Hi, I'm back from outer space!!! And I changed my name!!! Amazing huh?
Yeah, well, anyways, I'm finally getting the 4th chapter up, and it's the
end of the first quarter at school. You know what that means? My schedule
gets changed around, and I get put into the hard classes. Those evil people
at school. Oh well, I'll guess I'll manage, but my update might be late and
things like that. I'm sorry in advance. Anyways, on with shout outs or
whatever you call them.
Todd fan: Thanks for reviewing again. I really appreciate it. And you are the only person who has reviewed my last two chapters too! Amazing isn't it? Uh huh, well anyways, thanks for waitin'. Keep reading.
Disclaimer: I like doing these. RP has been named "Unworthy to hold the title of owning the show: X-Men: Evolution and the movie Rush Hour." Yup, that's my title. Oh, yes, and I don't own Michael Jackson, Maria Carrie, or the song Beat It. Please read on and review. I like them reviews.
************************************************************************ Now on with the fic:
Actions
Speaking
Who's speaking
(My usually sarcastic comments)
and a new one: Song Lyrics ####################################################################
RUSH HOUR THE X-MEN WAY *$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$ RP: Arighty now people. Lets get this scene on the move. Lights?
Spike: Affirmative!
RP: Are we in the Army?
Spike: Ummmm, no.
RP: Well then, why are you using army talk?
Spike: I don't know.
RP: Why don't you know?
Spike: I don't know.
RP: O.o!!!
Spike: Lights are a check RP.
RP: Ok.ummm.Camera?
Spike: Check!
RP: Good. Now, ACTION!!! ********************************************************************* "Australian Consulate NEW ORLEANS". That's what more words on the screen say. (Whoever did this movie is obsessed with words on the screen.) The screen is showing the front of a huge building that is none other than the Australian Consulate in New Orleans. Then we hear Lance's voice.
Lance: Jamie, come on, we're going to be late. Let's go.
Now we see Jamie and Lance walking through the doors of the huge building. Suddenly, Kitty comes up behind them.
Kitty: Excuse me? Telephone.Australia.
Lance looks pissed and turns to Ray, who is standing next to the car, waiting to take Jamie to school. Lane sighs and kneels down to Jamie.
Lance: Jamie, have a nice day at.
Jamie: Will you be home after school?
Lance: No, I am going to pick you up myself.
Jamie: Who has just broken into a big smile. You pinky swear?
Lance: Pinky swear.
They hook pinkies and shake them. Then Jamie turns around and hops down the steps to where Ray opens the door for him.
Jamie: Turns around and waves. Bye!
Lance: Bye!
Then Jamie gets into the car. Lance turns around, and picking up his briefcase in the process, he walks into the building. As he walks around the corner, Kitty is there waiting for him, phone in hand.
Lance: On the phone. Hello, this is Alvers.
Phone: No answer.
Lance: Hello? Bangs buttons. Hello?
Phone: No answer.
Lance looks perplexed as he hangs up the phone.
Scene switches to a busy highway with standstill traffic. We hear a radio playing Michael Jackson's "Beat It". The heavy traffic is scanned before finally settling on the car Jamie is in where Jamie is singing along with the radio.
Jamie: Singing, and not with that bad of a voice.
"They Told Him Don't You Ever Come Around Here
Don't Wanna See Your Face, You Better Disappear
The Fire's In Their Eyes And Their Words Are Really Clear
So Beat It, Just Beat It
You Better Run, You Better Do What You Can
Don't Wanna See No Blood, Don't Be A Macho Man
You Wanna Be Tough, Better Do What You Can
So Beat It, But You Wanna Be Bad
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It
Just Beat It, Beat It
Just Beat It, Beat It
Just Beat It, Beat It"
All the while that Jamie is singing, Bobby and Ray are supposed to be staring out the window and looking annoyed, but Bobby is fighting the urge to sing along too, and Ray was looking like Wolerine was torturing him to death. Anyways, they kept stealing glances a each other trying to figure out if the other also thought that Jamie was crazy, but finally, they both look at each other and silently agree on it.
Scene switches again to outside the car. Jamie has stopped singing, but you can still here the song going on.
"They're Out To Get You, Better Leave While You Can
Don't Wanna Be A Boy, You Wanna Be A Man
You Wanna Stay Alive, Better Do What You Can
So Beat It, Just Beat It
You Have To Show Them That You're Really Not Scared
You're Playin' With Your Life, This Ain't No Truth Or Dare
They'll Kick You, Then They Beat You,
Then They'll Tell You It's Fair
So Beat It, But You Wanna Be Bad
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It, Beat It
Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Who's Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It
Beat It, Beat It, Beat It"
Outside the car, we see Facade posing as a policeman. (Actually he's not doing that bad of a job at it.) He is motioning all the cars to go to the right, but when he sees the car Jamie is in, he motions them to go to the left. Bobby turns the car to the left and they drive down a street, when suddenly, a police car with Pietro inside pulls in front of them with the siren on and stops. Pietro opens the door and gets out as Bobby rolls down the window.
Bobby: Is there a problem officer?
Pietro: No problem, just, rush hour.
Then Pietro pulls out a gun and shoots both Bobby and Sam dead. (Don't worry, they're not really dead, and they will make other appearances throughout the story.) Jamie starts to scream REALLY loud. Pietro walks to the rear door, and opens it. He reaches in intent on grabbing Jamie, but Jamie is kicking and hitting Pietro with his Pokémon backpack.
During the fight, Jamie's necklace comes off, and falls on the floor of the car. Jamie kicks Pietro in the face, picks up the necklace, and tries to get out the other door, but Pietro grabs his foot. Jamie swings the necklace at his face, and it hits him right down the side of his face. Starting at left eye and continuing down to his cheek, there is now a cut on Pietro's face. (Oh my gosh! Pietro's face has been hurt! It's a crisis!) Pietro recoils and Jamie takes the chance to escape out the other door.
Jamie stars to run away from the car down the street. Behind Jamie, Sam comes behind him on a motorcycle, and while still moving, picks Jamie up and lays him across the seat of the motorcycle. Up the road a little bit, a white van stops right in front of Sam. Roberto gets out and picks up the struggling Jamie. Roberto then gets into the van with Jamie nicely tucked under his arm and closes the door.
RP: Annnnnnnnnnd that's a wrap.
Spike: Wow, that scene had a lot of action and violence.
RP: Well, that's how the movie goes. Except instead of Michael Jackson it's a Maria Carrie song, but oh well this is not the real movie.
Spike: I guess your right.
RP: Anyways, next time on RUSH HOUR THE X-MEN WAY, there will be more Remy! Be back in exactly.uh.I don't know when.
Everyone: BYE!!! ************************************************************************ Thanks for reading, and please review. Oh yes, and I hope you have a good week.
Todd fan: Thanks for reviewing again. I really appreciate it. And you are the only person who has reviewed my last two chapters too! Amazing isn't it? Uh huh, well anyways, thanks for waitin'. Keep reading.
Disclaimer: I like doing these. RP has been named "Unworthy to hold the title of owning the show: X-Men: Evolution and the movie Rush Hour." Yup, that's my title. Oh, yes, and I don't own Michael Jackson, Maria Carrie, or the song Beat It. Please read on and review. I like them reviews.
************************************************************************ Now on with the fic:
Actions
Speaking
Who's speaking
(My usually sarcastic comments)
and a new one: Song Lyrics ####################################################################
RUSH HOUR THE X-MEN WAY *$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$*$ RP: Arighty now people. Lets get this scene on the move. Lights?
Spike: Affirmative!
RP: Are we in the Army?
Spike: Ummmm, no.
RP: Well then, why are you using army talk?
Spike: I don't know.
RP: Why don't you know?
Spike: I don't know.
RP: O.o!!!
Spike: Lights are a check RP.
RP: Ok.ummm.Camera?
Spike: Check!
RP: Good. Now, ACTION!!! ********************************************************************* "Australian Consulate NEW ORLEANS". That's what more words on the screen say. (Whoever did this movie is obsessed with words on the screen.) The screen is showing the front of a huge building that is none other than the Australian Consulate in New Orleans. Then we hear Lance's voice.
Lance: Jamie, come on, we're going to be late. Let's go.
Now we see Jamie and Lance walking through the doors of the huge building. Suddenly, Kitty comes up behind them.
Kitty: Excuse me? Telephone.Australia.
Lance looks pissed and turns to Ray, who is standing next to the car, waiting to take Jamie to school. Lane sighs and kneels down to Jamie.
Lance: Jamie, have a nice day at.
Jamie: Will you be home after school?
Lance: No, I am going to pick you up myself.
Jamie: Who has just broken into a big smile. You pinky swear?
Lance: Pinky swear.
They hook pinkies and shake them. Then Jamie turns around and hops down the steps to where Ray opens the door for him.
Jamie: Turns around and waves. Bye!
Lance: Bye!
Then Jamie gets into the car. Lance turns around, and picking up his briefcase in the process, he walks into the building. As he walks around the corner, Kitty is there waiting for him, phone in hand.
Lance: On the phone. Hello, this is Alvers.
Phone: No answer.
Lance: Hello? Bangs buttons. Hello?
Phone: No answer.
Lance looks perplexed as he hangs up the phone.
Scene switches to a busy highway with standstill traffic. We hear a radio playing Michael Jackson's "Beat It". The heavy traffic is scanned before finally settling on the car Jamie is in where Jamie is singing along with the radio.
Jamie: Singing, and not with that bad of a voice.
"They Told Him Don't You Ever Come Around Here
Don't Wanna See Your Face, You Better Disappear
The Fire's In Their Eyes And Their Words Are Really Clear
So Beat It, Just Beat It
You Better Run, You Better Do What You Can
Don't Wanna See No Blood, Don't Be A Macho Man
You Wanna Be Tough, Better Do What You Can
So Beat It, But You Wanna Be Bad
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It
Just Beat It, Beat It
Just Beat It, Beat It
Just Beat It, Beat It"
All the while that Jamie is singing, Bobby and Ray are supposed to be staring out the window and looking annoyed, but Bobby is fighting the urge to sing along too, and Ray was looking like Wolerine was torturing him to death. Anyways, they kept stealing glances a each other trying to figure out if the other also thought that Jamie was crazy, but finally, they both look at each other and silently agree on it.
Scene switches again to outside the car. Jamie has stopped singing, but you can still here the song going on.
"They're Out To Get You, Better Leave While You Can
Don't Wanna Be A Boy, You Wanna Be A Man
You Wanna Stay Alive, Better Do What You Can
So Beat It, Just Beat It
You Have To Show Them That You're Really Not Scared
You're Playin' With Your Life, This Ain't No Truth Or Dare
They'll Kick You, Then They Beat You,
Then They'll Tell You It's Fair
So Beat It, But You Wanna Be Bad
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It, Beat It
Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Who's Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin' How Funky Strong Is Your Fighter
It Doesn't Matter Who's Wrong Or Right
Just Beat It, Beat It
Beat It, Beat It, Beat It"
Outside the car, we see Facade posing as a policeman. (Actually he's not doing that bad of a job at it.) He is motioning all the cars to go to the right, but when he sees the car Jamie is in, he motions them to go to the left. Bobby turns the car to the left and they drive down a street, when suddenly, a police car with Pietro inside pulls in front of them with the siren on and stops. Pietro opens the door and gets out as Bobby rolls down the window.
Bobby: Is there a problem officer?
Pietro: No problem, just, rush hour.
Then Pietro pulls out a gun and shoots both Bobby and Sam dead. (Don't worry, they're not really dead, and they will make other appearances throughout the story.) Jamie starts to scream REALLY loud. Pietro walks to the rear door, and opens it. He reaches in intent on grabbing Jamie, but Jamie is kicking and hitting Pietro with his Pokémon backpack.
During the fight, Jamie's necklace comes off, and falls on the floor of the car. Jamie kicks Pietro in the face, picks up the necklace, and tries to get out the other door, but Pietro grabs his foot. Jamie swings the necklace at his face, and it hits him right down the side of his face. Starting at left eye and continuing down to his cheek, there is now a cut on Pietro's face. (Oh my gosh! Pietro's face has been hurt! It's a crisis!) Pietro recoils and Jamie takes the chance to escape out the other door.
Jamie stars to run away from the car down the street. Behind Jamie, Sam comes behind him on a motorcycle, and while still moving, picks Jamie up and lays him across the seat of the motorcycle. Up the road a little bit, a white van stops right in front of Sam. Roberto gets out and picks up the struggling Jamie. Roberto then gets into the van with Jamie nicely tucked under his arm and closes the door.
RP: Annnnnnnnnnd that's a wrap.
Spike: Wow, that scene had a lot of action and violence.
RP: Well, that's how the movie goes. Except instead of Michael Jackson it's a Maria Carrie song, but oh well this is not the real movie.
Spike: I guess your right.
RP: Anyways, next time on RUSH HOUR THE X-MEN WAY, there will be more Remy! Be back in exactly.uh.I don't know when.
Everyone: BYE!!! ************************************************************************ Thanks for reading, and please review. Oh yes, and I hope you have a good week.