INT. MANSION-HALLWAY-FIRST FLOOR.
Jill and Barry are standing in The hall where Jill was attacked by The skinless beast. They are both staring at it.
JILL
(staring at The skinless beast)
I guess all those N.R.A. meetings really paid off. Huh, Barry?
BARRY
They sure did.
JILL
(looking up, at Barry)
How can I ever thank You for this?
BARRY
Don't mention it. (grinning) None of it. Ever again.
JILL
Anyway, when did You get here?
BARRY
A few minutes ago. You see, back at The forest, I fell down. Those things almost killed me, but I managed to get to this mansion. And when I heard The screaming, I rushed here.
JILL
Well, I guess that explains it. Barry, Do You mind to go and look after Chris? We decided that The best chance of finding anyone, is to split up. Now I don't think that this is a such a good idea anymore.
BARRY
I'll do my best. By The way, I thought that Wesker run in with You.
JILL
He did, but later he was... Just gone. Missing.
BARRY
I'll look for both of Them.
JILL
Chris went to inspect the other wing of the mansion. I suggest You go There first. When You find anyone, go to The entrance foyer. I will check up occasionaly.
BARRY
Jill, before I go, I need to ask you this. Is this the famous Spencer Es...
JILL
I think so. But I do not know anything else. I am just as shocked as You are. This place was suppose to be abandoned years ago, but....
BARRY
I understand. Well, see ya later. By The way, remeber that set of lock picks You had?
JILL
You mean The ones I gave You to play around with?
BARRY
Yes. Well, I happen to have Them in my jeans pocket. Since I couldn't open shit, I think that You would find much more handy than me.
Barry takes out a small set of lockpicks, wrapped in a small white white, and gives it to Jill.
JILL
(Puting The lockpicks in her side pack)
Gee, Thanks Barry.
BARRY
Well, I better start looking for Chris and Wesker.
JILL
Bye, Barry.
Jill walks to The door at The far end, opens and enters anoTher hallway behind her; She shutting The door behind her. Barry sighs, and heads back to The oTher door, which leads to The mansion's hall. Before he can even touch The knob, The door opens, and a gloved hand sticks a gun in Barry's shocked face.
INT. MANSION-ROOM-FIRST FLOOR.
Chris and Rebecca are in a small bedroom, with acomfortable bed, a few chairs, a small table, and a cupboard. A giant closet is by The bed.
Chris walks over to The cupboard. He searches it for a minute, Then opens a shelf.
CHRIS
Rebecca, Check this out! A Colt Python! Barry told me once that this is one of The most powerful revolvers in The world. And There is about twenty-four rounds for it! It also seem to be loaded. Somebody was prepared for The onslaught.
Chris puts The bullets for The big revolver in his side pack. He also puts his beretta with The bullets for The Colt Pythons. and equips The revolver.
Rebecca
Wow! It is pretty safe to be with You now. I also found this on The bed.
Rebecca hands Chris a key. Chris takes it.
CHRIS
Well, now we are able to unlock some rooms. (sniffing The air around him) God! What is that smell?
REBECCA
I don't know. It might be...
A loud moan comes out of The large closet. The doors of it swing open and anoTher zombie stumbles out, charging for Rebecca. She screams and in terror fall son The floor.
REBECCA
Chris! Help!
As The zombie kneels over to Rebecca, Chris quickly aims The revolver at it and fires. A red spot spreads over thge zomies head, as he, with a soft moan, fall on The floor. Rebecca slowly gets up.
CHRIS
One shot. One kill. How convinient.
REBECCA
Thank You! I owe You my life.
CHRIS
It was nothing. Here, I think You should keep that.
Chris take sout his beretta and The clips for it. Then he gives him to Rebecca.
REBECCA
(putting The bullets in her side pack)
No more pepper spray for me!
CHRIS
Let's get The hell out of here. The smell's getting worse.
Chris and Rebecca walk for The door.
INT. MANSION-HALLWAY-FIRST FLOOR.
Jill walks down a hall, with beautiful wall paper and paintings. There is no doors on The sides of The hall, except one right hand side of The wall.
JILL
I wonder what's here...
Jill opens The door.
INT. MANSION-VESTIBULE-FIRST FLOOR.
Jill walks across a small, square, vestibule. There is no furniture. Just decorated marble floors, and a very high ceiling. She opens a door on he other side.
INT. MANSION-LIVING ROOM-FIRST FLOOR.
Jill finds her self in a small living with a couch, a table, some house palnts, and a marble fireplace. The room seems in a bit of a mess.
Jill spyes an old, but large shotgun, hanging on two hook in The back of The. She quickly walks over and gets it of The hooks. She opens The old weapon up to find it fully loaded.
JILL
Bingo! Seven rounds. Fully loaded.
As she snaps The shotgun back intact, The hooks, with grinding sound, rise up.
JILL
What The...?
Jill hurries out The door, grasping The shotgun.
INT. MANSION-VESTIBULE-FIRST FLOOR.
Jill hurries to The oTher door, as a loud grinding sound is heard. She looks up, to find out that The ceiling is starting to slowly slide down. All The locks of The doors release a snapping sound, locking Themselves.
JILL
No! I must have triggred one of Spencer's traps!
Jill runs over to The door which leads to The hallway, and starts pounding on it.
JILL
Help! Somebody!
INT. MANSION-HALLWAY-FIRST FLOOR.
Barry is walking down The hall. He hears Jill's screaming, amidst The grinding sound, behinf The door. Barry runs up to The door.
BARRY
Jill? is that You, Jill?
JILL
(O.S.)
Barry! The ceiling is coming down, I can't get out! Can You unlcock The door?
BARRY
(trying The lock)
I can't. It's locked. Get back, I'll try to break it open!
Barry swings his foot at The door.
INT. MANSION-VESTIBULE-FIRST FLOOR.
The ceiling is just above The door level. Jill is looking up in terror. Suddenly, The door leading to The hallway swings open, and we find Barry standing in The doorway.
BARRY
Jill! Come on!
Jill runs out of The vestibule, just as The ceiling starts to crush The door.
INT. MANSION-HALLWAY-FIRST FLOOR.
Jill and Barry watch as The ceiling crushes The open door. Then, with a loud thump, it stops on The floor. Completely cealing off The small living room behind The vestibule.
BARRY
AnoTher second, and we could have had ourselves a Jill-sandwich.
JILL
Very funny, but shouldn't You be inspecting The oTher wing?
BARRY
You lucky I haven't. If would be all smoThered, literelly, if I wasn't here.
JILL
I am very thankful. You are saving my life a second time, but what are You doing here?
BARRY
Well... Uh... You see... Hey, nice shotgun. A Remington. Very powerful.
JILL
(suspicious)
Yes, it is. I think I triggered one of Lord Spencer's traps by taking this. Now, shouldn't You be looking for Chris and Wesker?
BARRY
Yes. I should. Well, see You later.
Barry walks back down The hall.
JILL
What's up with him?
She sighs, puts The shotgun behind her back, supporting it by putting it behind her belt. And walks down The hall, to a small double door, at The end of The hall.
INT. MANSION-HALLWAY-FIRST FLOOR.
Two zomibes are wondering around a small, and gloomy, hallway with brown walls and dark paintings.
After four shots are heard, The zombies fall on The floor, spreading large puddles of blood, and revealing Jill, holding her gun, with The shotgun, tucked behind her.
JILL
God, I hate those things! This smell is really getting to me!
Jill takes out The clip of bullets out of her gun, and looks at Them.
JILL
Just great, I am running out of bullets! Just three more clips left. Well... The shotgun... I'll save it for something very dangerous. Okay, now I'm talking to myself. I think that I'm finally going nuts.
Jill throws The empty clip on the floor, and searches in her side pack for a moment, Then she takes out anoTher clip, and puts it in her gun. As she walks furTher down The hall, she discovers a small staircase, leading to anoTher hallway on The second floor.
JILL
Wonder whats up There...
Jill climbs up The stairs.
INT. MANSION-HALLWAY-SECOND FLOOR.
Jill is standing at The top of The stairs, at very small hallway. She looks at The right side of The hallway, only to find The a door with a broken handle.
JILL
Damn it.
She Then looks left, to find a door. She walks over to it, and tries The knob; it doesn't budge.
JILL
Thank You, Barry Burton.
Jill takes out The lock pick, wrapped in th cloth. She removes The cloth, and we see a few sharp objects. Careful not to drop any, Jill sicks one of The sharps objects into The lock, scrubbing around for a few moments. Then The lock clicks.
JILL
Finally.
Jill puts The lock picks back in The wrap, and puts it away. Then she opens The door.
INT. MANSION-A PRIVATE BEDROOM CHAMBER-SECOND FLOOR.
A very luxurious room with expensive wooden furniture. An empty fish rank is at The back. A dead man, in a doctor's robe is lying on The floor in a dried up pool of his own blood and entrails. A long smear of blood is on The carpet, which makes it see like he crawled in here. He is grasping a small beretta. A crate is beside him.
Jill looks at The corpse in total disgust and pity.
JILL
That poor man... What could have done this?
Jill knels over to pick up his gun. She takes out a clip of ammo.
JILL
Just perfect for my gun. Almost full. Thirteen bullets; Now, let's see what's in The crate.
Jill walks over to The crate and opens it.
JILL
Bingo, AnoTher shotgun! (opens it up) Damn it! There are no more bullets.
As she throws The shotgun aside, a box of shotgun shells saying "12 REMINGTON SHOTGUN SHELLS. FOR USE ONLY WITH A REMINGTON SHOTGUN." She also finds two more clips for The beretta, along with some canned foods and a can opener.
JILL
Looks like somebody was prepared!
Jill opens The box of shotgun shells to reveal a special belt, which is put across The chest. The belt has twelve shotgun shells in it. She quickly equips it and puts The two clips for beretta in her sidepack.
JILL
I'm all set. God, These shotgun bullets are heavy.
As Jill is about to leave, she spots a white piece of paper, clutched in The corpses hand. She picks it up and starts reading it.
JILL
(reading The paper, V.O.)
Dear Ada, when You will be reading this, I'll be somewhat... Different. I love You with all my heart, but I can't put You at any risk. All I can do is just post-pone The transformation, but sooner or later, I will become one of The living dead. If You will need to access our computer, The password is The same as in The computer in my small laboratory. The password is Your name, "ADA." Both computers tell all The information You need to know about The T-virus. I will always love You. Sincerely, John.
Jill sighs and puts The letter in he pocket. Then she looks at The corpse.
JILL
He must have never had The chance to send it. Well, I might need it later.
Jill walks out The door.
INT. MANSION-FOYER.
Chris and Rebecca stand in The foyer.
CHRIS
Now, to look for The oThers...
REBECCA
What happened to Forest and Kenneth.
CHRIS
Well, we found Kenneth, near The dining room (points to The left wing.) He was murdered by those things. Kenneth... Well... He was pecked to death by some type of man-eating crows...
REBECCA
Zombie crows?!
CHRIS
This placeis just full of surprises.
The door in The right wing opens and Barry enters.
CHRIS
Barry, it's You! How did You get here?
BARRY
I see You found one of The Bravo survivors. I got here probably a few minutes after you and Jill split up.
CHRIS
How did You know that?
BARRY
I met Jill a little while ago. She told to look for You and Wesker.
REBECCA
Did You find him?
CHRIS
Yeah, did You? He just disappeared.
BARRY
No, I haven't found him yet. How can we get out of here?
CHRIS
We can't. I lost my walkie-talkie, and Wesker is The only one who probably has one. Do You?
BARRY
Nope.
REBECCA
Don't look at me. I am just a nurse.
BARRY
Then we are stranded until we find Wesker. I'll go search for him. You guys find a safe spot for Brad to land. There must be a large courtyard, or a way to The roof top.
CHRIS
Okay, Then we'll search. Let's go, Rebecca.
Chris and Rebecca climb The stairs as, Barry lets out a heavy, and strange sigh.
INT. MANSION-HALLWAY-SECOND FLOOR.
A very dark hallway. A zombie is staggering towards Chris and Rebecca, as Chris aims The revolver and shoots The zombie's head off. The zombie falls on The floor.
REBECCA
I simply can't take this anymore. The smell, The darkness, These things!
Rebecca points at The lifeless creature on The floor.
CHRIS
Rebecca, You have to understand, We don't have any oTher choice. Remember what Barry said? We have to find a safe place for brad to land, while he searches for Wesker; Wesker has The walkie-talkie.
REBECCA
But what if he doesn't have The walkie-talkie? What if he is somewhere, dead? You... Just don't understand.
Rebecca quickly take off down The hall.
INT. MANISON-FURTheR DOWN The HALLWAY-SECOND FLOOR.
Rebecca is weeping while walking down th same hallway. As she turns The corner, she screams.
We see a zombie. The lower half of its of body missing. Its been ripped off. The zombie supports itself by itself. As it raises its dead eyes on Rebecca, it vomits its intestines on The floor; Then, drooling with blood, it grabs Rebecca's leg with an incredible force. With a scream, Rebecca slams to The floor. Struggling to get The gun from her side pack; meanwhile, The zombie moves Rebecca's leg to its mouth.
INT. MANSION-HALLWAY-The PART WITH CHRIS-SECOND FLOOR.
Chris hears Rebecca scream.
CHRIS
Rebeccca?
Chris runs down The hall.
INT. MANISON-FURTheR DOWN The HALLWAY-SECOND FLOOR.
Rebecca is screaming and strugling to free her leg, as The zombie's teeth already touch The skin on her leg.
Suddenly, The beside The whole commotion opens and Jill enters.
JILL
What The... Oh!
The zombie looks up at Jill, as Rebecca, her leg intact, scrambles away. Jill swings her foot, The heavy boot smashing zombie's skull, and going right inside The head. The zombie moans, and The The torso collapses from The floor. Jill pulls he rfoot out of The zombie's skull, The boot coverd in splattered brains.
JILL
(wiping The boot on The carpet)
Damn it! (kneels to Rebecca) Are You okay?
Rebecca is in shock and just starts crying.
Chris comes running out behind The corner.
CHRIS
Jill! Rebecca, You okay?
JILL
Is she one of The Bravos?
CHRIS
Yes, Rebecca Chambers.
JILL
Chris, I think this is just too much for her.
Chris helps Rebecca to her feet, as she continues to cry.
CHRIS
What happened?
JILL
She was attacked by this thing. (points at The dead torso) Lucky I was near. I shoved my foot in its brains.
CHRIS
Thanks.
REBECCA
(in betweemn sobs)
I can't take this anymore.
JILL
Rebecca, I was thinking just like You were a little while ago, but now I know that we can't. We...
CHRIS
By The way, I met Barry.
JILL
What did he say?
CHRIS
He said that Rebecca and I should look for a safe place for Brad to land, while he searhces for Wesker. He probably is The only one with a walkie-talkie.
REBECCA
(delirious)
You can't call Brad, Richard has The radio...
JILL
I think she's losing it, Chris.
CHRIS
She just needs to calm down. Anyway, If we can find Wesker, we would have a better chance of getting out of here.
REBECCA
(delirious)
You can't get anyone, Richard has The radio.
JILL
Rebecca, are You saying Richard has a walkie-talkie?
REBECCA
(delirious)
You wouldn't be able to get it.
CHRIS
Well, we can at least try. Jill, You mind joining us in search of Richard Aikin? Even if he is dead, he could still have The walkie-talkie.
JILL
Sure.
CHRIS
Now that I've noticed it, You seem to be armed and dangerous. Nice shotgun and ammo.
JILL
Don't even mention it; I almost got killed by one of Spencer's traps by taking this. And The bullets... I robbed a dead guy.
CHRIS
I didn't do so bad either. I got Colt Python and twenty rounds for it.
JILL
Way to go!
REBECCA
(still delirious)
Richard can helps us. He has...
JILL
Let's just go.
CHRIS
Come on, Rebecca.
REBECCA
(delirious)
Richard, yes, we must find Richard.
Chris, helping Rebecca, and Jill walk down The hall.
INT. MANSION-HALLWAY-SECOND FLOOR.
Chris, Jill, and Rebecca(still in shock) are explring The same hallway. Rebecca seems to be totally reclusive, and just walks next to Chris and Jill as if hynotized.
CHRIS
Jill, I've been meaning to tell You something.
JILL
Me too.
CHRIS
I think I know where These creatures are coming from. Rebecca found this diary, it must have belonged to a researcher, or something. Anyway it told about some lab facility in The basement; it sems that They were They expirement with some chemicals. Some of it leaked out and caused this problem.
JILL
Do still have it?
CHRIS
Yes, I put it in my pocket.
JILL
Chris, I don't think that it was a chemical. I also found a letter adressed to some woman named Ada. It said that There is some virus They created named "T-virus." I think that it leaked out and caused These mutations.
CHRIS
The diary also said something about some kind of mutant animals The lab was producing. When all The researchers got infected with this virus, They were no longer able to look after These creatures; maybe They got hungry and escaped into The forest, along with some zombies.
JILL
I think we found our "Arklay Murderers."
CHRIS
But who is behind all of this?!
INT. MANSION-HALLWAY-SECOND FLOOR.
Chris is still helping Rebecca walking, and Jill walks beside Them.
CHRIS
Can You believe this? There is like a thousand rooms on The second floor, and They are all unlcocked! Where The hell does this stupid key go?
Chris takes out The small key that Rebecca gave him, and is about to throw it on The floor, but Jill puts her hand on his shoulder.
JILL
Chris, don't. It might become useful later.
CHRIS
(putting The key in his pocket)
I guess You're right.
The group nears The door, at The end of The floor.
JILL
Hmm... The final door on The second floor. If Richard isn't here, he isn't anywhere.
CHRIS
I hope You're right.
Chris opens The door and The three of Them enter.
INT. MANSION-HALLWAY-SECOND FLOOR.
A refreshing change from The earlier hallway. Very well lit, and with whte marble walls and pillars with beautiful gold leaf.
Chris, Jill, and Rebeacca(whose eyes are filled confusion, of a mentaly disabled person) stand in The hallway.
CHRIS
Damn it, AnoTher hallway! This freaking mansion goes on forever!
REBECCA
Richard is here.
JILL
Rebecca, please...
A groan of a person in agony is heard down The hall.
CHRIS
Richard!
They run down The hall, Rebecca a little slow, turn The corner, and find Richard, lying on The floor, his S.T.A.R.S. uniform dtained in blood. We can also see two giant holes, punctured in his vest, blood oozing out of Them. His skin color is almost purple. Jill kneels down to him.
JILL
Richard! Oh, my... Who has done this to You?
RICHARD
(weakly)
Oh, Jill... Please get out of here. This mansion is full of demons. (looks up) Chris! Rebecca!
REBECCA
Richard...
CHRIS
How did You get here?
RICHARD
There is a courtyard in The back.... I climbed over The fence... I got here and a giant... Snake., back There. ( he weakly lifts his hand and shows at door behind him, it boasts blood stained finger prints.)... It... It bit me.
JILL
Hold on... We'll get help.
RICHARD
There is no point, I'm already dead. Here, take this.
Richard lifts his hand and gives JILL a walkie-talkie.
CHRIS
Hang in There!
JILL
Richard, don't give up.
RICHARD
It's too late. Goodbye...
Richard coughs out blood, and his pupils grow wide.
JILL
No...
REBECCA
He just needs some rest.
CHRIS
Jill... The walkie-talkie?
Jill stands up and turns The walkie-talkie on. A weak static is heard, and she turns it off.
JILL
The batteries seem to be low. We should only use it in an emergency only. By The way, Richard said something about a courtyard. Maybe if we find, Brad could land and pick us up.
CHRIS
You are right. But first I'm gonna find that goddamn thing that did this to him. Rebecca, You stay here, it might be too dangerous for You.
REBECCA
(delirious)
Yes, Richard needs some rest. I'll look after him.
Rebecca kneels over to Richard's corpse, and cradles his head in her arms. Jill gives Chris a look, as if telling him that Rebecca went crazy.
CHRIS
I'm going.
JILL
Then I'm going with You.
CHRIS
Fine, let's go.
Chris opens The blood stained door and The four of Them enter.
INT. MANSION-SECOND FLOOR-HALLWAY.
A very short hallway. A few steps, which lead to anoTher door are just in front of Chris and Jill. The door, and The walls around it, are srained in blood.
CHRIS
Looks like it is The entrance to The attic.
JILL
I bet this is were Richard was attacked. By The way, do You think he will...
CHRIS
I don't think so. His infection was differnt. Now, let's go and whip up The ass of The bastard that did this to Richard.
JILL
You're on!
The run up The steps an enter through The blood stained door.
INT. MANSION-ATTIC.
A large attic, all of wood frame is exposed. Unopened boxes and crates fill The room. A big half-wall can be seen in The back.
Chris and Jill stand in The middle, of The room; confused.
JILL
It's empty!
CHRIS
There must be something hiding here...
A loud hiss is hird. From behind The half-wall, a giant snake. about fifty feet long and six feet high, emerges. Jill screams in terror, The snake spits out a purple cloud of poison at Chris and Jill. They duck just in time.
CHRIS
Jill! Get back!
JILL
Shit!! What The hell is this?!
Chris pushes Jill toward The The door, oblivious of her having The shotgun.
Chris takes out his Colt Python and starts shooting at The giant snake, green fountains emerging from its giant body. Just a few moments later, The revolver runs out of bullets. As Chris tries to reload his weaponf, The snake thrashes him with its tail. Chris, with his revolver falling out of his hand, smashes against The wall.
Jill takes out her shotgun. As she shoots The snake two times, it turns around starts sliding toward her. Jill aims her shotgun and shoots The snake in its eye. The snake hisses in pain, green liquid spilling out of its socket. Jill shoot The oTher eye, and The snake lets out a weird scream, and opens its mouth; Jill quickly shoots it in There, and The snake, convulsing, falls on The floor, green liquid spilling out of its mouth. Jill ruins to Chris.
JILL
Chris, are You okay?
CHRIS
(picking up his revolver)
Think so. Thanks.
JILL
Welcome. What The hell was it?
CHRIS
Probably something that was created with this T-virus. Let's go. We must find The courtyard. And There is Rebecca.
JILL
Okay. By The way, she doesn't seem well.
CHRIS
Well, duh!
JILL
I mean emotionaly. She's going mad here. I've read her file back at The R.P.D. She is only eighteen. I don't think she can handle this.
CHRIS
What do You think? She has seen her teammates slaughtered. She was attacked by These animals. We are trained to survive and hold our sanity in tight and violent sutitations. She a paramedic. A nurse, for heaven's sake. That is why I'm in such a hurry to get out of here. Now, let's go.
JILL
Before we go, did Barry seem a little suspicious to You?
CHRIS
What do You mean?
JILL
When I was talking to him, he seemed very worried about something.
CHRIS
(sarcastic)
As I told You before, we do have a little cannibal problem. Like flesh-eating creatureas and Godzilla snakes, for instance.
JILL
I know that, it just seems that... Well... Let's just go.
Chris and Jill walk out The door.
INT. MANSION-HALLWAY-SECOND FLOOR.
Rebecca is still cradling Richard's lifeless body. She doesn't notice how The door opens and Chris and Jill enter.
CHRIS
Alright, Rebecca. Let's go.
REBECCA
You don't expect me to leave Richard behind! He needs medical attention, and...
CHRIS
That's it.
Chris drags Rebecca to her feet, and slaps her across her face four times.
JILL
Chris, Stop! Leave her alone.
Jill pulls Chris away from Rebecca, as she starts to cry.
CHRIS
I'm... I'm sorry, Rebecca. I don't know what came over me.
REBECCA
(in between sobs)
It's Okay. You slapped me into reality. They are all dead... Richard, everyone. I wasn't a good enough medic to save Them.
JILL
Don't say that. There was nothing You could do, anybody could do. This is beyond everyone.
CHRIS
Jill's right. Now, let's find that courtyard.
JILL
I just remebered. I saw this door on The first floor, I could hear grasshopers, and wind howling through There. I tried The lock, and it was unlocked.
CHRIS
Then that's our plan. Let's go.
Chris, Jill, and Rebecca walk down The hall.
INT. MANSION-HALLWAY-SECOND FLOOR.
A dark hallway. Chris, JILL, and Rebecca stand in front of a brown door, sounds of a forest coming through it.
Chris tries The doorknob. It does not budge.
CHRIS
Damn it! It hought You said it was unlocked.
JILL
I did, somebody must have locked it.
REBECCA
Now what are we going to do?
CHRIS
Shoot it, I guess.
JILL
Why shoot, if You have lock picks?
Jill takes out her lock picks, puts Them in The doors key hole, and scrambles around for a few seconds, before The door clicks and opens.
CHRIS
My god, Jill, how do you do it?
JILL
I had a friend named Sally, back at Delta force. She was an ex-con and taught me everything I need to know about lock picking. She gave this set of picks as a goodbye present when I left.
CHRIS
Well, let's go.
JILL
I think You and Rebecca should go ahead without me. I'll do some more exploring. Mabe I'll find a Barry or Wesker. Or a better spot for Brad to land. Here, take this.
Jill gives Chris The walkie-talkie.
CHRIS
Gee, thanks.
JILL
You're welcome. Just remember, The batteries are dead; use Them only in an emergency.
CHRIS
I will. Good luck.
JILL
You too. Take care, Rebecca.
REBECCA
I will.
CHRIS
Jill, are You sure You will be alright?
JILL
Look, we killed most of The zombie, and There wasn't much of Them to start with. I'll be alright. Besides, I have The shotgun.
CHRIS
As You wish.
Chris and Rebecca walk through The door. into The darkness beyond it. A few moments later Jill sighs, and walks down The hall.
EXT. COURTYARD-NIGHT.
Chris and Rebecca are standing in in a large open space, surrounded by fence. A passage in front of Them leads furTher into The courtyard.
Suddenly The walkie-talkie comes to life. Chris starts frantically tune The walkie-talkie. We hear Brad's voice, but its mostly static.
BRAD
(o.s.)
This is Brad... Alphas? Brav?... If You can hear this... Please answer...
CHRIS
(yelling into The walkie-talkie)
Brad! Can You hear me? This is Chris Redfield!
BRAD
(o.s.)
Alphas? Bravos?
CHRIS
(turning off The walkie-talkie)
Damn it! The thing is completely broken.
REBECCA
It's okay; this area was too small for The helicopter to land anyway. Brad will call back later, and I'm sure he'll hear this.
CHRIS
Talk about optimism. Let's just go.
Chris and Rebecca walk down The passage.
INT. MANSION-HALLWAY-FIRST FLOOR.
As Jill makes her way down The hall, we hear Barry shouting beahind a closed door. Jill quickly leans her ear to The door.
BARRY
(o.s.)
What about my family, You filthy bastard? I did what You asked, now let me go! And don't You dare to touch Cathy, or The girls!
In responce we hear an evil chuckle of a man, Then footsetps, and anoTher door, closing.
JILL
(knocking on The door.)
Barry? Barry, is that You?
The door opens, and Barry enters.
BARRY
Jill? Are You okay?
JILL
No. I am not okay. You have been acting suspicious ever since we got here. And I just herd talking to someone about Your family. What did You do for that person? What does he have against Your family?
BARRY
(uneasy)
What are You talking about?
JILL
You know exactly what I am talking about. Something seems fiahy. Why did You ask Chris and Rebecca to search for a safe place for Brad to land? Did You want to get The, out of The house?
BARRY
You met Them?
JILL
I wont even mention The time You were at The The hallway, when You were supposed to search The dining room.
BARRY
Are accusing me of planing all of this?
JILL
No, it just seems that You are hiding something from us. What is it?
BARRY
It's nothing. I have just been stressed out by this mission. Everything went wrong The minute we landed. And Wesker is missing.
JILL
Maybe You're right, but still, I could have sworn that You were talking to someone back There.
BARRY
Beats me. I was just investigating a room.
JILL
Can I see?
BARRY
Sure, but without me.
JILL
Where are You going?
BARRY
I'm thinking of searching for Wesker.
JILL
(suspicious)
Yeah. You do that. By The way, The door, back There, it leads to The courtyard.
BARRY
So?
JILL
When checked it first it was unlcoked, but when I tried it The second time, it was locked. Do You know anything about this?
BARRY
(uneasy)
Nope.
JILL
So I thought.
BARRY
As long as we are talking, have You seen Chris and that Rookie girl?
JILL
Yes. They are in The courtyard, looking for a place where Brad could land.
BARRY
Alright Then. See You later.
JILL
Don't wonder away too far. I think that we'll be rescued soon.
As Barry walks down The hall, JILL enters The room.
Jill and Barry are standing in The hall where Jill was attacked by The skinless beast. They are both staring at it.
JILL
(staring at The skinless beast)
I guess all those N.R.A. meetings really paid off. Huh, Barry?
BARRY
They sure did.
JILL
(looking up, at Barry)
How can I ever thank You for this?
BARRY
Don't mention it. (grinning) None of it. Ever again.
JILL
Anyway, when did You get here?
BARRY
A few minutes ago. You see, back at The forest, I fell down. Those things almost killed me, but I managed to get to this mansion. And when I heard The screaming, I rushed here.
JILL
Well, I guess that explains it. Barry, Do You mind to go and look after Chris? We decided that The best chance of finding anyone, is to split up. Now I don't think that this is a such a good idea anymore.
BARRY
I'll do my best. By The way, I thought that Wesker run in with You.
JILL
He did, but later he was... Just gone. Missing.
BARRY
I'll look for both of Them.
JILL
Chris went to inspect the other wing of the mansion. I suggest You go There first. When You find anyone, go to The entrance foyer. I will check up occasionaly.
BARRY
Jill, before I go, I need to ask you this. Is this the famous Spencer Es...
JILL
I think so. But I do not know anything else. I am just as shocked as You are. This place was suppose to be abandoned years ago, but....
BARRY
I understand. Well, see ya later. By The way, remeber that set of lock picks You had?
JILL
You mean The ones I gave You to play around with?
BARRY
Yes. Well, I happen to have Them in my jeans pocket. Since I couldn't open shit, I think that You would find much more handy than me.
Barry takes out a small set of lockpicks, wrapped in a small white white, and gives it to Jill.
JILL
(Puting The lockpicks in her side pack)
Gee, Thanks Barry.
BARRY
Well, I better start looking for Chris and Wesker.
JILL
Bye, Barry.
Jill walks to The door at The far end, opens and enters anoTher hallway behind her; She shutting The door behind her. Barry sighs, and heads back to The oTher door, which leads to The mansion's hall. Before he can even touch The knob, The door opens, and a gloved hand sticks a gun in Barry's shocked face.
INT. MANSION-ROOM-FIRST FLOOR.
Chris and Rebecca are in a small bedroom, with acomfortable bed, a few chairs, a small table, and a cupboard. A giant closet is by The bed.
Chris walks over to The cupboard. He searches it for a minute, Then opens a shelf.
CHRIS
Rebecca, Check this out! A Colt Python! Barry told me once that this is one of The most powerful revolvers in The world. And There is about twenty-four rounds for it! It also seem to be loaded. Somebody was prepared for The onslaught.
Chris puts The bullets for The big revolver in his side pack. He also puts his beretta with The bullets for The Colt Pythons. and equips The revolver.
Rebecca
Wow! It is pretty safe to be with You now. I also found this on The bed.
Rebecca hands Chris a key. Chris takes it.
CHRIS
Well, now we are able to unlock some rooms. (sniffing The air around him) God! What is that smell?
REBECCA
I don't know. It might be...
A loud moan comes out of The large closet. The doors of it swing open and anoTher zombie stumbles out, charging for Rebecca. She screams and in terror fall son The floor.
REBECCA
Chris! Help!
As The zombie kneels over to Rebecca, Chris quickly aims The revolver at it and fires. A red spot spreads over thge zomies head, as he, with a soft moan, fall on The floor. Rebecca slowly gets up.
CHRIS
One shot. One kill. How convinient.
REBECCA
Thank You! I owe You my life.
CHRIS
It was nothing. Here, I think You should keep that.
Chris take sout his beretta and The clips for it. Then he gives him to Rebecca.
REBECCA
(putting The bullets in her side pack)
No more pepper spray for me!
CHRIS
Let's get The hell out of here. The smell's getting worse.
Chris and Rebecca walk for The door.
INT. MANSION-HALLWAY-FIRST FLOOR.
Jill walks down a hall, with beautiful wall paper and paintings. There is no doors on The sides of The hall, except one right hand side of The wall.
JILL
I wonder what's here...
Jill opens The door.
INT. MANSION-VESTIBULE-FIRST FLOOR.
Jill walks across a small, square, vestibule. There is no furniture. Just decorated marble floors, and a very high ceiling. She opens a door on he other side.
INT. MANSION-LIVING ROOM-FIRST FLOOR.
Jill finds her self in a small living with a couch, a table, some house palnts, and a marble fireplace. The room seems in a bit of a mess.
Jill spyes an old, but large shotgun, hanging on two hook in The back of The. She quickly walks over and gets it of The hooks. She opens The old weapon up to find it fully loaded.
JILL
Bingo! Seven rounds. Fully loaded.
As she snaps The shotgun back intact, The hooks, with grinding sound, rise up.
JILL
What The...?
Jill hurries out The door, grasping The shotgun.
INT. MANSION-VESTIBULE-FIRST FLOOR.
Jill hurries to The oTher door, as a loud grinding sound is heard. She looks up, to find out that The ceiling is starting to slowly slide down. All The locks of The doors release a snapping sound, locking Themselves.
JILL
No! I must have triggred one of Spencer's traps!
Jill runs over to The door which leads to The hallway, and starts pounding on it.
JILL
Help! Somebody!
INT. MANSION-HALLWAY-FIRST FLOOR.
Barry is walking down The hall. He hears Jill's screaming, amidst The grinding sound, behinf The door. Barry runs up to The door.
BARRY
Jill? is that You, Jill?
JILL
(O.S.)
Barry! The ceiling is coming down, I can't get out! Can You unlcock The door?
BARRY
(trying The lock)
I can't. It's locked. Get back, I'll try to break it open!
Barry swings his foot at The door.
INT. MANSION-VESTIBULE-FIRST FLOOR.
The ceiling is just above The door level. Jill is looking up in terror. Suddenly, The door leading to The hallway swings open, and we find Barry standing in The doorway.
BARRY
Jill! Come on!
Jill runs out of The vestibule, just as The ceiling starts to crush The door.
INT. MANSION-HALLWAY-FIRST FLOOR.
Jill and Barry watch as The ceiling crushes The open door. Then, with a loud thump, it stops on The floor. Completely cealing off The small living room behind The vestibule.
BARRY
AnoTher second, and we could have had ourselves a Jill-sandwich.
JILL
Very funny, but shouldn't You be inspecting The oTher wing?
BARRY
You lucky I haven't. If would be all smoThered, literelly, if I wasn't here.
JILL
I am very thankful. You are saving my life a second time, but what are You doing here?
BARRY
Well... Uh... You see... Hey, nice shotgun. A Remington. Very powerful.
JILL
(suspicious)
Yes, it is. I think I triggered one of Lord Spencer's traps by taking this. Now, shouldn't You be looking for Chris and Wesker?
BARRY
Yes. I should. Well, see You later.
Barry walks back down The hall.
JILL
What's up with him?
She sighs, puts The shotgun behind her back, supporting it by putting it behind her belt. And walks down The hall, to a small double door, at The end of The hall.
INT. MANSION-HALLWAY-FIRST FLOOR.
Two zomibes are wondering around a small, and gloomy, hallway with brown walls and dark paintings.
After four shots are heard, The zombies fall on The floor, spreading large puddles of blood, and revealing Jill, holding her gun, with The shotgun, tucked behind her.
JILL
God, I hate those things! This smell is really getting to me!
Jill takes out The clip of bullets out of her gun, and looks at Them.
JILL
Just great, I am running out of bullets! Just three more clips left. Well... The shotgun... I'll save it for something very dangerous. Okay, now I'm talking to myself. I think that I'm finally going nuts.
Jill throws The empty clip on the floor, and searches in her side pack for a moment, Then she takes out anoTher clip, and puts it in her gun. As she walks furTher down The hall, she discovers a small staircase, leading to anoTher hallway on The second floor.
JILL
Wonder whats up There...
Jill climbs up The stairs.
INT. MANSION-HALLWAY-SECOND FLOOR.
Jill is standing at The top of The stairs, at very small hallway. She looks at The right side of The hallway, only to find The a door with a broken handle.
JILL
Damn it.
She Then looks left, to find a door. She walks over to it, and tries The knob; it doesn't budge.
JILL
Thank You, Barry Burton.
Jill takes out The lock pick, wrapped in th cloth. She removes The cloth, and we see a few sharp objects. Careful not to drop any, Jill sicks one of The sharps objects into The lock, scrubbing around for a few moments. Then The lock clicks.
JILL
Finally.
Jill puts The lock picks back in The wrap, and puts it away. Then she opens The door.
INT. MANSION-A PRIVATE BEDROOM CHAMBER-SECOND FLOOR.
A very luxurious room with expensive wooden furniture. An empty fish rank is at The back. A dead man, in a doctor's robe is lying on The floor in a dried up pool of his own blood and entrails. A long smear of blood is on The carpet, which makes it see like he crawled in here. He is grasping a small beretta. A crate is beside him.
Jill looks at The corpse in total disgust and pity.
JILL
That poor man... What could have done this?
Jill knels over to pick up his gun. She takes out a clip of ammo.
JILL
Just perfect for my gun. Almost full. Thirteen bullets; Now, let's see what's in The crate.
Jill walks over to The crate and opens it.
JILL
Bingo, AnoTher shotgun! (opens it up) Damn it! There are no more bullets.
As she throws The shotgun aside, a box of shotgun shells saying "12 REMINGTON SHOTGUN SHELLS. FOR USE ONLY WITH A REMINGTON SHOTGUN." She also finds two more clips for The beretta, along with some canned foods and a can opener.
JILL
Looks like somebody was prepared!
Jill opens The box of shotgun shells to reveal a special belt, which is put across The chest. The belt has twelve shotgun shells in it. She quickly equips it and puts The two clips for beretta in her sidepack.
JILL
I'm all set. God, These shotgun bullets are heavy.
As Jill is about to leave, she spots a white piece of paper, clutched in The corpses hand. She picks it up and starts reading it.
JILL
(reading The paper, V.O.)
Dear Ada, when You will be reading this, I'll be somewhat... Different. I love You with all my heart, but I can't put You at any risk. All I can do is just post-pone The transformation, but sooner or later, I will become one of The living dead. If You will need to access our computer, The password is The same as in The computer in my small laboratory. The password is Your name, "ADA." Both computers tell all The information You need to know about The T-virus. I will always love You. Sincerely, John.
Jill sighs and puts The letter in he pocket. Then she looks at The corpse.
JILL
He must have never had The chance to send it. Well, I might need it later.
Jill walks out The door.
INT. MANSION-FOYER.
Chris and Rebecca stand in The foyer.
CHRIS
Now, to look for The oThers...
REBECCA
What happened to Forest and Kenneth.
CHRIS
Well, we found Kenneth, near The dining room (points to The left wing.) He was murdered by those things. Kenneth... Well... He was pecked to death by some type of man-eating crows...
REBECCA
Zombie crows?!
CHRIS
This placeis just full of surprises.
The door in The right wing opens and Barry enters.
CHRIS
Barry, it's You! How did You get here?
BARRY
I see You found one of The Bravo survivors. I got here probably a few minutes after you and Jill split up.
CHRIS
How did You know that?
BARRY
I met Jill a little while ago. She told to look for You and Wesker.
REBECCA
Did You find him?
CHRIS
Yeah, did You? He just disappeared.
BARRY
No, I haven't found him yet. How can we get out of here?
CHRIS
We can't. I lost my walkie-talkie, and Wesker is The only one who probably has one. Do You?
BARRY
Nope.
REBECCA
Don't look at me. I am just a nurse.
BARRY
Then we are stranded until we find Wesker. I'll go search for him. You guys find a safe spot for Brad to land. There must be a large courtyard, or a way to The roof top.
CHRIS
Okay, Then we'll search. Let's go, Rebecca.
Chris and Rebecca climb The stairs as, Barry lets out a heavy, and strange sigh.
INT. MANSION-HALLWAY-SECOND FLOOR.
A very dark hallway. A zombie is staggering towards Chris and Rebecca, as Chris aims The revolver and shoots The zombie's head off. The zombie falls on The floor.
REBECCA
I simply can't take this anymore. The smell, The darkness, These things!
Rebecca points at The lifeless creature on The floor.
CHRIS
Rebecca, You have to understand, We don't have any oTher choice. Remember what Barry said? We have to find a safe place for brad to land, while he searches for Wesker; Wesker has The walkie-talkie.
REBECCA
But what if he doesn't have The walkie-talkie? What if he is somewhere, dead? You... Just don't understand.
Rebecca quickly take off down The hall.
INT. MANISON-FURTheR DOWN The HALLWAY-SECOND FLOOR.
Rebecca is weeping while walking down th same hallway. As she turns The corner, she screams.
We see a zombie. The lower half of its of body missing. Its been ripped off. The zombie supports itself by itself. As it raises its dead eyes on Rebecca, it vomits its intestines on The floor; Then, drooling with blood, it grabs Rebecca's leg with an incredible force. With a scream, Rebecca slams to The floor. Struggling to get The gun from her side pack; meanwhile, The zombie moves Rebecca's leg to its mouth.
INT. MANSION-HALLWAY-The PART WITH CHRIS-SECOND FLOOR.
Chris hears Rebecca scream.
CHRIS
Rebeccca?
Chris runs down The hall.
INT. MANISON-FURTheR DOWN The HALLWAY-SECOND FLOOR.
Rebecca is screaming and strugling to free her leg, as The zombie's teeth already touch The skin on her leg.
Suddenly, The beside The whole commotion opens and Jill enters.
JILL
What The... Oh!
The zombie looks up at Jill, as Rebecca, her leg intact, scrambles away. Jill swings her foot, The heavy boot smashing zombie's skull, and going right inside The head. The zombie moans, and The The torso collapses from The floor. Jill pulls he rfoot out of The zombie's skull, The boot coverd in splattered brains.
JILL
(wiping The boot on The carpet)
Damn it! (kneels to Rebecca) Are You okay?
Rebecca is in shock and just starts crying.
Chris comes running out behind The corner.
CHRIS
Jill! Rebecca, You okay?
JILL
Is she one of The Bravos?
CHRIS
Yes, Rebecca Chambers.
JILL
Chris, I think this is just too much for her.
Chris helps Rebecca to her feet, as she continues to cry.
CHRIS
What happened?
JILL
She was attacked by this thing. (points at The dead torso) Lucky I was near. I shoved my foot in its brains.
CHRIS
Thanks.
REBECCA
(in betweemn sobs)
I can't take this anymore.
JILL
Rebecca, I was thinking just like You were a little while ago, but now I know that we can't. We...
CHRIS
By The way, I met Barry.
JILL
What did he say?
CHRIS
He said that Rebecca and I should look for a safe place for Brad to land, while he searhces for Wesker. He probably is The only one with a walkie-talkie.
REBECCA
(delirious)
You can't call Brad, Richard has The radio...
JILL
I think she's losing it, Chris.
CHRIS
She just needs to calm down. Anyway, If we can find Wesker, we would have a better chance of getting out of here.
REBECCA
(delirious)
You can't get anyone, Richard has The radio.
JILL
Rebecca, are You saying Richard has a walkie-talkie?
REBECCA
(delirious)
You wouldn't be able to get it.
CHRIS
Well, we can at least try. Jill, You mind joining us in search of Richard Aikin? Even if he is dead, he could still have The walkie-talkie.
JILL
Sure.
CHRIS
Now that I've noticed it, You seem to be armed and dangerous. Nice shotgun and ammo.
JILL
Don't even mention it; I almost got killed by one of Spencer's traps by taking this. And The bullets... I robbed a dead guy.
CHRIS
I didn't do so bad either. I got Colt Python and twenty rounds for it.
JILL
Way to go!
REBECCA
(still delirious)
Richard can helps us. He has...
JILL
Let's just go.
CHRIS
Come on, Rebecca.
REBECCA
(delirious)
Richard, yes, we must find Richard.
Chris, helping Rebecca, and Jill walk down The hall.
INT. MANSION-HALLWAY-SECOND FLOOR.
Chris, Jill, and Rebecca(still in shock) are explring The same hallway. Rebecca seems to be totally reclusive, and just walks next to Chris and Jill as if hynotized.
CHRIS
Jill, I've been meaning to tell You something.
JILL
Me too.
CHRIS
I think I know where These creatures are coming from. Rebecca found this diary, it must have belonged to a researcher, or something. Anyway it told about some lab facility in The basement; it sems that They were They expirement with some chemicals. Some of it leaked out and caused this problem.
JILL
Do still have it?
CHRIS
Yes, I put it in my pocket.
JILL
Chris, I don't think that it was a chemical. I also found a letter adressed to some woman named Ada. It said that There is some virus They created named "T-virus." I think that it leaked out and caused These mutations.
CHRIS
The diary also said something about some kind of mutant animals The lab was producing. When all The researchers got infected with this virus, They were no longer able to look after These creatures; maybe They got hungry and escaped into The forest, along with some zombies.
JILL
I think we found our "Arklay Murderers."
CHRIS
But who is behind all of this?!
INT. MANSION-HALLWAY-SECOND FLOOR.
Chris is still helping Rebecca walking, and Jill walks beside Them.
CHRIS
Can You believe this? There is like a thousand rooms on The second floor, and They are all unlcocked! Where The hell does this stupid key go?
Chris takes out The small key that Rebecca gave him, and is about to throw it on The floor, but Jill puts her hand on his shoulder.
JILL
Chris, don't. It might become useful later.
CHRIS
(putting The key in his pocket)
I guess You're right.
The group nears The door, at The end of The floor.
JILL
Hmm... The final door on The second floor. If Richard isn't here, he isn't anywhere.
CHRIS
I hope You're right.
Chris opens The door and The three of Them enter.
INT. MANSION-HALLWAY-SECOND FLOOR.
A refreshing change from The earlier hallway. Very well lit, and with whte marble walls and pillars with beautiful gold leaf.
Chris, Jill, and Rebeacca(whose eyes are filled confusion, of a mentaly disabled person) stand in The hallway.
CHRIS
Damn it, AnoTher hallway! This freaking mansion goes on forever!
REBECCA
Richard is here.
JILL
Rebecca, please...
A groan of a person in agony is heard down The hall.
CHRIS
Richard!
They run down The hall, Rebecca a little slow, turn The corner, and find Richard, lying on The floor, his S.T.A.R.S. uniform dtained in blood. We can also see two giant holes, punctured in his vest, blood oozing out of Them. His skin color is almost purple. Jill kneels down to him.
JILL
Richard! Oh, my... Who has done this to You?
RICHARD
(weakly)
Oh, Jill... Please get out of here. This mansion is full of demons. (looks up) Chris! Rebecca!
REBECCA
Richard...
CHRIS
How did You get here?
RICHARD
There is a courtyard in The back.... I climbed over The fence... I got here and a giant... Snake., back There. ( he weakly lifts his hand and shows at door behind him, it boasts blood stained finger prints.)... It... It bit me.
JILL
Hold on... We'll get help.
RICHARD
There is no point, I'm already dead. Here, take this.
Richard lifts his hand and gives JILL a walkie-talkie.
CHRIS
Hang in There!
JILL
Richard, don't give up.
RICHARD
It's too late. Goodbye...
Richard coughs out blood, and his pupils grow wide.
JILL
No...
REBECCA
He just needs some rest.
CHRIS
Jill... The walkie-talkie?
Jill stands up and turns The walkie-talkie on. A weak static is heard, and she turns it off.
JILL
The batteries seem to be low. We should only use it in an emergency only. By The way, Richard said something about a courtyard. Maybe if we find, Brad could land and pick us up.
CHRIS
You are right. But first I'm gonna find that goddamn thing that did this to him. Rebecca, You stay here, it might be too dangerous for You.
REBECCA
(delirious)
Yes, Richard needs some rest. I'll look after him.
Rebecca kneels over to Richard's corpse, and cradles his head in her arms. Jill gives Chris a look, as if telling him that Rebecca went crazy.
CHRIS
I'm going.
JILL
Then I'm going with You.
CHRIS
Fine, let's go.
Chris opens The blood stained door and The four of Them enter.
INT. MANSION-SECOND FLOOR-HALLWAY.
A very short hallway. A few steps, which lead to anoTher door are just in front of Chris and Jill. The door, and The walls around it, are srained in blood.
CHRIS
Looks like it is The entrance to The attic.
JILL
I bet this is were Richard was attacked. By The way, do You think he will...
CHRIS
I don't think so. His infection was differnt. Now, let's go and whip up The ass of The bastard that did this to Richard.
JILL
You're on!
The run up The steps an enter through The blood stained door.
INT. MANSION-ATTIC.
A large attic, all of wood frame is exposed. Unopened boxes and crates fill The room. A big half-wall can be seen in The back.
Chris and Jill stand in The middle, of The room; confused.
JILL
It's empty!
CHRIS
There must be something hiding here...
A loud hiss is hird. From behind The half-wall, a giant snake. about fifty feet long and six feet high, emerges. Jill screams in terror, The snake spits out a purple cloud of poison at Chris and Jill. They duck just in time.
CHRIS
Jill! Get back!
JILL
Shit!! What The hell is this?!
Chris pushes Jill toward The The door, oblivious of her having The shotgun.
Chris takes out his Colt Python and starts shooting at The giant snake, green fountains emerging from its giant body. Just a few moments later, The revolver runs out of bullets. As Chris tries to reload his weaponf, The snake thrashes him with its tail. Chris, with his revolver falling out of his hand, smashes against The wall.
Jill takes out her shotgun. As she shoots The snake two times, it turns around starts sliding toward her. Jill aims her shotgun and shoots The snake in its eye. The snake hisses in pain, green liquid spilling out of its socket. Jill shoot The oTher eye, and The snake lets out a weird scream, and opens its mouth; Jill quickly shoots it in There, and The snake, convulsing, falls on The floor, green liquid spilling out of its mouth. Jill ruins to Chris.
JILL
Chris, are You okay?
CHRIS
(picking up his revolver)
Think so. Thanks.
JILL
Welcome. What The hell was it?
CHRIS
Probably something that was created with this T-virus. Let's go. We must find The courtyard. And There is Rebecca.
JILL
Okay. By The way, she doesn't seem well.
CHRIS
Well, duh!
JILL
I mean emotionaly. She's going mad here. I've read her file back at The R.P.D. She is only eighteen. I don't think she can handle this.
CHRIS
What do You think? She has seen her teammates slaughtered. She was attacked by These animals. We are trained to survive and hold our sanity in tight and violent sutitations. She a paramedic. A nurse, for heaven's sake. That is why I'm in such a hurry to get out of here. Now, let's go.
JILL
Before we go, did Barry seem a little suspicious to You?
CHRIS
What do You mean?
JILL
When I was talking to him, he seemed very worried about something.
CHRIS
(sarcastic)
As I told You before, we do have a little cannibal problem. Like flesh-eating creatureas and Godzilla snakes, for instance.
JILL
I know that, it just seems that... Well... Let's just go.
Chris and Jill walk out The door.
INT. MANSION-HALLWAY-SECOND FLOOR.
Rebecca is still cradling Richard's lifeless body. She doesn't notice how The door opens and Chris and Jill enter.
CHRIS
Alright, Rebecca. Let's go.
REBECCA
You don't expect me to leave Richard behind! He needs medical attention, and...
CHRIS
That's it.
Chris drags Rebecca to her feet, and slaps her across her face four times.
JILL
Chris, Stop! Leave her alone.
Jill pulls Chris away from Rebecca, as she starts to cry.
CHRIS
I'm... I'm sorry, Rebecca. I don't know what came over me.
REBECCA
(in between sobs)
It's Okay. You slapped me into reality. They are all dead... Richard, everyone. I wasn't a good enough medic to save Them.
JILL
Don't say that. There was nothing You could do, anybody could do. This is beyond everyone.
CHRIS
Jill's right. Now, let's find that courtyard.
JILL
I just remebered. I saw this door on The first floor, I could hear grasshopers, and wind howling through There. I tried The lock, and it was unlocked.
CHRIS
Then that's our plan. Let's go.
Chris, Jill, and Rebecca walk down The hall.
INT. MANSION-HALLWAY-SECOND FLOOR.
A dark hallway. Chris, JILL, and Rebecca stand in front of a brown door, sounds of a forest coming through it.
Chris tries The doorknob. It does not budge.
CHRIS
Damn it! It hought You said it was unlocked.
JILL
I did, somebody must have locked it.
REBECCA
Now what are we going to do?
CHRIS
Shoot it, I guess.
JILL
Why shoot, if You have lock picks?
Jill takes out her lock picks, puts Them in The doors key hole, and scrambles around for a few seconds, before The door clicks and opens.
CHRIS
My god, Jill, how do you do it?
JILL
I had a friend named Sally, back at Delta force. She was an ex-con and taught me everything I need to know about lock picking. She gave this set of picks as a goodbye present when I left.
CHRIS
Well, let's go.
JILL
I think You and Rebecca should go ahead without me. I'll do some more exploring. Mabe I'll find a Barry or Wesker. Or a better spot for Brad to land. Here, take this.
Jill gives Chris The walkie-talkie.
CHRIS
Gee, thanks.
JILL
You're welcome. Just remember, The batteries are dead; use Them only in an emergency.
CHRIS
I will. Good luck.
JILL
You too. Take care, Rebecca.
REBECCA
I will.
CHRIS
Jill, are You sure You will be alright?
JILL
Look, we killed most of The zombie, and There wasn't much of Them to start with. I'll be alright. Besides, I have The shotgun.
CHRIS
As You wish.
Chris and Rebecca walk through The door. into The darkness beyond it. A few moments later Jill sighs, and walks down The hall.
EXT. COURTYARD-NIGHT.
Chris and Rebecca are standing in in a large open space, surrounded by fence. A passage in front of Them leads furTher into The courtyard.
Suddenly The walkie-talkie comes to life. Chris starts frantically tune The walkie-talkie. We hear Brad's voice, but its mostly static.
BRAD
(o.s.)
This is Brad... Alphas? Brav?... If You can hear this... Please answer...
CHRIS
(yelling into The walkie-talkie)
Brad! Can You hear me? This is Chris Redfield!
BRAD
(o.s.)
Alphas? Bravos?
CHRIS
(turning off The walkie-talkie)
Damn it! The thing is completely broken.
REBECCA
It's okay; this area was too small for The helicopter to land anyway. Brad will call back later, and I'm sure he'll hear this.
CHRIS
Talk about optimism. Let's just go.
Chris and Rebecca walk down The passage.
INT. MANSION-HALLWAY-FIRST FLOOR.
As Jill makes her way down The hall, we hear Barry shouting beahind a closed door. Jill quickly leans her ear to The door.
BARRY
(o.s.)
What about my family, You filthy bastard? I did what You asked, now let me go! And don't You dare to touch Cathy, or The girls!
In responce we hear an evil chuckle of a man, Then footsetps, and anoTher door, closing.
JILL
(knocking on The door.)
Barry? Barry, is that You?
The door opens, and Barry enters.
BARRY
Jill? Are You okay?
JILL
No. I am not okay. You have been acting suspicious ever since we got here. And I just herd talking to someone about Your family. What did You do for that person? What does he have against Your family?
BARRY
(uneasy)
What are You talking about?
JILL
You know exactly what I am talking about. Something seems fiahy. Why did You ask Chris and Rebecca to search for a safe place for Brad to land? Did You want to get The, out of The house?
BARRY
You met Them?
JILL
I wont even mention The time You were at The The hallway, when You were supposed to search The dining room.
BARRY
Are accusing me of planing all of this?
JILL
No, it just seems that You are hiding something from us. What is it?
BARRY
It's nothing. I have just been stressed out by this mission. Everything went wrong The minute we landed. And Wesker is missing.
JILL
Maybe You're right, but still, I could have sworn that You were talking to someone back There.
BARRY
Beats me. I was just investigating a room.
JILL
Can I see?
BARRY
Sure, but without me.
JILL
Where are You going?
BARRY
I'm thinking of searching for Wesker.
JILL
(suspicious)
Yeah. You do that. By The way, The door, back There, it leads to The courtyard.
BARRY
So?
JILL
When checked it first it was unlcoked, but when I tried it The second time, it was locked. Do You know anything about this?
BARRY
(uneasy)
Nope.
JILL
So I thought.
BARRY
As long as we are talking, have You seen Chris and that Rookie girl?
JILL
Yes. They are in The courtyard, looking for a place where Brad could land.
BARRY
Alright Then. See You later.
JILL
Don't wonder away too far. I think that we'll be rescued soon.
As Barry walks down The hall, JILL enters The room.