CUT TO. INT-HEMMINGTON'S CABIN: Hemmington sits at a desk. He activtes a computer. The screen lights up. An old man in his late 60's appears. This is JULES.
JULES
What's up?
HEMMINGTON
I found The One.
JULES
The One?
HEMMINGTON
Yeah.
JULES
He's on your ship?
HEMMINGTON
Yes she is.
JULES
Wait, "she"?
HEMMINGTON
Yes. The One is a woman.
JULES
But The Ones have all been men. Are you sure that she's The One and not just really really good.
HEMMINGTON
She's The One, I know it. And Zion's not getting her. With her help we can destroy The Matrix and take out the Machines.
JULES
Has she seen The Oracle yet?
HEMMINGTON
No, not yet.
JULES
Take her as soon as possibe. If she in The One this is the break that will turn the tides.
HEMMINGTON
I'll take her tomorrow.
JULES
Good. Oh by the way. There's a little sentinal activity in your area.
HEMMINGTON
Thanks. They should leave us alone. I imagine that they think we're from Zion.
JULES
Nevertheless, watch your ass and keep her in one piece dammit.
HEMMINGTON
Yes sir.
JULES
Atlantis Command out.
INT-CABIN: The screen goes dark. Hemmington leans back in his chair. Sarah is leaning against the door. Hemmington does not see her.
SARAH
Who's The Oracle.
HEMMINGTON
Wha.. Oh shit you scared me.
SARAH
Who and or what is The Oracle?
HEMMINGTON
The Oracle is a being inside The Matrix who acts as a guide. We all visit her to gain insight into our purposes.
SARAH
Are you telling me she can see the future?
HEMMINGTON
In a manner of speaking, yes. The Oracle foretold the coming of The One.
SARAH
But you told me that you already knew The One would come.
HEMMINGTON
She foretold the coming of Neo and The Ones before him.
SARAH
I see.
HEMMINGTON
Get some sleep. You'll learn more about yourself tomorrow.
SARAH
Good night.
HEMMINGTON
Night.
X-FADE TO. INT-SARAH'S CABIN: Sarah is asleep on her bed. Turkish quietly opens the door. Sarah stirs. Turkish is carrying a tray. He leans down to her.
TURKISH
Good morning.
SARAH
Morning. What's that?
TURKISH
Breakfast.
SARAH
What is it?
TURKISH
I don't really know. Its mostly a dense mixture of all the basic vitamins, minirals and nutriants.
INT-CABIN: Sarah takes a spoonful of stuff that looks like watery porriage.
SARAH
Tastes like baby food.
TURKISH
You've never had baby food.
SARAH
I guess not. No matter, you do what you gotta do.
TURKISH
And on that, you've got to get up.
SARAH
Why?
TURKISH
You're going in.
CUT TO. INT-CONTROL ROOM: Sarah looks around. All of the crew except for Turkish and herself are plugged into the system. Turkish lays Sarah down and gets ready to plug her in.
TURKISH
Have fun.
INT-CONTROL ROOM: Turkish plugs her in. She slips away. Turkish jogs to his post behind the computers. He puts on his headset and settles in.
TURKISH
You guys alright?
CUT TO. INT-CONSTRUCT: Hemmington, Woo, Sarah and the others are standing in a large white space. They are all nicely dressed and are all well armed underneith their clothes. Hemmington is on a cellphone.
HEMMINGTON
We're good. Hack us in.
INT-CONSTRUCT: The white space falls away. A long tunnel made of the green code swoops around them. A large white flash appears.
CUT TO. INT-OLD HOTEL ROOM: The crew is now standing around a table with a ringing phone on it. They are now back inside
The Matrix. Hemmington walks to the phone and picks it up.
HEMMINGTON
We're in.
CUT TO. EXT-CITY STREETS, DAY: The group walks out into a crowd of mid day pedestrians. Hemmington turns to Nash and Helena.
HEMMINGTON
Keep watch over the exit.
HELENA
Right.
NASH
How long do you expect to be?
HEMMINGTON
Looking to be about an hour and a half.
NASH
Alright. Take care amigo.
EXT-STREETS: Hemmington, Woo, Sarah get into a waiting car. The car drives off.
CUT TO. INT-CAR, DAY: Sarah stares out the window. She now sees this place as being very constructed and fake. Woo is driving and Hemmington is sitting beside Sarah in the back seat.
SARAH
This is amazing.
HEMMINGTON
What is?
SARAH
This, world. This Matrix. Its unbelivable.
HEMMINGTON
It takes a little getting used to. But the inital sense of delirium will ware off.
SARAH
I hope so, I'm feeling seasick.
CUT TO. EXT-STREETS, DAY: The car drives on in the traffic.
JULES
What's up?
HEMMINGTON
I found The One.
JULES
The One?
HEMMINGTON
Yeah.
JULES
He's on your ship?
HEMMINGTON
Yes she is.
JULES
Wait, "she"?
HEMMINGTON
Yes. The One is a woman.
JULES
But The Ones have all been men. Are you sure that she's The One and not just really really good.
HEMMINGTON
She's The One, I know it. And Zion's not getting her. With her help we can destroy The Matrix and take out the Machines.
JULES
Has she seen The Oracle yet?
HEMMINGTON
No, not yet.
JULES
Take her as soon as possibe. If she in The One this is the break that will turn the tides.
HEMMINGTON
I'll take her tomorrow.
JULES
Good. Oh by the way. There's a little sentinal activity in your area.
HEMMINGTON
Thanks. They should leave us alone. I imagine that they think we're from Zion.
JULES
Nevertheless, watch your ass and keep her in one piece dammit.
HEMMINGTON
Yes sir.
JULES
Atlantis Command out.
INT-CABIN: The screen goes dark. Hemmington leans back in his chair. Sarah is leaning against the door. Hemmington does not see her.
SARAH
Who's The Oracle.
HEMMINGTON
Wha.. Oh shit you scared me.
SARAH
Who and or what is The Oracle?
HEMMINGTON
The Oracle is a being inside The Matrix who acts as a guide. We all visit her to gain insight into our purposes.
SARAH
Are you telling me she can see the future?
HEMMINGTON
In a manner of speaking, yes. The Oracle foretold the coming of The One.
SARAH
But you told me that you already knew The One would come.
HEMMINGTON
She foretold the coming of Neo and The Ones before him.
SARAH
I see.
HEMMINGTON
Get some sleep. You'll learn more about yourself tomorrow.
SARAH
Good night.
HEMMINGTON
Night.
X-FADE TO. INT-SARAH'S CABIN: Sarah is asleep on her bed. Turkish quietly opens the door. Sarah stirs. Turkish is carrying a tray. He leans down to her.
TURKISH
Good morning.
SARAH
Morning. What's that?
TURKISH
Breakfast.
SARAH
What is it?
TURKISH
I don't really know. Its mostly a dense mixture of all the basic vitamins, minirals and nutriants.
INT-CABIN: Sarah takes a spoonful of stuff that looks like watery porriage.
SARAH
Tastes like baby food.
TURKISH
You've never had baby food.
SARAH
I guess not. No matter, you do what you gotta do.
TURKISH
And on that, you've got to get up.
SARAH
Why?
TURKISH
You're going in.
CUT TO. INT-CONTROL ROOM: Sarah looks around. All of the crew except for Turkish and herself are plugged into the system. Turkish lays Sarah down and gets ready to plug her in.
TURKISH
Have fun.
INT-CONTROL ROOM: Turkish plugs her in. She slips away. Turkish jogs to his post behind the computers. He puts on his headset and settles in.
TURKISH
You guys alright?
CUT TO. INT-CONSTRUCT: Hemmington, Woo, Sarah and the others are standing in a large white space. They are all nicely dressed and are all well armed underneith their clothes. Hemmington is on a cellphone.
HEMMINGTON
We're good. Hack us in.
INT-CONSTRUCT: The white space falls away. A long tunnel made of the green code swoops around them. A large white flash appears.
CUT TO. INT-OLD HOTEL ROOM: The crew is now standing around a table with a ringing phone on it. They are now back inside
The Matrix. Hemmington walks to the phone and picks it up.
HEMMINGTON
We're in.
CUT TO. EXT-CITY STREETS, DAY: The group walks out into a crowd of mid day pedestrians. Hemmington turns to Nash and Helena.
HEMMINGTON
Keep watch over the exit.
HELENA
Right.
NASH
How long do you expect to be?
HEMMINGTON
Looking to be about an hour and a half.
NASH
Alright. Take care amigo.
EXT-STREETS: Hemmington, Woo, Sarah get into a waiting car. The car drives off.
CUT TO. INT-CAR, DAY: Sarah stares out the window. She now sees this place as being very constructed and fake. Woo is driving and Hemmington is sitting beside Sarah in the back seat.
SARAH
This is amazing.
HEMMINGTON
What is?
SARAH
This, world. This Matrix. Its unbelivable.
HEMMINGTON
It takes a little getting used to. But the inital sense of delirium will ware off.
SARAH
I hope so, I'm feeling seasick.
CUT TO. EXT-STREETS, DAY: The car drives on in the traffic.
