CUT TO. EXT-CITY STREETS, NIGHT: A light snow has begun to fall as Sarah, once again, exits the old hotel. She strides up to a waiting black sedan. She gets in and the engine starts up.
CUT TO. INT-CAR, NIGHT: Sarah gets on her cell phone.
SARAH
I'm in.
TURKISH(V.O)
Reading you loud and clear. So, what's the plan?
SARAH
I think H said The Oracle was being held in the Train Staion. I guess I'm headed for a subway.
TURKISH(V.O)
Nearest station I've got for you is on Kingsville North by a little pizza place called Raoul's.
SARAH
Righto. Call you back.
INT-CAR: Sarah hangs up the phone.
CUT TO. EXT-CITY STREETS, NIGHT: The car pulls up next to the pizza joint. Sarah steps out of the car and heads for a nearby subway station.
CUT TO. INT-SUBAY STATION STAIRS, NIGHT: Sarah begins to walk dow the flight. She stops halfway when a man gets in her way. Its The Trainman. He looks up at Sarah and smiles.
TRAINMAN
Going somewhere?
SARAH
Actually I was.
TRAINMAN
Where would that be exactly?
SARAH
Mobil Station.
TRAINMAN
Oh, I'm sorry, there's no station called Mobil in the city.
SARAH
That's odd, I could have sworn someone telling me there was.
TRAINMAN
Well, why don't you just turn around and head back to that dump of a ship.
SARAH
Because I still need to catch a train.
INT-STAIRS: Sarah continues down. She reaches the bottom when the Trainman steps in her way.
SARAH
You don't want this kind of trouble boyo.
TRAINMAN
What makes you so sure that you are trouble.
SARAH
My bad attitude towards authority.
INT-STAIRWELL: Sarah punches Trainman in the face. The Trainman takes the hit mildly. He rubs his jaw and stares down at Sarah.
SARAH
Oh shit.
TRAINMAN
Oh yeah.
CUT TO. TRAIN STATION PLATFORM: Sarah runs in from the stairs at full speed. She arrives at the platform to find it empty. She looks down the tunnels. Sarah jumps on to one of the tracks and begins running.
CUT TO. INT-SUBWAY TUNNEL: Sarah is now running as fast as ever. She can hear the Trainman's voice taunting her from behind.
TRAINMAN
There's no hole I won't find you in, no train I won't stop to find you on, no way out from this place. This is my dominion and you are my BITCH!!!
INT-TUNNEL: Sarah stops running. She turns to fae the Trainman who she can see baring down on her. His pace slows as he nears her.
SARAH
What did you call me?
TRAINMAN
You heared me.
SARAH
I want you to say it to my face.
TRAINMAN
Bitch.
INT-TUNNEL: Sarah punches him in the nose. He takes it hard but stares down at her with a bloody nose.
SARAH
For twenty six years, maybe, but not anymore.
INT-TUNNEL: Sarah hits him again. Trainman staggers back.
SARAH
No human is anyone's or in your case, anything's bitch!
INT-TUNNEL: Sarah jump kicks him in the throat. Trainman is a little more concerned now.
SARAH
Don't ever call a human that word again. Now, take me to The Oracle.
CUT TO. INT-MOBIL STATION: The Oracle is sitting on a bench staring ahead. She hears a train coming and gives a little smile as she stands up. A subway pulls up to the platform. It stops and the doors open. Sarah gets off. She walks right up to The Oracle.
ORACLE
Good choice.
SARAH
So, what happens now?
ORACLE
We leave.
SARAH
What about him?
ORACLE
You've asserted yourself, he won't try anything now. Let's go.
CUT TO. EXT-CITY STREETS, NIGHT: The snow continues to fall as Sarah and The Oracle walk up the stairs on to the streets.
SARAH
So, what, is that test of yours done now?
ORACLE
It wasn't my test dear, it was yours, and it is up to you when it will end.
SARAH
You really do know how to confuse the hell out of people don't you?
ORACLE
It will all seem clear soon enough. You just have to make up your own damned mind whether or not to see it.
SARAH
See what? Just tell me that! See what?!!
ORACLE
Yourself for who you really are.
EXT-STREETS: The Oracle begins to walk away. She then turns back to Sarah.
ORACLE
I like you, don't screw up.
EXT-STREETS: The Oracle turns around to see a door against a wall open. Seraph steps out. He motions The Oracle to enter. She leaves with him and the door closes. Sarah is now standing on the sidewalks looking a little lost. She gets out her cell phone and quickly dials.
TURKISH(V.O)
Operator.
SARAH
I got her out.
TURKISH(V.O)
How the hell did you manage that?!
SARAH
Just get me out of here.
TURKISH(V.O)
Okay. Ahah! There's an exit down the street in an old mom and pop hardware store.
SARAH
Alrighty.
EXT-STREETS: Sarah hangs up and begins walking down the street at a fast pace.
CUT TO. INT-CAR, NIGHT: Sarah gets on her cell phone.
SARAH
I'm in.
TURKISH(V.O)
Reading you loud and clear. So, what's the plan?
SARAH
I think H said The Oracle was being held in the Train Staion. I guess I'm headed for a subway.
TURKISH(V.O)
Nearest station I've got for you is on Kingsville North by a little pizza place called Raoul's.
SARAH
Righto. Call you back.
INT-CAR: Sarah hangs up the phone.
CUT TO. EXT-CITY STREETS, NIGHT: The car pulls up next to the pizza joint. Sarah steps out of the car and heads for a nearby subway station.
CUT TO. INT-SUBAY STATION STAIRS, NIGHT: Sarah begins to walk dow the flight. She stops halfway when a man gets in her way. Its The Trainman. He looks up at Sarah and smiles.
TRAINMAN
Going somewhere?
SARAH
Actually I was.
TRAINMAN
Where would that be exactly?
SARAH
Mobil Station.
TRAINMAN
Oh, I'm sorry, there's no station called Mobil in the city.
SARAH
That's odd, I could have sworn someone telling me there was.
TRAINMAN
Well, why don't you just turn around and head back to that dump of a ship.
SARAH
Because I still need to catch a train.
INT-STAIRS: Sarah continues down. She reaches the bottom when the Trainman steps in her way.
SARAH
You don't want this kind of trouble boyo.
TRAINMAN
What makes you so sure that you are trouble.
SARAH
My bad attitude towards authority.
INT-STAIRWELL: Sarah punches Trainman in the face. The Trainman takes the hit mildly. He rubs his jaw and stares down at Sarah.
SARAH
Oh shit.
TRAINMAN
Oh yeah.
CUT TO. TRAIN STATION PLATFORM: Sarah runs in from the stairs at full speed. She arrives at the platform to find it empty. She looks down the tunnels. Sarah jumps on to one of the tracks and begins running.
CUT TO. INT-SUBWAY TUNNEL: Sarah is now running as fast as ever. She can hear the Trainman's voice taunting her from behind.
TRAINMAN
There's no hole I won't find you in, no train I won't stop to find you on, no way out from this place. This is my dominion and you are my BITCH!!!
INT-TUNNEL: Sarah stops running. She turns to fae the Trainman who she can see baring down on her. His pace slows as he nears her.
SARAH
What did you call me?
TRAINMAN
You heared me.
SARAH
I want you to say it to my face.
TRAINMAN
Bitch.
INT-TUNNEL: Sarah punches him in the nose. He takes it hard but stares down at her with a bloody nose.
SARAH
For twenty six years, maybe, but not anymore.
INT-TUNNEL: Sarah hits him again. Trainman staggers back.
SARAH
No human is anyone's or in your case, anything's bitch!
INT-TUNNEL: Sarah jump kicks him in the throat. Trainman is a little more concerned now.
SARAH
Don't ever call a human that word again. Now, take me to The Oracle.
CUT TO. INT-MOBIL STATION: The Oracle is sitting on a bench staring ahead. She hears a train coming and gives a little smile as she stands up. A subway pulls up to the platform. It stops and the doors open. Sarah gets off. She walks right up to The Oracle.
ORACLE
Good choice.
SARAH
So, what happens now?
ORACLE
We leave.
SARAH
What about him?
ORACLE
You've asserted yourself, he won't try anything now. Let's go.
CUT TO. EXT-CITY STREETS, NIGHT: The snow continues to fall as Sarah and The Oracle walk up the stairs on to the streets.
SARAH
So, what, is that test of yours done now?
ORACLE
It wasn't my test dear, it was yours, and it is up to you when it will end.
SARAH
You really do know how to confuse the hell out of people don't you?
ORACLE
It will all seem clear soon enough. You just have to make up your own damned mind whether or not to see it.
SARAH
See what? Just tell me that! See what?!!
ORACLE
Yourself for who you really are.
EXT-STREETS: The Oracle begins to walk away. She then turns back to Sarah.
ORACLE
I like you, don't screw up.
EXT-STREETS: The Oracle turns around to see a door against a wall open. Seraph steps out. He motions The Oracle to enter. She leaves with him and the door closes. Sarah is now standing on the sidewalks looking a little lost. She gets out her cell phone and quickly dials.
TURKISH(V.O)
Operator.
SARAH
I got her out.
TURKISH(V.O)
How the hell did you manage that?!
SARAH
Just get me out of here.
TURKISH(V.O)
Okay. Ahah! There's an exit down the street in an old mom and pop hardware store.
SARAH
Alrighty.
EXT-STREETS: Sarah hangs up and begins walking down the street at a fast pace.
