knows he's running out of time. Kay-based.

A snapshot depicting Erik waking next to Christine. His thoughts as Leroux Erik would have thought them. He was alive. Alive and in Heaven. He'd kissed her. Kissed her over and over. And she hadn't died. Very, very short. Leroux-based. ONE-SHOT

Erik did not stay for Reza's funeral, but he may yet be persuaded to stay for a night with a grieving Nadir. Pharoga. Erik/Nadir. Kay-based.

After his wife's passing, Nadir is forced to remember that every end brings about a new beginning... And that he is a man, alive and breathing, with a reason to go on. Nadir/Rookheeya. Kay-based.

It was an ordinary Monday, save for the silence. And if Erik could not have an ordinary life with an ordinary love, Nadir would be certain that Erik could have an ordinary death. Erik/Nadir. One-Shot. Kay-based.

Erik always protests that he hates the Daroga's voice, but try as he might, he can never forget the way Nadir Khan sang lullabies at his dying son's bedside. Erik/Nadir. Kay-based.

One-Shot. E/C. Erik takes Christine to her father's grave. Post-book. COMPLETE