New ER Script

Silence Brings Relief

By Anna Bailie and Alison Robert

Scene 1

INT. ER. NIGHT

The camera is panning around the halls of the ER, going by the front desk where Malucci and a young woman are sitting, talking over coffee animatedly. Down the hall, a baby cries and as we go by Exam One we see a woman nursing the newborn child.

In Trauma One, there is a body under a white sheet lying on the table. Dr. Benton is standing in the door, looking at it impassively. In trauma two, another young woman is talking to a young Doctor. In the Suture Room. Dr. Greene is talking to his daughter.

We follow Dr. Weaver into the elevator and rise up to Surgery. In one Operating Room, Dr. Corday are hovering over a patient while the monitor whines. Finally, they give up.

Again, we follow a very angry looking Dr. Weaver to the elevator. She goes down back to the ER where we fade out.

ER

Scene 2

INT. ER. DAY

In front of the desk, Andrew is pulling down Easter decorations and places a skeleton on the desk next to a giant rabbit. He nods with appreciation and moves to pick up the phone.

The doors are pushed open by Dr. Greene and Dr. Corday.

CORDAY

So Rachel gets in at…?

GREENE

About six o'clock. She's going to grab a cab from the station to here.

CORDAY (They're now in front of the stairs)

And you're going to tell her?

GREENE

Yes. I think she'll be happy.

CORDAY

I hope so, she's never been that warm towards me.

GREENE

She'll be happy. Or she'll get no allownace.

CORDAY laughs, kisses Mark

See you later.

GREENE

Bye.

He walks back to the lounge where Malucci is hanging up his coat and pulling on his scrub shirt and stethoscope.

GREENE

Morning, Dave.

MALUCCI

Morning Dr. G. How's the little lady?

GREENE

Dr. Corday is fine.

MALUCCI

You look happy. Did ya….?

GREENE

I wouldn't complete that question if I were you, Doctor. (Leaves)

MALUCCI (Mock salutes)

Aye aye. He got some… Lucky.

Cut to the Ambulance bay doors. A group of young people- med students come in. The group is chatting. There are two girls, and three guys. The group approaches the desk with the two girls in the front.

FIRST GIRL

Hi…. We are the new Med students….Were loooking for….

SECOND GIRL

Dr Weaver…We're looking for Dr. Weaver.

ANDREW points

Over there.

SECOND GIRL

Thanks.

The group walk over to the door of the lounge where Dr. Weaver is talking to a not interested Dr. Malucci.

SECOND GIRL

Excuse me…are you Dr. Weaver?

WEAVER

Yes…

SECOND GIRL
We're the new Med students.

WEAVER

How old are you?

SECOND GIRL

Do you really want me to sue you for age discrimination?

FIRST GUY
She's eighteen.

WEAVER

And you expect me to believe you're a Med student.

SECOND GIRL

Ummm…yea…

WEAVER points to MALUCCI

Are you from Aruba like our beloved Malucci, here.

SECOND GIRL

Like I would be caught dead in an low expectation, loser, out of country university.

MALUCCI looks shocked but WEAVER smiles. She looks around at the other students.

WEAVER
So are these people just mutes who follow you around or do they actually talk?

FIRST GIRL

We talk. We just don't talk when we're bored. We let Ana talk when she's on a roll.

WEAVER

So you have names…

SECOND GIRL

I'm Anastasia Baldwin.

FIRST GIRL

I'm Amelia Hunter.

FIRST GUY opens his mouth to introduce himself when ROMANO appears behind him.

ROMANO

Are these the recruits?

WEAVER

They're the new medical students, yes.

ROMANO

Great, new guinea pigs. Alright, you guys, come with me. (Turns around and stalks upstairs, the three guys following him like a trail of baby ducks. Except Dr. Romano is not exactly the 'mother duck' type.)

WEAVER

The storm ascends and leaves my ER. Okay, so it looks like you girls are with us. (Turns rapidly and begins to give them the three minutes tour.) That's the front desk, that's the Exam rooms, that's the Trauma rooms. I'll get someone to actually tell you where things are. (Turns around and yells at Malucci who is making his way AWAY from her) MALUCCI! Since you AREN'T doing anything useful- why don't you give the students a tour?!

MALUCCI (Walks over slowly, forlorn- DOES NOT want to do this)

Sure Chief. (WEAVER smirks and walks away) Okay, rugrats, this is my turf and I do not want any smart aleck medical student bitches messing up my career.

AMELIA

Aw… Someone got their feelings hurt?

ANASTASIA

I thought sticks and stones hurt- not words. It's not like we hit you with a dictionary.

AMELIA

Maybe big words hurt his head.

ANASTASIA
That definitely could be it.

MALUCCI

Anyway, on with the tour.

AMELIA grins at ANASTASIA

The sensitive type.

The three of them walk down the hallway with MALUCCI ocasionaly pointing out something.

Scene 3

INT . ER. MORNING

The Doctor who we saw in the preview now comes out of the lounge. He is cute. He walks out towards the desk where Andrew is on the phone.

ANDREW
Morning Doctor Ryan.

RYAN

Morning.

MALUCCI now comes up to the desk.

ANDREW
Where are the med students?

MALUCCI

I loaded them off on Yosh, he was happy to complete the tour. (Sees Dr. Ryan) Kevin! How about the game last night! The Bulls totally annhialated the Knicks.

KEVIN

It was good. (MALIK comes up to the deak ) Speaking of basketball games, Malik- I believe you owe me some money. The Knicks bombed.

MALIK groans

I thought my team could pull it off. (Pulls out some cash)

WEAVER comes up to the desk.

Sorry to interrupt this testosterone party but we actually have patients to treat. Dr. Ryan- would you mind taking the diahrrea in Exam Two?

KEVIN (strained smile)

Sure thing. (Weaver walks away and Kevin turns to Malucci) Bitch.

MALUCCI

Too true.

Scene 4

INT. Surgery floor. Noon

Elizabeth is in her office, eating a salad and dictating charts.

CORDAY

… Mr. Blakely experienced no post surgical complications and now has been in recession for one week…

ROMANO raps on her door.

CORDAY turns off her recorder

What do you want, Robert?

ROMANO

There's an interesting rumour going around the hospital, Lizzie.

CORDAY

I swear I wasn't the one who leaked the Gretel story.

ROMANO

That wasn't it. (Pauses, shakes his head) Anyways- the rumour is that you and Greeney down in the ER are engaged.

CORDAY looks at him

It's true.

ROMANO

It's true?

CORDAY

Yes. We were going to announce it later today, but I guess some people guessed when I came into work wearing a diamond. (Holds out her hand)

ROMANO

I would have bought you a bigger one. (Leaves)

One of the med students appears at the door, holding a toothbrush.

Wasn't Dr. Romano here?

CORDAY

He just left.

STUDENT

Oh. Well, tell him I finished cleaning out the sinks.

CORDAY

He didn't.

STUDENT

He did.

Scene 5

INT. ER. Early Afternoon

KEVIN comes out of Exam Four and goes to the desk.

KEVIN

We can discharge Mr. Anderson.

ANDREW

Okay…

KEVIN walks towards the board, looking at the cases. He bumps into Ana.

KEVIN

Oh, sorry…

ANASTASIA

Yeah. But I should have watched out for people walking towards me.

KEVIN

Have we met?

ANASTASIA

I don't think so. I'm Anastasia Baldwin. But call me Ana. I'm a new Med Student.

KEVIN

Kevin Ryan. Second year resident.

ANA

Mind if I follow you around a bit today, looking at the cases?

KEVIN

Not at all. (Scans the board) Why don't we take Head Lac in Exam One?

ANA

Sure.

Scene 6

INT. ER. Afternoon

A trauma comes bursting through the doors.

PARAMEDIC

Good afternoon!

MARK comes from behind the desk

What do we have?

PARAMEDIC

African-American man, approxamitley 30 years old. Stab wound to the back. No ID, no wallet.

MARK

Look's like a mugging, someone get Peter down here! (They pull him into Trauma 1)

People being calling out things

B.P. 90 over 40!

Resps 60!

MARK

Okay, he's losing a lot of blood. Let's prep for lavage.

PETER comes through the doors

What's the case?

MARK

Thirty year old African man. Looks like a stab wound through the spleen.

PETER

Okay… (Comes over to take a look and stops) Oh my god.

MARK

What?

PETER

That's Frank Myers. We were buddies in high school.

HALEH

Frank Myers? Thanks for he ID . (Bustles out)

PETER

Dammit… We gotta get him to surgery.

MARK

There's no possible way we can move him. He's too unstable.

PETER

He's gotta get to an operating room!

MARK

Let me stableize him first.

PETER

Fine. Let's do this.

Scene 7

EXT. Ambulance Bay. Afternoon

A cab pulls up to the Ambulance Bay doors, and Dr. Carter steps out . he gives some money to the driver, pulls his bag over his shoulder and walks into the ER. Dr. Weaver is at the desk, signing a few charts.

WEAVER

Carter? Ready for your first day of work?

CARTER

As ready as I can be, I guess.

WEAVER

Great. Looks at the board. Why don't you get settled and maybe take a few of the smaller cases and work your way up?

CARTER nods

Sure.

CARTER turns around and heads into the lounge, opening the door to find ANA pulling on a shirt

ANA spins around

Whoa! Knock!

CARTER

Sorry. I don't think we've met, I'm Dr. Carter. I'm a Resident here.

ANA sticks out her hand

I'm Ana Baldwin. Med student. This is my first day here.

CARTER

Nice to meet you.

ANA pulls on a short lab coat

Same here. See you around. (Heads out the other door)

CARTER opens up his old locker, and it's completely empty. He looks at it and puts his bag in. He closes his eyes and rests his forehead against the metal.

Scene 8

INT. ER. Afternoon

ANA heads out of the lounge, over to the desk where AMELIA is looking through a stack of charts.

ANA

Hey! I haven't seen you all day!

AMELIA

Me either! How're things going?

ANA

Things are going very well, I met a very cute resident.

AMELIA

Good job! (checks her wrist- no watch) Dammit, I forgot my watch. What time is it?

ANA checks her watch

About two o'clock. We're on until eight.

AMELIA

We have six more hours?

ANA

I know.

AMELIA

This is going to be a long day.

The intercom beeps, Kerry looks up

KERRY

Can one of you girls get that?

ANA
What do we do?

KERRY

Say it's county and ask what's coming in.

ANA grabs the microphone and pushes the button

This is County- what's going on?

INTERCOM

This is 34. We've got a pregnant woman coming in,stabbed in the leg, full labour. She's 36 weeks.

ANA

How long 'til you get here?

INTERCOM

About three minutes. 34 out.

ANA turns to KERRY who's calling for MALUCCI

What do we do?

KERRY

We get prepped, you two can help.

Scene 9

INT. Lounge. Afternoon

CHEN is sitting crying on the lounge couch. MALUCCI walks in.

MALUCCI walks over to her.

Hey Babe, whats up?

CHEN wipes her eyes.

Nothing…

MALUCCI sits next to her and puts his arm around him.

There is something wrong.

CHEN turns away from MALUCCI.

Well… I think I might be…pregnant.

MALUCCI looks completely shocked

Who's the father?

CHEN begins to cry again.

I I I I don't know…

MALUCCI

How can you not know? Is it someone here at County?

CHEN

I think so…I think it might be whoever drove me home from that big ER staff bash.

MALUCCI

But… I drove you home…we didn't have sex…did we…

CHEN

I don't remember, I was too drunk.

MALUCCI

I… I…. I have to go. (Gets up and leaves)

Scene 10

EXT. Ambulance Bay. Afternoon

The Ambluance pulls into the Ambulance Bay, where Kerry is waiting with Ana, Amelia and Kevin are waiting for it. The paramedics jump out, pulling out the gurney.

PARAMEDIC

Lisa Walter, 25, stabbed in the leg. She's 36 weeks along in her first pregnany, she's dilated 4 centimetres.

KEVIN

HI, Mrs. Walters. How were you stabbed?

MRS. WALTER gasping for breath

I was walking along the lake, and this guy comes up to me and demands I give him all my money I hand over my purse but he thought I was hiding some money in my pockets and he stuffed his hand in my pocket and when there wasn't anything he stabbed me.

KEVIN

Okay now, we're going to fix up your leg and then see what we can do about your husband.

AMELIA is holding a clipboard

Do you want us to call your husband?

MRS. WALTERS nods

Yes, please. His number is 555-8052.

AMELIA

Okay, I'm going to go call him for you.

They pull the gurney into Trauma Two, move her over to the bed.

KERRY

Superficial wound, we just have to stop the bleeding. She's losing it fast.

KEVIN

Could it be an artery?

KERRY

I don't know, I just need some suction. (One of the nurses clears the wound) Dammit, looks like he just nicked it. We need to get her up to surgery.

KEVIN (has been examining her)

She just dilated another centimeter. She's not going to make it to surgery. We're going to have to repair it down here.

KERRY

Fine. Get me a scalpel.

MRS. WALTERS

What's going on?

KEVIN

Mrs. Walters we have to repair your leg, an artery was nicked by the knife and you wouldn't make it to surgery AND have the baby. We're going to repair it down here and then get you up to OB. We're going to put a local anesthethic on your leg so you're not going to feel a thing.

MRS. WALTERS

Okay.

Scene 11

INT. Deck. Day

Amelia is at the desk, dialing.

AMELIA

HI- I need to talk to Mr. Walters. Yes, hello sir, I'm Amelia Hunter at County General. Your wife has just been brought it, she was mugged and stabbed in the leg. (Listens) The baby is fine sir, but it is coming. I would suggest you get down here.

Scene 12

INT. Trauma 2. Afternoon

MRS. WALTERS is writhing in pain, tears streaming down her cheeks.

MRS. WALTERS

The baby…. Is coming…..

KEVINmoves and pushes drugs into her IV

KEVIN

Not yet…. We're giving you some drugs to keep it in there for a little while.

KERRYis working on her leg

KERRY
Dammit, I'm nearly there…. There! (Ties it off) Push the hormones…

Scene 13

INT. Desk. Afternoon

AMELIA is sitting at the desk. A man approaches the desk.

AMELIA

Hi, can I help you?

MAN

I'm Mr.Walters someone phoned about my wife.

AMELIA smiles

I'm Amelia Hunter I'm the one that phoned you. Your wife is doing fine. If you'll follow me I'll take you to see her.

AMELIA walks towards the Trauma Room Two doors.

AMELIA

You wait here while I go in and make sure everything is alright.

MR. WALTERS peers through the closed doors. AMELIA pokes her head out, a baby wails behind her.

AMELIA

Mr. Walters, why don't you come in and meet your son?

Scene 14

INT. Trauma 2. Afternoon

KEVIN and ANA are cleaning up the Trauma, KEVIN is finishing writing the chart. ANA turns off the monitors and shakes her head

ANA

That was… incredible.

KEVIN

Hmm?

ANA

I mean, I've watched videos on birth and all that, but being there, holding that woman's hand- it was amazing?

KEVIN smiles, puts down the chart.

I remember the first time I delivered a baby, I was in my last year of internship and this girl who couldn't have been older than fifteen came in. She was experiencing belly pain. She didn't even know she was pregnant- she had just thought she had gained a lot ot weight. So when she realizes it, she's screaming and crying and I was the only doctor there, so I was screaming and crying. In the end, she had twins. It's was really…. Very memorable.

ANA

It sounds it. Do you have anymore stories you could tell me… say, over coffee?

KEVIN

I think I might have a few.

Scene 15

INT. Corridor. Afternoon

CHEN is walking through the halls, reading a chart. She doesn't notice anyone- until she literally runs into MALUCCI.

MALUCCI

Listen, Jing Mei.

CHEN

You know what? Listening is the last thing I want to do right now, I have patients. (She keeps walking)

MALUCCI jogs beside her

You know, you're going to have to talk to me sometime you know. If I'm the father- (Chen pulls him into a curtain)

CHEN hisses

Do you want the ENTIRE hospital to hear? Fine. Talk.

MALUCCI

We need to discuss this. If I am the father, I'm going to want to take some responsibility.

CHEN

That'll be a first.

MALUCCI

I don't need to hear your jokes right now. Do you want me to take a paternity test once the baby is born?

CHEN

No. I'm pretty sure it's you. I am just really confused right now, I need some time to think. I'll call you. (She leaves)

MALUCCI sighs

AMELIA pokes her head into the room

Dr. Malucci- I saw you come in here, want do you want me to do about Mr. Boswoski?

MALUCCI

Who the hell is Mr. Boswoski?

AMELIA

The gangrenous toe in Exam Two you signed up on a few minutes ago.

MALUCCI

I'll be there, in a moment.

AMELIA

Are you okay?

MALUCCI

Yeah, yeah, I'm fine.

AMELIA

Well, if you ever want to talk.

MALUCCI

No. I do not want to talk (pulls her towards him, kisses her and then lets her go) . Allright, let's go visit Mr. Boswoski.

AMELIA

What the hell?

Scene 16

INT. Trauma 1. Afternoon

We're in TRAUMA TWO and Mark and Peter are still working on the Guy. But, on the monitor there are very few beats…. Mark steps back and looks at the monitor as it changes into a whine. Peter is still working….

MARK (To a Nurse)

How many times have we lost him?

NURSE

Three times in an hour.

MARK

Fine then. Let's call it….

PETER

No! We are not calling it, we can still save him!

MARK pulls off his gloves

No we can't, Peter. I'm sorry, but he's dead. (Glances at the clock) Time of death, 15:23.

MARK leaves and PETER looks down on the face of his buddy.

Scene 17

INT. Lounge. Late Afternoon

ANA is sitting in the lounge leafing through a large textbook. KEVIN comes in through the doors looking stressed.

KEVIN

Hi, Ana.

ANA

Hi. (Still looking through the textbook)

KEVIN

What are you reading?

ANA

A textbook.

KEVIN goes and sits next to Ana on the couch.

Whats your problem?

ANA

Nothing.

KEVIN puts his arm around her.

Maybe this'll cheer you up. (He leans and kisses her)

ANA closes her book and smacks him on the head. She gets up and walks towards the doors.

Doctors…(rolls her eyes and leaves)

KEVIN

What…

Scene 18

INT. Desk. Evening

Above the desk, the clock hits 6 o'clock. Andrew looks up

ANDREW

I'm going to make a dinner run. (Closes his eyes, and randomly pulls out a menu) Vittorio's Pizza it is. (Looks to Dr. Malucci) What sort of pizza d'you want?

MALUCCI

I'll get a medditeranian if someone will share it with me?

ANDREW

'Kay.

He walks down the hall where Amelia is coming towards the desk.

ANDREW

We're ordering pizza. What sort do you want?

AMELIA

Ooh- could I get a mediteranian?

ANDREW

Sure. That's two for medditeranian.

AMELIA

Who else wants that?

ANDREW

Oh, Dave.

AMELIA smiles and makes her way to the desk to stand beside MALUCCI

AMELIA

You're a Medditeranian boy?

MALUCCI

Huh? Oh… yeah.

AMELIA

I just drained Mr. Boswoski's toe. (Shudders) Got anything for me to do?

MALUCCI

Um, I don't think so.

AMELIA looks at him weird.

You are really out of it. (Walks away, slapping him on the butt) Wake up.

MALUCCI looks after her, leaning to watch her walk away

Scene 19

INT. Curtain 2. Evening

ANA leaning over an elderly women.

Now, Mrs. Platz take one of these with every meal and try not to forget.

MRS. PLATZ

I'll try.

ANA smiles at her and leaves. She walks up to KERRY.

I gave Mrs. Platz her pills, is there anything else I can do before I go get something to eat?

KERRY

Nope, just be careful of the coffee over at the Doc's.

ANA grins.

I will.

AMELIA comes to talk to ANA.

I heard about what you did to Dr. Ryan.

ANA walks toward the lounge doors.

Who told you?

AMELIA

Dave.

ANA

Does everbody know?

AMELIA grins at her.

If I have anything to do with it they will.

ANA shrugs.

Whatever… do you want to get something to eat with me?

KEVIN walks up behind her.

I do.

AMELIA

Sorry, I already ate. See ya later I have to go help Dave.

ANA turns around to look at KEVIN.

I guess it's just you and me then. (She smiles at him).

Scene 20

INT. Airport. Evening

Mark is waiting at the airport, above the door is a sign 'ARRIVING: FLIGHT 278 FROM ST. LOUIS'. A bunch of people come out, finally Rachel appears amid the mass of people.

RACHEL

Dad!

MARK gies her a hug

Hey- how are you doing?

RACHEL

Good.

MARK

It's great to see you! C'mon, let's go grab your stuff.

Scene 21

EXT. Ambulance Bay. Evening

An ambulance pulls into the Bay, Dave and Amelia come out to meet it.

The doors open to reveal a group of very ill looking kids, along with a very worried mother. The paramedic jumps out.

PARAMEDIC
A bunch of kids, ate some bad shell fish. Probably just need some compazine.

DAVE sighs

The glamour of a career in medicine.

AMELIA shoots him an amused glance

Oh stop complaining. (Helps mother herd the staggering kids into the ER)

Another Ambulance comes up right behind it, this time Kerry and Elizabeth are there to greet it, obviously prepared for a Trauma. And it very serious. A blood spattered Paramedic opens the doors.

PARAMEDIC #2

Major heart attack. Male 52, first heart attack but has a history of angina.

Elizabeth takes one look at him and grabs the gurney.

ELIZABETH

He is going straight to surgery.

KERRY

Go ahead…..

ELIZABETH pushes the gurney through the doors, almost running over Mark and Rachel.

(Calling over her shoulder) Major heart attack. Got to take a rain check on dinner!

MARK calls back

Okay!

RACHEL waves feebly

Hi Elizabeth.

But Elizabeth has already rounded the corner.

MARK looks at Rachel

Doc Magoo's?

RACHEL

Sure!

Scene 22

INT. ER Corrdior. Night

Amelia is carrying a bucket down the hall, an unpleasent look on her face. She comes to the drug locker. Dave is looking through the shelves.

AMELIA

We're going to need A LOT of compazine.

DAVE

I know, I know. Geez- how much bad shell fish could those kids have ate?

AMELIA

At least a bucket full. (Holds up the bucket)

DAVE crinkles his nose

AMELIA squeezes in beside him.

Where's the compazine?

DAVE

I don't know… I usually send one of the nurses in here to get drugs for me.

AMELIA

Oh you're so dependent.

DAVE

No! It's just- I don't know where the compazine is.

AMELIA scans the case.

Try right in front of you. (Steps a little bit in front of him, grabs a couple of boxes, Dave sniffs her)

DAVE

You smell nice.

AMELIA

Next to a bucket of puke, I bet I smell wonderful.

DAVE

No, you smell nice. (Her back is now against the case, he leans towards her and they are inches apart…. When KERRY arrives at the window)

KERRY

MALUCCI! I have eight kids barfing all over my floors, get their compazine right now!

DAVE leans back

Aye, aye, Chief. (Amelia slips under his arm and leaves the locker)

Dave finds her just outside the locker

DAVE

Somehow I seem to have worst timing in the world.

AMELIA

I know. Come on, we have six barfing kids to deal with.

Scene 23

INT. Doc Magoos. Night

ANA and KEVIN are sitting in a booth at Doc Magoo's. A waitress is taking there orders.

ANA

I'll have a tomatoe sandwich please, on brown bread.

KEVIN

I'll have a hamburger, with everything, and two coffee's.

The waitress leaves.

ANA

So do you have a girlfriend, a spouse, a significant other, a partner or a pet?

KEVIN

No…A pet? (Looks at her quizzicaly)

ANA

You'd be surprised…anyway so you're unattached then, how interesting.

KEVIN

What do you mean by that?

ANA

Well, you're an attractive young doctor without a girlfriend. Are you gay?

KEVIN

Hell no. (Gets up and moves to sit next her. He puts his arm around her)

ANA

I must say I am relieved.

Scene 24

INT. Doc Magoos. Night

MARK and RACHEL come into Doc Magoo's and find a booth. They sit down.

MARK

Sorry Elizabeth couldn't make it. As you saw, we're pretty swamped.

RACHEL

That's OK. I got used to it whenever you couldn't show up. (She pauses, looks out the window) Did you know that Mom and Craig are breaking up?

MARK sits straight up

No- I didn't. When did they decide.

RACHEL

Not too long ago. But they've been fighting for a long time. (Eyes Mark) I thought that was why you invited me here for the weekend.

MARK

No…. I invited you here to tell you something…. Elizabeth and I are getting married.

RACHEL

Oh.

MARK

Well?

RACHEL

Congratulations. I guess….

MARK

What do you mean by 'I guess'?

RACHEL

I dunno. I just don't really know her.

MARK

Well why don't you take this weekend as an opportunity to get to know her. For me?

RACHEL

Okay, I'll try…

Scene 25

INT. ER. Night

Opposite of first scene, starting in the ER and working around.

THE END
November 5, 2000