~ Chapter One ~

At the Academy, they train you to deal with violent

crime scenes. You are taught to cope with the

psychological aspects of a case and focus on the

investigation with a rational, detached mind.

There are, however, certain cases that are so

appalling they remain in your memory forever.

Donnie Pfaster would never leave her, nor would the

faces -- or hands -- of his victims. The Peacock

family, their mother with her filthy rolling cart

beneath the bed, existing solely to propagate.

Scully was sure this would be no different from any

of those.

They took care walking into the kitchen, a brick

affair original to the structure. Marks drawn on

the floor indicated where the bodies had lain,

unusual, organic shapes necessary to encase the

large pools of blood surrounding the victims. These

same pools lay dried and brown on the floor.

"Why hasn't the cleaning crew been out here?"

Scully asked.

"They were here two days ago."

She cocked her head at him and gestured at the

blood-splattered cabinets, table and chairs. It

looked like a slasher film was in progress. "Why

hasn't this all been cleaned then?"

"They, uh, didn't stay. It seems that whatever

presence is in this house didn't make them feel

exactly welcome."

She rolled her eyes. "Whatever you say, Mulder. I

still think there's nothing supernatural about this

crime. People do murder other people every day,

you know, and there's nothing paranormal about

that."

He grimaced at the scene. "I don't think a person

could be capable of this, Scully. Not alone and not

without leaving some trace of themselves behind.

The family didn't just sit and wait their turn

while they watched the others die."

"Well," she said after a moment, "There's not much

we can do in here since the bodies and evidence

have already been removed. I say we just shut the

door on this room and get on with

our...investigation."

The investigation, as it were, was unconventional

to say the least. The special circumstances of the

case, namely the lack of evidence and the brutal

manner in which the family was dispatched, not to

mention the anomalies found within the bodies

themselves, had caught Mulder's attention as soon

as he heard about it. 

Mulder unloaded several black cases of video and

audio equipment, along with machines that measured

temperature changes, infrared heat and

electromagnetic fields. All were on loan from an

acquaintance of Mulder's, a professor of

parapsychology who followed their work and offered

assistance any time it was needed. The Gunmen

supplemented the video and audio equipment.

Mulder set the seven camcorders up in seven

different places: the kitchen, the living room,

dining room, poolroom, upstairs hallway, sitting

room and at the mouth of the corridor leading to

the kitchen. In the meantime, Scully chose the

spare bedroom at the end of the hall upstairs and

settled herself into the bureau and adjoining

bathroom. With any luck, Mulder would figure out

they were wasting their time there and decide to

leave before the weekend.

She wasn't holding her breath.

The bedroom had a very cottage-y feel to it, with

Waverley-esque wallpaper and sage bedding with

throw pillows. An antique nightstand sat to the

left of the bed with a pitcher and basin that

looked older than she was. The curtains were light

and airy, with tones of rose and sage intermingling

in the tasteful print. Rugs on the polished wood

floor lent the room even more comfort. It was as

perfect as the rest of the house.

She was inspecting a wardrobe standing in the

corner when she heard it -- the whispering. She

couldn't make out any words, but it sounded like

two people in a heated argument. Don't be

ridiculous, she told herself. No one's in the house

but Mulder and me. She checked the hallway to see

if Mulder was messing around. It was empty, so she

went to the window to see of a tree branch was

scraping against the side of the house. The nearest

tree branch was several feet away. Finally, she

decided it had to be the pipes. Of course it was

the pipes. In a house that old, one was bound to

hear strange noises.

She wrapped her arms around herself, shivering from

the cold draft coming through the room and stepped

out to find her partner.

~*~

Mulder, as it happened, just reached the top of the

stairs when she left her bedroom. She tried not to

laugh at the ridiculously large camera around his

neck (Compensating for something, Mulder? her mind

supplied. She fought back a grin) and the new toy

attached to his hand.

"Staked out a room already?" he called out to her,

barely taking his eyes off the apparatus.

"What on Earth is that?"

"This one is called a Gaussmeter. It measures

electromagnetic fields. And this one," he pulled

another instrument out of his pocket, "is an IR

thermometer. It measures infrared heat and locates

cool spots."

She raised an eyebrow. "Mulder, you do realize

there are electromagnetic fields everywhere, right?

Not to mention the fact that there are going to be

cool spots all over the house, since it's October

and the place is almost 200 years old."

"Killjoy."

"Sucker."

"So, which one is my room?"

"I guess it's up to you. I took the only guest

room, but that still leaves the two girl's bedrooms

and the master suite."

He pulled a face. "Never was one for lavender. Or

unicorns, for that matter. Looks like I'm taking

the master."

She followed him around for a few minutes while he

did a walk-through of the house with the two

monitors, commenting on the slightest changes and

writing them all down in a tiny notebook in his

other pocket. It didn't take long before she lost

interest and went to explore the rest of the house

on her own.

It truly was an amazing house, and it couldn't have

been more 'her' than if she'd chosen and decorated

it herself. Sabrina Talbot and I could've been

kindred spirits, she mused. On the other hand, she

could see where one's imagination could get away

from them in this place. They hadn't been there for

more than two hours before the creaks and groans of

house settling began to sound more like voices and

whispers. Couple this with the age of the house,

the murders and the fact that the nearest neighbor

was hundreds of yards away, and it was easy to see

where stories of a haunting could run rampant.

Scully herself wondered if she could stand to live

here alone, knowing what had happened here. Could

she cook, entertain, make tea in the same space

three-fourths of a family was brutally murdered?

Shivering at the thought, she admonished herself

for her irrational, yet all too human uneasiness.