CUT TO. EXT-BUILDING: The crew exits. Hemmington is on a phone.
HEMMINGTON
Its the Agents, they organized the Oracle's kidnapping.
CUT TO. INT-CONTROL ROOM, THE REAL WORLD: Turkish is seated at his station wearing his headset.
TURKISH
Why would the Agents want to get rid of The Oracle? And why would they get The Merovingian to do it?
HEMMINGTON(V.O)
Maybe because the Agents weren't programmed to harm the Oracle, they still answer to someone.
TURKISH
But The Merovingian doesn't. But why do it at all?
HEMMINGTON(V.O)
Maybe to stop Sarah from becoming The One.
TURKISH
How are you gonna get to the train station?
HEMMINGTON(V.O)
Still working on that.
CUT TO. EXT-CITY STREETS, NIGHT: Hemmington hangs up. The crew continues to walk down an allyway. They all stop at once. Sarah takes point. She looks down the ally. She sees a man in a dark suit and sunglasses standing there, blocking their path.
SARAH
Jones.
JONES
Good evening Ms. Burns, welcome back.
HEMMINGTON
Run.
EXT-ALLY: The crew turns around and begins to run, but are stopped when Brown and Johnson block their paths. Hemmington looks up at some fire ladders. He looks to Seraph.
HEMMINGTON
You alright to handle them?
SERAPH
Just get her out of here.
EXT-ALLY: Hemmington and company begin to climb. The Agents try to follow but Seraph intervenes. He, Jones, Johnson and Brown begin to fight. Hemmington and company near the halfway point. They get to a window. Hemmington breaks it and the crew begins to file in. Hemmington gets on his phone.
TURKISH(V.O)
Operator.
HEMMINGTON
We need an exit right now.
TURKISH(V.O)
Top floor, room 1097.
CUT TO. INT-BUILDING, NIGHT: Hemmington hangs up. He begins to chase his crew. He catches up with them.
HEMMINGTON
Top floor, room 1097.
CUT TO. INT-STAIRWELL, NIGHT: The crew begins to run up the stairs.
CUT TO. EXT-ALLY, NIGHT: Seraph is still, ceaselessly, fighting The Agents. And The Agents are still, ceaselessly, fighting back.
CUT TO. INT-HALLWAY, NIGHT: The crew burst through a door. In a small room who's furnishings have been covered with plastic, is a ringing phone on a small table. Hemmington picks up the phone and hands Sarah the reciever.
HEMMINGTON
You first.
CUT TO. INT-CONTROL ROOM: Sarah wakes up in her chair. Turkish pulls out her plug. She looks over and sees Woo stir.
CUT TO. INT-CONTROL ROOM, MINUTES LATER: The crew is standing in a circle again. They all look frustrated and confused.
SARAH
Where the hell did they come from?
TURKISH
Literally nowhere.
HEMMINGTON
What the hell does that mean?
TURKISH
Whaen they showed up, the Agent encoding looked a little different. It was more dense.
INT-CONTROL ROOM: Hemmington bows his head and begins to chuckle.
HEMMINGTON
I get it.
SARAH
Don't keep it to yourself.
HEMMINGTON
Upgrades. The Agents were upgraded.
SARAH
Merv said something too.
TURKISH
What?
SARAH
He said "Jones".
HEMMINGTON
Jones is an Agent.
SARAH
Why would he get someone to take the Oracle and not do it himself?
HEMMINGTON
Maybe he's been programmed not to harm her.
MICK
But in order to stop The One from becomming, he got The Merovingian to take her to keep her quiet.
ANDREW
Why didn't Merovingian kill her?
HEMMINGTON
He's tried that before, in Neo's time. She just found herself a new body.
INT-CONTROL ROOM: Sarah breaks off from the group. She walks up on to a catwalk above the crew. She looks down at them appearing to have made a decision.
SARAH
I'm gonna go get her.
INT-CONTROL ROOM: The crew looks up at her shocked.
HEMMINGTON
What?
SARAH
You heared me. I'm gonna go get her.
HEMMINGTON
Not without me you're not.
SARAH
Wrong.
HEMMINGTON
Wrong?
SARAH
I'm going alone.
HELENA
You're nut's you know that right?
SARAH
Its about the only thing I do know right now.
MICK
I hope you have a plan.
SARAH
Nothing short of doing whatever it takes.
CUT TO. INT-CONTROL ROOM: The crew surrounds Sarah as she is once again lowered into a chair. Turkish is behind her. He leans towards her face.
TURKISH
Good luck.
INT-CONTROL ROOM: He kisses her lightly on the lips. He quickly breaks off and shoves the plug into her head.
HEMMINGTON
Its the Agents, they organized the Oracle's kidnapping.
CUT TO. INT-CONTROL ROOM, THE REAL WORLD: Turkish is seated at his station wearing his headset.
TURKISH
Why would the Agents want to get rid of The Oracle? And why would they get The Merovingian to do it?
HEMMINGTON(V.O)
Maybe because the Agents weren't programmed to harm the Oracle, they still answer to someone.
TURKISH
But The Merovingian doesn't. But why do it at all?
HEMMINGTON(V.O)
Maybe to stop Sarah from becoming The One.
TURKISH
How are you gonna get to the train station?
HEMMINGTON(V.O)
Still working on that.
CUT TO. EXT-CITY STREETS, NIGHT: Hemmington hangs up. The crew continues to walk down an allyway. They all stop at once. Sarah takes point. She looks down the ally. She sees a man in a dark suit and sunglasses standing there, blocking their path.
SARAH
Jones.
JONES
Good evening Ms. Burns, welcome back.
HEMMINGTON
Run.
EXT-ALLY: The crew turns around and begins to run, but are stopped when Brown and Johnson block their paths. Hemmington looks up at some fire ladders. He looks to Seraph.
HEMMINGTON
You alright to handle them?
SERAPH
Just get her out of here.
EXT-ALLY: Hemmington and company begin to climb. The Agents try to follow but Seraph intervenes. He, Jones, Johnson and Brown begin to fight. Hemmington and company near the halfway point. They get to a window. Hemmington breaks it and the crew begins to file in. Hemmington gets on his phone.
TURKISH(V.O)
Operator.
HEMMINGTON
We need an exit right now.
TURKISH(V.O)
Top floor, room 1097.
CUT TO. INT-BUILDING, NIGHT: Hemmington hangs up. He begins to chase his crew. He catches up with them.
HEMMINGTON
Top floor, room 1097.
CUT TO. INT-STAIRWELL, NIGHT: The crew begins to run up the stairs.
CUT TO. EXT-ALLY, NIGHT: Seraph is still, ceaselessly, fighting The Agents. And The Agents are still, ceaselessly, fighting back.
CUT TO. INT-HALLWAY, NIGHT: The crew burst through a door. In a small room who's furnishings have been covered with plastic, is a ringing phone on a small table. Hemmington picks up the phone and hands Sarah the reciever.
HEMMINGTON
You first.
CUT TO. INT-CONTROL ROOM: Sarah wakes up in her chair. Turkish pulls out her plug. She looks over and sees Woo stir.
CUT TO. INT-CONTROL ROOM, MINUTES LATER: The crew is standing in a circle again. They all look frustrated and confused.
SARAH
Where the hell did they come from?
TURKISH
Literally nowhere.
HEMMINGTON
What the hell does that mean?
TURKISH
Whaen they showed up, the Agent encoding looked a little different. It was more dense.
INT-CONTROL ROOM: Hemmington bows his head and begins to chuckle.
HEMMINGTON
I get it.
SARAH
Don't keep it to yourself.
HEMMINGTON
Upgrades. The Agents were upgraded.
SARAH
Merv said something too.
TURKISH
What?
SARAH
He said "Jones".
HEMMINGTON
Jones is an Agent.
SARAH
Why would he get someone to take the Oracle and not do it himself?
HEMMINGTON
Maybe he's been programmed not to harm her.
MICK
But in order to stop The One from becomming, he got The Merovingian to take her to keep her quiet.
ANDREW
Why didn't Merovingian kill her?
HEMMINGTON
He's tried that before, in Neo's time. She just found herself a new body.
INT-CONTROL ROOM: Sarah breaks off from the group. She walks up on to a catwalk above the crew. She looks down at them appearing to have made a decision.
SARAH
I'm gonna go get her.
INT-CONTROL ROOM: The crew looks up at her shocked.
HEMMINGTON
What?
SARAH
You heared me. I'm gonna go get her.
HEMMINGTON
Not without me you're not.
SARAH
Wrong.
HEMMINGTON
Wrong?
SARAH
I'm going alone.
HELENA
You're nut's you know that right?
SARAH
Its about the only thing I do know right now.
MICK
I hope you have a plan.
SARAH
Nothing short of doing whatever it takes.
CUT TO. INT-CONTROL ROOM: The crew surrounds Sarah as she is once again lowered into a chair. Turkish is behind her. He leans towards her face.
TURKISH
Good luck.
INT-CONTROL ROOM: He kisses her lightly on the lips. He quickly breaks off and shoves the plug into her head.
