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THE OTHER WORLD

A BUFFY THE VAMPIRE SLAYER



BY

ELLEN MARINE













BUFFY THE VAMPIRE SLAYER

OTHER WORLD

BY

ELLEN MAURSINE

TEASER

FADE IN

This is the haven for a local demon. cult. It is an out of the way place in Sunnyvale, the motif is Gothic. At the head of the cult is a demon. that is quite obvious that this demon. is a transplant from Europe. A superior demon. enters as the resident demon. greets him.

RD

My Master welcome.

HD

I am told that sacrifices have been found.

RD

Yes, a mother and three children, the father is a devout

follower and are sending them here.

HD

Why would a father send his wife and children as sacrifices.

RD

Nasty divorce. I m told that he lost visitation years ago so

he s just dumping a legale burden.

HD

I see.

(Smile a chessard smile)

My kind of guy.

CUT







IN THE SCHOOL GYMNASIUM DAY

It is the before school practice for the resiling teem. The teem is entering the Gymnasium. The coach is grumbling because this is the only time that he could get the gymnasium for practice. He turns on the gymnasium lights. There they are, two dead bodies trussed up like a couple of sides of beef. You may show that one body is partially eaten.

COACH

Hit the showers boys. Practice is over for today. Jeremy,

get the principal.

JEREMY

Yes sir.

Jeremy leaves.

FADE OUT

END OF TEASER





















ACT ONE

FADE IN

EXT OUT FRONT OF SCHOOL DAY

The parents are dropping the students off to attend school. The ambulance and coroner arrives about the same time that Buffy and her mother arrives.

BUFFY

Good by Mom.

MOM

By,

Buffy kisses her mom on the cheek. Buffy gets out of the car as Zander and Willow arrive. Buffy joins them.



WILLOW

I wonder what s going on.

ZANDER

Let s go find out.

They cross over to the Gym and arrive as the bodies are being wheeled out. The Principal is there already.

PRINCIPAL

People, it s time to get to class.

Buffy starts to enter the gym.

PRINCIPAL

Just a minute young Lady, that is a restricted area.

BUFFY

I think that I left a book in my gym. locker.

PRINCIPAL

It will have to wait, now get to class.

BUFFY

Yes Sir.

Buffy, Willow, and Sander leave along with the other students.

CUT

COMPUTER CLASSROOM DAY

Class is in session. Buffy, Sander and Willow are among the students in this class. Bobby and Billy, boy and girl set of twins about Buffy s age, nice looking, enter and hand a slip of paper to Jenny, the computer teacher, who reads it.

JENNY

` Listen up class. This is Bobby and Billy Jones. They just

transferred in from New York City.

CLASS

Hi.

JENNY

Find terminals that are not in use,

(Handing them each a sheet of paper)

Here is your assignment, Let s see what you can do with it.

Bobby and Billy takes the sheets of paper.

BILLY

If we finish early, can we start our own projects?

JENNY

Yes as long as it is no games or illegal activities.

BILLY

Thank you.

They take their seats and starts to do their work with no problem.

CUT





IN THE COMPUTER CLASSROOM DAY

The class are busily working at their assignments and projects. The bell rings.

JENNY

Just place your print outs on my desk on your way out.

The students do what they have to do to orderly leave, and save what they are working on, log out, shut down the computers and turn in their papers, gather books etc. Billy and Bobby are leaving together.

OUT IN THE HALL

The hall is crowded with students going to their next classes. Buffy and Willow catches up with Bobby and Billy.

BUFFY

Hi, I m Buffy, Welcome to Sunnydale.

BOBBY

Thank you.

WILLOW

You ll find that it s quite nice here.

BOBBY

I hope so.

They pass the library.

WILLOW

We need to go in here.

BOBBY

Isn t this where we have to get our text books?

WILLOW

Why yes.

BOBBY

Then let s go.



IN THE LIBRARY DAY

Giles is busy with some research and there are some students browsing through the books.

GILES

How may I help you?

BUFFY

This is Mister Giles, our school librarian.

BOBBY

Hi. I m told that you issue the text books.

GILES

Yes. Give me your schedules and I ll get them for you?

As they hand over the schedules Bobby spies the medieval weaponry and points it out to Billy.

BOBBY

Nice weapons..

GILES

Thank you.

BOBBY

Don t let our Mom find out, She would be here all the time,

she s gaga on that kind of stuff.



Billy crosses over to the weapons for a closer look.

GILES

She s a medievalist?

BOBBY

Actually she s a King Arthur buff.

BILLY

May I?

He reaches for the battle ax.

GILES

I d rather you didn t.

Billy doesn t wait for Giles Answer and picks up the battle ax and handles it like a seasoned Celtic warior.

Giles Brings over the books.

GILES

Here You are.

BUFFY

Do you move around a lot?

BOBBY

No not really. We have to get to class.

GILES

Alright.

Billy places the battle ax back in it s display and gets his books as Bobby gets hers. Bobby and Billy leave.

GILES

Have you been able to look into the murders this morning?

BUFFY

Not yet. I ll take care of that now.

Buffy leaves.

WILLOW

I ll see what I can find out.

Willow crosses over to the computer and keys it up.

ZANDER

Did you see how he handled that battle ax?

GILES

Yes.

ZANDER

Well I d better get to class.

GILES

Yes.

Zander leaves.

GILES

Willow, see if you can find anything on the computer on our

new students too.

CUT

IN THE GYMNASIUM DAY

The Gym. is empty as Buffy enters. She looks around. She finds a strip of strange cloth under the bleachers.

CUT

IN THE LIBRARY DAY

Willow is at the computer. Giles is reading a book in research.

WILLOW

Mister Giles, I have been going through the news papers and

this is the tenth murder like this morning s in the last four

months. The police are listing them as occult killings.

GILES

Do they have any Leeds to the occult.

WILLOW

No.

GILES

And what about Bobby and Billy?







WILLOW

They re here under court order. Their absent father is

behind that with an investigation pending. It seems that their mother s Lawyer suppressed some vital evidence proving the

absent father to be a hazard to Bobby and Billy s safety, but

after the hearing Their mother gave it to the judge anyway.

GILES

And this vital evidence is?

WILLOW

He has tried to kill them on several occasions, the last time he

went to prison for it.

GILES

Is there anything else?

WILLOW

Just his picture.

Willow hands Giles the paper who looks at it.

GILES

Oh my.

WILLOW

You know him?

GILES

I know of him.

Buffy enters.

BUFFY

All I found was this under the bleachers.

She shows the strip of cloth to Giles.

GILES

There is no prophecies either yet. Can I keep the peace of

cloth?

BUFFY

Sure.

She hands it to Giles.

BUFFY

There has been no vampires out for the last three months.

GILES

That s odd. Just one minute.

He goes to one of the book cases ans returns with a book.

BUFFY

I have to admit that I ve been enjoying having my life back.

GILES

I think that this is just the calm before the storm.

BUFFY

I had a feeling that you d say that. What do you have?

GILES

There is a couple of particular types of daemons that eat

people like this but I would like to look further before I say anything.

BUFFY

Alright. We ll get back to class.

GILES

That will be fine. Oh Buffy.

BUFFY

Ya.

GILES

See what you can find out about your new friends.

BUFFY

You suspect them?



GILES

No. If they are who I think they are, you have someone to

spar with, while they re here anyway.

Willow and Buffy leave.

FADE OUT

END OF ACT ONE



































ACT TWO

FADE IN

IN THE GALLERY DAY

Mrs. Sanders (Buffy s Mom.) Is standing on a ladder working on a display. William Anderson, an artist who obviously use drugs, enters.

WILLIAM

Excuse me, I m looking for the proprietor of this gallery?

MOM

This is my Gallery. How may I help you?

WILLIAM

I have some paintings that I need to sell.

MOM

Where?

WILLIAM

Out in the van.

MOM

Then bring them in so I can take a look at them.

WILLIAM

Alright.

He leaves and by the time that Mrs. Sanders has climbed down to the floor and off the ladder, William has returned with a friend and together, they are carrying a stack of paintings.

MOM

Are these the paintings?





WILLIAM

Yes.

She goes through the paintings which are quite good but have room for improvement; looking at each one. About the third painting is an excellent painting of a family portrait of King Arthur (remember he was a fifth/sixth century, Celtic King) and one of his Guenhumara Queens and her three children. The children are Bobby and Billy and a younger brother (Jessie); Painted say about four years earlier. Going from right to left, the order goes Billy, standing; Arthur, sitting in his throne; Jessie, standing; Sara, Arthur s Guenhumara Queen, sitting in the Queen s throne; then Bobby, standing.

MOM

I ll take this one.

WILLIAM

That wasn t supposed to be in the pile. It s not mine to sell.

MOM

Oh, but can I show it anyway? I ll show your other paintings

as part of the deal.

WILLIAM

You drive a hard bargain mam.

They lean the paintings against the wall.

MOM

Come into my office and we ll draw up the papers.

WILLIAM

Sure.

Mrs. Sanders turns to the office. William and his friend looks at each other and gives an evil grin.

FRIEND

I ll notify the coven about the painting.

WILLIAM

Good.







EXT DEMON STRONGHOLD DAY

A young man, I would say High school age, first checks if he is followed then enters as William s friend is leaving.

INSIDE THE STRONGHOLD

The head Demon is sitting in an oversized chair. There are others attending him. The young man enters and approaches the head Demon and genuflects.

HEAD DEMON

Yes.

YOUNG MAN

The offerings have arrived.

HEAD DEMON

Good. Notify our minions. They will be free tonight.

YOUNG MAN

As you wish my master.

The young man leaves.

CUT

IN THE LIBRARY DAY

Giles is reading and cross referencing. Buffy, Willow. Sander, enter.

BUFFY

Hi Giles, anything new?

GILES

Yes. Has there been any apocalyptic signs?

BUFFY

I haven t noticed any. Were on our way to lunch, Do you

want us to bring anything back for you?

GILES

No, I ll go with you.

He stands and they all leave together.

OUT IN THE HALL

The hall is crowded as some students are going to lunch and others are going to their next class. Bobby and Billy with their younger brother, Jessie (A freshman) meet up with them.

BOBBY

Hi.

BUFFY

Hi. Who s your friend?

BOBBY

Friend? Oh this is Jessie, our little Brother.

BUFFY

Hi.

JESSIE

Hi.

Giles looks at the three knowingly.

BOBBY

We have to Babysit Jessie.

JESSIE

I m no baby.

GILES

Well there is always safety in numbers.

BOBBY

Mom says the same thing.

GILES

Jessie, you haven t picked up your text books yet.

JESSIE

Darn, I was hoping to get out of it.

They laugh. Cordelia and two of her socialite friends are jost pasing by.

BOBBY

Isn t that Cordealia.

ZANDER

The senter one, yes.

WILLOW

Cordelia?

Cordelia approches Willow.

CORDELIA

Who gave you permission to breath, let alone call me?

BOBBY

I did.

Bobby faces up to Cordelia like a real princess. Cordelia is speechless.

ZANDER

Now this is a first.

THE GIRL TO CORDELIA S LEFT

Let s go.

CORDELIA

Alright.

They leave.

BILLY

Zander, is that the way to speak with the girl that you are

destoned to marry?

ZANDER

Ah,,,

WILLOW

Zander, is there something that you re not telling us?



GILES

Not to change the subject but, Jessie come by when your last

class lets out, we ll get them for you, Better yet, Why don t

all three of you come?

They go on to the cafeteria.

CUT

IN THE LIBRARY DAY

Giles is busy in researching from several books. Jenny teacher enters.

JENNY

There has been some activity on the Internet that I think you

should see.

GILES

What about?

JENNY

There is an occult worshiping a Neolie.

GILES

Neolie.

He rustles through his books.

JENNY

You ve heard of him?

Giles finds the book that He s looking for.

GILES

Yes. Here it is, He s a particularly nasty Demigod with a

Demon following. They look upon humans as food, the

same way as we look upon cattle or other live stalk. Up to

now He s has been imprisoned and his minions scattered and

under wraps.





JENNY

Well he has found Quite a following and most of his minus

have been set free. Here s the kicker, I was surfing the net

at lunch, and the message came in that the offering has

arrived what ever that means.

GILES

This says that the offering are human sacrifices which should

free all the minions and the Demigod, who shall rule the earth

once again.

JENNY

But who?

GILES

I think I know but let me look further to be sure.

JENNY

There s not much time, a gathering was called for tonight.

GILES

I see.

CUT

IN: THE SCHOOL LIBRARY DAY

Buffy, Zander, Willow, Bobby, Billy and Jessie enter.

BOBBY

Now why did you want us to come here?

GILES

I want you to spar with Buffy.

BILLY

Do you have a bow? I left mine at home.

BOBBY

He s very protective of his hands because of his art work.

Giles pulls out a bow from under his desk.

GILES

Will this do?

Billy picks it up and twirls it like a baton.



BILLY

It will do nicely.

JESSIE

What do you want? We can pair off, or we can free for all,

that s when it gets interesting.

GILES

You fight too?

JESSIE

Yes but I m more with the Citata blades. All that I would

really need is stick that long.

He indicates the approximate length of citata blades.

GILES

I don t know.

BOBBY

He s as good as a Highlander.

GILES

But he s not one.

BOBBY

No.

GILES

Then take it slow and light at first then work up to whatever

you can handle. All four of you.

JESSIE

Pairs or free for all?

GILES

We ll start with pairs and work from that.

BOBBY

As you wish Sensa. But may I make a request?



GILES

What is it?

BOBBY

One of us needs to call Mom so she won t worry.

GILES

I ll call her. I need to speak with her anyway.

BOBBY

Thank you.

They start to spar. Show some of the sparing, choreographed so Buffy and group are having fun..

FADE OUT

END OF ACT TWO





















ACT THREE

FADE IN

IN A BAR IN ANOTHER TOWN DAY

The bar tender is behind the bar at the other end of the bar. Tom Bennings a middle aged man, obviously has several years of drinking under his belt is sitting at the bar nursing a beer. Carl Jens enters, he s a non descript kind of guy, he crosses over to Tom and sits next to him.

CARL

I just heard from Sunnyvale. Your exÄwife and children have arrived according to plan. The ceremony will be tonight.

TOM

I know. When will we know if it worked?

CARL

Tonight.

TOM

They don t know do they.

CARL

No.

TOM

If they catch the slightest whisper, they ll bolt.

CARL

You ve had this problem before?

TOM

I ve been trying to get them killed for years. For some

reason they come out unscathed. This is my last chance.

This fails and they will be out of the country and out of reach.

CARL

And you ll be dead. If they bolt or find help, you will replace

them.

TOM

Look, I ve kept my end of the bargain, if anything happens so

that Sara and the kids live, it s on you.

CUT

IN THE LIBRARY DAY

Buffy, Bobby, Billy, and Jessie are working out in a freeÄforÄall. They seem to all be equal in strength. Giles looks at his watch.

GILES

Times up.

The sparing stops. All four have to towel off the sweat.

GILES

That will be enough for today. I want the three of you to

walk Bobby, Billy and Jessie home. I have reason to believe

that they were sent here to be the sacrifices.

BUFFY

Yes sir.

BOBBY

You know something that I should know?

GILES

I m not sure but I have reason to believe that you and your

family are in danger. I can t explain right now but Buffy will

see you home.

BOBBY

Okay.

They leave.

CUT

EXT ON THE WAY HOME DAY

Buffy, Sander, Willow, Bobby, Billy, and Jessie are walking home.

WILLOW

I read the article in the news paper on how you were forced

to live here by the courts.

BOBBY

Oh that. Want to know what the real bummer is?

WILLOW

What?

BOBBY

The judge that sent us here, is related to our beloved

principal. Our father and his garbage, we can handle but

this is going to be tough.

WILLOW

I can imagine so.

BUFFY

What is this problem with your father?

BOBBY

We have been running and hiding from my father since they

split up.

BUFFY

How long has that been?

BOBBY

Since before Jessie was born. Mom didn t even know yet

that she was pregnant with Jessie when we left our father.

BUFFY

I remember that before my parents split up there was a lot

of fighting.

BOBBY

I don t, I just remember that our father tried to kill us. Mom caught him just in time. Luckily, mom had a police officer

with her.

BUFFY

Is that why you learned to fight?

Bobby smiles.

BOBBY

No.

They approach a telephone booth.

BUFFY

Can we wait here, I just need to make a telephone call.

ALL

Sure, No problem.

(Adlib.)

Buffy enters the telephone booth and picks up the receiver and places her call.

CUT

IN BUFFY S DAD S OFFICE DAY

Dad is at his desk doing some paper work when his secretary enters.

SECRETARY

Buffy s on the line wanting to speak with you.

DAD

I ll get it.

He picks up the telephone.

DAD

Buffy.

INTERCUT CONVERSION

BUFFY

Hi Dad. I just called to thank you for being you.

DAD

What do you mean?





BUFFY

I can t explain just now but I ll tell you all about it when I

see you, that is a week from Friday.

DAD

Buffy, you re not in some type of trouble are you?

BUFFY S P.O.V.

There are some suspicious looking characters gathering around. This is a combination of street gangs and occultists.

ON ALL



BUFFY

No. I just wanted to tell you that I love you. Gotta go by.

She hangs up and leaves the booth to join her friends.

BUFFY

Let s go.

They start to leave. Some of the people steps in their way.

SANDER

Could you please excuse us?

A police car drives by so the people let them by.

CUT

IN BUFFY S DAD S OFFICE DAY

Mr. Sanders is on the telephone, pacing back and fourth.

DAD

Come on, Come on and answer.....

CUT



IN BUFFY S MOM S GALLERY DAY

Mrs Sanders is speaking with some costumers as the telephone rings. She gets to the telephone in time to answer it which she does.

MOM

Hello.

INTERCUT CONVERSION

DAD

Good I was able to get you. Was buffy alright when she

went to school this morning?

MOM

Why yes, is there any reason that she shouldn t be?

DAD

I don t know, I just got the strangest call from her.

MOM

How so?

DAD

She just called to tell me thank you for being her dad and

that she loved me.

MOM

What else did she say?

DAD

She had to hang up just then.

MOM

You did the right thing calling me.

The buzzer rings announcing that someone just entered the gallery.

MOM

A costumer just came in, gotta go.



DAD

Call me as soon as you find out what s going on.

MOM

I will, by.

She hangs up the telephone and leaves for the front of the gallery.

THE FRONT PART OF THE GALLERY

Buffy and group have just entered. Mrs. Sanders is surprised.

MOM

Buffy, I was just on the telephone with your father, He was worried about you.

BUFFY

I m alright.

MOM

I want you to go back to the telephone and call your father.



BUFFY

Sure.

She goes back to make the call as the others start to brows.

A FEW MINUTES LATER

Willow and Zander are browsing as they come up on William s painting of Arthur and family. They have to take a second look at it because of it being Bobby, Billy and Jessie. Bobby walks up behind Willow and Sander.

BOBBY

Damn, he did do the painting after all.

WILLOW

Then that is you and your brothers.

BOBBY

And our mom and adoptive father.

WILLOW

But this is posed.

BOBBY

No.

WILLOW

But I don t understand.

BOBBY

Instead of getting a man that is tougher than our biological

father which runs the risk of another abuser, she got

someone that he couldn t get to.

Bobby smiles a chessard grin.



WILLOW

But how?

BOBBY

She looked into us hiding out on Avalon.



WILLOW

But isn t it kind of rough.

BOBBY

Very. Having a ghost for a dad, there is nothing that we can

get by mom. Unless we are able to talk dad out of telling

mom.

WILLOW

Is that possible?

BOBBY

Depends on what it is. Mom is stricter than dad on certain

things.

WILLOW

It s the other way around with my parents.



Mrs. Sanders, Buffy s mom, approaches Willow as Billy, Jessie and Buffy Joins the group.

MOM

You have some interest with this painting.

BOBBY

Ya, I think that my mom would like to purchase it.

MOM

I ll get with the artist and see what he says.

BOBBY

Better yet, I ll get my mom over here tomorrow and you

have the Artist her and let them talk it over.





MOM

I ll see what I can do but I really don t think that he wants

to sell.

BOBBY

Oh I think that he ll give it up.

MOM

If you say so.

The buzzer sounds off announcing the entrance of a costumer.

MOM

Please excuse me.

She leaves as Buffy notices the similarity of Bobby and her brothers to the children in the painting.

BOBBY

Don t say it, I already know.

BUFFY

Is that why you think that your mom would be interested?

BOBBY

You might say it.

Mr. Sanders returns with a William.

MOM

Bobby, the artist just came in.

Bobby gives Anderson a stern look.

BOBBY

William Anderson. You were not supposed to do or have

this painting out of Avalon.

ANDERSON

A guy has got to earn a living.

BOBBY

You were paid quite handsomely.

ANDERSON

I spent it.

BOBBY

You re on the drugs again huh?



ANDERSON

I don t have to......

BOBBY

That s irevilent. You said that you did this painting for

money?

ANDERSON

Yes.

BOBBY

Who has seen this painting?

ANDERSON

It was done for a cover on a fantasy book.

BOBBY

And it was published?

ANDERSON

It came out about six months ago.

BOBBY

I know that Dad explained to you why this painting should

never be in this world let alone be seen. But you ve done

both. How can we ever trust you again?

ANDERSON

I m not asking you to.

BOBBY

Fine. Be here tomorrow. Mom will figure out what to do.

ANDERSON

Yes Mam.

BOBBY

I m telling Dad too.

ANDERSON

What can he do, haunt me?

BOBBY

I don t know. But what I do know is that mom can take you

to court if you don t show.

ANDERSON

Yes Mam.

BOBBY

Come on before I say something that I ll regret later.

BUFFY

I promised to help them get home without getting lost.

MOM

Alright.



Buffy kisses her mom on the cheek and they leave. William smiles a chessard smile.

ANDERSON

(Under his breath)

If they live to see tomorrow.

Mrs. Sanders glares at William.

FADE OUT



END OF ACT THREE





























ACT FOUR

FADE IN

EXT OUT FRONT OF THE GALLERY DAY

Buffy and group have just come out of the gallery.

BUFFY

What s with the painting?

BOBBY

I told you that Mom looked into going to Avalon for a place

to hide. She met a guy and they fell very much in love. On

Avalon they are Married. We visit there when ever we can.

Come to think of it I got my first taste of Venison there.

ZANDER

Isn t that dangerous?

BOBBY

Very. Mom was desperate, when you re desperate, you do desperate things.

CUT

IN BILLY, BILLY AND JESSIE S FAMILY HOME DAY

This is the home of Bobby, and her brothers and Mother. Sara, the Mother, a middle aged woman. It is obvious that she is the woman in the painting. Is busily unpacking and organizing her home. Bobby and her brothers enter with Buffy, Willow and Zander.

BOBBY

Hi Mom.

SARA

Hi. Who s your Friends?

BOBBY

This is Buffy, Willow and Sander.



SARA

Hi. Glad to meet you.

They shake hands. Adlib.

SARA

Bobby, there are sodas in the fridge if you would like some.

BOBBY

Great, come on.

They start for the kitchen. A ghost appears to Sara before Bobby and group gets past Sara. This is the Ghost of the famous King Arthur also the king in the painting.

ARTHUR

Sara.

SARA

Artu?

Bobby and group are stunned.

ARTHUR

Children.

BUFFY

Not to be rude but who are you?

ARTHUR

I am Artu, you may know as King Arthur.

BOBBY

Hi Dad.

Arthur looks at Buffy with scrutiny.

ARTHUR

You are the Slayer for this time are you not?



BUFFY

Yes. How did you know?

ARTHUR

I know a lot of things. But this is why I am here, Sara and

the children are in danger. They need your help. But this

time you will not be able to handle it alone. Sara and the

children know the words when the time comes.

BUFFY

Alright, can you tell me what this problem is?

ARTHUR

You are aware of the mounting demon. problem?

BUFFY

Yes.

ARTHUR

The people that sent them here sent them for the purpose of

them being the offering to open the mouth of hell and bring

fourth Neolie and his minions of demons that are awaiting in

the other world. They escaped their prisons in hell not long

ago.

BUFFY

What help can you be in the ghostly form?

ARTHUR

That I can not say. I m not really sure, to be truthful. I can

just beseech you to protect my family.

BUFFY

I will.

Arthur dissipates.

BUFFY

May I use your phone. I need to call a friend about this.

SARA

Yes but be careful, the phone is bugged.

BUFFY

I understand.

BOBBY

What makes you think that the phone is bugged?

Sara holds up a listening device.

SARA

I ve been finding these all day. I found two in the bathroom.

BOBBY

You mean someone has been listening to even when we were

in the shower?

BUFFY

That means they know that you know, let s get you out of

here.

SARA

Fine.

They leave.

CUT

EXT ON THEIR WAY BACK TO THE SCHOOL DAY

Buffy and group are afoot. They pass the gallery.

BOBBY

Oh Mom, do you remember that artist that came to Avalon

and did out family portrait for Dad?

SARA

I remember.

BOBBY

Didn t he swear an oath to Dad not to Do any paintings of us

in this realm or even bring any of his sketches to this realm?

SARA

Yes, Arthur even had him searched on his return from Avalon.

BOBBY

Well he went back on his word.

BUFFY

My mom has it in her gallery.

BOBBY

That s only half of it, he did the painting for a fantasy book

cover.

SARA

That answers a lot of questions.

Sander notices the same characters that they had to elude on the way to Sara and her family s home, following them again.

ZANDER

Buffy we ve got trouble.

Buffy sees them.

BUFFY

Let s go.

The rest act is choreographed in sort cuts, Buffy and group are being chased back to the school. There are a few times that they are able to elude the people that are chasing them by ducking into an alleyway, The Bronze, etc., which only gives them time to catch their breath. They make it to the school.

FADE OUT

END OF ACT FOUR











ACT FIVE

FADE IN

IN. THE SCHOOL LIBRARY DAY

Buffy and group enter as Giles looks up from his studies. Bobby s family goes to brows through the books.

BUFFY

Giles, we have a problem.



GILES

Oh.

BUFFY

The demon. minions are on the move.

GILES

I see hat you have brought back our friends.

BUFFY

They have requested our help.

GILES

That s a plus.

As she returns to Buffy and Giles, Sara notices the mediaeval weapons.

SARA

You know how to use the weapons?

GILES

Yes I do.

SARA

Good, you ll probably need to use them before this night is

through.

BUFFY

The entity, what did he mean that you know the words?

SARA

It s just a standard mediaeval call to arms.

BUFFY

Can just anyone do it?

SARA

Anyone that has the authority.

BUFFY

Then there is no magic?

SARA

I m not sure. I m not psychic or anything like that, but The

warriors that would be coming would be coming from the

other world to my knowledge.

GILES

But is he psychic?

SARA

Very. He studied under the great Lord Merlin as a child.

GILES

Have you ever done this before.

SARA

Never needed to.

Arthur and two body guards appears from the veil and turns to Giles. The body guard at Arthur s right side is Sir Gawain and the other one is Sir Lancelot .

ARTHUR

You are the watcher.

GILES

Yes your Majesty. The Demon, is it Neolie?

ARTHUR

Yes, is the slayer up to it?

GILES

Not an army. Why hasn t he been apprehended before now?



ARTHUR

I really do not know, I was just given the job to prevent his

coming through the veil and apprehend him if possible.

GILES

I see. How much can you do?

ARTHUR

I have my limitations but I m going to try to arrange it to be

within the slayers abilities.

GILES

How.

ARTHUR

I shall think of something. Sara and the children must be

protected.

GILES

I know.

ARTHUR

Sara, my wife, I love you.

SARA

I love you too my husband, my King.

Arthur and Sara kisses then he disappears.



GILES

Well, come sit, this is going to be a long night.

SARA

Buffy tells me that you were with the museum of natural

history before you came here.

GILES

Yes.



SARA

Good, then his time can be used in finding Castle of Morgan

La Fae.

GILES

What is your interest there.

SARA

That is the rondevues point for me to greet Artu to this time

period.

GILES

How is this supposed to take place?

SARA

I m not sure, to my understanding all I have to do is show

up, everything else is taken care of.

GILES

Let s see what we can find here.

Willow crosses over to Bobby.

WILLOW

Bobby, That Body guard that his majesty had with?

BOBBY

Which one Gwalchmei or Llenlleawg?

WILLOW

Who?

Bobby smiles.

BOBBY

You would know them as Gawain and Lancelot.

WILLOW

The one on the right hand side.

BOBBY

That would be Gawain and he s off limits.

WILLOW

Why?

BOBBY

Because when dad and those of his men that are in

suspended animation are awakened to once again walk the

world of man, Gawain and those who has had the chance to

die will go on to the light.

WILLOW

Oh.

SANDER

How can you tell which ones are to return or not?

BOBBY

You can t. I know about Gawain because his death was well documented.

CUT

IN THE DEMON HEADQUARTERS NIGHT

The head Demon is speaking with some followers. Another follower enters and approaches the head demon..

HEAD DEMON.

What is it now?

FOLLOWER

The subjects have disappeared.

SECOND FOLLOWER

I know where they went.

HEAD DEMON.

Where?

SECOND FOLLOWER

The school library.



HEAD DEMON.

Go and get them.

FOLLOWER

Yes sir.

The follower leaves.

CUT

IN: HIGH SCHOOL LIBRARY NIGHT

Giles and Sara are looking into a book. Bobby, Billy, and Jessie are reading, drawing pictures etc. Willow is on the computer. Sander is sitting and passing time. Buffy enters. The computer teacher enters. She takes one look at Sara.

JENNY

You are Bobby and Billy s mother?

SARA

Yes. Is there anything wrong?

JENNY

No. Do you know who she is.

GILES

What are you talking about?

JENNY

What has she told you about herself.

SARA

I think that I know what you are getting, no I haven t told

him but he s probably figured it out by now.

JENNY

I think you should. Does he know that you can call to arms?

SARA

Yes.



GILES

Can someone what this is all about?

SARA

Does the title Guenhumara mean anything?

GILES

It s Old Welch meaning white or white phantom,

Documentation is sketchy at best but there is one

Guenhumara that it is imperative that is protected, she can

be distinguished by having three children, boy and girl twins

and a younger boy, for she is the peace maker.

Giles looks at Sara who shrugs.

GILES

Oh my, so you know.

SARA

I Know. But I can t have this legale hassle hanging over me.

GILES

Does your exÄhusband know?

SARA

I don t know..

GILES

Would it help if he knew?

SARA

No, if anything it would only make matters worse.

GILES

I see.

FADE OUT

END OF ACT FIVE





ACT SIX

FADE IN

EXT THE SCHOOL CAMPUS NIGHT

The sun is setting so it is just figures against the darkening sky. They have yet to reach the campus. Two police cars come screeching in and stop. The officers step out from their cars. Using a megaphone......

FIRST OFFICER

Break up, go home.

The crowd starts to converge on the officers.

SECOND OFFICER

Call for backup.

The third officer returns to the car and gets the mic. He is dragged from his car as his partners are killed then he is killed.

CUT

IN THE LIBRARY NIGHT

Buffy and Sara are looking out the window watching the grewsome scene. The Principal enters.

PRINCIPAL

Isn t school over.

BOBBY

Sir, My Mom is here doing some vital research for her next

writing project.

PRINCIPAL

But this is a school.

BUFFY

There coming.



PRINCIPAL

If you re talking about that crowd outside, I ve called the

police.

BUFFY

You mean the for officers that was just killed outside?

PRINCIPAL

What? Let me see that.

He starts for the window.

SARA

It s time.

She crosses over to the table that her children are sitting around and sits in a chair. She meditates for a minute then.

SARA

To arms, to arms, I Sara, Wife to Arthur And His

Guenhumara Queen, command the to arms.

The Principal watches Sara in disbelief.

BOBBY

To arms to arms, I Bobby, daughter to Arthur and first guard, command the to arms.

BILLY

To arms to arms, I Billy, son of Arthur and second guard, command thee to arms.

JESSIE

To arms to arms, I Jessie, son of Arthur and the bridge,

command thee to arms.

The meditation is over. Sara stands.

SARA

That s all I can do.

There is a rumble and a crack of thunder. Then there is a bright light shine through the exposed window.

CUT

EXT CAMPUS GROUNDS NIGHT

The minions are approaching the School as Arthur leads the band of warriors come through the Vail. They form a line between the Minions and the school. The minions stop and one of the leaders step foreword. Arthur meets him half way.

LEADER

Move aside. You have no right to keep us from our

sacrificial subjects.

ARTHUR

I have the right, they are of my house.

LEADER

They are of this world.

ARTHUR

Don t you think that I know that? Leave them.

LEADER

No. Let us through.

ARTHUR

No. What if we had a champion that was of this world?

LEADER

I m listening.

ARTHUR

Stay right there. I ll be right back.

He turns back to the school and goes in.

CUT

IN: THE SCHOOL LIBRARY

Arthur enters, Buffy, Sara, Bobby, Billy, Jessie, Willow, The Computer teacher, Zander and Giles all look at him.

ARTHUR

We have a problem.

BUFFY

Let me guess, because you re from the other world you re

limited to Neolie and his minions from the other side.

not supposed to interfere. Don t worry, Giles just read the

text to us.

ARTHUR

Yes.

GILES

The prophecy also states how important it is that we don t

let this happen.

BUFFY

Then it s my job to handle this.

BOBBY

I want to go with.

ARTHUR

I need for you to protect your mother.

BOBBY

As you wish father.

ARTHUR

We can at least keep the fight fair.

Angel enters.

ANGEL

Can I help.

Arthur gives him a sly look.

ARTHUR

You re the vampire with the soul.

ANGEL

Yes, But I don t know who you are.

Arthur looks at him and grins.

ARTHUR

Arturas Rex.

ANGEL

Your Majesty, what is your interest here?

ARTHUR

Sara is my wife, and I ve taken her children as my own.

ANGEL

Then let s get this over with.

Arthur leaves with Buffy, Angel turns back to Sara and Children and bows his head in respect. Sara raises her hand in recognition.

SARA

Thank you, now go.

(Pause about a beat and a half)

No wait.

Arthur and group stops to look at Sara.

ARTHUR

Sara no.

SARA

I m not asking, we re all going out there. The school

personal can stay in if they wish.

PRINCIPAL

What is going on?

BUFFY

Trust me, you don t want to know.

BOBBY

Hide and watch, you ll find out.

ARTHUR

But I don t want you hurt.

SARA

What good is a title or position if you can t use it? Besides,

I have an idea.

ARTHUR

Then let s go.

They grab what weapons they can and leave.

CUT

EXT THE SCHOOL YARD NIGHT

By this time the head demon. himself has arrived and a champion has been chosen. Arthur, and group return to the battle lines. Sara steps one or two steps toward the demon line.

SARA

Before anyone gets hurt, I wonder how many know that

since I am of Arthur s house, all it takes for one drop of

blood to be shed and not only will he be authorized to fight

with you but to slaughter you all, Every Man Woman and

child.

HEAD DEMON.

She s bluffing.

SARA

Am I? How many of you are trained to fight in a full battle?

Can you afford the risk?

Some of the humans start to leave the ranks.

HEAD DEMON.

I m calling your bluff.

SARA

Fine.

She walks over to Arthur.

ARTHUR

What are you up to?

SARA

Just trust me. I need your dagger.

ARTHUR

I can t do that.

SARA

Giles, Any one have a sharp object, like that sword, Zander.

Zander looks at both Giles and Arthur for their okay which he gets.

ARTHUR

Sara, I do not know about this.

SARA

Do you love me?

ARTHUR

You know that I love you more than life its self .

SARA

Then trust me.

She cuts the palm of her hand just enough to make it bleed then hands the sword to Arthur who takes it and does the same.

GILES

Sara no, nothing will ever be the same again.

SARA

I love you Arthur.

ARTHUR

I love you to.

They clasp the two cut hands together so the two bloods would mingle. There is a reaction of a burst of light around them.

ARTHUR

Sara, do you trust me?

SARA

Yes.

ARTHUR

Then kiss me.

They kiss. The light gets brighter then dies away...Some more of the human minions leave. The head demon. gets frustrated.

HEAD DEMON.

Enough, Get them.

Only the champion steps forward so Buffy meet with champion about halfway between the two battle lines. Buffy fights the champion and wins. With the champion being human she does not kill him.

THE DEMON. S MINIONS

Kill him, kill him.

BUFFY

No. I will not kill him. He is still human.

The head demon. approaches the champion who is still laying on the ground.

HEAD DEMON.

Then I will.

He picks up the champion s sword, Buffy and Angel tries to stop him but he kills the champion with the sword.

HEAD DEMON.

We have our sacrifice, this night.

The campion falls dead. The earth starts to rumble. Arthur quickly kisses Sara.

ARTHUR

Angel, take everyone inside, the rest is our job.

(Looking at the minions)

You have a chance to change your minds and leave

peacefully. This is now of my world.

The followers that still have their humanity run off. Angel and Buffy start to take the others back to the library.

ARTHUR

Sara.

SARA

Ya?

ARTHUR

I still love you.

SARA

I still love you too.

ARTHUR

Bobby, Billy, see you at the test at Celldonian forest.

BOBBY

See you there.

SARA

But they re not ready.

ARTHUR

But they are.

They go back into the building as the sky turns blood red and with a crack of thunder Neolie and his minions come through the Vail.

ARTHUR

Bare arms,

(Pause about 3 beats)

Hold firm

(Pause about 3 beats)

First assault, Attack.

The first assault attacks as the second stands guard on the mortal minions. There is the sound of many sirens which scares off the rest of the mortal minions.

ARTHUR

Second assault Attack.

They Attack. Enough police come and arrest what stragglers there are. By this time The battle is halfway back beyond the Vail. One can tell that there is a battle going on but dark shapes that are disappearing behind the Vail. One officer looks to another officer.





FIRST OFFICER

Did you see that?

SECOND OFFICER

I didn t see a thing, and that s what s going to be in my

report.

FADE OUT

END OF ACT SIX



































EPILOG

FADE IN

EXT THE FRONT OF THE CAMPUS DAY

It is the next morning. Students are coming to school. Giles as Buffy is dropped off by her mom. Zander and Willow are waiting top meet her. Bobby, Billy, and Jessie and Sara approach them. Then Giles comes up the walk and joins them.

BOBBY

We wanted to thank you for last night.

BUFFY

Just doing my job.

BOBBY

I also wanted to let you know that the Judge that ordered us

here found out what happened and that we were the target

and canceled the court order.

BUFFY

When do you think that you will be leaving?

BOBBY

Our flight is tonight. Mom likes those red eye flights.

WILLOW

I thought that I saw the movers pull up at your house this

morning.

BUFFY

Well good luck. Don t forget the painting.

SARA

I have an appointment to pick it up in about an hour.



GILES

There will be a Geoffrey Anderson meeting you at the airport.

He s not just Scotland Yard, he s also a friend of mine. He

can help you take care of what you must do.

SARA

ThankÄyou.



GILES

I think that you should know that they ve found Excalibur in

some monastery in Wales This morning.

SARA

I know.

They shake hands then Sara and her children get into the Taxi and ride off.

FADE OUT



THE END





















































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