Chapter Six: The Devil and The Dark
Peter
ghosted through the alleys of the night. He knew the neighbourhood he was
headed for, and had a rough picture of the house he wanted to find. As he came
closer to events, he could remember more and more of his vision, but he had not
the slightest idea who he was going to see.
This was
an old neighbourhood. Once it had been good; now it was sinking into slums. The
elderly and the criminal occupied the Victorian houses. More than a few were
surrounded by the human detritus that went along with the drug industry. Most
people preferred to believe such places didn't exist, but most people didn't
have to live there.
Periodically
the police might make token efforts in the area, but they were never seen after
nightfall. Here, humans exploited and abused humans because they, in turn, were
being abused by others. Peter had little sympathy for these. Despite his
newfound concern for the urban poor, he felt little impetus to act in such
localities. The victims were often just as bad as the victimizers.
It was
then that Peter realized he was being followed. A tall man in a hoodie was
hardly noticeable in this kind of place, but as Peter focused his hearing, he
was certain that a group was coming up behind him. He turned a corner in the
hope that they would continue on past, but with wide streets and wider yards
there was little hope of concealment unless he wandered into the no man's land
behind the houses.
He
stopped for a second and caught a glimpse of his pursuers. Three young men in
dark attire, they were far from raucous "gangstahs" native to the
area, and this worried him. Rat had many enemies, and any one of them could be
on his tail this night. He stepped on and checked his weaponry. He was prepared
for a fight.
Heading
further down the side street he could tell the silent trio was still behind
him. He knew that if he ran, they would give chase, but found it unlikely they
would catch him. He could easily disappear into the shadows between the tall,
rotten houses, but first he wanted to find out what these three had in mind.
This would require getting closer to them, possibly engaging them in a fight.
Neither option thrilled him, and that left only stealth. He considered dashing
into the darkness, where he could cover himself in shadow, or perhaps shift
down to a smaller size. Instead he decided to push on ahead, lose them at the
next corner and climb a lamppost. The broken street lamps provided no
illumination, but they granted eager access to one such as him.
He
broke into a run and tore around the corner, then leaped, and, grabbing onto
the nearest post, he heaved himself the rest of the way to the top. So long as
his pursuers didn't get too far away, they would have little chance of spotting
him.
The three
men were not far behind. They came around the corner and skidded to a halt.
They began to argue over whose fault it had been that he had gotten away. After
about a minute of useless finger pointing one of them finally established
order.
"Shut
up! Shut up! We don't have time. He could be anywhere here. A.D., you take that
side," he pointed to the opposite side of the street. "Jone-Z, head
in there," he pointed into the dark of the nearby houses. "I'll head
down that way," down the street, "Holler if you see anything."
The three went on their way.
"Well,"
Peter though, "Mister Z and I have a date, shame to cancel now." He
jumped down from the post and hurried into the darkness, where his quarry had
gone. Chasing him.
Careful
not to make a sound, he waited a moment for his eyes to adjust to the deeper
darkness. He could hear the man moving about to his left. He was heading down
the rows of houses, parallel to the street. It was clear to Peter these men
were not wolves, or they would be tracking him by smell, not fumbling in the
dark like this.
Peter
snuck up behind his target, which was stumbling through the dark with a drawn
gun. "Sloppy," thought Peter. Then he decided to share this opinion
with Mister Z.
"What
are you going to shoot if you can't see?" he asked just behind the young
man's right shoulder. He had to cluck as Jone-Z spun around, prepared to do
grievous harm to whosoever was peeping over his shoulder. Peter reached out and
easily grabbed the gun from his opponent's hand.
"Hmm.
A Derringer X/O. Expensive." Quick as a wink, Peter ejected the mag and
pocketed it. His disarmed foe was starring, aghast. He was about to draw breath
to scream but Peter was still a few steps ahead. He hauled back and sucker
punched the man as hard as he could in the stomach, robbing him of breath,
making any sound above a gasp impossible.
Jone-Z
clutched his stomach and almost fell forward as he tried to gather his
faculties and wind. But Peter was far from finished. He kneed the poor guy in
the face, pulling him upright. Then he pistol-whipped the man with his own gun.
This spun him around and he finally dropped to the ground.
Looking
down on his thoroughly battered foe in the weeds, Peter shook his head.
"Poor Jone-Z went into the dark. Will he ever come back?" he
whispered. The groaning man was about to get up. Peter ejected the lone bullet
in the gun, caught it, and tossed both into the darkened bushes. Then Peter sat
down on the man's back and pulled his arms behind his back and towards his head
in an incredibly painful way. It was a hold Peter had used with success on rats
far more lithe than this wayward soul.
"Make
a sound louder than a whisper and I'll dislocate both your arms Jone-Z,"
he pushed. Just a little, to underscore the point. "Say you understand
me."
"Yeah,
yeah," he rasped, trying to pitch his voice low and keep from screaming.
"Excellent,
that means you and I are going to get along. I only want to know what you're
looking for and why."
"Boss
wanted us to pick up some guy, so we went out to get him," Jone-Z said.
"And
how did 'Boss' know he wanted to talk to this guy?" asked Peter.
"Dunno,
Lamarr just came down and said we were going out to get someone," he
answered.
It was then that a call came from the street. "Jone-Z, where are
you?"
"Lamarr!
He's over here! He's got..." the rest of the shout was converted to a
scream that faded to silence as Jone-Z lost consciousness.
"Enjoy
the next few weeks with two slings," whispered Peter to his sleeping
victim. He then jumped up and prepared himself for Lamarr's arrival.
Lamarr
was a thug. Smarter than some, but he was still a thug nonetheless. He ran down
the wide gap between the Victorian houses into the darkness, expecting
uncounted horrors. Going from the half-lit street to the shadowy backyards left
him sightless. The first thing he saw was the ground as he tripped over the
unconscious body of Jone-Z
Peter
jumped down from the first story balcony roof and pulled the fallen gangster's
arms back like he had the first, but the man refused to let go of his gun.
Peter was about to step on his neck and solve the issue when the unexpected
happened.
Lamarr
had the build of a street thug that ruled not so much by brains or brawn, but
by a violent temper and a willingness to do others harm. This translated into
him being fast but not especially muscular. Nonetheless he pulled his arms away
from Peter by sheer strength and hauled himself to his feet. He swung around,
and fired.
The noise
and muzzle flare blinded and deafened them both. Peter had danced back and aside,
unsure of how the situation was evolving. He felt fairly certain he had not
been hit, but he felt stunned by the sudden reversal of situations. His senses
were much sharper than the human's, so his shock from the gunfire had been
greater, and he was unsure of where his opponent now stood. Peter knew he had
to strike before the gangster could locate him and open fire with greater
effect, so he threw a wild punch about head level and but felt only air.
Peter was
still unwilling to up the ante and reveal his larger form. With sparks still
dancing in his eyes, he knew he had to disarm Lamarr quickly. Peter's horns
were curving affairs that came down from his temples towards his chin. They
framed his face and had, on occasion, saved his head from a side impact. They
did not project forwards in any menacing way, but because of the way they were
anchored to his skull he did have a far more solid forehead than most.
So Peter lunged forwards in the hopes of finding something soft and cerebral in
front of him. By some chance, his head butt made contact with Lamarr's face,
causing the man to swear angrily.
Lamarr
reeled backwards under this latest assault but swiftly recovered. Peter hopped
forward in an attempt to grab the gun but the gangster was fighting him for it.
The two
fell to the ground as Peter tried to wrestle the gun away from his opponent.
The man was exceptionally strong. Under normal circumstances the fight should
not have lasted as long as it had, but Peter was unable to gain any advantage
over his enemy. The two struggled against one another, grunting and swearing in
the grass.
As they
rolled about Peter caught a glimpse of the third gangster dragging the downed
man away. He knew he had to finish this quickly or risk reinforcements
arriving. Peter could end the struggle in a second by shifting to his war form
but he was still reticent to expose himself and risk drawing attention to the
Ratkin.
It was
then that a crash drew the focus of both combatants towards the house whose
backyard they were in. Their tussle had left them squarely in front of the back
door, which had just been thrown open.
Peter
could see a silhouette standing in the lighted doorway. The entire ground floor
was now brightly lit up. Peter has allowed his attention to wander too much and
Lamarr used the opportunity to flip Peter over his head. The gunman quickly
jumped to his feet and pointed his weapon at the floored Peter.
But if
Peter noticed too much, Lamarr noticed too little. Beyond Peter the person
standing in the bright doorway was holding an AK-47. The riffle made
surprisingly little noise and so did Lamarr as the first few bullets hit him.
He sunk to the ground.
Peter
rolled over on his stomach and looked towards his rescuer. The first thing that
hit him was the female shape of the gun wielding shadow. Even concealed in the
contrasting brightness and shrouded in what appeared to be some kind of long
plastic apron, those curves and statuesque legs could never quite be hidden.
The second thing that hit him was a powerful odour coming from the open door.
It was a chemical smell that struck fear in him. The last time he had smelled
it was when, as a child, the Colony had been preparing for war. The Warriors
had gleefully begun their apocalyptic machinations. It was the smell of
homemade TNT. Bathtub explosives, and lots of it.
When the
muffled gunfire came to an end the woman called out, "Who the Hell's out
there?!" She had a commanding tone that was used to being obeyed.
Peter looked over his shoulder to see he was alone. The injured human had
somehow fled the scene. He glanced back to the nameless woman and noticed the
soda can silencer and her long blond hair. He decided he had overstayed his
welcome. His clothing was disarrayed so he made sure his hood was still in
place. He got to his feet slowly with his hands over his head.
"Now
come over here slowly," she ordered, but instead he made a break for it.
He jumped over the fence at the rear of the yard and didn't stop until he was
five blocks distant. The increasingly loud sound of gunfire echoed in the air
the entire time.
Back in
the dilapidated Victorian house, Victoria Wallace, also know as Victoria
Clothed-in-Pain, crushed the burnt remains of her makeshift silencer. "So
that was Peter Super," she said to no one in particular. "Well, if
Knife Skulkers want to play in my garden, they'd best be careful." She
replaced the clip in the rifle with a fresh one and put it back in the umbrella
can by the door.
"Yes," she said, still talking to herself as she descended to the
basement. "I've got things ready." The rows of full bathtubs spoke
mute testament to her claim.
