THE TOMORROW PEOPLE 21ST CENTURY


 "BREAK OUT"

 by

 Marla Kendal



 Based on "The Tomorrow People"

 by

 Roger Damon Price



 
The Tomorrow People 21st Century is based on "The Tomorrow 
People" by Roger Damon Price. The "Tomorrow People" 
franchise is Copyright (c) 1991 Thames Television.
 
 
Story & Teleplay Copyright (c) 2004 Marla Kendal.
 
All rights reserved. No portion of this script may be 
performed, published, sold or distributed by any means, or 
quoted or published in any medium, including on any web site, 
without prior written consent. Disposal of this script copy 
does not alter any of the restrictions set forth above. 
Contact: screenplay (at) gopha (dot) net


 THE TOMORROW PEOPLE 21ST CENTURY

 "BREAK OUT"

 TEASER


FADE IN:

EXT. LONDON, ENGLAND - ESTABLISHING - DAY

EXT. TUBE STATION - DAY

PASSENGERS file in and out through the wide open doorway.

INT. TUBE STATION - CONTINUOUS

The passengers feed paper tickets into readers and proceed
through the turnstiles.

Brash and cocky AARON OGDEN (14), winds his way through a
maze of corridors, and arrives in the tunnel. The benches
are full, the walls lined with tired commuters. He wanders
the platform, away from the crowd. Kicks the sour lemon
candy machine.

SUPERIMPOSE: YEAR 2003

An ELDERLY MAN throws Aaron a disapproving look.

Aaron shrugs.

 AARON
 They're everywhere. They take your
 money and you don't get nothing.

 ELDERLY MAN
 Youth today don't know how well
 they have it.

Aaron rolls his eyes. He opens his mouth as if to speak, but
no words come out. He grimaces. Groans. He digs the palms of
his hands into his eyes.

 ELDERLY MAN
 Are you all right?

 AARON
 I've got a headache. I've--

He doubles over in pain.

 ELDERLY MAN
 Are you ill? Do you need to go to
 hospital?

 AARON
 What? Stop it. Stop yelling at me.
 I didn't do anything.

He jerks up, eyes wild and unfocused. He shakes it off.
Glares at the Elderly Man. Rears up and pushes him.

 AARON (CONT'D)
 What was that? What'd you do to me?

Aaron winces. Covers his ears. His body erupts into spasms.

 AARON (CONT'D)
 Leave me alone! Stop yelling at me!
 Leave me alone!

He stumbles to the edge of the platform.

Someone SCREAMS.

Aaron loses his footing, falls off the platform and onto the
rails. He hits his head, and loses consciousness.

EXT. TUBE STATION - DAY

Aaron flails about on the gurney. It rolls into the ambulance.
The doors close and the ambulance speeds off, SIRENS blaring.

INT. HOSPITAL EMERGENCY SERVICE

The MEDICAL STAFF tend to Aaron. He moans and convulses.

NURSE #1 wipes his forehead with a damp cloth.

 NURSE #1
 Another GHB overdose?

The DOCTOR makes notes on a chart.

 DOCTOR
 I think so.

 AARON
 Stop it. Leave me alone!

NURSE #2 pats Aaron's hand.

 NURSE #2
 We're just here to help you. Let us
 help you.

 AARON
 No! Leave me alone. Go away. Stop
 yelling at me! I don't want to go.
 I don't want to go.

 DOCTOR
 Vitals?

 NURSE #2
 Stable.

 DOCTOR
 Go ahead, sedate him. We won't find
 out anything with him in this state.

INT. HOSPITAL ROOM

The Doctor scribbles a note on the chart. Sighs.

 DOCTOR
 You didn't take anything, or you
 just don't remember?

 AARON
 I don't take drugs. I got sick.

 DOCTOR
 Our tests show you're perfectly
 healthy. The EEG showed no seizure-
 like brain activity, yet you were
 convulsing.

 AARON
 It's not my fault your machines
 gone wonky.

The Doctor slaps the chart down onto the bed.

 DOCTOR
 Don't needle me. Go on, tell me the
 rest of your story.

 AARON
 (thinking as he goes along)
 I left school. Went to my mate's.
 And he was was with this girl. And
 they were, you know, having a bit
 of how's your father. So I left. I
 got to the cheap station, and had
 this headache. Then I woke up here.

 DOCTOR
 (unconvinced)
 You just rest up for a while. I've
 called your mum, she's on her way.

 AARON
 She's going to kill me. I missed my
 exams.

EXT. BLOCK OF FLATS - NIGHT

Modest homes set among a line of others, all alike.

INT. ODGEN RESIDENCE - KITCHEN

ITV2 blares in from the back room.

Aaron, seated, chin in his hands, puts on the most pitiful
and apologetic face he can muster.

 AARON
 Yes, mum. I'm sorry I caused you so
 much trouble.

To Aaron, his mother's chiding voice sounds like an out of
tune trumpet. SQUEAK SQUEAK SQUEAK.

 AARON (CONT'D)
 Yes, mum. I won't do it again. I
 promise.

SQUEAK SQUEAK SQUEAK.

 AARON (CONT'D)
 I feel fine. Really. Can I go to my
 room now?

He stands. Shoulders slumped, he trudges out of the room.

INT. BEDROOM

Aaron pulls back the covers and throws himself down into his
bed. He pulls the covers over his head.

From nowhere rise waves of VOICES. Men and women. Children.
They cry out in mutters, wails, and ear piercing SCREAMS.

The window curtains blow inward. Rain splatters onto the sill.

 MATCH CUT:

INT. BEDROOM

A bolt of lightning flashes through the curtains. The BOOM
of thunder follows.

The lump under the bed clothes moves. KATIE WATSON (13),
petite and pig-tailed, scrambles out and onto the floor.

Her eyes are wild. Fear distorts her face.

 KATIE
 (Geordie accent)
 Not again. No more. Please!
 (screaming)
 No!

 FADE OUT.

 END OF TEASER