The Art of Knights Of The Dragon Riders

by TheLegendaryBlackDragonKnight

This is not a story but a collection of what I've written and what I can use to implement into my stories revolving around this series that I like calling a trilogy, it has been divided into several chapters that are added as we move along. Enjoy the collections that I've taken to writing so I can satisfy my need for the fullest details you see in my series of HTTYD stories

7. Warrior Within - Revelations

(A/N: This section covers the main and secondary weapons from Prince of Persia: Warrior Within on Consoles/Revelations on PSP. Now featured in the director's cut version of Knights Of The Dragon Riders: Curse of the Emperor's Sword, which is meant to be a new storyline and have different subplots from different characters like Drayko, Eret, Mikekolt, General Scorpio and Dagur the Deranged alike. Here they are down below with some new additions added by me. Enjoy)

(~IO-{II[III=HTTYD=III]II}-OI~)

Main Weapons

The Eagle was built like a talon that sprouted to the left with a forward pointing offwards to the side tip that then went slightly inward down to itself, and barbed outward again slightly as it's then curved upward like the talon of a eagle that's as sharp as one which gave it a look of a scimitar as the blade that's usually wielded in pair with the Lion sword meant for a prince of Persia. The face from either side of the front was a ornate faint golden colored border that was fitted with small and compact scrollwork resembling the leaves connected to the various vines, outlined with a thin black border on each of them all around to stand out; with a eagle head sprouting the scimitar blade out from it's beak as both legs were used for the single side crossbar that was to be wielded like a baton, straightened with three talons on the bottom if looking at this from a horizontal side view. The leather black handle had a pebbled pattern as the top strap came in three with the same pattern as before, the middle in five and with the bottom in six as the closest bottom had a cylindrical shaped gap like the rest of the straps of where the handle was exposed in between; although in between the first and second had a larger cylindrical shaped gap to be exact. Either way the handle started out straight at the top before curving a little over to the right side where the talon stuck outward towards, the eagle had separated plates that formed the swishing feathers down to the talon as the front looked like a crescent that went overhead to the left side in front and to the right side in the back; it had several up and backwards barbed spikes atop of it's head while the top of the handle had two rounded edged rings stacked atop each other. The pommel's shape had a single rounded edged ring with the one below it forming a up and inward curving bulbous ring shape, as the actual shape was a dual sided top to bottom rounded edged trapezoid as the top which was a bigger size than the one below it featured nine rounded tipped slits all around; the bottom of this was a smaller side facing upwards on the edges of the top and ended with a thin rounded disc at last. Asserting the blade's shape once more, the frontal facing side had a short upward and outward facing barb at the bottom before curving a little inward to itself that then faced out again for a second barb which then curved all the way up to the scimitar like blade, and to mention the golden color for the sword itself it was more of a bronze shine for a silvery color shining blade. Finally, this sword was as swift as the eagle's talons that this blade was based on

The Panther were based on the Indian kukri knife that can chop through flesh as the handles guarding the hands were in fact double edged and sided sword like crescent shaped blades of their own called deerhorn knives, top curving overhead longer than the one curving upwards on the bottom with two upwards curving bladed horns on the upper side and a shorter one at the bottom as the front of the grip also has a inwards curving line; just like the deerhorn like knives did themselves. The handle was a horizontally ribbed J-letter shape that went into the handguard themselves and a second one protruding outward for a short bit on the other side, the top of the handles had a upwards sloping and barbing scalene triangular shaped tip; with the upper half of the deerhorn knives protruding outward. The machete kukri based blades is long for range but also short enough for a dualist to wield comfortably for mainly slashing, it's starting point curving upward into a lower half circular shape before forming a narrow half of a circular shaped scoop for cutting into the flesh of the opponent; most of the back was like a khanda sword as it was reinforced with a long bottom and short top inward facing half circular shape, bearing a series of engraved swirls that formed into thin oval shaped lines that all had curling tips with the top having three small ones at the top. The upper side of the blade atop of the scoop at the start continued straight up before it started to curve inwards to the top, a sharpened tip at the highest point of the top as it was curved on the front cutting edged side and straightened at the back side; the back of the lower bottom of the deerhorn knife guards had a panther's paw with it's claws fully unsheathed and curving outward to strike anyone of the sort who couldn't be cut down with the blades at the top and front, also clawing anyone who gets too close to the wielder themselves. The surface even had a flat and reflective melting construct like ornate relfection on both sides of the blade, as the edges of the blade included a thin line bordering the outer side of the previous ornate face in addition with the middle forming a sword line that slanted down on both the lower sides for the left and right sides of both the front and back faces of the sword itself; all the way at the tip of course. It didn't just end there with a singular scoop on the start because there was an second one that formed a straight line at first before sloping up narrowly and vertically to the top, going out horizontally right before sloping and beaking downwards as it hooked into the large barbed shape that would remove the internal organs of someone who wielded this was fighting. The khanda like spinal reinforcement featured the lizard to a lawn and pear to shamrock green-eyed face of a panther who leaped forward, detailed the same melty-like ornate face design with it's ears reared back upwards and it's fang barred mouth open to let out a growl. Finally, the Panther was usually wielded in a pair of it's own kind and both laid against one another like butterfly swords; but it wasn't unheard of to wield one of these as it's just as common as wielding two which was more so than the other

The Spider was a broadsword that had a fanned tip, adorned with the insectoid animal that's featured on the top to the bottom of the dark blade itself; crowned with several small barbs representing the legs of a spider but appearances however have never been more deceiving, as in truth this weapon was capable of inflicting a good amount of damage owing to the look which was inefficient but never the common sword to be found amongst a selective few as it was forged with intimidation in mind. The handle was straight enough as it's good for both of the hands on either side of the body as the top of it had a downwards curving line from atop the upper edge, followed by another line with three more lines in between the second and the third line underneath which formed a rectangular gap on the lower left side; a secondary thinner rectangular shape was next to the square that went along the upper edge, the back of the right had a inverted trapezoid with the bottom having a inward curving bridge and on the left it was a lower half circular shape. The bottom edge went around as that was only the top part of the handle with the lower one having a upper edge, on the front of both sides there's a pair of two lines as the left went down a little before curving off to go down straight and on the right simply slanted downwards before it too went down straightly; the upper corners of either side of the front for both the left to right were inverted scalene triangular shapes that had the flat edge facing the front of both sides, with a square in the center while the front of the left side was a vertically facing rectangular gap whose top edges had small outward facing scalene triangular stubs. The front of the right side which turned out to not be so different on examining it more closely had a vertical line that went up before slanting upwards, meeting a upward facing beaking tip at the front as both sides had a line that went inwards for an short bit; which then curved downward against the lower point of the stripe and the short bit then ended by going down forwards forming a one sided triangular shape that had the flat end on either side while going down towards the center, the top of that had the forward facing oval shape that went up and curved with a short beaked tip at the top as the left side curved down to the bottom tip. The top of the right side had a inverted triangular shaped gap and below it had a teardrop shaped gap underneath, the pommel of which was a dual top to bottom sided bowl shape had a thin black stripe on the top and a thicker one below creating a thin bronze stripe in the middle; as the pommel's shape was a vertical oval shape when it was looked at from the cutting edge side of the blade since it was flat on both sides. The top of the blade is a bowl shaped guard that had a line of vertical black rounded top to bottom stripes all around going up and outwards, with a thick rounded ringed edge around the middle and the top had a inverted bowl shape that was small as the top of it all was a smaller ring that went around; anything that was bronze actually had a more apparent dark blood orange to cherry red color to enhance the shining alloy, including the spiders on both the top to the bottom. The spider on the bottom had a overarching sharp pointed line that went across from the broadsword as the abdomen was a inverted teardrop shape but with a rounded tip, both legs on the sides is where they went straight with a short horizontally rectangular stub with the lower legs going down and curving inwards while the midpoint had a square that curved downwards next to the sides and up to the upper legs that sloped upwards; the mid-section of the body slanted upwards on both sides where they then vertically went up and split off into dual sides from the midway point, the inner left to right legs going forwards towards the middle while both of the outer legs thinning out into sharp tips stopping halfway at the center sharp tip. While the third pair of legs slanted up and a little outwards as both went vertically upwards, and as the mouth at the top had a horizontal cylindrical shape with the top of the head being a bowl shape; the mandibles then curved up on either side where they then curved off where they reached the halfway points, and then went forwards forming a diamond shape creating the triangular base at the top where the tip then reached up until it thinned out into a sharply tip spire right next to the center of the sword. A straightened broadsword that went up, evenly edged on both sides of the blade's guard atop of the handle; where the tip was a upper half circular shape that had both lower sides curve downwards at either side and the farthest one for both sides going outward, straightly horizontal but still sloping down nevertheless. There was a dual vertical sided and rounded tipped top to bottom body of a spider in the middle, as the first legs slanted up a little before going out to both sides and continuing upward with an short slanted half-triangular shaped tips; the secondary arms slanted downward before they both went up in the middle, then the third longest arms went down before slanting up with a sharp overhead curving line that barbed downwards along the fanned tip of the sword. Down on the second pair of legs as the top pair slanted off down to the sides near the edges of the broadsword, the second pair also slanted downwards to the sides and went vertically down to the halfway point from the first; the third slanted down and inward to form the diamond shape in the center which also had a line in the middle extending from the thin and inverted triangular shaped tip of the equally inverted teardrop shaped body of the top spider, though the connecting points also formed a little bit widened vertical cylindrical shape and the tip at the bottom middle was shorter than the second pair arms that went down. The entire mid-point was bare as both sides had that fullerless face that formed a dual-sided line on the left to right sides, slanting upward to form a narrow triangular shape from the beginning towards the ending point of where the fanned umbrella shaped tip was; the whole sword had a black to brownish filth color where the center lightened up into a tannish to white shining color at the center of it all. Finally, it's been stated that this was an ancient sword commonly found in Persia; yet it was not so much as it was to be seen that way as one Persian was seen wielding one before one of their axes was thrown to kill the attacker, and was stripped from the field to be brought back to the armory in the campsite

The Serpent was a wavy blade that's believed to allow for maximum damage, twisting and all above tearing at the opponent's wounds; yet sported odd grooves to notches adorning it, this blade hinted at a dual purpose which was mysterious like the serpent that this was based off of, then again it was said to be used as a key to the traps of Persian settlements and grant the wielder the ability to perform greater combos in whatever attacks are made. The head of the serpent acting as the pommel at the ending tip had circular shaped plated eyes on either side with a slit for a mouth, the scales of the head matching that of a copperhead as the neck had a small series of vertical python scales which was bordered off at the edge acting as a stripe; on the top of the head down to the top of the neck behind having six that went upwards towards the upper edge, the top of the head itself was flat as the snout slanted a little bit downwards which then formed a inwards slant to form the mouth which then went across to the bottom of the neck. The scales for the rest of the body were small square plates all around which the handle started from the head slanted a little to the side downwards, which then went up and curved in front of the handle that made a turn around to the other side and sloped upward to the edge of the blade; which was the thinning out tail that all laid up against the edge, while the other side of the blade itself was a outward facing rounded triangular shape from on the bottom of where the tail began to go up and thin into the serpent's tail on the other side. The handle was in dark hunter to phthalo to sap with a olive to clover as well as army and a mossy green color; all while having a limeade to sickly along with key lime to toad, slime and even a highlighter yellow color that was all mixed in this yellow green form showing off an aged, to highlighted and satin brass shining look all in all to this handle. Spiraling upwards along from the handle is a light caramel to gingerbread and a dark mocha to umber along with chocolate brown colored series of stripes, those that beaked downwards from the body down towards the head acting as the pommel and circular rings on the back of the body when looked at the front; as that was near the starting point of the serpent. The blade as the featured focus of an sword based off the serpent was more or less a moro kris, the wavy sword blade curved up to the right side a little before going outwards to the left side a little bit; continuing up with that design as it then had a slight barb at the mid-point like a scimitar before it curved all the way up to the slanted triangular shaped tip of the sword, which had faint gold and brownish stains that became the bronze shine to the silvery blade when brought into the light. Finally, all of that which was explained in the appearance of this sword was true as one can stab through a man's guts; twist and tear them from the inside without ever ripping them out to kill within

The Owl was a plain hooked falx-like curving scimitar blade which had been coupled with one incredibly developled handle that can protect the wielder's forearm, and a handle positioned so that the sword can essentially become a blade below the shoulder. The backwards slanting walls were rounded edged featured a pair of holes on both sides that were both a red ruby to a white pearl stone that filled the gaps, the forearm sliding into the horizontal bridge which's keeping the sword steady enough to swing, slash and stab the enemy respectively all without having to sacrifice comfort. The handle slanted up forward to the head that had a overarching oval shaped roof over the bottom edge of the wrist, covering the hand completely while the back had three upper curving spikes that were short; the front of the forearm covering bracer having the head of the owl itself. The walls and the head resembled both the wings and face of a short-eared and eurasian eagle owl that had salamander orange colored eyes, but it had more striking face markings with the beak representing the falx shaped blade that curved up to the front like the talon of one too; the back and top of the head had a fang shaped spike of which curved backwards for bashing if the enemy gotten too close to the wielder to stab and slash at them. There was even one that curved down forward in front of the back fang shaped spike. The falx-like blade curved down and backwards a little on the bottom while the blade's front curved forward with a slight overarching cutting edge which was silvery, going down to a hooking tip at the end where it then went backward to form that backwards shaped border; as the cutting edge on the bottom was a darker color and there was no fuller, only a ridge that was in the middle slanting downward on either side for both the front to the back faces. The bottom of the start for the blade was a barbed point which went backwards a little more just to explain it better, while the forearm guard was not only decorated with the combined color of the two owl's feathers; it was also given a bronze to golden shade to that end as well since this sword could leave some nasty gashes on exposed bodies, and swiftly decapitate heads of a enemy like a owl would do to the prey it could swipe at with it's talons. Finally, the sword is remarkably fit for a female to wield such a weapon but in the hands of a male; there wouldn't be a difference either way as the skills are not in the weapon of the wielder, it is the wielder themselves who slash and stab that showcase the full potential of what this could unleash on their foes that matter the most

The Lion was a scimitar bladed sword that gave the wielder a feeling of storing energy right in the mystical blade itself to release with devastating results all in the same, and while it takes a decent amount of time to charge up such an attack that leaves the susceptible user towards the incoming attacks of the others; this was a really strong sword nevertheless as all who had fallen yet live to survive the charged strikes are all vulnerable as they lie on the ground ready to be slain. The handle was wrapped in black horizontally ribbed bandages for a secured grip to the melee weapon, with the pommel being the head of a lion who faced the right side on the bottom with it's maw opened with a scalene inward facing horizontal triangular gap that had two sharp fangs on the upper jaw to two short conical triangular shaped teeth that's from the lower jaw; the lion's mane was brushed downwards on the back and both sides all while the snout was basic as with the inward domical shaped eyes that didn't have pupils, having a bare neck that was a cylindrical shape which was a little bit longer on the back due to the fact of the lion's mane that was combed downwards straightly. Now of course the bandages that were on the handle for a better grip looked like buckleless beltstraps which beaked down to the lion's head on the pommel a little bit, with twenty three in total as a single one ran down the middle like a spinal cord which also then curved along with the handle as it sloped down from the top right down to the bottom right where the lion's head was at the actual bottom; the first leather strip going straight while the second beaked downwards and was a little bit separated due to having that filthy golden brushed bronze to brass color for the hilt as that's all going to be explained in greater detail later on. The section where the blade sprouted out was a cylindrical shaped cap with two up and outward facing narrow scalene triangular shape ends, which then had a little in and downwards curve as both ends slanted down toward the middle and both outward facing ends looked like slanted squares that faced their respective directions; curving down inwards into the cylindrical shaped cap atop of the handle itself and a little bit off the edges is where the actual silvery shining blade came out. The decoration on the blade's cylindrical cap section consisted of a thumb like shape that starts out with five of each downward rounded tipped lines around the front of either side, having a circular dotted line going diagonally downwards to the right side with three more of those rounded tip lines that went down with a left rounded curve in the mid-section; all three were ribbed down the vertical curving lines horizontally with short ones going across each ones as three round dots went along the bottom rim on the right side. Eight more were found across the ditch which is separating that top shape with the link of the top to bottom circular dotted rectangular plates as another line of short horizontal lines went across from top to the bottom, though the third was overlaid by the second and the fourth plates; while the bottom underneath the fifth one extended a little bit downward to a rounded shape, bridging to the lower middle as it had an more obvious rounded bulbous spherical shape looking like a pearl as both bridges from the upper left to right sides looked like it was melty. On the upper left was a smaller round and a spherical shape that wasn't seen as much and the rest of the side was engraved with a series of multi-branching lines that went all about, trails like the bark of a tree the lion uses for the sharpening of it's claws as the left side curved upward before slanting out to the left side as it continued up with five outward facing triangular barbed serrations; curving up again before it slanted off a little more and overhead all the way towards the tip of the blade's right side mid section point, the left side had the same treebark pattern while the right was four upper dots that went along the edge. The three spheres formed a rounded edged rectangular hole that's there as part of the decoration with a snake's tail curving up to the right before going down to go upwards, and then to the right where it then went back to the left where it disappeared at the bottom of the secondary snake body which curved up to the right before sloping down to lower left side where the mid-section branched off into two more different bodies; going up and inwards to the middle of the cylindrical cap where the sword was situated atop of and on top of that body was a third one, which went upwards to the right and then ended with both sides forming that snake tail just underneath the lion's hindpaw on the left side. Overlaid on that was a snake body that curved from under the cylindrical cap to form a U-letter shape and went above to the top of the cap where two snake heads on either side were formed, having a pupiless left to right eye along with the mouth forming a oval shaped lower jaw that sloped upward a little to the back edge of the maw; the upper jaw having a horizontal domical shape dent with two circular dots on the front and two small fangs on either side of the left to right. The lion figurine statue on the upper left side had it's right leg slant a little forward but still remained straight, while it's left leg went a little more out and forwards narrowly slanting as it was nearly straightened forward but went down a little; the lion's tail slanted down heavily with a curve before going straight down with a little curve inward before the tip curved up at the end of it all. The snake that faced the top of the cylinder's mid-section curved upward as it then coiled around the lion's ankle to shin before it went behind to go over the left thigh, crossing the hip as then went underneath the lion in front of the tail where it coiled twice as such; the third time it went outward and at the end of the tail it touched the edge where the blade sprouted out upwards to form that scimitar fashioned look, going over the hindpaw of the lion this time around whose mane was combed straight back and downwards with the snout being a little more detailed this time. There were two upward facing lines with a third line going up to the other side of the eyes and having three horizontal lines atop the snout as well with a inverted triangular shaped nose, the lips were also outlined with a thin edge with two fangs on the top of either side and on the bottom as both are short; the lion statue is also reaching out with it's arms as the right slanted a little down before going up and the left one went down a little given the lion was looking down at the lower edge of the blade. The blade that was the main featured focus of all considered had the lion statue face the slicing side of which went upwards before sloping downwards into a flatline before it went back up, all to form a inverted fang shaped tip that was like the claws of a lion while the serrated edge had started out with eleven outward curved pointed and beaking teeth; having inward upper half circular shaped cuts for each of the pointed serrations that stopped near the top of the blade, following the rest of the smooth cutting edge that went up and slashed over to the left side. The faces of the blade had dual stripes on either side as it formed a upwards triangular shape starting from the bottom of the middle that then curved along the cutting and serrated edges that started to thin out until it was completely phased out at the top of the second to last of the lion's teeth on the right side, the line continuing upward to the point as there was a thin fuller like slit that went up for a short bit before stopping. The blade was in a golden along in a brownish filth colored bronze shine at the start of the silvery shining blade, just waiting to be oxidized with the dripping blood of a nemesis that threatens all of Persia; brightening out at the highest in the center of the start before dimming out into the silvery shine. Finally, this gave the mirrored look amidst the blood of various foes that've fallen on the wielder's path of destruction after being hunted for seven long years; remaining as strong and never losing the thirst for the blood of those who might think twice to attack a empire with a might, that is the spirit to Babylon where this blade was given birth to the hands of the blacksmith of Persia

The Scorpion was a massive, cutlass looking sword that was barbed with spikes, here we go. The handle stood vertically enough as the pommel slanted narrowly downward to the left side for a short bit, the upper right curved like the scorpion's tail as went down and had an sharp pointing stinger tip that also slanted like the bottom section of the handle; the upper side in between had a circular ring for the index finger to grasp onto. As for the blade that's going upward on the right side which had a sharp diagonally slanting triangular shaped barb, with the left side hooking into a slanted lower left side while the blade continued to go up albeit it curved a little bit over to the right with another larger sharp triangular shaped upper curving barb; the blade's tip ending off with a right side pointing trapezoid that slanted over a little bit to that side while the left had a sharp downwards left tilting vertical slant that went back down to form the scimitar shape of the entire blade itself. The entirety of the right side of the blade down to the handle with the scorpion ribbed tail with barbed stinger at the end was intricately forged with detail, coming off with a bronze to tannish and maroonish color as the bottom right side was a little bit exposed with the silver but looked like it had skulls that were melted by the heat of fire on the bottom at least; the rest of the right side looked like it was the ribcages that had some olive brown colored blood of the scorpion that this sword's based off from. The bottom left side of the blade above the overarching barbed curving spike had three scorpion stingers underhand curve upwards with the bottom being the shortest, as well as the middle going a little more as the middle of it also had a downwards slanting barb and the top being the longest which not only curved a little bit inward towards the right but had a downwards slanting barb in the middle of it like the one below it just now. Finally, this sword can break weak foundations of walls and unveil secrets that were otherwise blocked

The Gorilla pounds the earth's surface with a broadsword whose blade happens is a vertical as well as a wide rectangular shape, of which carried the power of the giant's meaty arms to whom pounded earthquakes against the earthbound surface of rock; the handle was thick as was the beast's arms since it was tightly wrapped in horizontal bandages that were made to be easily graspable as possible, accommodating for the loaded core of the blade added inside to strike as hard as possible too. The top of the sword thickened out a little more as it looked wider with a horizontal rectangular shape jutting out from the top edge, with the edges that sloped downwards underneath this hammer tip; putting the crunch onto the bones of foes to that which were combated against. It was light enough to be held, swung and slashed thanks to the balance but heavy enough to dismember, decapitate and even split someone in half as a result from the connecting waistline between the upperbody as well as the legs. Because of the canine teeth from the gentle giant of an animal this sword was based on, there were of course canine teeth shaped spikes on both sides which attributed to cut, rip and tear the bark off trees as they are herbivores after all but in the case of enemies; their flesh stood will not stand ground as the dominant silverback protects his troop just as much as a chief protects his own, and he alone conquers all that pose a threat. The bruteful smite and bite to the sword is remarkable in strength as while the bulk could restrict the swinging speed just a little bit, this felt comfortable in the hands like the wielder is being held by one as they wouldn't hurt a fly; that is if it looked one directly in the eyes because they would see that as a sign of aggression and the same applied to flashing teeth as well. The roaring face of the silverback whom one guessed it was the dominant one who the others in the troop called the alpha was featured on the dual sided face of the broadsword rectangular shaped blade, with a upwards edge of which had slight downward sides that went down on either side on both the front and as well as the back too; no fuller as to be expected as it served no purpose for swords in general. Not to mention as to further signify the animal, there was a gorilla's upperbody and head just on the lower side of the crossguard with it's bulk of meaty arms supporting it above; as the guard went outwards for a short bit enough to guard the hands that wielded this sword that looked like it was forged to be wielded by those who favored brawn in their combat style. The upper tips like both the Vanant and the Spider Sword that was said to be a common blade in Persia slightly went outwards, the thick handle's tightly wrapped bandages was long enough to have two hands for putting the smite and bite into the wielder's arms but short enough to use one hand to slam the blade down on the opponent's skeleton; crushing them to death, even then it could still be used to stab them which expelled the entrails out if done so for a slow death. The gorilla that supported the crossguard stood atop of a shorter one below it which went out a little on the sides, forming a horizontal rectangular brick shaped hammerhead that is with a ease to please meant to guard the hands further and the blade's length was tall as mentioned before; large enough to act like a shield that blocked frontal attacks and could sweep another off their feet. Finally, the Gorilla Sword not only had great defense for blocking against direct arrow shots from bows but this was also good for breaking down obstructive walls that were in the way; showcasing the strength outside the combat that this sword was built for, and it damn well served that purpose good

The Jaguar was a tribal macuahuitl that had a large wildcat shaped broadened edged machete blade acting as the main component, along with interchangeable teeth for chopping action as well as the broadsword shape that made it thick enough to be as deadly as the claws that're rung out to stab the flesh of whatever the jaguar strikes after prowling in the hidden grass. It was straight but retained the curving shape of the Eagle Sword nevertheless given that both animals are used by the warriors of the same name in the Aztec Empire, but it's heart was all Persian in the same when it came to the origins. The front to back sides of the sword had the inward slanted top and outward slanted bottom edged square plates that were studded from the center with a square hammer face for the first, and five more for the second as it went on to repeat all the way to the top. Now while it looked less like a wooden club that had several embedded obsidian blades on either side and more like a basic longsword in terms of length, that didn't mean it was no longer serviceable to cutting down lushful jungles which removed all foliage that were in the way; hell there were even jungle vines that had drooping films of moss that were coated from start to finish, it was ideal for clearing the path and providing the killing power needed to slice off a horse's head should anyone be mounted as part of the cavalry. On the lower half of the inner cutting edge's side there was a paw whose claws were extended outward like a bagh nakh weapon from India, though the tips slightly sloped a little bit upward for the purpose of stabbing the enemy when slashing across. The claw shaped and scimitar blade went straight than the Eagle Sword but still curved a little on the second half as it did so fully on the third half at the top, the interchangeable jaw strength infused teeth that were on the outer side consisted of mace flanges that could be swapped out if one part broke staying true to the macuahuitl design it was based on; thin and sharpened like a straight razor. The crossguard extended to one side and was short on the other based on a Filipino kampilan which was also true to the pommel from that sword, shaped like a jaguar's fang barred mouth of a head that sought to tear out the eyes of the enemy if struck with the pommel itself. As for the handle itself it was a straight end curving condor machete handle which was solid and easy to grasp, thanks to being wrapped in upper diagonal spiraling leather bandages with the rectangular rim going around the bottom for separation of this sword could easily be able to be held onto from the back. On the upper face of the sword from the front to the back had a diagonally top to slanted and vertically straight number of bars that were sported barbs that were added for deadliness in mind, the ornate engraving of the Persians were still there on the inner sided borders of the sword; as mentioned before it had a jaguar on the front of which was based on Tezcatlipoca. Both sides adorning the fangs of the American wildcat that looked as though it was holding the weapon in it's mouth, even then they were engraved but they did keep the original Persian style that became evident at the tip. The flanges which are the interchangeable blades even started to resemble the claws of the wildcat beast, forming into jagged rosettes present on the engraves to compliment the look of the whole weapon itself. As a matter of act, it was like a Indian firangi sword that's as reinforced like a khanda and curved like a pulwar to an extent; still capable of chopping away all the foliage like a machete because of it's thick blade and obsidian teeth being used to add onto the fact that this is based on the macuahuitl at heart. Finally, it was not only lighter but it could still be used as the sword equivalent for a heavy kanabo studded club to combat against armor and still cause a great deal of wounds over to the enemy; bludgeoning someone with painful hemorrhages that would make them vomit blood if the Jaguar Sword did not kill them directly at times but that's only so that they could be finished off, as the teeth sliced a sword all in the same and this sword may look old but it was as new as it could ever be and still young to feast on the first blood that it will spill

The Hyena was the brother to the Lion Sword as the blade that curved like a scimitar matched like twin warriors who wielded one and the other, broad as the serrations that reached to the near tip like it's brother though it was separated to become it's own weapon to step out from the shadows; the basis of the sword itself was numerical as a real hyena is in a clan of one led by a matriarch and male if there are no females. The African Shotel added to the length of the sword as it was easier to bring out if it rests on the back for future uses in combat, an axe like chopping broadness was thanks to the Egyptian khopesh that had both blades curve around a opponent's shield to dismember their arms so neither can hold a weapon nor a shield for self defense; disemboweling by tearing out the organs after stabbing, twisting and slashing from across the stomach at the end was a brutal and deadly way of dispatching anyone who was a major threat to the wielder of this sword. Adding onto the design even more was the slim to small outward barbed fang of an Arabic scimitar that looked like a claw that lunged out, with the shape broadening out as it went down underneath the serrated edge of the blade which too started out with eleven outward curved pointed and beaking teeth; shaped like inner to upper circular half cuts for each of the pointed serrations that didn't stop near the top of the blade, only when the left side from which the serrations were found curved overhead to the right side which then ended with seven more outward facing triangular barbed serrated fangs for shedding greater blood than what it spilled previously before. Immeasurable numbers in the teeth as there were strong hyenas in a single clan as the sword started out straight like a Natar Temple Sword from India though didn't stay straight for long, the falchion from Europe threw it's hat in the ring by adding it's one sided downward sloping crossguard while from on the other side went straight; with a lower left side curving bladestopper which had a smooth edged rim that sloped off at the bottom and the top side had four sided star shaped holes of which the outer borders had two stacked barbed circular shapes that went up and inward to each other, with a third one on top and a triangular tip on the top for each of the three barbs. One more thing above those three barbs on the bladestopper was a outward facing barb that came from the Eagle Sword too but that's about it, not as much as the Jaguar Sword at least to the point of using it for the basis for the macuahuitl and machete fusion sword; the serrations didn't change but they did look a little more closer to the overhead to overarching tip but not as much as mentioned before. Furthermore was that the sword had slanted edges all around like it was dual sided from both the front and the back faces, the faces themselves continued on with the tradition of sporting ornate floral design from Persia though the sword kept that dual sided triangular shaped center that met up in the center from the start to the end at the tip; hence giving the ornate look a raised edge on either side of the front to the back faces. It was flat on either side of the faces bordering the cutting edges that slanted inward to the left and to the right, the length of the longsword scimitar reached down to the same end as with it's brother due to similarities but like before the ornate faces reached the end but went in a little more distance before tipping off for good. The bladestopper on the left side is small to not interfere with swiping the weapon across and slash but like the other swords that had a element to the animal they're named after, there was a solid hyena ornament that appeared from the crossguard above in the front and the back; large and standing with pride just as it's fang bared mouth was open as well as it's brown hyena fur was swept back in the winds that blew, sporting mostly spots but also faint stripes as it's not one but three types at once as it's ears were reared back like a wolf's even. The horizontally leather strip wrapped and raised as well as ribbed handle was in a J-letter shape with the middle having a Z-letter shape split the two sides for easier grip, the lower half from below that point starting to curve down over to the lower side which a stacked series of cylindrical shaped medium sized discs were formed; the pommel on the otherhand formed the head of a hyena with bronze colored eyes, as the handle to the silvery shining blade were cloaked in a dark to light brown and dark to light tan overtone. The exception was the ornate faces which kept the golden color for the two faces, though the former two colors that were mentioned filled in the gaps amongst the blood that this sword was most likely to be showered in like rain; all in all it's gold with a brownish filth colored bronze colored silvery blade, nothing more to say there. Like it's brother it gave the mirrored look amidst the blood of various foes that've fallen on the wielder's path that led to destruction after being hunted for seven long years and over five months; remaining strong as it never lost the thirst for blood who might think twice to attack a empire with might, the spirit of Babylon and the two thrones of Persia lied with this one too. Finally, the Hyena Sword gave the wielder a feeling of unleashing stored energy and power right into the sword with a fury of slashes that dismembered and disemboweled all who stood against the warrior within; a strong sword just like it's brother as this one can defend while the other can kill whoever was the susceptible one for a death worthy to the sultans of the Middle East, and the animals that roam the serengeti of Africa alike

The Ogre was a S-letter shaped blade which had a rectangular shaped starting point the lower left side, which then curved underhand a little before arching back over into thickness to the left and over to the right side where the tip ended with the same rectangular shaped ending point as it could be seen on the start; it was sharpened to the strong double edge foundation that this weapon was built upon on by a blacksmith who once lived in Duloc. The top left and right edges are unsurprisingly tipped off with diagonally upwards slanted a singular trumpet-shaped ear, one that had a rounded triangular shaped inward domical cut at the tips that had both of them go downward; but did not interfere with the shape of the barbed attachment to the sword's blade all in of itself to the slightest. There was a barley corn tan with a zeus to an costa del sol and lisbon brown, fused with a pesto to woodland and birch green shine as it appeared to have been soaked in the moss coated pools of a swamp; yet there are no signs of showing age nor being on the breaking point where after the cutting edge can take no more it will snap, instead this sword was actually stronger than what others would assume it looks on the outside. But appearances should be shared from the inside as there are numerous brown lines that were not only light in color to the silvery white surface, but were also thin just like an actual onion would be made of layers as ogres would have themselves; this sword is said to be layered with numerous ones upon one another for the sharpest tool in the shed that's to say an armory of sorts, and that tool would be a weapon like this for example. Furthermore is that there were curtains of hanging moss decorated on the blade, with the image that had a hollowed out tree in the swamp where the splintered tree acted as the chimney; grass that hung over on the edges and roots that acted as supports to the hut itself with windows and a door that opened on both the inside to the outside, a two-way door that closes on both the inner and outer swamp house. One last thing to say is that in spite of all this, there seems to be a old and roti gold colored tint to the silver blade itself as if the sunlight's ray of daylight is always present with the sword. The crossguard was a intellectual and minded coal grey bar to which was in a rectangular shaped bar that went across from the left to the right sides, on the two sides for the hand to be guarded by were an even amount of rectangular shaped space; it had a thin upward facing disc that looked like it was rounded towards the top, and atop of the disc happened to be a upwards expanding spinning top which had a small rectangular rim that went around. Even then there was a small round disc laid atop and below a stout, rectangular shaped circular shaped gap that was situated inwards to form a gap in between; the handle is straight with a line of rectangular shaped stripes going around with equally rectangular shape gaps in between each of them, ten to be exact for the former and the latter in particular. The bottom had the same as the top underneath the crossguard with a thinner rim underneath, as well as larger one going around on the bottom that held the sardine grey and escape olive to green colored bulbous pommel seen on the swords of Duloc guards who carried them; even including the knights who had been slain by Dragon back at her castle keep where a princess was once held at the highest room of the tallest tower. Finally, this sword is not documented well but even so; it is said to grant the wielder a surge of power to feed the evermore warrior that lies within to rise above everyone who attack what they do not see on the inside of men everywhere, but judge them on the outside as they're split into layers with this onion slicer of a blade

(~IO-{II[III=HTTYD=III]II}-OI~)

Secondary Weapons

Eighteen Swords

Agas was a sword that featured a right side slanted square shaped pommel on the bottom as it then curved upward into a rectangular handle horizontally ribbed in a blackish to brownish colored leather, the top of the handle was a triangular shape which slanted along the curving handle down to the lower left side a little bit; there was a swirling stripe in the center which featured a light orange brownish bronze colored circular gemstone acting as the eye, having a short downward slanted barb on the back with the front lower one also slanting downward as the stripe was rounded edged on both sides of the sword. The top of the circular eye happens to have a triangular shape which formed a curving blade that then went up from the front left side, but the triangular tip on the bottom of the sword blade had an left side slanting triangle which was inverted; having a diagonally downwards facing oval shaped scoop on the right as after that it all curved up and overhead to the top of the back side, though the upper border of the cut edged out a little bit with a slim half-diamond shape. The lower left front slanted a little bit down into a diamond half shape like the upper half of the oval shaped cut, but all in all the blade simply curved up and backwards into a sharp sword tip like a singular claw. With a small triangular shaped protruding center that thinned out near the curving tip, yet forming into the spiral shape around the eye; the lower half of the blade was in a tortilla to coffee as well as a peanut brown color that darkened into a charcoal brownish black, the lower barb on the right was outlined with a sardine grey stripe. The outer left side barb looked as though it lunged straight outward before the tip curled down and inward a little, having some circular rounded shapes at the stump with a underarching ring on the bottom that was situated close to the barb; as the blade's front side had a small outline near the edge. Finally, Agas was a female demon meaning "Evil Eye" referring to the bronze colored spherical stone that was situated in the center

Asman was a crescent hook blade starting from the spinning top shaped pommel which had a stout conical triangular shape overlaid with a medium sized disc, along with a larger rounder disc that was in the middle as the next two were smaller discs as the second bottom is a little more bigger than the smallest top one acting like all-round dual stairsteps. The handle was in a caramel to gingerbread and tawny brownish color, having small but thick X-letter straps that crossed each other on either side that were a tortilla brownish tan color; having a horizontally ribbed handle that went up to the next shining sienna to gingerbread and a caramel brown X-letter shaped strap that were also on either side. The three beasts at the top happened were a eagle on the left, a bear looking up on the top and a lion on the right as the upper two discs were the same size; having a wider third disc overlaying the bottom ones before the blade is where it formed a short rectangular stub, curving into a right side backwards overarching and crescent shaped silver moon sword all without a fuller. The upper tip appeared to darken out in a brownish color though most of the crescent sword was easily balanced. Finally, Asman is not originally a Persian but Urdu name meaning sky that came into the language through Parsee; as such the ancient religions referred to the god of the sky itself

Asto had a conical spiked pommel on the bottom which then followed up with a rounded one that sprouted two outward facing horns that had short upward curving tips on either side, the center of either side featured a circular outline as the straight handle of which slightly curved off to the side at the top; the bottom having two rectangular wrapped bandages as the center is black and the top having a larger strap as after that was the crossguard. A round thin border ring surrounded the medium sized one that was closing into the middle, having an lighter and larger ring with the full-on center of it all which was like the darker outer rings; crossguard on the otherhand went outward on either side before curving downward like horns, both center sections had triangular shaped borders that jutted out on either side which curved over into a upper half spherical shape on top as the middle was lighter and both the top to the bottom is where it darkened out. There were three thin black slits that went across the lower section of the dirtied blackish to mahogany hair red colored blade, with a peanut to coffee brown color section which happened to be a raised triangular dual-sided edge as the blade then curved to the top on the right before going slightly to the left at the tip of it all; thinning out before the whole dual-sided triangular edge became one with the actual sword on the front to back. Finally, Asto refers to the full name of Asto Vidatu; the demon of death who catches souls with a noose as they escape to the safe havens of heaven in Persia

Buyasta starts out with a dark grey colored ring at the bottom acting as the pommel which had then a thin dark carob to wood and mocha brown strips that were wrapped around the top all the way down to the bottom, as there was a even a crossguard that thinned out into what was a horizontal rectangular shape with the crossguard being a upwards tilted D-letter shape ring; the lower tip that curved in and down underway across to the other side curled a little bit and even had a secondary barb below that tip. The start of the blade had a upwards slant from the lower right to the upper left, going up straight into a broad rectangular blade that was mostly in a darkest dirtied brown to tan color with some silver shine to the sword; the tip of the left had then curved up towards to the right but not without a small diamond halve that juts out a little, the front and back of the faces had two separate edges that were parallel with one and the other as such in which they both met up to the scimitar based tip. Finally, Buyasta is one of the Daevas to whom spread ill in the ancient to pagan Persian religion; it referred to gods as well as other such beings and after the age of Zoroastrianism, they were relegated to the status of spirits and demons since Ahura Mazda represented the one divinity for the empire that stands. This name referred to a female demon of laziness who tries her best to stop all from the activity of working, in addition the 18th Yasht of the Avesta which are hymns to God and it's that what gave her the description of being a golden yellow and greenish color

Camros had a straight cylindrical shaped pommel this time around which can easily be given a paragraph of it's own here as it started out with a dark grey strip around the bottom, followed by a black clasp around the middle as the top was a thicker strip of the same former color and two dual stacked discs atop of that; a line of silver vertical bars went around sporting a row of black vertical rectangular shaped gaps in between each of them also going around as the top's where it had a silver horizontal slit border. The black handle was horizontally ribbed as it was straight for a short bit like a stout vertical cylindrical shape before curving slightly toward the upper left side, the top happened to have a horizontal silver colored rectangular shape slit as a lower border. Another cylindrical shaped cap was found in between consisted of slim silver to black vertical ribbed slits that went all around with that bumpy feel when rubbed against if one can picture that, the top border was another horizontal slit that went around as the guard was a rounded edged trapezoid disc that slanted downwards on all around as was the top that was inverted; stacked in between the black cylindrical bar that was medium sized and both of the top to the bottom of the crossguard had a small damascus pattern. The silvery blade went up in a straight rectangular shape that started to curve off at the mid-point to the right side at the darkening grey colored tip, the right side at the start of the blade was slimmer which then formed a rectangular shaped cut that was tipped off with a upper-half spherical shape from at the top; the silver blade on both the front to the back had no fuller and was all smooth having the start feature a watery gleam pattern for the damascus material though this was all iron in the end and was at it's lightest at the middle. Finally, Camros is a bird who collects the seeds from the Tree of Life; Tistrya, the god of rain and fertility then uses these seeds to give life to the Persians

Dena started out with a slanting vertical rectangular shaped pommel that went offwards over to the right side having a slight inward curve that went up, as the handle was then wrapped in a black to brownish olive colored series of bandaged strips that went upwards; the crossguard was a round circular shaped medallion having a darkest to near lightest russet to seal and lion to tussock with a camel brownish tan color, the right side happened to have a sideways facing triangular shape that was outlined with a thin border and the tip happened to have a V-letter shape that had both tips on either side sport horizontal bars which were short. The center of the round medallion shaped crossguard was a small inner outlined ring as the secondary ring was a inward carved outline, the top of it was a flat horizontal bar as it was both medium and light at the top to bottom as well as the center respectively with a light bronze color. Blade is where it started out with a short horizontal rectangular shape as the center was a dirtied tan-brownish color before splitting into a slim parallel gap as the two blades on either side were forked, going up to the halfway point before recurbing outwards on the left to right slightly a little bit before forming the upwards facing vertical scalene triangular shaped tips; the whole blade still had a silver color but had oxidized tannish to brownish colored stains which didn't affect the sword itself, while the lower tip of the center slit was tipped off with a lower-half spherical shape and both sides at the front to back were edged with a triangular half near the center slit. At the bottom of both triangular raised borders happened to have a lined edge on the left to right sides. Finally, Dena is that which was revealed as one of the daughters of the supreme Ahura Mazda and therefore a goddess herself; the personification of the Zoroastrianism religion

Fravashis was a cool black and purple looking sword to which as always it starts with a bottom gemstone that had a haiti to a valhalla to ebony and a violet to tamarind indigo color that was all part of a lower-half spherical shape, the center was a black rectangular shaped vertical bar that went underneath from the front to the back side as the dark charcoal grey handle had an licorice black colored X-letter straps that went up three times towards the crossguard; from in the middle there was a dual sided inward curving vertical rectangular block as the top formed a triangular shape that also curved inward on either side, but the engraved design required a bit of speculation as there was a inverted teardrop shape on the bottom and another smaller one on the top with two bars on either side of the bottom head with that also had a overhead curving cut in the middle. Both sides of the crossguard had different engraved looks to either of them as the left went straight on the bottom before curving up into a triangular shape, the top then sloped underarm to the slim center where it then curved overhead back to near the triangular tip as with the right side that did the same with both the inner sides had a inwards curving side half-pentagon with two dark silver colored slanting outer bars to straight ones on the inner bars; the crossguards were outlined with a dark silver colored border which had the damascus looking pattern that was made of inward rounded circular bumps, the right side has in and outward facing curling tipped borders on the top to bottom while the middle had went towards the triangular tip at the end which were all a dark silver color. The first upper layer is a triangular shape that was slanted off to both sides as it curved overhead at the middle, both sides slanting upwards underneath though the front and back sides had that same damascus-pattern that looked like stone rock; continuing with the upper two tips that went up towards the broadsword blade. The secondary upper layer was a sharply tip triangular shape had both tips that curved a little bit downwards on either side as the front happened to have a circular disc shape, with a vertical rectangular shape that was in the middle as it stopped near the top and the third upper layer had a rounded edged triangular shaped tip on top which was flat on the actual top; the horizontal rectangular shape was the bridge that went in between and the top had both sides be dark while the middle had a eyeless face which had a rectangular nose that was rounded edge and the mouth was a slim triangular shape, the head was even a stout rounded edged trapezoid where the face was and it wore a crown that had slight outer facing oval borders on either side with a vertical bar in the middle following that with a curving bar that went in on either side and a small bar at the top acting as the tip. At the top happened it had a square shape with a triangular tip at the top which was in the middle of the dual sided center of the blade, having two circular shaped gemstones that were both the same purple-color as was the oval one on the top of in between the two bottom circular ones; the blade's as mentioned before a broadsword type as it was a dark pebble to shadow and iron grey color, having slivers of a silver shining color at the start of the entire blade before forming into the former darker grey colors. Finally, Fravashis is the plural of Fravartin referring to the guardian angels and those who guide the deceased to the safe havens of the heavens; aiding not only the creation of the world alongside the supreme divinity as they help defend the realm, but later Zoroastrianism associated these with the spirits of ancestors

Haoma had a light peanut brownish tan colored lower-half short cylindrical cap on the bottom with the rest of the short cylinder being a darker brunette to chocolate brown color, the handle went vertical before curving upwards to the left a little bit from the halfway point as it was all wrapped in a copper to bronze colored series of bandages from top to bottom; leaving behind a dark chocolate brown colored gap in between some of the strips and the start of the crossguard was a clasping ring that was on the top to the bottom, the center was wide enough to sport an white multi-branch pattern that looked like veins as part of the reflective watery sea bed from the bottom of the oceans. The left side of the blade formed a overhead curving diamond barb shape with a smaller slanted diamond shaped barb on the right side, going straight before the blade began to curve up and outward as it then formed into a lower right slanting tipped edge which then curved back down to the right side; with the lower side of the blade sporting a lime shine to the silvery white colored blade that was fading out to the upper half which darkened out into a dark nickel grey color, with the upper slanting edge on the entire right side that had then transitioned into the top edge which straightened out soon enough for clean slicing that'll get dirtied with blood inevitably. Finally, Haoma is a plant whose sap was drunken by worshippers in sacrifices; intoxicates as it does to anæsthetises and so ended up deified worshipped as a god, this state refers to the one god of herbs and medicines as well as being associated with the purification of fire itself

Kerena starts out innocent enough with a lower half cylindrical offward to the right side tip of which then went diagonally upwards before going straight and a little bit inward, forming the straight bar of a handle that could be wielded with two hands it appeared. There was a single thick ring around the bottom to a dual pair on the top in between the bronze cylindrical strap, the handle had a series of engraved spiral damascus based patterns all around with the front to back sides having a bronze circle on the top to the bottom outlined amongst all of the light golden color; which sported a maroon red based color with the top rim having a thin line that were on both the top to the bottom sides, having a smooth tan strip that went around from in the middle. The crossguard both went out horizontally on either side as the left sloped down and the right did the same before curving up into a small tip, the lower side went across with lower half circular shapes that went across the top of the horizontal line underneath; the top of the center line consisted of full circular shapes aligned with one another on both sides that went down from the upper tip of the right to the lower tip of the left side. The center disc has a faint steel blue colored round disc in the center of the crossguard with two parallel lines, an circular outline on both sides in between as the bottom of the disc had two golden triangular shaped small barbs next to each other; the top of the crossguard went up and both curled to a inward tip on both sides as it formed a narrowing triangular shape, a oval shape was laid onto both sides of the bottom left to right upper curling tips. The faded steel blue shining blade as it transitioned into a silvery shine at the top was a large curving scimitar that swooshed up to the upper side before curving down with a slope that then went inwards a little thinning out back to the lower side of the blade, just like an Arabic scimitar that this blade's based off of to be exact with no fuller and bordered edges all around the front to the back of the scimitar; as for the dual-faces it sported a rounded vertical line of damascus like circles that widened out at the top, the bottom of each one from the lowest top to the upper bottom of the circles had looked like they were crossing each other with a dot in the middle of each one. Carving lines of white were found on the borders for each circle that went towards the tip of the feathery blade, it was all ornate looking to the eye. Finally, Kerena refers to the full name of Gao-kerena and to the Tree of Life whose roots reside in the ocean world of Voura-kasa

Mahre was a broadened blade for cleaving as it was for slashing for as the lowest point which is the pommel started out as a lower-half spherical shape, tipping off to the cylindrical short-bar that then had the handle curve up towards the left side featuring a inward curve as one is to see it as the entirety was not only horizontally ribbed all around and across; but it happens to go straight at the top for a short bit all with having a faint light and creamish macaroon tan color that then transitioned into the darker and dirtied ebony to crow to leather to soot black and a chocolate to syrup to a carob and wood brown color all in a matter of time. The guard of the sword was a horizontal teardrop shape that had the tip facing left with the bulk of it from on the right, all around sloping in and upwards to the starting of the broad and thick blade of this sword; having light shining tannish colored rims with the darker blackish-brownish color rims in between amounting to four for the former and three for the latter, horizontally going across while also appearing to be slanted as well as evenly spaced out for the bottom two to closed at the upper two. The blade curved inward at the start slightly on the left before going straight to curve out which then edged inward near the top, where it sloped up sharply and it then went overheard straight to the right beaking downward with a sloping end which it then went back down curving into a vertical right sided edge to complete the shape of the blade of all things to this sword. On the right side of the bottom there was a protruding and diagonally downwards slanting rectangular shape, the lower side of the tip formed a rounded trapezoid-shaped gap as the outer tip barbed out before curving up into a straight line and at the top as it then formed another short slanting rectangular shaped cut; the whole appendages are more of a blade catcher than anything at close range. There was a right side tilted rounded edged hole that had a overhead tip on both the top and on the bottom, which is what created that arch in the first place on the left as the blade had two stripes that outlined the inner sides; center as with all swords had a dual-sided slim triangular edge which slanted up on both sides as with a shine that was a darkened silver, before transitioning quickly to the golden and bronze sun as it was at the lightest for the entirety of the blade and the darkest at the overhead axe like tip. The two stripes featured outward blade facing horizontal viewed twill dutch weave pattern, a start of this curved downwards where it sloped overhead and back down on the bottom; with the top slanting up and downwards with a circular dot in the middle for each one, sporting an series of dual parallel rings that went up along with the former too. The bladecatcher from on the lower right of the blade had a oval beaking down from the top as it featured an line which slashed through to the bottom, with at least two evenly spaced outlined circular rings as both went down to the bottom as one of this was wielded by an Immortal walking next to the armory at the Persian encampment. Finally, Mahre is the partner to Mahrianag as the two represent the Adam and Eve of Persia

Mainyu started out with a right side facing J-letter shaped handle as it straightened out at the top before sloping down off at the bottom with a light tortilla tannish brown lower half round circular shaped cap as the pommel, followed by two stacked horizontal discs that were both a peanut brown color which transitioned into the closely wrapped horizontally aligned strips of bandages for the leathery handle; all of them being a mocha to coffee and carob brown color, the middle had two that were in a peanut to tortilla tannish brown color before going back to the former all the way up to the first disc of the crossguard. The first three discs were all in an light beech to wheat and honey tannish gold color, with the next two forming into the darker chocolate to syrup and a brunette to russet brown color; on top of that was an thick to slim at least light beech to wheat and honey tannish golden colored disc, alternating between one at the bottom for the middle and back to this one for the top as it looked the secondary disc was a inward facing ridge in between the two. The broadsword blade went straight up and looked like it was curving a little offward towards the right before fully doing so horizontally, tipping off with three triangular shaped barbed teeth at all three sides from the left to middle and to the right; with the same dual-sided upwards slanting edge line in the center that followed to the middle of the tip, which should be taken to account that the tip was in a tortilla to peanut and sepia to caramel brown color since the rest of the blade was a dirtied silver color having brownish aged stains that didn't affect the weapons or any of the other ones at all. There are four ghastly and wailing faces that was on the start of the blade, the second laying atop of the third one's left side to which the third one was vertically situated and the last one happened to be slanted offward near the curving tip; the largest ghastly wailing face of them all, none of the eyes had pupils and none of the mouths had either a tongue or teeth but each of them had crow to soot and leather brownish black shadowed eyes to mouths that wailed out of an unimaginable agony. Finally, Mainyu is a old Persian word translating to spirit as it carried on two connotations: Angra Mainyu as the fiendish spirit in reference to Ahriman and Spenta Mainyu who is the holy spirit referring to the personification of life, goodness and thus is worshipped as the god of light who was later associated with Ormazd himself

Rustam is a khopesh sword that had a dark shadow to iron and charcoal grey colored cap from the bottom of the chocolate to syrup and brunette brown leather strip cylindrical bar shaped handle, which in return had a jam to garnet and mahogany red undertone that mixed in with that brownish color all in the same; the crossguard went offward to either side before both of the tips sloped downward into rounded drooping shapes, outlined with a border on the sides of the front to the back as the horizontal oval at both the front to back sides featured what is the atar cauldron in the middle which is very important to the fire temples of Zoroastrianism as a religion. Before the blade there were two small horizontal tortilla to peanut tannish and brown colored discs as it then went straight up for a little bit, going out to the left shortly and then slightly curving inwards along the way to the very top where it formed a slanting tip that sharply barbed out before going back down the way it came this time on the right side; along the two edges of the there was a dark brown outline with the rest of the blade coming in full force with a chocolate to tawny and syrup to gingerbread with a caramel brown color that had shined greatly with a bronze overtone, and a silvery color that gave the lightest to the middle of the sword. Finally, Rustam is one of the most famous heroes in the Epic of the Kings called Shahnameh by Firdaus who was a poet of Persia

Rashnu had a long and broadly sharpened barbed tip blade for a sword like this that happens to have a Persian script running along both sides of the Executioner soldier's weapon, as per the evermore usual the bottom begins with a one-sided trapezoid shaped pommel which had edged over to the right side where the knuckles would be facing; nearly resembling the head of a Persian false horned viper that lacked the namesake horns of the actual snake. With the handle it was as tightly wrapped in leather as it was with horizontally ribbed lines protruding out to grip with the hand that wieds it, the crossguard was a rectangular bar that went across horizontally along with upward slanting scalene triangular shaped barbs; forming an oval like disc atop of that even as it guarded the hand well enough to keep the original shape, the two barbs on the sides even fitted into the gripping hand that went around. The start of the broad and large razor sharp barber's blade that was in a rectangular shape for slitting throats had the lower faces sport a trapezoid shaped plating, which then had two lines which slanted upward on both sides; going up inwards a little which then curved downward on the upper outwards sides and back down to the lower upward slanted line, forming a horn shaped outline to both the left and right sides. The front and back faces had a rectangular stripe that was darker than the rest of the barbed sword, even as it sported a dual slanted triangular ridge running up to the curving tip; Farsi language ran up the darker colored stripe as the top had a diagonal tilted circular scooped cut which in between the open gap, on the other side was an teardrop shape that was about to impact the stripe hence the gap in the first place. The right side of the seax based blade had a small upwards facing circular cut and the left side of the sword happens to have the main presentation, the inverted scalene triangular shaped spike at the top where it acted as the stabbing barb to not only pierce armor but also to take the rider off horseback so they have the advantage over them; it of course went straight but it also curved just a little so it could hook onto the warrior and strip them off horseback. As it was mentioned before this was based off the earl seax with a broad head and a sugarcane machete with an hooking back edge that barbed outward. Finally, Rashnu is one of the three judges who presided over the legal disputes of Persians and in return is the personification of oaths and ordeals that are administered in trials alike; often inseparable from the exalted figures consisting of the two alongside Sraosha at the Chinvat Bridge where all souls must cross over, and was otherwise known as the Bridge of Separation (A/N: This was from concept art depicting a Executioner wielding this sword and holding a severed head, not to mention a serrated Uruk-hai like sword was seen when the Prince's ship was attacked but not in game so I added this one here as a bonus; but the sword count stays at eighteen and same goes for the Hvar sword that's next)

Hvar was a cutlass wielded by the Raiders of Persia as the pommel was a lower outer facing sloping trapezoid shape which curved downwards, forming a horizontal stripe around in the middle that had a engraved pattern on the rim; the handle matched the bottom shape but is still straight as there was nothing to be said about the horizontally ribbed cylindrical bar, the lower section had a inverted scalene triangle which had both forward facing tips that met up at the back of the handle. The D-letter shaped guard formed a half heart shape which nearly beaked downward at the top, surrounded by single line borders that went all around as the inner line sloped down and ended with a slight inward curving tip; the rest of the guard had an faded horizontally ribbed pattern that went underneath. The blade might've been thin for stabbing but it was still thick enough to slash like an actual sword, it was straight but near the tip curved up and forward a little into a hook like shape; all with a dual sided triangular center that also went towards the hook like tip of the cutlass. Finally, Hvar is the full name of Hvar Ksata who is the god of the full sun in Persia

Spenta featured a grizzle to fountain stone grey colored slim disc which was laid underneath a medium sized one and in return had been laid under the larger one on top, with a black bar acting as the handle that featured darker grey X-letter shaped crossing lines that from the top to the bottom; however it looked very faint to the eyes as the top featured a thin border that was followed up by two parallel grease black colored stripes that were situated next to each other from the top to the bottom, having another thin stripe at the top of the upper cylinder cap. The handle even had some sort of faint and rust based mahogany red tone and as for the crossguard itself it was a inverted rounded edged trapezoid shaped cap that stood atop which was slim, in a crow to soot and coal black which then transitioned into a dull silver rounded to regular trapezoid shaped ring that had a darker soot to metal black filling to the dual rib lines that went around; featuring a silver lined engraved pattern consisting of two forwards facing circular discs that went diagonal up towards the infinity like symbol in the middle against as the former was situated up against the circular shape, the latter was like a overarching tear-drop shape that went over to the right with a single line before forming the shape and with the center curving into a circular ring before stopping at the upper right diagonal point. The blade was a thick rectangular shape that curved diagonally overhead towards the right side before stopping with a outward triangular barb, curving in and out with a shorter one from the bottom as it continued sharply downwards that formed a upper quarter half spherical-shaped cut that went straight down for the final one; which was a inverted triangular barb facing down like from at the top and the rest of the right side went straight down back into the crossguard. Both sides of the blade's face featured three wavy streaks that went up from the start as one branched off to form the third wisp and two at the back that soon faded into the middle, having slosh of dirtied soot to metal black at the darkest but flax to lemon and a banana with trombone golden color that mixed in with the ice slush like color; the top has a faded ghoul like creature with the upperbody intact as the armpits were ribbed like fillet cut fish, the top to the lower right featured a curving dark colored snail shell like shape that were formed from a nine to a mirrored six number with the middle forming a skull without a set of teeth that had round eyes to a triangular nasal hole in the center, at the top was looked like a small helmet that featured a curving wavy outlined streak that went in and out before curling into the bottom. The blade also had a triangular edge that appeared near the left side where it then followed the line of the curving blade that faced the upper half of the barbed tip, all in all this was a rather large sword but nothing that can't be wielded even by runts. Finally, Spenta is the holy spirit

Srosh started out with a kite shield shaped and charcoal to grease greyish black color pommel on the bottom with a spiral in the center of both sides, but that was just the start of the slight curving handle which was striped with a pattern: a dark chocolate to brunette brown colored stripe that went around the top with a thin striped border underneath which is considered as the top and to the bottom having a shining dark khaki to camel and sand to nude tan color, as the larger stripe in the center was also a camel tan color all outlined in black on the top to the bottom; with the third stripe being a larger version of the second one that was seen before as well as mentioned, the furthermost top to the bottom were a fountain stone to anew grey. A handle like sloped off down to the right before curving straight into a cylindrical handle that's shaped like a inverted conical horn of the liking, the crossguard was a burnt to spice orangish bronze color that had a goldenrod to fire colored shine mixed in with a clay brown color; with the bottom tail sloping down a little before going up at the end as the top started out curving overhead where it then went forward to the left, sloping down slightly before curving back to the upper side from the right. The front was a large vertical rectangular shape rainguard as it's like a short graspable handle of the like with the right side curving upwards at the tail, on the left there was a circular shape that was near the top with a larger one diagonally downwards towards the right a little but still below; and having most of the left side protrude out a little. The olive tone dirtied silver blade went up before curving outwards a little as it then curved forward into a short crescent tip, going back down as it thickened out in the center and back down to the start that slimmed out a little; a inward and inverted triangular shaped fuller had curved along the blade in the middle from start to finish at the tip as the right side featured a chocolate to carob and hickory to tortilla as well as a peanut tannish brown color, lighting out with the light blonde yellow and sporting a lime to olive green overtone to the silvery shine. The right side was also aligned with a slanted sided to overhead curving triangular pattern as it too was outlined from above, featuring a vitruvian wave seen on Greek vases but it had an single dot in between each of them; as there are two waves in between each one that went along the right side of the blade. Finally, Srosh is the messenger of the gods as is Hermes is to the Olympians of Greece

Tasan started out with a striped handle that featured a conical shaped mouse grey color of a pommel which then had a hazelnut tannish to dijon yellow colored cylindrical shaped cap in between, the lowest section being a lower half shaped oval cap which then alternated into a small cylindrical cap at the top before forming a larger grey cylinder; with the longest yellow one in the middle as it's top edge appeared to slightly go offward to the left side where all of it continued with the large grey cylindrical stripe that went across, before forming a small strip that went around which was yellow and tipping it off with a grey rounded edged and inverted trapezoid shaped disc that went around. The crossguard was a wide trapezoid plate that went across being slightly thicker than the thin one that was laid atop of it which is evenly edged to either side, having a horizontal slit to mark the separation point as the blade on the left went to slope upwards as it curved a little bit in and went out a little back up as it formed the tip of the like; the right side of the blade formed whatever came up at the left that went down back to the crossguard. The blade's been dual edged all the way up to the tip having that upwards facing triangular slant that curved along the shape of the sword, and again in the center that featured not only a outlined border on the sides but also a small rounded triangle from the start; forming a series of floral engravings that resembled that on the Eagle Sword. Coming with a dark silvery edge to charcoal grey colored engravings that gave this sword a separate identity from the one whose floral patterns were found on. Finally, Tasan is the shortened name of Geus-tasan who is the creator of cattle, later on associated with Ahura Mazda; referring to the translation of fashioner of cattle

Vanant gets off the ground with a dark charcoal to cod grey bandage wrapped vertical bar of a handle, the crossguard happened to be a horizontal diamond shape that consists of a cylinder going across and tipped off with a conical triangular shape that was dual edged on the top and to the bottom in order to give it that diamond shape; all with a light fawn to dunes tan as well with a cappuccino white to natural wicker and dunmore cream color, but this color went on to continue up the middle of the large blade which will be explained here. The blade formed an stout inverted trapezoid shape that started by slanting up to the sides as they both formed an dual sided edged triangular shape that barbed outwards, having one slanted edge on top and one on the bottom before the blade continued up into a wide rectangular cleaving sword that had a lighter edge comb to ashen tan color for the outer edges; with the actual blade being in a revere pewter grey color having the aforementioned color mixed in with the silver shining, the tips sloped up and a little off to the sides. At the start of the center two upper half square forming lines formed the legs to the middle which had a line in between too but that's not an manhood, the body continued up to a rectangular shape that had the upper body form from a inverted trapezoid as the arms were both at the upper tips; the arms of which both happened to be forward facing L-letter shapes that reached the top of the inverted vertical trapezoid of a head that's wide at the top but narrow at the bottom, rounded edged this time around. The center of the face started at the bottom with a vertical hexagon that went up at the top and it formed a lone rectangular line, the near top featured a inverted triangular shape that had the sides curve overhead on both sides to form a oval shaped cut as they then barbed diagonally down off to the sides and slanted back up; the top having an slight underarm curve that went across the flattop side of the rectangular blade. Finally, Vanant is the guardian star of the West who fights for Ormazd to conquer all who stand with evil

Yasht had the second half of the handle on the bottom slant over towards the right side while the first half went straight from the upper top of the one below it, a inverted trapezoid starts out capping the top of the handle altogether as it featured a mocha to carob and syrup brown color that was coated with an army olive green overtone; having a striped pattern that consist of alternating light to dark stripes as the former created two overlaid borders going around as the latter made up the rectangular cylindrical shaped bars that went around in between each one. The crossguard was a straight line that beaked downwards a little with a short tail on the left and sloped upwards a little with a short tail on the right side respectively, even having an thin strip above that remained in place without them going down on the left or going up from the right; the blade at the start was thickened out as the right side went up straight before it's top side of the four serrated teeth curved a little inward and sloped overhead a little towards the left, forming a protruding side as it went overhead to the right side and formed the tip as the rest of the right went down to curve outwards a little and back down to the start. The four serrations had the first start out with a triangular tip which had a diamond shaped bottom, in the next one above was also a triangular tip but the bottom appeared to slant off to the left; the third started to curve to the left like a teardrop and the fourth one above is the same but formed a backwards facing fang shape, each of the teeth were outlined with a reflected ash to stone and thunder to hippopotamus grey color that gave it not only an oxidized blush red color but also a light coral red overtone to the blade. In between the lower tips of the teeth were outlined triangular shapes as the third one resembled a upper quarter half shape facing the right and the fourth one resembled a left side tilting inverted triangular shape, and from the middle of the starting point there was a large triangular shape on the face which was built inwards a little to give it that inner border ridge on both the inner slanted left to right side as expected; the triangle was engraved with a series of small damascus patterns that are raised to feel satisfying against the hand and scrapes with another blade that strikes against it. The blade's not only having a silvery shine but also sports an dirtied abalone to ash and a charcoal grey color, as the first two had a pale salmon to fire brick red rust overtone to the silver itself; lightest at the middle and darkest at the sword tip as the triangular tip happened to have was a center line that curved along the blade, slanting downward at the right side's edge having a secondary line that accompanied the one next to it and following it parallel style where that line never touched the other one at all. Another thing to mention is the oxidized mahogany to sangria and vermillion to fire brick red overtone to the pale salmon to fire brick red rust as if to compliment the appearance of the sword's blade entirely. Finally, Yasht is the song of praise for the ancient gods of Persia with all meaning referring to hymn

Zarich was the final sword seen as the pommel was in the shape of a inverted rounded edged trapezoid that was large, the top edge being a smaller rounded trapezoid that formed an type of diamond to spinning top shape but without the tip on the center of the bottom; as there is a rectangular strip that went across all around with a vine like pattern that was in a black color to be exact. The bar shaped handle in the middle had dual rounded edged borders from atop of the cylindrical shape on the bottom, forming a smaller one in between as it featured dual-rounded edged lines going diagonally as that also looked like it had no pattern and a scratch-line slashed across diagonally from the lower right up to the upper left side; the border from the top was a line of circles that went around and above that one happened to be an thin line with two upward facing slanted bars that formed a X-letter shape in the middle, on both from the front and the back sides as the center happened to have a stripe featuring an left slanting bar pattern that went around. All of the handle was in a dark wood to carob and a mocha over to a brunette as well as a chocolate brown color, the scratched lining had a peanut tannish to brown color along with the rest of the details like the center stripe being a coffee to caramel shaded brown; the crossguard happened to be a large rounded trapezoid shaped top which is where it had a juniper to seaweed and crocodile olive green overtone color, the pattern was a spider looking beast that had the first arm curl inwards to the bottom as the next one went outwards, the third to fourth arms went in a pair as both tips not only went upward over the upper left but also curved both down and up, the fifth arm arched overhead to the upper left, the sixth arm as with the seventh and eighth curved over to the upper left side which all have been evenly spaced with each other, wavy as if they're threads to a beard. The start featured a line of diagonally downward sloping wave like lines that went to the lower right side, which is where the blade above happened to slant downwards into a triangular shaped barb; with it curving up and outwards a little on the left as it continued up to go over the top and beak into a hook shaped tip on the lower right, where it then went back down to complete the shape of the sword. It essentially looked like a hooked cleaver blade as the steel blue to silvery shine returned, this time having a tidal wave like design that formed the gleam on the bottom to an oxidized splash of water and stains from the ocean; that's all there is to explain the details for as that's what it looked like but nothing too complicated, it was hard to describe though that's for sure. The right side of the blade slanted in and upwards all the way to the hooked tip with the ocean wave splashes outlined in a pearl white color, and it did have distorted bubbles on the surface that boiled as well as broke when it reached the surface itself. Finally, Zarich is a female archdemon and one of the Daevas, the personification of age

(~IO-{II[III=HTTYD=III]II}-OI~)

Fourteen Axes

Ahura sported a ivory white cylindrical handle which was the lower half while the middle had been bordered off using a rattan tan colored ring grill that had small rectangular slits all round as in between the top to bottom ones, there was a regular length onyx black cylinder going at the top of the upper small sized rectangular slit grill that went around and at the top; there is a white roan antelope that had an sand to beige tan overtone on the bottom along with at the start of the straight, diagonally facing and horizontally ribbed horns rainstorm grey color. The axe blades formed a V-letter shape which were attached together at the start which could be seen at the short horizontal line, the blades were dual edged on the front to back sides for as they slanted upward to the middle on both sides as they resembled more to an dual-headed sword than an axe; the two heads went up and outwards diagonally as both sides waved from the left to the right little by little until both tips that thinned out went off to the left and over to the right sides respectively, having an trombone gold and parmesan as well as shortbread creamish tan that became a thunder grey color for the silvery shining blades. Finally, Ahura is the Persian word for Lord whenever referring to Ahura Mazda; the supreme divinity for as the prophet Zarathustra preached one but the old pagan notions to divinities crept on back when his death was heard, relegating the old gods into spirits to essences as well as demons which is meant to tell in between the good Ahuras and the evil Daevas

Ormazd featured a inverted teardrop shaped pommel that pointed downwards as the top had a rounded tip above as underneath the center stripe, there were two small dual stripes which went around in an ash and thunder to stone grey color above the tip followed by a charcoal to soot brownish black colored stripe; which then had an singular one on top along with a upper half conical disc shape to cap it off as it was followed by two more dual stripes on the top and the bottom with a cylinder in between, the pattern can be explained starting right now. A trio of diagonally upward facing lines were found on the bottom going to the right pointed side of the horizontal diamond that was outlined in a dark silvery white color, the middle strip went around on top and the top itself on the otherhand had a parallel upwards line that went up as well as diagonally over to the left side; with two horizontal lines behind it on the right, a pair of dual stripes tipped off the cylinder in the end. Amidst the mocha to cedar and wood brown handle that had the lower section of the axe form a inverted rounded edged trapezoid cuff in which it had a thick rectangular ringed stripe on top, leading to an cylindrical shaped bar that was for the hand to grip as the top had a thin stripe and a medium sized one atop of that; with a smaller cylindrical shape that went one third up to leave a wide gap in between the head's tip as it was in a darker color than the iron handle, also with a medium sized stripe laid above as the entire cylindrical shape was slightly slimmer than the one below it. At last from the top there was the second half of the mocha to cedar and wood brown section which had it's own cylindrical shape with a small stripe bordering the bottom, sporting a seamless ornate design that felt raised against the fingers when rubbing it as the top featured a darker colored stripe on the bottom of the rounded tip that had a short conical spike at the highest point; to which had a lighter tannish colored stripe on the bottom of the highest point and a conical spike on the back of the head, acting as the pike to the axe which also had a stripe going around from the front where it came out for a short bit. The starting of the axehead was a outwards facing vertical trapezoid that was wide at the front and narrow at the back, with the sides diagonally up and outward before slanting a little up and inwards which then formed into a speartip like axehead at the farthest most; the front and the back of the axehead happened to have a dark upper diamond shaped half which was outlined in black, having a thin silver strip in between and at the front happened to have a thick stripe that went out forwards before narrowing out into a triangular tip in the center of the axehead itself. To be put into specific details the back of the axehead's face was darker while the front was made of the lighter shade which had a dirtied look made of the same colors that were mentioned at the start. Finally, Ormazd is the exalted Zoroastrian divinity as the one creator who is God

Airyaman had the axehead shaped like a horizontal hourglass as the middle was a rectangular shape to which the opposing sides then went out with what looked like fan shaped trapezoid tips that was at their widest from both the top to the bottom, curving underhand from on the top and overarching on the bottom slightly as both the left to right sides slanted inward from both of the front to the back of the faces; the shaded colors for the silvery blade happened to be a hippopotamus and ash grey color. Going from one side across to the other was an fanned tip that also curved underarm and arched overhead from both the top to bottom sides on the cutting edges of the axe, a thick horizontal rectangular bar went across to the right as both of the two sides had a studded bolt next to a thin vertical strip that went up which had a pair of two rounded edged studded bolts on the top and bottom next to the thick strip; on the other side of that section was a inward circular cut on both the top and bottom sides before it went straight again, and repeated all of this to the right side of the axehead's cutting edge blade. In the vertical lines with studded bolts there was an even amount of space in between each one on the top and the bottom for both sides, the middle had a vertical rectangular strip going up as the bottom had a lower oval half that pointed up at the top as the center was studded with a singular bolt in the middle; above that was a upper half figure eight shape that had an larger studded bolt in the middle too and at the lower side of the center of the vertical strip was an rounded circular edge that had scalene triangular shapes on the lower to upper edges, there's two studded studs as one was found on the left and the right side as well as the bottom had a studded stud too with one in the middle above that one too. The top from above that middle stud met up to the middle and beaked upwards to the highest studded bolt which was laid on top of the rectangular strip that happened to have a tilted square diamond shaped tip, which appeared to be rounded edged and the rest of the cylindrical rectangular shaped base which held the two sides of the axehead was covered in the same iron alloy as it topped off with a flattop cap which had that golden parmesan to biscotti tan color shine for all the plating that was mentioned on this axe, while the bolted studs were a darker color than the iron color of which was used for the blades including the base of the axehead itself as underneath all that was a line of three studded bolts around the lower edge as there was a equal amount of the thin strips that went from the top line; having a link of rectangular gaps created by the wood handle that was a syrup to gingerbread and brunette brown color, the bottom tips happened to have small circular shapes as in between each of them with three in the front and the back as well as a thin line slashing through horizontally through the circular shaped tips. As it was mentioned before the handle was a cylindrical shaped bar that was evenly spaced between the axehead and the pommel, there was a cross on the bottom which was a middle studded bolt in the center of the front and the back as the lower edges of the bottom strip had circular inward scoop cuts; three studded bolts on either side of the left and right with the crosses on the front to back having rectangular sides as well as a flat triangular house roof shaped tip on the top, with the starting of the pommel having a identical thin border with the top bordering rim being in a inverted triangular line that had triangular shaped gaps in between; bottom to each one had a studded bolt in the center and going across the upper edge of them with two on the front as well as on the back, there was a thin line that went around nearly grazing the duo on the pommel. Finally, Airyaman is the concept of friendship and healing personified as a god in Persia

Allatum didn't have a pommel at the bottom but rather, the handle consisted of a link which were connected together to form the entirety of it as the top and the bottom had a pair that were made up of light colored sahara beige yellow to duck season gold rounded edged discs stacked atop of another; the middle however had one compared to the other two sides that were mentioned of course. The rectangular linked sections that made up the handle had an maroon and barn red color which on the front to the back sides there was a ice cube silver to owl grey colored series of six circles vertically going upwards, branching off the two sides of the left to the right with barbed lightning like strikes as in between the circular shapes there were vertical lines that connected them together all the way over to the top; the axehead of all pieces came in a chocolate to mocha and coffee brown shining golden color, shaped like it was a fleur-de-lis. The base of the axehead was a circular shape with the edge outlined under a overhead facing snake with the head showing only the small black eyes on the left, and the tail on the right with both sides curving upwards to the halfway point as there also appeared to be a woman in the center; breasts exposed but smoothed out as her arm slanted down to the left and continued up into a open palm while the right side slanted down but had didn't show a hand, instead it disappeared into the body of the snake that slithered the lower side of the head. The head of the woman appeared to be wearing a conical norman styled helmet and her face was skull like, the top spike above that beaked upwards had dual ribbed borders and the front to the back also appeared to have a trio of black outlined oval shapes; center of each one from the top to the bottom had a smaller one in the middle outlined by the golden bronze colored rings which looked a little thicker than the thin black outlined borders. With a downwards sloping spike that curved on the right acting as the pike on the back and a upper-half curving blade that then sloped downwards over to the left acting as the main blade, the left side looked like a horn as both sides of the blade featured an thin bordering line around the dual sided slanting edge in the center; following the shape of the blade all the way over to the tip, as the top of the axe also appeared to be a rounded edged speartip for stabbing if the offending enemy got to close to swing or stab with the pike on the back. Finally, Allatum is an ancient Persian goddess apart of the old Mesopotamian pantheon religions like Ellat which is most likely the source of the Arabic Allat; and the goddess of the Underworld

Apam had it's rectangular and scalene triangular leather wrapped handle go halfway upward on the shaft, the color of the leather was a carob to wood and syrup to umber and cedar brown to which the coiling leather around the handle was reflective; the rest of the shaft and the head of the axe itself was all iron with a dirtied umber to taupe and sepia to copper brown color while the cutting edge of the axehead was lined in silver, the top was even capped off with a rounded tip. The back pike of the axe as with the rest of the axehead itself including the blade happens to have a horizontal dual triangular edged side that went across, exactly like what could be seen on a sword that had no fuller which were common; the start of the pike in the back had an pair of upward slanted bars that formed a triangular shape with a curved edged triangular hole that was found in the middle too, in front of that was a forward scalene triangle facing forwards to the inner wall as was the dual sided scalene triangular tip that was at the end of the back pike at last. The front blade was as described in the shape of a outward facing crescent whose top and bottom curved in and backwards, both sides of the left and the right that were also on the top as well as the bottom respectively had diagonally went forward to form horizontal rectangular shapes; with a upward and downward slanted line as the center went forward like the fingers of a tree frog. As for the head that was in between both gaps of the arms, it was a stout and round teardrop shape with a horizontal overarching crescent gap on both the top and the bottom as a small circular pupil was in the middle; bordering both sides of the eye in of itself entirely. The front of the axe's blade there was an overarching line that curved up and back down into what is a half circle, sloping up and beaking down into a short vertical line, forming two more circular shapes on the right side that were raised up into moon like craters on the surface. Going down the two arms and sloping back into the horizontal bar that went out forward to form the blade were upward curving horizontal rounded holes, the left and right side tips curving up and down respectively from the top and the bottom. The two sides on both the top and bottom also had a rounded triangular shaped hole as the protruding sides of the head in the middle provided an little bump on the center sides, though the sloping sides at the front went a little more forward than the ones in the back as they merely stayed there; with a inverted rounded triangular tip on the bottom to both sides. Finally, Apam refers to the name of Apam-natat who is the god found in the water who gave not only that but life to the people, the son to the Ocean of Life which is personified as a god called Voura-kasa who also has military connotations; including putting down rebellions, widely known as the rebellion crusher

Apaosa was a horizontal crescent blade shaped axe which was in a light fossil to seal and trout grey color with some rough scratched shortbread tan reflections on the left side, keeping that silver shining cutting edge as the head on both sides curved down straightly; slanting a little bit up inwards to the barbed point which then formed a circular scooped cut on both sides, going down to the thin line bordered stripe atop of the outward facing dual triangular upper to lower horizontal lined border that was common to see on sword blades without fullers. The front and on the top of the axehead was a topless woman whose eyes were closed, hair whose bulk was a rounded triangular shape that went went downwards on both sides; threads of her hair going downwards diagonally on both the left and the right where the former had three circles which started next to the cheek and down to her bicep, and the same thing for the latter as the hair's threads were made of ribbed lines. Underneath the lowest third circle below the third thread of hair to the woman on both sides was a line that sloped downward towards near to the cutting edge, before whipping back up diagonally into a shorter line which appeared to go back inward when viewed vertically; underneath the starting of the line were two crater holes that went up inward to the sides and a third one on the opposite side, the craters looked smeared on the left and dotted on the right side. What the woman on the axe stood over was a lower half circular shape that was outlined with a stripe which then formed a trapezoid shape slanting down from both sides, there were three squares that are also outlined with borders and seemed to have a knotwork window design on all three squares; the bottom stripe was thin as was the dual stripe underneath the thick outward facing horizontally triangular centered knob edge in between. At the bottom was also a larger rectangular shape that was rounded edged on the bottom, as after all of that there was in fact a thick rectangular shaped leather wrapped handle that happened to be diagonally coiled upward towards the top in a mocha to coffee as well as an peanut and a tawny to tortilla stained brown as one of those darkest to lightest deals; the handle underneath was also a dark hickory to chocolate and wood brown color. There was a thin stripe atop of the pommel which was a horizontal rectangular shaped cap and on the farthest bottom was a thin bar circular shaped ring, as if it were for the wielder to hook on their backs when standing by to be used next time. Finally, Apaosa is a demon who brings drought and aridity

Bahram was the axe that had a handle made up of six vertically ribbed columns that were a juniper to seaweed as well as a rangitoto and gordons olive green color which then had six rectangular shaped bordered rings going around from the bottom to the top, as the top had receded inwards to a flat rim with a thinner stripe underneath that one too; and above was a thin golden rectangular shaped rim that went around, it's a little bigger than the thin stripe below but not too big to cuff the shaft of the axe. That on the otherhand was a long cylinder of a handle as the harbor and seal grey colored circular, wavy damascus steel pattern which had covered the entire axehead in of itself. There was then a short golden cylindrical shaped cuff with a thin rim for the second layer outlined in black and a third rectangular striped ring, leaving a small cylindrical amount of space for the damascus gap atop of that too; another of that golden striped ring going around and a short vertical cylinder above and with two more thin discs followed by a third short ring one last time, shaped like an inverted trapezoid this time around. The back of the axe had the top go overhead and slant downwards to the right side and form a thick lower half circular shaped tip on the bottom, the middle forming a little rounded bump and the connecting bridge to the left side of the bottom shape being thin too; all made of damascus. The front of the axehead had a rectangular connecting bridge that was in between the two golden rims on the top and on the bottom sides, including another one at the bottom of the final three golden stacked rims which had a slight inward slope from at the top and the bottom sides of the bridge. There was a near circular ring shaped gap from in the middle of the axehead which then curved forward into a fang shape forward, going back up to form a slim J-letter shape that barbed outward on the bottom and went straight at the top; as the cutting edge was a silver shining color and the damascus on both the top and the bottom sides had ribbed lines as well as a spiral on the latter, with a downwards curving lower half circular shape on the top with a circle facing at the forefront of the right side which acted as the pupil to the eye. The inner curving circular holed gap had a thin bordered edge which is a light bronze color when held up in the daylight. There also seemed to be a horizontal bridge going across the center of the back to the near top of the axehead, with the bottom curving down and straight to the shaft with a inner left side bar curving out for a short bit; going down before forming a rounded scalene triangular shape to the bottom of the axehead, however it is due to the dark lighting that makes this difficult to see this. Finally, Bahram refers to the ancient religions of Persia and is identified with the god of planets and aggressive triumph

Drvaspa was no different either as the axe was all in a shadow to a iron and thunder to ash grey as well as a grizzle to fountain stone grey color, the bottom tip was rounded and the handle was looking like it's curving slightly to the left side but it wasn't all that noticeable; the halfway section of the shaft however was there were three tall cylindrical and uprights to the right curving links of which the highest point they reach can be seen on the back of the axe. The upper shaft of those three curving rose petal like segments still straightened out, but the colors became darker along with an added black stripe that started to twist upwards into a coiling cloud of smoke; nudging to the right and to the left side before curving up to face forward into a solid cloud that was thinning out into a sharp point. The axe's blade was in fact a scythe that went forwards to the left side as the front and the back faces looked like it was a rounded crater in the shape of the silvery blade, the scythe blade's edges slanted downward all the way to the pointed tip as the darker shadings were a more browner color than the grey iron handle and shaft alike. Finally, Drvaspa is the goddess that protects cattle to children and friendship as a whole

Ereta was a rather pretty silver axe to look at just in case werewolves lurk in the shadows as mythology says that if one were to touch a rock that was from the moon, it would be fatal just like the crowing of a rooster is fatal to the basilisk feared by all in Europe. The bottom where the pommel came from had a conical triangular tipped shape, and on top of that happened to be a rounded trapezoid shape that went all around which was all vertically ribbed from top to bottom; the ridges in between were a onyx black while the former on the other hand was in a rhino silver color. There was a thin ringed stripe around the top where the pommel ended, as the vertically ribbed pattern continued where it stopped just underneath the halfway section and at that point it was all in a smooth and light smoke to pearl river silver; as atop the handle there was a smooth stripe underneath the dual top to bottom rounded trapezoid shaped disc for the handle stopper. Above that was a thin ringed stripe that had a line of black dots going around the lower edge, with a short cylindrical shaped gap and on top of that one happens to be a line of vertical ribbed lines which went all around; a darker grizzle and railing grey stripe went around above along with a second ring in the middle that's a little more thicker, but it's no bigger than the one below since it was slightly thinner too and the third ring above is also thin as well. The starting of the axehead had a right half octagonal shape which was vertically straight on the right, slanted on the lower side and horizontally across the bottom; where it's slanted overhead to the left just a little bit across and went downwards completely over onto the left side, where it then formed the silvery shining cutting edge of the blade and a scalene triangular upward facing barb that then went down and back to the base which then slanted a little bit up and went back to being horizontally straight afterwards. The top spike was a small rounded edged trapezoid shaped disc, that had a upwards conical inverted trapezoid shape to which was a shadow to charcoal grey color and it was the same as the pommel since the top is a upper facing conical spike; this time it had a stripe around the bottom edge along in having a row of upper half circular shapes that went all around in a pattern of sorts like all of them in that part are windows of the colosseum, followed by a ringed stripe on top. The tip had a row of short vertically ribbed lines that went around just underneath the silver conical spiked cap. Both sides of the axehead's faces of the front and the back featured a wildcat like beast as it's tail sloped downward before curving up where it then had the tip curl inward, the left leg had seemed to gone outward towards the face while the right leg went in front of a dark circle; it had it's sleek body go overhead to the front as it's left claw extended out greatly into a upper and backwards leaning five clawed fingers, the head resembled that of a lioness due to a lack of mane seen on the males. In front of the beast were five ribbed circular lines acting like it's the soundwave of the lioness' roar as the right claw also extended outward on the upper left side this time, with a ribbed line of three going down from the wrist and curling into an dual-line ribbed inward curl also with five clawed fingers; the bottom seemed to go down with the third curving up, the second having the claw slanting back inwards and the first arching out to the front with the thumb pointing towards the uppermost tip of the axehead. All of this was in a magnolia home and fountain stone grey color with the silvery shining color prevailing to the end. Do not mistake this axe for Eret, Son of Eret as the two names sounding similar with each other is coincidental to the slightest edge. Finally, Ereta comes from Astvat-ereta who is the one known as he who embodies righteousness; the savior of the world to the Saoshyant and the Messiah

Mahrianag went for the spear look like how the Orzmad went for the war pick look, and a war pick is an actual weapon just to be clear on that. The handle was made of cylindrical links that were both a trout to abalone grey color as each one had a thin edge going around the top and the bottom sides, from the lowest cap to the uppermost cap which had the axe blade itself; a shadow and pebble grey color that went in between them, the uppermost cap being the kind of cylindrical shape that curved up and outward into a inverted and rounded trapezoid shape disc that went all around. The blade on both bottom edges slanted upwards a little before it's sides had then curved up going inwards slightly as it continued straight towards the tip, there was a dual sided edged stripe on both sides which then curved up into a pointed triangular of a tip; both the outer and inner borders were smooth as the stripe mentioned before happens to be a thin inward striped border which was rounded top in the center in between the black-edged walls. The two faces depicted a entanglement of smooth ornate vines that curled and curved all about as near the right edge there was a reptilian head looking straight downward, curving over and up to the left with a limb forming an reversed L-letter shape and back to the right a little bit with the tail curving down to the right side; the top of the face was an pointed spade outline that sharply shot up to the center tip, in the center there was even an outlined arrow shape that had the triangular tip curving up and offward on the bottom sides ending in both lower sides pointing off to the sides. The shining silvery axe blade kept all that coffee to peanut brown shining tint, while the bandages that were wrapped at the bottom having what was a light espresso to cedar brown color; the bottom formed a X-letter shape with the third one going across horizontally as the next two had one that slanted up to the right and having the last one go horizontal again though it looked like it was slightly slanted just a little down but that's hard to tell and notice, the gaps on the peanut brown colored ornate vines were an coffee brown color while the bandages were thin in size though the two wrapped ones that's on the lowest side on top of the uppermost cylindrical shaped cap were thicker in size. Even then, again this wasn't the only axe that had a spear look. Finally, Mahrianag is the partner to Mahre as the two represent the Adam and Eve of Persia

Natat had a slim lower half circular shaped cap on the bottom of the pommel which happens to be a thick large studded ring with three on the front and three on the back side all around, having a thin stripe going around on the top to the bottom as the center had two stripes that slanted downwards to the right side. The handle had a triangular shaped outline at the start in the middle with both tips forming a spiraling pattern circle on both sides, with a line that curved underhand above as the rest of the space was studded; the left and the right sides as such had four thin rectangular stripes form a large circular shape that left space on the top to the bottom sides, both of them were studded while the center the two circles were smooth. At the top was a pair of two stripes leaving a rectangular shaped gap with another pair of two stripes above that, as the color of the handle was a light cinnamon to syrup and a gingerbread to penny brown color altogether. The shaft of the axe was a stone to mink and hippopotamus grey color as it was not only studded but it was also given a slight golden tint for whenever an light had been shined onto it, at the top it started to form a inverted vertical trapezoid shape that was rounded edged as both the front to the back sides had a smooth rectangular face of which had a small studded bolt at the bottom; the top had three small studs with one from at the top and two on the sides below it as highest point of the head had a disc laid atop, with a smaller above that and a conical triangular shaped spike acting as the tip of the head. From at the back of the axe head it was a rectangular shape which curved up and forward as it too was overlaid with a lighter grey colored plating, curving into a blunt rounded tip at the back as the trio of studs faced the dual sided pike that slanted both up and downward; while the back of the plating slanted down and ended with a rounded triangular shaped tip in the middle that pointed out a little bit. The front of the axe head had the same features as the back pike and the shape of which was a downwards facing fang to battle broad shape that had a pointed tip at the bottom, with the cutting edge slanting down and studded with eight bolts at the front with three more at the rounded edged back as the top sloped downward; the bottom tip had even curved vertically overhead to the rounded edged back that met in the middle of all this. The thin bandages were a shining caramel to gingerbread and syrup color that came in double pairs at the front of the center axe head, with a horizontal strip underneath as the upper left strip slanted forward with a third one going around though was hard to see; underneath was three more strips that went around as the third one on top had slanted a little bit up but all in all remained straight. The axe head in general was a thunder to seal and trout grey color as it all complimented that silvery shine for all bladed weapons like these. Finally, Natat is the surname to the full name of Apam-natat

Spentas was an axe that started with the rounded trapezoid shaped pommel curving up to the left side as the top rim beaked upwards all around, in between them and filling in the lower oval shaped cuts were striped lines that curved up forwards to the right side before going a little to the left and tipping them all off with the tips curving into a spiral that went to the right as if they were tentacles of a octopus; the whole cap was in a rhino to trout and seal to shadow grey color that was near the lightest and to the darkest shades as part of the age that the axe sported, evidenced by the grainy texture that still shined through as if it were in it's prime condition. The handle was in a darkened mocha to coffee brown as it lightened out into a brunette to caramel and carob brown shade, as the cylindrical shape at the top happened to have the same pattern as the pommel as it resembled the claw of the beast that was depicted on the back of the axe itself which then became a slightly slimmer cylindrical rectangular bar on the top; on the bottom is an line of short, rounded overhead topped trio of rectangular inward patterns that went from the right side to the front and the back of the axehead that stood in between the conical to cylindrical spike shaped pike that curved a little bit inwards. The fang shaped pike on the back had a slim rounded top which had the shoulder behind edge outward a little as well as having the actual axehead curve under and then back up into a horizontal crescent moon shaped tip at the end which looked like a triangle at the top, as it curved down back into a thicker rectangular shaped bar that went inwards to the bottom; straight at the middle and curved at the top to the bottom as it then went horizontally across over to the top of the handle, the bottom being a lower quarter half spherical half to throw that out there. At the bottom of the shoulder in between the axehead and the pike on the back there was a slightly raised rounded trapezoid shaped hole that acted as a ring of sorts, two downward curving lines came from the tip above the third as they went down before going down into a short horizontal line before it sloped back down to the other side as the first one curled inwards and the second was the one that went down; the third line had started with a thick line which then thinned out to form a half-ring shape that then had a leaf speartip shaped tail tip at the end, the shape was slanted close to the edge of the axehead's blade underneath those two lines. The head of the beast curved overhead to the pike as it had a large neck that thinned out with the oval shape curving downwards, the candy to lipstick red eye had a diagonal slash across it coming from the top left to the bottom right side; underneath that was a thick wavy line that sloped up and down into a few bumps which then had a curling tip at the end; below that was a square shape of space that then had six horizontally ribbed lines near the tip of the fang shaped pike and left a small inward facing crescent shaped gap at the top. On the farthest edge of the shoulder there was a lower left curling spiral that formed a S-letter shape before curling in to the upper right top, faded and smeared splotches of a berry to sangria and wine red colored stains that were as dry as rust but not truly rust itself was found on the cutting edge of the axehead's blade; a large part of it slanted downwards from the top left having a stripe that went toward the bottom of the lower shoulder while it had a small circular half on the bottom left side that had a thin broken line that went towards the ringed hole's diagonal top left edge. In the center from the beast's lower jaw where the thin line had started into a curling tip had a small diagonally downward facing curb acting as the chin, and the neck looked like it came from a horse's judging by the shape and overarching line that went ahead to the pack where the pike was. Finally, Spentas is the plural of Spenta standing for the seven bounteous and holy immortals to who personify ideals and represent facets of the one god Ahura Mazda, acting as emissaries that stand between God and humanity

Vashista was another one of the axes that went for the glaive look as the bottom of this axe is where it started with a lower-half spherical shaped stripe that went around the lowest rim of the handle, having three diagonal stripes that went diagonally upward to the left side and it's next pattern was a smooth stripe with a upwards curling spiral tipped diagonal stripe which is then bordered with two lines on the top to bottom sides; but even then was found directly in the middle as the rest of the bottom was all smooth too as well as sporting a horizontal stripe which went around like a ring. The handle and shaft was an crocodile to olive and moss green shining color as the top cylindrical shaped cap that went around underneath the glaive shape blade had a inverted nine number shape facing the right side at the bottom, the gap that was in the middle was made of thin lined upwards spiraling strips as the top above sloped up over to the upper left before curling into a inward spiraling circle at the lower left side; above that was topped with a rounded edged ring shaped border as the two cylinders to the blade were all in a dandelion to butterscotch and flaxen to tuscan sun gold color, nevertheless having an silvery shining to the cutting edge. The glaive blade shaped axe head slanted downward over to the left side and a little bit at the right side while the front to back went straight, both the front to the back faces had downward facing blurring lines that went curved up and sloped on down three more times as the front where it started to curve up again at the tip; and down at the back where the blade started as the two sides started out vertically straight, with the top curving overhead to the right side into a upper-half quarter spherical shape as the blade had a bronze shine brushed over the blade so it could shine easily. The curving and sloping series of lines were like both threads of waves that ran through a ocean, as well as that of hair that's coming from a woman like a empress even. Finally, Vahishta refers to the name of Asha Vahishta translating to best truth, the most prominent of the male Spentas as he protects both the physical and moral order in the world of Persia; to whom opposes him is of the evil demon of Apostasy known as Indra who differs from the figure of the East Indian Hindu religion

Vindatu was a cool looking double headed axe which had a skull in the center as the bottom was a near flat conical triangular shaped pommel with a large studded rim going around from the top, all in the form of a rectangular strip as there were three studs that went around from the front to the back side respectively. The leather strips on the handle were all in an copper to tortilla and a warm tan to sepia as well as dark antique brown color which slanted upwards to the left side, the upper three started to separate from each other as the first one opened a gap and the second had a horizontal strip that kept that slight slanted position; the top which was horizontally straight had a light tortilla tan shining color for the leather and above that is a dark chocolate to shadow oak and ravenna brown color for the exposed wooden shaft. Now it was time for the axe head as both sides were a even half oval shape that was thickened on the connecting and base sections, the top for both sides had circular craters on the top halves and the bottom merely went up to curve overhead before going back down to barb a little bit inward for the short bottom tips; the bottom curving tips even had three thin lines which ran to the actual tips themselves with a small circular dot at the bottom, the front and back sides of the axe head underneath the skull had a three-sided outward pointing star which went on both the left to the center and to the right sides respectively all while the left and right went to curve back down for a short bit underneath the aligned teeth of the skull. Both the left and right outward tips went underneath a circular hole on the sides as the lower right and left for both sides extended over to the top of the barbed tips, the top spike was that pyramid shape upwards tip as the skull itself had no jaw but was in a macaroon to parmesan and biscotti tan color which was all dirtied, two inward slanted oval shaped wine to mahogany red rings were on both sides of the forehead while the middle was a barbed tipped diamond shape with the top going fully up to the top of the spike on both sides; the lower center had silvery studded bolts which were two on the sides and one at the bottom, the eye and nose sockets were as black as the soul chaser who lended the name to this axe. The left side had a dried, reflective brick to wine and berry to mahogany bloodstain which was evidence of a warrior who utilized this axe to the fullest of beset abilities. Near both sides of where the ears of the skull were is small ear shaped holes that slightly went inwards as the top curved out a little bit, as the axe head itself was in a grizzle to fountain and shadow to charcoal grey color; as not even that can stop the light from giving the cutting edges a silvery shining color to ignoring enemies' armor, cleaving their limbs and chopping their heads off with this deadly weapon. It is true because axes can ignore armor and hit through it thanks to their penetration capabilities, it shouldn't be a wonder as to why Vikings favored an axe like theirs and still keep a sword at the ready to execute their enemy. Finally, Vidatu is the Persian demon of death referring to the full name of Asto Vidatu, chasing the souls of humans with a noose as they escape to the safe havens of heaven

(~IO-{II[III=HTTYD=III]II}-OI~)

Eight Maces

Baga was looking more like a medieval war hammer than a mace and this wasn't the only case where this happened either, if it can bluntly chop into with a hard bludgeoning strike or inflict grievous wounds; it counts as a mace and both examples did. The handle was not only short and in a caramel to tawny as well as an gingerbread brownish color that also had a light golden tortilla tan colored shine, but the place to grip onto was made of five circular and bulbous pieces for the fingers to groove into in between; a lighter tawny to caramel and tawny golden tannish brown color, as the pommel on the bottom was a rounded trapezoid shaped cap apart of the hand axe styled handle itself. The first and the fourth circular shape for the hand to grasp had X-letter shaped crossing strips on the front to the back of both faces nearing the lower horizontal strip, the second and third ones did not and only had the strip which went horizontally across the lower edges and did not share the same X-letter shaped strips on both sides of the faces; the shaft above the grooved circular handle was lighter than the rest of mace itself. The rectangular and rounded top to bottom tipped plate which was studded with a single bolt on both the top and bottom was in a crow black color which is outlined in a grizzle grey color in return, it consisted of a oval shape on the bottom with a flipped rounded triangle on top of that which was also studded in the center; speaking of which the middle of the vertical plating happened to have a diamond and a inverted teardrop shaped outline on top as it too had a single studded bolt on the top. The pike on the back of this mace had a teardrop shape which faced forward with both a triangular shape facing away on the back side, and a upwards curving line facing forward in front of the tip; the front of this mace had a short cylindrical shape of which went towards the front with a large outlined diamond shape on the top and bottom, along with two horizontal diamonds on the left and right sides which can be seen on the front and the back sides respectively. The hammerhead tip of this mace was a near wide horizontal cylindrical tip which had a line go forward and curve overhead around to the bottom and back, the second line forming a horizontal oval shape as the middle had a third line on the bottom which happened to connect to the back too as well; with a round circular shape situated in the middle and if it was not obvious before, it was a eye as both the start and the tip of the head had thin borders around. One last thing to take notice of is the two short and thin leather strips that were on the third strap of the handle, as with the top spike made of a single medium sized small disc and an onion roof topped spike seen in Middle Eastern palaces such as the Taj Mahal. Finally, Baga is a very old divinity from the ancient Indo-Aryan origins, scholars agree this name comes from the old Sanskrit bhaga translating to giver; and the source of the term for the one known as Bhagawan, the god of prosperity and wealth

Izha resembled that of an Indian gada and what a match made in both Ferdous and Svarga Ioka respectively, as Persia and India are two kingdoms that no one should ever attempt to attack. The bottom had no pommel but for a mace like this it didn't matter as most of the handle was wrapped with thin black threads in a line of X-letter shapes that went from the bottom all the way up to the top, but even then it had a small hand grip on the bottom that was given what's being described as a rust tinted coffee to peanut brown color; while the handle was a tussock to lion and tortilla tannish brown color. The black threads consisted of two as one was longer than the other which was shorter, not even located on the halfway point of the handle itself. The gada mace head was all in a trombone to royal and flax golden colored shine, mushroom brown inner fillings for the ornate design that was all over as the two sides had an thin stripe which curved from the upper left to right sides down to the lower left and right sides; all the ornate looks on both the left to the right were lines that went all over the place while from at the front near the bottom was a inverted rounded edged trapezoid shaped head that had two eyes along with a mouth, a oval shaped body with a V-letter shape going through from at the top that met up with both borders and with two slanted lines acting as the legs on the lower sides respectively. The top had a underhand line curving to the other side while the top itself went straight across, since it was a rounded edged trapezoid shaped disc shaped cap that had a upwards conical spike at the tip; the mace head was a horizontal oval shape which curved to the bottom into a inverted conical triangular shape that the head stood atop of, and overall it was in the shape of a onion top that could be seen on many Middle Eastern structures such as the Taj Mahal in India for one given that this was based on the Indian gada after all. Finally, Izha refers to offering and is worshipped as the Indo-Aryan goddess of sacrifice

Menog had a small and flattened rounded triangular tipped pommel at the bottom, with the leather handle having a large and thick bamboo weaved pattern as it left a thin gap above; it was in a shining light caramel to tawny and russet to gingerbread brown color, the one above was a short cylindrical cap that clasped around on top of the thin gap. In the center of it was a dual sided top to bottom oval tipped vertical rectangular slit, as both sides of the left and the right side both had a dual ring outlined smooth circular gemstone which were all in a dijon to medallion and a corn to pineapple yellow color; the shaft of the mace was a tawny and a peru brown color. The top of the shaft had a horizontal rectangular clasped ring going around with the same three gemstones surrounded by dual outlined rings on the front to the back sides, it had a thick rounded edged inverted trapezoid shape that went around as it's narrowed at the bottom and wide at the top; with a inward slanted rounded trapezoid edge that went around keeping that large bamboo weaved pattern and a thin stripe that also went around, on top of that was a slightly inner slanted rounded trapezoid ring that had a separating vertical line that was on the front and the back sides. The bamboo weave pattern on the mace head were now based on outlines forming a triangular on every corner where a long conical spike came out to bash against the armor and flesh of whoever attacked the wielder of this weapon, all while in keeping the bronze shine like the rest of the mace but never losing that silvery iron like shine altogether. Finally, Menog is an old Persian term for spirit and mind used in the context of divinities

Peris was a stone-on-a-stick type of mace as the handle and the shaft together was a wenge to desert sand and a beaver to walnut brown color as the bottom was wrapped in thin strips of bandages which were a darker mocha to brunette brown color, the lowest point had two horizontal lines with a square gap above covered with a X-letter shaped cross of strips that were both a little more thicker; the two strips on top were dual wrapped horizontally from the top and the bottom sides. At the top was another thin bandage strip that went across to the other side, the second slanted upwards to the upper left and the third of which went up to the right side although slanted a little bit upwards in fact; the next three were straight as they could be for this mace. The head of the mace was a solid hardened shell and iron core, smoothed out bludgeoning stone in the shape of a rounded edged square as the upper left side had a rounded point protruding outward at the upper corner; all in a railings and grizzle grey color as there were four more thin bandage strips on both sides around the head of the mace. The first one went horizontally across with the next two going diagonally across from both sides of the upper corners to the lower sides near the top of the shaft, while the fourth strip going diagonally downwards underneath the lower crossed strips over to the lower right side while the upper left side was close to the horizontal strip; close enough to leave a gap in between the two strips in fact. The top of the smoothed out square shaped stone head had a pearl river to harbor and abalone silvery grey color, the pattern forming a inverted line made of spiral waves that went around the top edge on both the front and the back sides; even the left and right sides themselves. One more thing is that even though this mace didn't look so strong, appearances aren't everything as this was still a mace and it hurts a ton when getting struck with a weapon like this. Finally, Peris is a spirit of great beauty guiding the blessed deceased to their destination

Sraosa started out with two shadowed flaxen to dandelion and blonde yellow rings that was at the start with four more on top of the first cylindrical link that was in a coffee and peanut to a caramel and tawny brown color, going with another on top of those four rings and then again with another four rings after that; a third cylindrical link and a third row of four rings on top of that in order to form the handle of the flanged mace itself. The flanges were an dirtied flaxen to dandelion and blonde yellow color too as well as the lower side for each of the four curved upwards before stopping, going up by curving inwards a little to form a scooped cut as well as being tipped off with a outward facing triangular tip at the top as it sloped upwards to the center tip of the flanged mace; there wasn't anything at the top but what there is was the depiction of Zoroaster the Prophet on each flare of the head. Three circles atop of five others on his head along with a beard made of circles as the flaps on both sides of the hat he wore is in the shape of a side curving teardrop next to his face, his nose sloped outward and his eyes had two slight overarching lines and a small circular solid pupil as well; his closed mouth also looked like it was breathing out a teardrop shape that was next to his arm that slanted down, going up into a lower-half circular shaped palm with three visible fingers while the other arm and hand slanted downwards toward the lower edge of the flares, wearing the prophet robes seen on many religious paintings to statues and reliefs which were those third-dimensionally carvings which can be seen on walls made of stone like in temples of Greece for example. It's only fair to explain what a relief in terms of art is so there's that, nothing bad about it. Finally, Sraosa is the personification of obedience and a messenger to Ahura Mazda; guiding all who have fallen to their destination in the afterlife, represented by a symbol of a crowing cockerel as the mace itself had a carving of a person on each of the flares of the head

Vata started out with the bottom and the gap in between the grizzle and fountain to seal and intellectual grey colored seven rings were a mahogany to wine and sangria to berry red color cylindrical links for the handle, which was found at the bottom underneath the first row that were made of seven rings and in between that as well as the next row of seven rings which is found just underneath the mace head which looked like it was made of thick pyramid shaped spikes all four sides; all seven rings on the top to the bottom had a horizontal black stripe that ran through each of them in between as the former could be gripped easily with the power to bash and splatter a enemy's brains up against the wall with a splash of blood and bone shards that remained of the skull entirely. The end of the shaft on top was a thick ring which went all around as the top to bottom had inward slanted edges that curved to form that rounded edge stopper for the mace head, that however was going to be explained separately from this that was being described at this point. The mace head that was a sardine to sidewalk and a pebble to shadow grey color was made of three pyramid shaped spikes were all positioned in a type of diamond like position on all four sides, the front on both the top to the bottom sides that were on each one in the middle had a outlined black pattern as the top had a inverted onion drop on the top to bottom with the former curving up vertically as both the upper and inner corners had inward curling tips; while the bottom had a closed space this time while the tips that curled inward were on the lower corners of both sides. The bottom pattern had what is a lower beaking oval shape that formed into a vertical line at the top, with the upper corners of the top having the same tips as well as each of the pyramid shaped spikes met directly in the center; the lowest bottom to the uppermost top both had a upper half triangular tip peaking outward like the rest of the bludgeoning spikes. At the top of this mace was a triangular spike which was dual-sided as it was longer at the top and short on the bottom, all in the while this mace had a trombone yellow to macaroon tan colored shine for the darkened silvery colored mace head which was as deadly as every other seen in Persia. Finally, Vata is the name to the ancient god of wind and one of the Avestas, later relegated into one of the guardians and the messengers of Ahura Mazda by Zoroastrianism

Yima was another one of those maces that looked like a war hammer but nevertheless fulfills the classification of what it meant to be a mace in general, albeit this war hammer was slender in appearance compared to the other one previously before. The pommel of the mace begins in a rounded shape as both sides had a downwards slanted edge that then went vertically down afterwards, the middle had a thin vertical line also going down along the center of the bulb of this pommel shape; at the top was a oval shape in the middle which a circle at the bottom for the egg looking shape and above it was a thick to rounded edged inverted U-letter shape like it was a kind of mushroom, both sides had a half-oval on both sides while the top had a down pointing triangular shape. All of that including the vertically ribbed shaft from the bottom all the way up to the top for the back of the pike and the head at the front were all in an heavily shadowed dark khaki and wheat brownish tan color, while the leather wraps for the handle is a cinnamon to gingerbread and syrup to hickory brown color; tightly wrapped around all with white colored diagonal to horizontal ribbed folded wrinkles, the silvery shining iron used had a brushed olive copper color all over. At the bottom and at the top of the mace resembling an slender war hammer were short cylindrical shaped links, the base of the hammer happens to be a horizontal cylindrical bar that was of course horizontally ribbed all over as the front and the back faces of the mace had a inverted vertical trapezoid; wide at the top and narrow from the bottom as the center had a circular bulbous shape protruding out, as well as on the top of the hammer with two diagonal ribbed lines coming down inwards to the bottom of the base it was supported atop of. The back of the pike went out straight before sloping a little down while the front of the head went out forward straight before ending with a blunt tip, as the tip slanted both up and downwards to the vertical round disc that faced the front with a flat face; the design for the hammerhead tip was a diagonally lower left slanting pattern which went all around and over the side while the flat end face was solid, nothing could be found on it and not even a little dent so it was in a good shape. Finally, Yima refers to the hero to whom Ahura Mazda warns to build a enclosure known as a vara so that humanity will survive the great scourging winter that would destroy them all

Zend had a charcoal and shadow grey colored handle as there were dual ivory white spiraling parallel lines that went downwards from the top to the bottom of the mace before fading out into a cloud grey color which then stopped at the royal to tuscany golden ring that acted as an border of the handle itself, the shaft became lighter with the silvery shining light turning it to a dove to ash grey color and the handle looked like it was wrapped with black leather which's due to the dual lines that spiraled down but even then it was hard to tell. The top of the shaft was a larger ring that jutted outward for a little bit as it slanted down on top and up from the bottom in a lighter golden color, another ring that was similar to the one at the farthest lower bottom where it bordered the handle was also present too while in between was this time a singular downwards spiraling line that coiled all the way down to the lower ring in between; the top of the mace head in the center was a oval shape which had two lines on either side as they both slanted up narrowly to the top and became a singular line that met the actual top, a four sided rounded edged square plated cap that was in a darker golden color looking like it's bronze capped off the top, even being rounded and protruding out from the center of it all. It then had a inward upper curving base at the start before becoming a conical spike which then went upwards into a sharp tipped spike at the highest point of the mace. The four corners of the mace head this time went diagonally on the upper and lower corners as they're shaped in a small rectangular stub that went outward, forming a inverted conical spike which then had a rounded circular tip at the top for all four sides and of course had the same pattern from both sides meaning it's dual-sided; the upper corners of the winged flanges had four long lines as well as a fifth short line going downwards from the upper outer corners while at the bottom, there was a dual ringed circle that had a dot in the center for each of them. The mace head in all was a dark charcoal to shadow and pebble to grizzle as well as a fountain grey color as this wasn't the only mace took after the head's design, but that one wasn't present at this time. Finally, Zend refers to the name of Zenda-avesta and the name of the sacred writings of Zoroastrianism

Ahurani had a short cylindrical shaped cap on the bottom with a three closely connected line of medallion gold colored bronze stripes separating the handle from the pommel, the handle of which was coming in a black color as it went up until there were two of the same stripes from before; leading to a slightly bigger cylinder shaped gap in between with another pair of stripes on the top of that. A singular ribbed line was above a thinner strip that went around along with the rest of the shaft that went up, leading two three more just underneath the mace head itself as the top of it all was a flat circular disc; and tipping the uppermost top was a conical spike that could stab someone. The eight flanges themselves were thin but razor sharp enough to stun a enemy as they sloped downward with a slight barb at the tip before going downward, curving overhead back to the top before going up and slanting inwards; with a large cylindrical stripe of which then went around though it was half obscured by the tips of the flanges. Finally, Ahurani is the partner of Ahura Mazda whose name translates to belonging to the one creator; and the one who is the personification of waters later to be taken over by Varun and his Makara in the later Zoroastrianism, health alongside healing energies and wealth altogether (A/N: This one also came from a concept art picture showing an Executioner from Warrior Within, but there weren't that many details to write for which I say that's good because writing them all down is enough to take a man's hands and fingers off your joints; the counter stays at eight just so you know)

(~IO-{II[III=HTTYD=III]II}-OI~)

Six Daggers

Abathur had a harbor and smoke grey color for both the three-way pointed pommel that's on the bottom as the two upper sides curved upwards slightly on the top, and down inwards at the bottom as it sharply went into a pointed tip and the dagger's blade itself. The pommel had dual three-way pointed outlines and a smaller entanglement of lines that formed what's considered the ornate section of the dagger, the handle was wrapped in a peanut and coffee to tortilla tannish brown color for the leather strips that were made of horizontal and zigzag patterns up to the hilt which was a short horizontal line. The blade curved up and outward to both diamond pointed sides which then curved back up to the top into a broad leaf shape for the blade that curved upwards into a beaking tip, the cutting edges were a shining silver and the ornate faces were featured on the front and the back sides; not only was it dual sided on the left and right slanted like a sword, but there was also a dark red oval shaped tourmaline stone in the center which was both solid and shared the same shade as the darkblood of the dragons that flew even in Persia as well as the capital of Babylon. Finally, Abathur is the one known as he with the scales and the judge of the dead in the old Persian religion; weighing the soul and the deeds of the deceased to determine whether they enter the heavens or be damned to hell

Armaiti was a Indian maduvu whose horns were built from the horns of the Indian blackbuck animal, it had two thin bars on either side along with a railings to down pipe and an cheating heart grey color that lightened out to a owl and classic grey at the start of the two horns. The back tips were pointed as there were four forward and upwards curving ribbed wavy lines of which went around to the other side, after that were a line of white forward beaking lines as they all went over to the upwards to downwards and slanted tipped horns. The upper horn of which went in the right direction while the lower horn went in the left direction, the maduvu was a real weapon after all and it could be used to parry staff based weapons. Finally, Armaiti is one of the Amesha Spentas, the personification of holy devotion and righteous obedience; worshipped before Zoroastrianism as the goddess of fertility and the dead buried from under the earth

Indra had a short trapezoid shaped pommel protruding at the bottom of the dagger as all the leather wrapped handle was not only in a tawny to russet brown color, but it was coiling up to the light golden shining bronze ring that was in the middle diagonally. The top of the ring had a short line that went up in the center while the blade itself slanted down to the right side, as it then went up with a short rounded edged protrusion on the bottom opposite from the left side which was a triangular shaped barb that went outward; dual sided on the top and bottom as the blade continued up on the right side before curving a little bit into a barbed tip, while it also went up and beaked over to the upper right to form the tip of the dagger altogether. In the middle were the ornate faces that had a tortilla brown and a macaroon to parmesan tan colored shine, inner border outline and a front facing circular shape at the bottom of the two faces of the front and the back sides; the ring acting as the hilt was also the same color too so to point that one out there. Finally, Indra is the eternal opponent of Asha Vahishta; the daeva of Apostasy who is the personification of the abandonment of religion

Khara was a curved dagger not only in the blade but the handle as well. It started out enough with a rainstorm grey colored disc, the horizontally ribbed leather wrapped handle which had then curved upwards slightly to the hilt had a metal black to charcoal grey color; the start was a dual sided top to bottom triangular left to right sided barbed hilt, the left side going a little more outwards while the right was shorter. In the center was a wide horizontal oval inwards smooth crater that had a dark hippopotamus grey colored circular gemstone in the middle of which acted as the eye of the dagger. The blade that curved up and slanted to the upper right side had a shadowy trout grey line that went up from the left and tipped off to the right side, the second line going down where the left side formed an A-letter shape and at the tip that curled inwards forming a slight grey line that curved back down and alongside the other two to form that flame design; the entirety of the dagger was a shadow to jet black color and the dagger itself keeping that dual sided slanted look on both the front and the back sides, with the silvery shining light all in all. Finally, Khara is a giant, three-legged donkey with one horn like a unicorn sporting nine mouths and six eyes with two on it's face; two atop of it's head as well and twin it's hump of a back, helping with overcoming evil to manage the world and was stationed in the ocean of the Voura-kasha world with the one blob that could still act as a eye

Ahriman was a Indian triple bladed haladie bichwa dagger as the center horizontal handle is a mocha to carob brown color, with ten vertically ribbed lines going across and leaving behind a square shaped gap in between the two scorpion blades with the left curving downwards; and the right curving upwards. The inner borders of the two blades were a faint lemon yellow and pointed to both tips which were dual sided on the left and right top to bottom sides, from the start of the two blades was a triangular shape that pointed as the start had a X-letter shape on the vertical trapezoid base; the bottom of the X-letter shape having a triangular shape, on the top of both arms there were two lines that formed a triangular outline that pointed up too. It wasn't just in a faint lemon yellow color, it was also a moss to seaweed olive color too. At the top where it formed a trapezoid shaped bridge as both the starting points at the back formed a double ring with a circle in the middle, the center of the knuckle guard slanted a little up to the front as there was a round double ring with a dot in the middle; the two inner sides which also slanted upwards to meeting each other had a third smaller circle with a dot in the center of all that. The middle blade was short and was dual sided on the left to right sides, going up with a singular outline on both sides as the blade tip formed a long triangular shape like it is a real sword tip. The three blades were all in a harbor to rhino and iced cube grey color which is shining with a real pearl river silvery color, the darker shades of the blades being in a bravura to black magic grey color even but still light enough to be seen in the end. Finally, Ahriman is the manifestation of evil in the Zoroastrianism religion of Persia

Yazata looked more like a chakram than a dagger, another Indian weapon used by the renown warriors known as the Skihs who also wield Talwars in religious ceremonials and combat that would defend the weak and the unjustly oppressed from attackers all around. The dagger had consisted of a thick rectangular shaped bladed ring which had a shining pearl river and harbor to abalone as well as a rhino to trout and seal grey color, the right side had a faint coffee to an peanut to cinnamon and burlywood to camel brownish tan colored stain which was actually in reality ancient dried blood from being used to decapitate a enemy of Persia. On the left were diagonally inward slanted bordered vertically ribbed bandage strips that were wrapped for a purpose of wielding the blade safely without cutting or drawing blood from the gripped hand as that too was in a cedar to wood and saddle to peanut brown color. Both edges of the inner and outer dagger were slanted downwards, dual sided from the top to the bottom while also remaining flat for aerodynamic purposes to really fly across the air and cut down the head of an enemy. One more thing about this dagger was that it could not only be thrown but also can be used like a chakram since it was a melee weapon too, as Sikh warriors could demonstrate and even spin around their fingers before throwing them; there were specially made turbans made to hold these discs as they can be found on the arms and around the neck, worn like an unsuspecting accessory. Finally, Yazata is a old Persian name for God used second only to Baga, the Zoroastrian Zend-Avestas dedicated the hymns to the Yazatas who guard the stars and the planets; messengers for the one true divinity of Ahura Mazda with Mithra remaining the most well known of the Yazatas

Ashma started with a horizontal triangular shaped pommel as the bottom cap of it had a kind of raised trapezoid shape in the center middle, the black cylindrical shaped handle had horizontal ribbed lines going from the top to the bottom; as the former slanted downward and pointed to the front, shaped like a teardrop as well. The crossguard of the dagger was a outward pointing triangular shape as the bottom of it was a horizontal cylindrical shaped cuff that went around, it had a circular shaped hole in the center of the fang shaped blade as the left side of the blade is where there were three inward slanted triangular shaped series of serrated fangs for the teeth; the fang shaped blade also had two black lines on either side that slanted inward from either of the left and the right sides of the middle that formed a rounded triangular shape in the middle, going all the way up to the tip as it was a temptress to a rosewood and a berry to a guardsman red fading but dipped color. The blade was a dark storm to a seal and a light silver chalice to a novel along with a rhino and a trout silvery grey color all in the same, as the dagger also bore a circular shaped eye that had a line on the left with a downwards slanting line that formed into a circular shaped inward facing tipped hook on the right; a circular dot in the middle along with a downwards left facing short line at the bottom of the eye itself. This wasn't the only dagger of which bore a similar appearance to another one of it's kind. Finally, Aeshma is a demon of cruelty who inspires brutality; later to be reimagined as one of the archangels in Zoroastrianism (A/N: This dagger came from concept art showcasing the Silhouette enemy who are those black and red spiked dagger throwing enemies, think of them as precursors to Illusions from The Two Thrones except these are male. Their voices have a echoing and distorted stutter to them, and I know that it wields both of these daggers but I'm gonna separate them into two for the hell of it; but know that the counter stays at six just like how the swords stay at eighteen regardless of two extra ones being added)

Angra started out with a horizontal triangular shaped pommel as the bottom cap of it had a kind of raised trapezoid shape in the center middle, the black vertical cylindrical shaped handle that had ribbed lines that horizontally went across from top to the bottom; as the pommel had also slanted downward and pointed to the front, shaped like a teardrop as well in fact. Acting as the crossguard for the dagger was a outward pointing triangular shape as the bottom of it happens to be a cylindrical shaped cuff that went around, with the edges of the crossguards being a kind of silvery white color; and the start of the fang shaped blade also had a black circular shape hole that held a spherical ball inside. The front of either side contained the eye that had a line on the left with a downwards slanting line that formed into a circular shaped inward facing tipped hook on the right; a circular dot in the middle along with a downwards left facing short line at the bottom of the eye itself. The top of the black reflective gem had a small to medium sized stripe going around the top, while the fang shaped blade that went up vertically before curving overhead towards the tip that was slightly but sharply pointing to the upper corners of either the left or right sides had started out as a thick oval shape at the bottom; vertically going up as it started to thin out into a tusk like shape in the end as it bore a temptress to a rosewood and an berry to a guardsman red fading dipped color, all on that dark storm to a seal and a light silver chalice to a novel as well as a rhino and a trout silvery grey colored tusk thick and fang shaped blade. The eye that was mentioned before was engraved in red along with the horned animal that's representing Ahriman fighting a Persian king, the animal bearing four forward curving horns with two that were on both sides and two horns that went upward like the primeval ox Hadhayosh itself; as it bore hooves that also sprouted sharp talons with claws that gripped the king's wrist and the tip of his beard, while the king stabbed it with a dagger in the stomach and kept the monster at bay by holding onto it's right horn. The whole engraving was based on the relief that's seen in Darío palace in Italia, and it was on the front and back sides of the rounded edged blade of which is still used for stabbing and slashing as it's not rounded completely to only be used in stabbing someone; even then the relief on the front and back faces were a darker shade than the rest of the blade's silvery color, all with a slight tint of macaroon and shortbread gold that was added to the ornate graving in the same fashion. Finally, Angra is the chief spirit of the dark ones that represent the evil, chaos and discord within Persia as this too was a name relating to Ahriman himself; the name meaning "Evil Spirit" (A/N: This is the second dagger which the Silhouette was holding but because it was holding the same one but at a different angle, I decided to make this one different and give the dagger it's own additions to spice it up which of course makes this one in particular the previous one's twin; after all they were made to look identical and be used individually in a pair of weapons. Remember the Tiger's Fang and Dragon's Claw from Ninja Gaiden II on Xbox 360, you know the dual katanas that you get from New York City in the Statue of Liberty? That's where the concept of the two daggers I wrote based on the Silhouette's concept art came from, the fact that the description said that the two swords are meant to be wielded like a pair. Overall, that concludes the bonus two daggers I wanted to add in but even though I added more swords and daggers in this; the weapon counter stays at eighteen and six respectively; the engraving that I added in is real and it does come from the Darío Palace in Venice, Italy so you can see it on display. That is all)

(~IO-{II[III=HTTYD=III]II}-OI~)

Five Flails

Zahhak started with a long pyramid spike adorned and lower half spherical shaped pommel on the bottom, the horizontally rectangular shaped strip going around having a line of those spikes with one in the middle and two on the sides all around. The handle featured a series of vertical oval shaped rings with a pyramid spike shaped studded bolt in between them all, both on the top to the bottom and on the left to the right sides respectively; not only are the pyramid spike shaped studded bolts flat but they're also small enough not to interfere with a way the weapon is gripped by the hand. The upper half of the handle featured the face of an king whose face was withering away like cracking stone to reveal the skull underneath, most of it at least as there were snakes slithering out of the eye holes and around jaw before going back into the nasal hole. The collar around the top of the handle was an four-sided and outer sloping barbed spiked collar on the top and the bottom, the middle having an singular lower sloping fang shaped spike on all four sides; the chainlinks being a barbed-in-the-middle oval shape for each one from the top where the head was to the bottom where it started out from the top of the handle itself. The head of the flail was a spike adorned snake slithering skull of which had a open mouth with the snake also coming out of, having the back of the bottom of which feature a medium length tail that laid underneath and around. It was a dirtied and sun bleached yellow color to be exact with the dirt and grime being a soil brown color, the spikes were all conical shaped and with a thin piercing tip at the end of each one of them like it was a porcupine; at least like the formation of the Spartans when their spears come out of their shield phalanx. Finally, Zahhak is a evil snake shouldered king who ruled with the aid of the demons; sating the snakes by feeding two people each day as he reigned in the land for several centuries until he was killed thanks to Frereydun, desposed for now but he is said to return at the end of time to ravage Persia

Hadhayosh began with a flat circular bottom faced lower half spherical shaped pommel which had a inner shrunken upper half rounded shaped cap on top, the center forming into what is a vertical cylindrical shape that was rounded edged on the top and the bottom; the shaft with a trio of gold studded black and horizontally rectangular shaped strips of iron rings had an circle shaped ring underneath each of them, resembling that of a bull's nasal door knocker ring that was ringed around both of the nostrils on the snout. The handle even featured short oxen fur which came in a blazing hot brown to red and orange to red color that became bright all in the center, which of course also bore a flowing and flaming molten lava to magma rock like layer; the top and bottom sides of the handles resembled two inward facing oxen hooves that were laid on top facing the bottom and underneath facing up respectively. The chainlink was made up of a barbed bevelled figaro-type chain as there were three spikes on either side, from top to bottom on each one including the three rings that were in between each one though they only had two on either side this time around. The top of the shaft featured that of a ox's skull with two horns facing out and curving upward, two on top facing foward and curving inward a little bit before facing a little bit off to the sides at the tips; and two on the bottom which are more of the same but a little more longer than previously, of course the horns were all facing the bottom of the shaft so it didn't get into harming the arm of the wielder themselves. Now we come to the head of the flail that was made up of a diagonally downward sloping ring that went around the top and the bottom where that one sloped upwards, the center was an form of large and thick cylindrical shape that had vertical trapezoids with a scalene triangular front top and bottom back side with a flat triangular shape on top; bearing some sharp and barbed flanges in order to dig into the exposed skin and really start tearing in with the added hooks on each of the flanges, hidden on the top to the middle and the bottom facing downwards to really leave a nasty gash. The top of the flail had three stacked discs with outward facing and hooking seven barbed blades that could rip a opponent's shield away when it catches the rim of the defensive piece of equipment. Finally, Hadhayosh is a primeval ox of the land who had raided Persia and was called the Sarsaok; it's quite a fearsome beast whom the men from one region to the other one prepared a immortality producing beverage called Hush from it

Mithra had a heraldry-like sun shaped pommel on the bottom of the rounded edge trapezoid shaped cap that went up halfway, having a vertical cylindrical shaped cap on the center and a second rounded edged trapezoid shaped cap that went up to the rest of the way; the detailed surface surrounding it resembling that of two lions and suns facing each other on the front as well as the back, going around with a oval and circular scoop cut sided diplyon shield acting as a border on the left and the right sides. The shaft was made up of a vertically ribbed stripe of which went across around the top and the bottom caps, as they also featured a thinner stripe of a vertically ribbed pattern since the former had triangular shaped tips that went around on the top; the same was repeated for the top but instead coiled around with the handle which is where it had it's own leather pattern. The handle was comprised of a series of downwards lower diagonally facing strips with three thicker leather strips coiling downwards diagonally to the lower right side toward the bottom, being overlaid to be exact for that matter as well. The top as mentioned before had the same cap on the bottom before the pommel that have the rounded edged trapezoid shape on before the sun shaped pommel itself. This flail had a chainlink made up of small slanted edged vertical rectangular shaped chains that went up to the head, which was the definition of a porcupine. The flail head was a morning star with the spikes being reinforced with hardened piercing tips to a thick solid base on the bottom for all of the quills, a conical triangular shape of course but no less a heavy weighted star that could truly dig in and tear away at the flesh of the wielder's opponents; perhaps even pierce in the material of the shields themselves before pulling them away just like that. Finally, Mithra was the god of the rising sun along with covenants to contracts and kingship in Persia

Tishtrya had the head of a two-handed war flail which was a cylindrical shaped head that was connected to a short chain from a long polearm shaft, the short handle and long chained ones were known as a mangual which are the most commonly portrayed flail weapon in but a slew of common and deafferenting sources alike. The pommel on the bottom had an saucer like disc shape with a conical triangular shaped tip on the bottom while the top of it had a vertical and cylindrical shaped base, the middle also had a stripe of downwards sloping triangular shaped spikes that went around the four sides like a flanged mace; the third component being a solid vertical cylindrical shaped cuff that was studded about. The handle had inward horizontal and rounded edged grooves with the tips thinning out into pointed edges for the fingers to slip in and grip all around with one hand. The shaft was made of a ribbed column shaped cuff which went around, also having a vertical series of flanged grooves as the top edge had a ring which had small spikes on all eight directions. The chainlink was studded with small trapezoid to an triangular shaped number of studs that protruded outward, seemingly to add pressure if the chain was meant to coil around and strangulate the opponent when close behind for a sneak attack to stun them in the head first. The head of the flail was a cylindrical shaped bar as the middle had a four sided studded strip with a thicker band on the top and the bottom, for that fact there were a number of the same studded trapezoids and triangular shapes which went all around; the top and bottom sides even featured a vertical rectangular shaped strip with a sharp oval shaped tip on both of them as if it were attached to the bar itself with the chains, the overall head itself was heavyweighted with a solid lead core in the middle to provide an deadlier strike on even armored opponents alike. It also had three thin but long flanges that went down from the top and to the bottom, stopping only on the middle ring in the center of it all. Finally, Tishtrya was the god of rainfall and fertility in Zoroastranisim

Atar had a vertical four-sided trapezoid shaped block for a head that was aligned with at least three horizontal strips going across from the top to the middle and the bottom, there were an trio of outward facing spikes as the bottom of the head was a square shape and so is the top if being really specific. The four sides slanted inwards toward the top with a ring on top which's where the chains connected to. The pommel was a middle eastern onion roof shape that had a ornate look to it made up of three circles forming a inverted triangular shape, bearing floral designs which were faint and apart of the background; while the circles were made up of four more rings that numbered in two going up, down or to either side of the four sides. While the handle itself was tri-ringed horizontally into links, having a leather knotted and stitched edge to studded pattern that protruded out in between each of them; the top of the handle having a horizontal ring with a dual sided trapezoid shaped ring on the top and the bottom sides, the center of which had a downwards overarching barbed flanged pattern on the edge while it is pyramid spiked in the center and upwards overarching on the top, the uppermost top was an horizontal ringed shape like the furthermost bottom respectively. Going above the pommel is a horizontal studded stripe, with an horizontally ribbed leather pattern also being overlaid a little bit on the handle itself. The shaft resembled that of a Egyptian backbone djed pillar as that was a symbol of stability and belonged to the god of the sky, Osiris; it was a vertical and a cylindrical shaped bar which had seven horizontal stripes going across as well as a square gap in between, and five to nine more inverted trapezoid to square shaped stacked bars that had ribbed edges that protruded a little bit with the top having a horizontal circular shaped cap as that fitted into the rest of the shaft itself. There was a third horizontal shaped disc on top and a fluted square to rectangular shaped hat that held a goblet on top, the eye in the middle had dual horizontal stripes which went all around along the bottom side; having a torch inside the goblet which burned with a eternal flame within, forming into five straight and wavy lines of fire as the goblet was used for the Jashan ceremony, not to mention the torch itself was also an altar evidenced by the three rings underneath either side with outward facing L-letter like shapes laid on top of rectangular shaped candles that were burning alight but melting into an hot wax on top of their own singular-type ritual like candleholder. The chainlink was made up this time of a strange and oddly unique type of chain as it not only consisted of a vertical, and a rectangular shape for that matter with a horizontal line starting to go inwards before it went down the middle and then back to going to the other side like it did at the top; but it was also that of a three linked S-letter shape in between two rounded edged and sided to holed chain connectors, which had a hole on either side as they both slanted upward to the middle while having the back side of each of them curve into a half circular shape. One last thing about the head is that because there was a loaded core inside, it made it heavier to swing but deadlier to strike an armored opponent with; no one was safe from this flail of a weapon. Finally, Azar was the god of fire and fire itself as the son of Ahura Mazda; a symbol of true order as he had his own festival called Azargan held on the ninth day of the ninth month for each year that's come, he fought against dragons and demons in battles he waged so he may eradicate evil and stood as the victor for all battles that were won by him, he was known by the name Atar too which further signified the fiery cauldron-like altar seen on the vertical cyan striped sails from all the triremes utilized by the Persian Army of Oarzlrikhoung from a time long past

(~IO-{II[III=HTTYD=III]II}-OI~)

Three Whips

Abaddon was a leather whip that featured a square tip meant to inflict abysmal pain onto the opponent from a wielder of great skill that held this weapon. The bottom featured a noose of which was used for lynching criminals and sending them to their rightful hell for acts of murder and treason. The handle was a vertical inverted oval yet rectangular shape that was studded in between the fingers to secure the grip of the wielder, the surface stitching of which happened to be a treble cordovan laced style as the top bore the face of a hooded man who was sculpted handsomely; but bore a menacing closed mouth scowl as his eyes were narrow slits that emit a surge of evil as if it were trying to convert the wielder down the path of chaos. The leather whip continued to thin out into a diagonally dual-sided threaded and flexible line that ended with a square shaped tip at the end as mentioned before. The top of the handle and before the whip itself featured a dual sided rounded edged trapezoid on both the top and bottom sides. Finally, Abaddon is an angel of death and the abyss who resides in the underworld abode of destruction

Belmont was a noble looking whip that featured a vertical diamond pyramid shaped spearhead of a tip at the end meant for the skilled to reach with such range and pierce through both armor and shield alike of the heretics and heathens who prance about in the domains belonging to a knightly faction whose lord oversees. The handle had a diamond quilted pattern that bore the design of a tabard as the top featured a line of downwards facing vertical rectangular shapes as well as a inverted triangular shaped tip on each one along the top, the bottom having upwards slanting vertical rectangular shaped bars with a thin slit in between the two sides for each one of them; having a oval shaped hole in the middle on top as well, both of these were an admiral and a yale blue color while the diamond quilted design was a pearl white color for reflecting a weapon fit for a knight of the Crusades. Same goes for the lion that had no mane on the front as well as bearing a long dragon-like tail that went down the middle, the back of the body on top of the dragon's talon like hind legs, with a curling line on top and an longer sloping vertical line on the bottom that sloped up and over to the right side, had a trio of three up and overhead to curving shaped lines that formed half oval shapes like they were feathers of a sort while having the tail continue going down with a series of upward and left facing curls and spikes down; the tip of the tail being split into two with the left side having a duo of forward curving curled tips and the right having three spikes with a right sided inner curling tip and a downward facing tip that sloped underneath to the left side. The bottom pattern also had inward sloping tips while the lines below slanted up just to clear that up. There were a great number of sporadic cross-like crests that were scattered amongst the tabard like design, all of them were pointing into one another on all four sides as each of them were of the same design; a overhead curving and upper circular shape topped rectangular shaped bridge with the inner sides underneath having a scooped hole and the bottom being in a inverted triangular shape, all pointing towards a small gap that was like a circle in the center. The rest of the handle was in a Crusader chainmail like pattern with Y-letter shaped chains as the top and upper left to right inner sides along with the bottom had a kind of slim rounded cracter scoop, all of them connected to one another as well as having three silvery brown beltstrap like leather straps going across where each of them had a series of small rounded dome shaped black studs forming a line from one side to the other in the middle. The gripping of the handle featured three regal red colored bell shaped shoulder guard like flaps that were studded along the bottom line's edge for all three of them, having the top feature grooves underneath for the fingers to fit into so the wielder can comfortably grip to lash out and even tear a enemy's eye out with one percise strike. The top of the handle had a verticalconical trapezoid shaped cap where the leather whip came out of from the middle, it's leather weaving was of a dual downwards slanting and flat looping pattern that extended out to a reachable length that could strike at the weapon wielding hands of enemies with skill; even wrap around their wrists to restrain them and tighten the coil in order to make them drop their weapons. This was said to be made of Alchemy and this might be proven for how unnatural it feels in the hands of a knight, the pommel even bore the same blue cross like design seen on the tabard and it was made into an actual cross that belonged in the hands of the lord who rules the domain where the name originated from. Finally, Belmont was the name of a late 11th Century courageous baron among the company of knights who became a protector of the peace that valued courage and honor, fighting heretics and heathens in God's name; this baron feared nothing and his combat abilities were second to none, but it was on a night that he renounced his title in order to save his betrothed and eventually hunt the night as a clan of hunters when the Church, because of the Crusades raging in the East and being focused more on fighting heathens rather than monsters, had forbidden unauthorized battles and they had no intention of granting the baron permission to sortie before his renouncement

Cronqvist was a handsome looking black leather whip that featured a horseshoe shaped tip at the end meant to clasp and constrict around both limbs and rip them off with ease, it's said to be made of Alchemy like it's sister. The handle was a spider to a charcoal black as expected as it was a handsome devil of a weapon made of leather and alchemy or so it is said to be, there was a cuff of downwards facing to half-heart tipped and circular around the back shaped thick white fur which had a clasp connecting across like a chain horizontally going across; being shaped like a pentagon on either side at the start where it formed into a horizontal rectangular shape acting like a bridge across each one, the horizontal pentagonal shaped platings came in three with one after the far left to one in the middle and one before the far right side respectively. The front of the handle had flat black leather with the lower side beaking downwards into a inverted type of triangular shape, the lower edge having a rounded shaped crater in between the middle with the center itself having a lower circular shaped scoop as it was a iron studded rim; the two sides also forming offward facing scalene triangular shaped crocodile scale pattern chainmail which formd a triangular shaped gap in the middle, the tips underneath both of the tips on the bottom had a long conical triangular shaped onyx stone with a inverted conical triangular shaped cap on the bottom side of it. The gap had a thick horizontal rectangular shaped floral pattern which can also be found neara the bottom of the handle, bearing a shining white titanium to gray owl and an arctic cotton to a feather silver color; complete with spirals and circular outline shapes alike. Around the middle was a horizontal rectangular shape that were featuring two inwards facing horizontal triangular shaped tips with a ocatgon in the center, having two stacked trapezoids of a small and large size go down with a vertical rectangular bar that went downwards; bearing an inverted triangular to trapezoid shaped tip that had a onyx like stone embedded to the whip as it had two triangular shaped caps on the top and the bottom with a vertical rectangular shaped body in the middle. All of that was in a royal to a mellow and a banana to an macaroon tannish gold color, featuring the same pattern as before with the silver edged striped lining. There was a sacramento to a forest and a emerald to a shamrock green colored cloth that was overlaid onto the chainmail from before, leaving the lower half exposed while also bearing the same striped pattern as before; this time in a fern to a lime and an apple to a chelsea cucumber olive green color, as all of these were a reflective and shining form. Another thing for the octagon was that there were three links of long rectangular shaped links that diagonally went downwards toward the back and behind on top of the black leather itself. Like before there were not only chainmail overlaid horizontal rectangular shaped pieces on top for the center of the handle, but there's a trio of three black horizontal rectangular shaped platings with both the left and the right sides having a outward facing triangular shaped tip supported on a small horizontal rectangular shape in the middle of each one; these were meant to help with gripping the leather whip itself with grooves for the fingers to slip into, practicing with this one guaranteed the most effective way of doing battle with another opponent and it seemed to grant that greater punch with the way that the tip was designed. Given that it was like a heavy weight attached to a light weapon. Now then, the top of the handle was designed after the head of a Romanian dragon as this was based from the murderously vicious Vlad the Impaler himself. The eye was a horizontal lower half circular shape with the pupil facing forward as the snout had two folded bends at the front, while the front of the snout itself curved upward into a rounded edged tip and the mouth of which also had three folded bends; the shape for the back of the mouth was a circular shape that became a backwards facing teardrop shape as it curved downwards and sloped up a little bit at the lower lip, almost seeming as if it were smiling. The back of the head had six spiked horns that were underneath the vertical teardrop shaped base of the horn, which curved up and inwards from the left side as it then sloped up and outwards from the right vertically into a flattop square shaped tip for either side; the body of the dragon was coiled around with it's wing folded overhead on top of it's back and it's tail looping all around from the back to laying underneath near the jaw of the dragon's head. The leather whip itself was made up of a special pattern found only on this weapon: from the left and the right side respectively, there were vertical leather strips going upward as the middle section had a horizontal square in between each of them; while the ones that were horizontal on the two sides had a vertical square in the center as this pattern continued all the way toward the end where the tip was. It featured a circular shape with the two sides at the top having an horizontal rectangular shaped bar on either side, the middle going across with a thin bar while bearing a large and compact solid core vertical conical trapezoid shaped tip; which also had an inverted rounded edged trapezoid shaped cap on the top which slanted upwards all around the tip itself. Overall, the leather of this alchemy seeming whip was reinforced and the sturdiness along with the speed was light to allow for quick strikes and total barbarisim when used for the action of achieving victory on the battlefields of the Crusades that have raged onward in the East. Using this to swing from door-knocker like rings from one side to the other and hang onto while climbing or sliding down or even swinging back and forth to build up momentum was not exclusive to this whip alone, as it can be done by the other leather whips but it felt just a little more comfortable to use. Either way it's just a leather whip, nothing more to say here except the origin of the name itself so let's lash it away. Finally, Cronqvist was the name of a late 11th Century genius tactician among the company of knights who became a protector of the peace that valued courage and honor, fighting heretics and heathens in God's name, this tactician's learning have made him an exception in a largely illiterate society; this family was the one who understood the field experiments with all of the principles of God's creation of the world, they have a book of secret arts originally handed down orally as only a handful of people know about it in the time of the Crusades and the reason for this being that there are some who consider Alchemy to be heresy but Belmont is not one of those people