What happens when Christine decides to wear a mask just like Erik's? Will he be happy? Mad? Sad? Antsy? All of the above?

Don't worry, I'm cringing too at the title. I'm not good at titles when I first start writing a story and that was all I could think of. A story written by Raoul, on two people from his past, one being Erik, and Raoul creating a future to ease his guilt.

Eh, if I write this is partly Carlotta's story I'll lose potential readers. And yes, while that is true, the Phantom has a major place in this story too, when he meets a certain person Carlotta knows.

Erik is not a charitable man, and he will have what is his.

Every midnight, without fail, it began. Every midnight, their souls searched in vain. They just kept…Waiting…

What if the Erik was the beautiful dancer, and Christine the dark and sinister Phantom?

Philippe/Raoul slash. Philippe could never deny Raoul anything. He simply loved him too much.

Christine's left, Erik's ready to die, and its time for the monster to die. So why has she returned...? Book-based Erik, EC. For those who think my writing is normally too depressing.

Epilogue up. Come see! MODERN DAY Retelling ALW&Kay. Takes place inside the movie. Inspired by the premise of the tv show Samantha Who? How will a head injury change the course of Erik and Christine's future? EC eventually

Poem. Christine's point of view on her "captivity". Please read and review. This is one of my more favorite poems I've written. Oh, and please take note of the title. It took me a while to come up with the wordplay. lol

Poem. Dark. Christine is suffocating in Erik's undying devotion. Please read!

Erik loves Christine, and he knows she loves him. Just...there's one thing he wants. Just one. He's already done so much for her...Book-Erik.

Christine is just another prostitute, with nothing remarkable about her. Erik is just another angry musician, and as with all musicians, most everything is remarkable about him. Modern-day

Raoul and Phillipe's youngest sister comes to terms with the events of PotO, but she has her own problems to deal with. One shot, unless you can persuade me otherwise...

A fairy tale is told

Kay-based. Written from Erik's perspective, when he snuck out at night to play the organ in the church. It's as though he's speaking to his mother.

January 1855, an expectant Antoinette Giry gives birth to her second child, never expecting things to have gone so wrong in the first place. Jerome Reyer is left with the seeds he had sewn and the child tries to find her way with some help.

In which a bored diva plays matchmaker and wreaks havoc at the Opera Populaire. First installment in a series. Musicalbased. Andre/Firmin slash, because there isn't enough of it

A moment between Erik and Christine that he has always dreamed of...I don't own POTO or the song "Dark Waltz"

It was a strange coincidence that their names mirrored that most interesting of Leroux novels, but it wasn’t particularly noteworthy. Until a ghost started haunting the basement, that is. E/C Movie-Musical based, novel references.

Redemption, retribution, and realization. The characters of the tragic love story finally understand what it means to love far too late. Oneshot.

In this poem, Erik is in a church playing the organ and gets emotional. Leroux/Kay-based.

In this poem Erik speaks to God, like in Kay's novel, except he's more calm and when it happens is unclear. Leroux-based as well.

It's a poem written as though Christine were speaking to her angel, had she been brave enough to raise the subject of Raoul with him.

Twenty years on. Erik has a daughter. Histroy repeats... Reviewers loved and thanked.