A/N: They all belong to Jonathan Larson.
Auto-pilot.
Approach the desk.
Clear your throat.
Get the attention of the brunette behind the desk.
"Yeah, uh, Mark Cohen to see Alexi Darling.
"Oh right… you're late…"
"Yeah, well, you see, I was at my frie…"
"Sit down Mr. Cohen.
Waiting.
Waiting some more.
Pick up a magazine.
Read movie reviews from last year.
Waiting.
Roger left.
We fought.
What's wrong with being in love with your work?
Why would I be a starving filmmaker if I weren't in love with it?
I look around the office I wait in.
I feel the plush cushion underneath me.
I remind myself I'm no longer starving.
I don't hide.
Really.
I turn the page of the magazine.
If I don't hide, then why am I here?
Why didn't I go with Collins and Benny?
Why didn't I just cancel this meeting and be with my friends?
No, I didn't sell my soul…
"Mark Cohen? She's ready for you."
I follow the brunette through a maze of cubicles.
She reminds me of someone.
Mimi.
We had her, for a few seconds.
She was going to get help.
But she ran.
The brunette points me to an office.
A large, corner office,
Looking down at Central Park.
The room could swallow me.
Roger's voice echoes repeatedly in my head.
I'm not a failure.
I pick up another magazine.
There is no one left to see my success.
Angel is gone.
Roger is gone.
Mimi is gone.
Success?
No, no, I'm not a success.
This isn't what I wanted.
No matter how much I pretend.
I've forgotten every dream I set for myself.
"You're always preaching not to be numb, when that's how
you thrive."
I'm not numb.
That is just what I let you see.
Don't you know, Roger?
"You pretend to create and observe when you really detach
from being alive."
I'm a filmmaker.
In order to get the perfect shots, you must step away.
Make the others forget you are there.
You must not get emotionally involved.
Or at least not let them see you get emotional.
"Mark Cohen! Glad you could finally make it!"
Stand.
Reach out your trembling hand.
Smile.
Ignore the tear dripping down your cheek.
