"I found this notebook and have decided to write down the goings on to try and keep my sanity, though it's very possible I've already lost it and this is one big, vivid hallucination." It isn't her story, but that won't stop her from taking its course into her own hands.

Leroux Sequel: An existential and psychological journey through the mind of our beloved Opera Ghost as he explores the many types of love, examines his past, and at last attains “what everyone else has” and much more. Cameos by S. Freud and J. Merrick.

Someone at Harrison HS has been reading POTO and taking it too seriously. About bullying, peer pressure, isolation, cruelty. "T" for bad language, & mild violence. Public Service Announcement:chapter 42. NOW POSTING EPILOGUES, EXTRAS, AND DELETED SCENES.

**COMPLETE** NOW POSTING DELETED SCENES & BLOOPERS just for fun. Summary: Erik IS a bit of a Don Juan you know... What REALLY happened, as told by the Persian. Pairings: Erik/EVERYONE literally! . Rated "T" for sex. "M" chapters posted separately.

Soft, yellow flowers. White, poisonous berries. Holiday traditions can boast all they like, but a kiss is never free.

To me, PotO is a cautionary tale about an innocent child who grows up inheriting the role of the monster society assumed he would play. And so, this is a poem for Erik, the Phantom, who can either be a man of light or dark depending on how you see him.

Erik does not want to celebrate Christmas, and certainly not in any soppy way. But fate has other plans in that winter. He just wanted to travel through Europe and got lost. Told from Erik's point of view.

Some nights, Christine lies awake beside Raoul and contemplates the night she spent with Erik, and question of a child. (Kay!verse)

Takes place when Erik has just moved into the opera house, shortly after his escape from Persia. He's given up on society but he's not totally mad with solitude quite yet. When there's an influx of new chorus members, can he find someone who can see his peculiar brand of perfection?

Hunted down by the people she once trusted, Anastasia somehow manages to escape to Paris. Now living in the lower levels of the Palais Garnier disguised as the former Phantom, she searches for way to break the spell that had turned her into a terrifying beast only to have the true Phantom show up unexpectedly after years of hiding. (Main Story Completed, May Continue in Shorts)

Six years ago, Aisling Warner had a dream that she fell in love with The Phantom of the Opera in his world. On the eve of this anniversary, she finds herself transported to the world of Phantom at the Paris Opera House. Over time she slowly unravels the mystery that perhaps her dream was more than it seemed in more ways than one.

Death always lingered around the Phantom. It wasn't his fault, not really. But it may take a miracle from a unlikely source to release him. (Set in Kay's plot)

OK, so this had to be done. The Marisya/Marsia is a Persian poetry form most often used to mourn or honor a famous figure.

Au. While working at a distinguished art museum, Raoul desperately tries to reconnect with Christine Daae. But she claims not to know him.

Sequel to "Forgotten Melodies." A retelling of Phantom of the Opera from multiple POVs that spans decades before and after the original story. (Updates on Sunday evenings (central time zone))

Erik has been a ghost for over 130 years, desperately wanting another chance to live. Destiny is a young woman who is still reeling after the car accident that claimed the lives of her parents. Naturally, these two kindred spirits wind up crossing paths. (Modern Day, ghost!Erik, Erik/OC, Erik/Christine, Raoul-tolerant) Rated T for mild violence and language. 25th anniversary based.

Porque a veces uno si puede elegir a su familia... Porque a veces solo hace falta mirar con el corazón... Porque a veces todos necesitamos dejar caer nuestras mascaras...

Christine has a nightmare. Can her Angel of Music help her?

Christmas has always been her favorite holiday, and this year she will finally spend it with him.

They have each other, and after everything that is more than enough.

"L'homme qu'elle avait connu – si l'on peut dire – n'aurait jamais commis une telle absurdité. Il se serait tué comme il avait vécu : froidement, méthodiquement." [Crossover leroussien: Le Fantôme de l'Opéra X La Poupée sanglante.]

Summary: Leroux-based. Erik decides he can't let Christine go and keeps Raoul as a hostage so Christine will not dare oppose his wishes. How can anyone keep sane in these circumstances?

Objects cannot disappear, reappear, or thrash about the attic by themselves. After a year of silence, Madeleine believes Erik has returned. Kay-based.

Christine is a private investigator hired to track down the phantom criminal and bring him into custody.

The night a stage hand was murdered, Christine fled fearfully into the arms of her childhood friend. She sought consolation and love from him. she told secrets of her mysterious angel. Unknowing to the both of them, a familiar figure loomed in the shadows, lingering onto every hateful word spoken of him. He soon plummeted into the dark depression of his own hellish madness. (E/C)