After rehabilitation, Mr. Doe #314 is sent to Brook Meadow Sanctuary, a place where people go to be forgotten. He's not sure who's paying for his care, but he's determined to live out the rest of his days in silence in order to protect the legacy of his late husband. Post Return 0. Harold/John. ANGST. established relationship, happy ending.

Joss Carter has a lot on her mind after returning home from Bishop, TX where she went to help John Reese find their friend Harold Finch after he was taken. But she's not the only one with things on her mind. She gets a surprise visit from John who reveals how deeply Layla's kidnapping effected him, and how the thought of losing Joss actually played a part in why he called Elias.

Samaritan examines Shaw

The New Numbers that the machine has given to Finch, John, Shaw, and Root belong to the kids of an orphanage and their caregiver. Who is a danger to them? And why? P.s. I own nothing

When Finch asks Elias for help, Elias offers a trade that Finch cannot possibly accept. But there's more to the offer than it first appears...

Harold is cold and achy after his rescue from Root's clutches. John is ready to help if Harold will let him. Tags: Post Bad Code (S02E02), missing scene, sleeping together, first time, romance, h/c, fluff, body heat, warmth, aching body, stiff muscles, aches and pains, canon disabled character, touch starved, nanowrimo 2021. Rated G.

John Reese doesn't particularly believe in honesty. Lies of omission aren't lies, they're just omissions. Lies can be white. Assumptions don't always have to be corrected. Honesty is important, but it doesn't have to be absolute. And, finally, knowing about someone isn't the same thing as knowing someone. All the things, important or not, that John never said.

Shaw has stopped working for the Machine, but finds herself lured back in by Detective Fusco. She doesn't know where it will lead, but on the way she gets to deal with the drama she'd hope to leave in the past.

The Machine makes a friend. [POV: The Machine. Set in S2e02: The Contingency]

La Machine envoie un numéro. Ils le reçoivent, ils enquêtent, ils passent entre les mailles de Samaritain, ils sauvent des vies. Ce schéma, ils le connaissent et y sont rodés. Mais que peuvent-ils faire quand ils sont unanimes sur le fait que leur nouveau numéro désigne quelqu'un qui n'existe pas ?

Joss Carter interviews Henry Peck, meets Grace Hendricks and finds out about the Machine. [Updated on 7th Dec 2021, with a fix it for 3.09: The Crossing in this 'verse]

Shaw and Root are arrested on a minor weapons charge; Shaw is hostile and they put her in with Root to 'manage' her.

When Evelyn decides that five years of square-dancing with John is enough, she reveals her plans for her daughter Joss's future in the place she feels safest in the world; Summerville, South Carolina. Rated T for adult humor and sexuality. Probably contains shade-throwing.

John Reese gave people second chances everyday, but never thought he deserved one until a recent case gave him new hope. Joss Carter believed in second chances, too, but would she be willing to give someone like John Reese with such a dark past a second chance...which included her? Slightly A/U

POI & Daemons Admitting this now. This is a mess and I don't really know why I wrote this but here you go for anyone who wants to read it.

AU - No Machine - No Numbers - No Finch & Reese - A little ficlet I imagined of Shaw and Root if they met when Shaw was still an intern. Control is everything to Shaw. If she can't fit into the world, then she will control it, mold her life and every situation to fit her needs. Only, Root isn't so moldable. And she likes to be in control, too.

John Reese was a Fugitive, plain and simple. To even think that he could have a life was wishful thinking. Especially when he wanted a life with the very detective that was hunting him down. Detective Joss Carter was determined to find the Man In A Suit who had caught her interest from the moment she had met him as a drunken bum. Now he captured her imagination and her dreams...

Set in the Hogwarts/HP universe: Win the game, get the girl. They'll live happily ever after. The End. That's how most movies work, right? Well... After a big win against Martine's posse, Quidditch captain Sameen Shaw, surrounded by said friends, kisses the girl she'd been pretending to be annoyed of for so long. And now she has to face the consequences.

The small woman in the fancy suit says to call her "Finch," and proves to be quite the linguist. "Mystery" in that Reese is trying to figure her out. Basically a montage following the S1 sequence of events. Prequel to "A Conversation with Miss Kittiwake" (see note at the end of that fic for info about borrowing my female Finch).

Struggling to complete the mission despite the limitations of his body and mind, Harold gets a little advice from the Machine. Set near the very end of the series. Also a bit of a message to my readers.

Five scenes with Bear interacting with Team Machine.

Shaw's been downhearted baby, ever since the day Root left...

G is Book 4 of the series. It's the follow-on of Saving the Saviors, and finds all of the characters from the show arriving in present day, intact. Several are worse for wear, and more pressure is likely to come. Forces that would take all that is dear to Finch are at work. Some from the show have returned with expanded roles, and new characters from the first book return in G.

Joss Carter, NYC homicide detective and John Reese, U.S. Marshall, had a dilemma on their hands when their hotel room had been double-booked. An innocent dinner to try to resolve the problem, however, has instead led them into some deep and passionate waters to navigate. Sequel to "Nothing...and Everything" and "Road Trip". A/U

A stolen moment during a time of crisis has Joss Carter Torn about what she should do about John. John Reese knows what, or rather who, he wants but with his path already set in stone, how can he ask Joss to commit to an uncertain future? A decision will be made, but will they remain "just friends"...or move forward as something more...