What if the Baroness hadn’t paid Maria a visit, and she had joined the party after all.

"I think I've seen this film before, and I didn't like the ending," and sometimes, they wish they could have done something to change it. Now seeing each other after years of being out of each other's lives, what do they do when exiled feelings come to return and haunt them? A/U based on Taylor Swift's exile (feat. Bon Iver).

Unfortunate events can lead to some unexpected discoveries and 1934 is slowly turning into a messy year for the Von Trapps. As everything cannot simply just pass in a blur, Georg found a mask lurking just outside his roof. TSOM AU ; TSOM,V/V crossover

[Undergoing re-write] She had once looked for her life, she had found it and lived the life she was born to live. However, unbeknownst to her, she had a new destination, and a visitor comes to guide her path. A (very late) tribute to TSOM and of course, the sad passing of Christopher Plummer.

Their eyes met after that threatening silence, both knowing they can't stay angry at each other, one has to speak up and no one wants to. Georg's attitude is confusing, but Maria is more confusing with her whimsical world. As their honeymoon went wrong with mixed signals and dead dreams. Is there any way to keep a sinking ship on top? Or both will be ignorant to let it drown?

"From you, Fräulein, I know I could never ask for... obedience." A slow-burn love story, in which Georg teaches Maria about the ways of the world - and desire. Canon-compliant, full of smut, light BDSM and the love of a lifetime. Rated mature.

What if their time together were done after that honeymoon? Will the future be as bright as it was when he's alive? Could she carry on without him by his side?

A series of vignettes prompted by some gorgeous words with equally as lovely definitions. I apologise for the somewhat lame title and description. I do not own anything regarding The Sound of Music, unfortunately.

Sometimes, a single meeting can completely change our world; perhaps without us even realizing it. Modern AU.

Moments pass, silence and breaths, and kisses and touches—seconds, minutes, eternity—yet it isn't enough. Not when she was with him. It will never be enough. (And that's the thing about illicit affairs and clandestine meetings and longing stares—). One-shot A/U based on Taylor Swift's illicit affairs. Alternative to exile!

Georg Von Trapp was a Biology Professor in the Grand Mountain Secondary School when he was appointed to teach some home-schooled teenagers. What will happen to him when found himself attracted to his students' mother, Maria Rainier? Read to find out.

Georg was thrilled at finally being able to return home to his best friend and his lover, Maria. However, little did he know that he was coming home to more than just Maria. He was coming home to be a father, to complete a family of three.

What was Georg thinking when he read Maria's note? What did he do in the days when she was at the Abbey? I have altered events a little, hope you enjoy it!

The last day of the harvest just happens to coincide with the brightest moon of the year.

A TSOM fanfic. As the von Trapps arrive in America and start preparing for Christmas, they each have to grow to adapt to the new world, while always remembering: "if God closes a door, somewhere He opens a window". Little drabble in time for Christmas.

It is Christmas Eve on a snowy battlefield in France, and Rolf is waiting to die.

A series of loosely connected one-shots based on songs from Hozier's self-titled album.

In the heat of the moment, in the silence between worlds, the human instinct is, invariably, to draw back, retreat. Withhold words and hide truth, denying the opportunity for connection because man is taught that vulnerability is dangerous and destructive. To protect, one deflects, projects, rejects, accuses. But she is different. And he is different. Where most stop, they begin.

modern AU-story: Georg von Trapp, a 23 years old young soldier meets Maria Rainer while waiting on a plattform. Then fate comes rushing in and their stories get very unexpected turns. In this modern story Georg is the brother of Liesl, Friedrich, Louisa, Brigitta, Kurt, Marta and Gretl.

"He wanted to see her face to face, wanted to speak with her, wanted her closer - not for sex, but for the haunting melody that wrung his heart. For her dress, for her mannerisms, for everything about her that made him heartsick, and yet, he clung to it like a liferaft." - Two strangers who've lost their way meet on a small Greek island far, far from home. [A/U]

The first notes from the violins interrupted the buzzing crowd, sending a murmur around the room. After a few bars, the tenor of the cello joined them, with the rest of the orchestra following moments later. A tentative glance towards the couples confirmed just how happy they were. But then, a Strauss waltz had a way of warming a cold heart, had a way of drawing a smile.

What if Maria and the Captain had recognised their feelings sooner? Would it have made any difference?

The Captain sends a letter to Maria, in hopes that she'll come back. Will she?

"Your face is all red." "Is it? I don't suppose I'm used to dancing." Liar, you can't help but think. You don't believe, not for a single second, that the delightfully pink blush staining her cheeks is because she's not used to exercise. It's something else, you think. You've seen this look before.

Brigitta is confused by Maria's depart, and when she comes back, she has many questions, and not a lot of answers. Brigitta's POV on Maria's return and the aftermath. I don't own the Sound of Music, or the characters or images, they belong to their respective owners.