CUT TO. EXT-CITY STREETS, NIGHT: A light snow has begun to fall as Sarah, once again, exits the old hotel. She strides up to a waiting black sedan. She gets in and the engine starts up.

CUT TO. INT-CAR, NIGHT: Sarah gets on her cell phone.

SARAH

I'm in.

TURKISH(V.O)

Reading you loud and clear. So, what's the plan?

SARAH

I think H said The Oracle was being held in the Train Staion. I guess I'm headed for a subway.

TURKISH(V.O)

Nearest station I've got for you is on Kingsville North by a little pizza place called Raoul's.

SARAH

Righto. Call you back.

INT-CAR: Sarah hangs up the phone.

CUT TO. EXT-CITY STREETS, NIGHT: The car pulls up next to the pizza joint. Sarah steps out of the car and heads for a nearby subway station.

CUT TO. INT-SUBAY STATION STAIRS, NIGHT: Sarah begins to walk dow the flight. She stops halfway when a man gets in her way. Its The Trainman. He looks up at Sarah and smiles.

TRAINMAN

Going somewhere?

SARAH

Actually I was.

TRAINMAN

Where would that be exactly?

SARAH

Mobil Station.

TRAINMAN

Oh, I'm sorry, there's no station called Mobil in the city.

SARAH

That's odd, I could have sworn someone telling me there was.

TRAINMAN

Well, why don't you just turn around and head back to that dump of a ship.

SARAH

Because I still need to catch a train.

INT-STAIRS: Sarah continues down. She reaches the bottom when the Trainman steps in her way.

SARAH

You don't want this kind of trouble boyo.

TRAINMAN

What makes you so sure that you are trouble.

SARAH

My bad attitude towards authority.

INT-STAIRWELL: Sarah punches Trainman in the face. The Trainman takes the hit mildly. He rubs his jaw and stares down at Sarah.

SARAH

Oh shit.

TRAINMAN

Oh yeah.

CUT TO. TRAIN STATION PLATFORM: Sarah runs in from the stairs at full speed. She arrives at the platform to find it empty. She looks down the tunnels. Sarah jumps on to one of the tracks and begins running.

CUT TO. INT-SUBWAY TUNNEL: Sarah is now running as fast as ever. She can hear the Trainman's voice taunting her from behind.

TRAINMAN

There's no hole I won't find you in, no train I won't stop to find you on, no way out from this place. This is my dominion and you are my BITCH!!!

INT-TUNNEL: Sarah stops running. She turns to fae the Trainman who she can see baring down on her. His pace slows as he nears her.

SARAH

What did you call me?

TRAINMAN

You heared me.

SARAH

I want you to say it to my face.

TRAINMAN

Bitch.

INT-TUNNEL: Sarah punches him in the nose. He takes it hard but stares down at her with a bloody nose.

SARAH

For twenty six years, maybe, but not anymore.

INT-TUNNEL: Sarah hits him again. Trainman staggers back.

SARAH

No human is anyone's or in your case, anything's bitch!

INT-TUNNEL: Sarah jump kicks him in the throat. Trainman is a little more concerned now.

SARAH

Don't ever call a human that word again. Now, take me to The Oracle.

CUT TO. INT-MOBIL STATION: The Oracle is sitting on a bench staring ahead. She hears a train coming and gives a little smile as she stands up. A subway pulls up to the platform. It stops and the doors open. Sarah gets off. She walks right up to The Oracle.

ORACLE

Good choice.

SARAH

So, what happens now?

ORACLE

We leave.

SARAH

What about him?

ORACLE

You've asserted yourself, he won't try anything now. Let's go.

CUT TO. EXT-CITY STREETS, NIGHT: The snow continues to fall as Sarah and The Oracle walk up the stairs on to the streets.

SARAH

So, what, is that test of yours done now?

ORACLE

It wasn't my test dear, it was yours, and it is up to you when it will end.

SARAH

You really do know how to confuse the hell out of people don't you?

ORACLE

It will all seem clear soon enough. You just have to make up your own damned mind whether or not to see it.

SARAH

See what? Just tell me that! See what?!!

ORACLE

Yourself for who you really are.

EXT-STREETS: The Oracle begins to walk away. She then turns back to Sarah.

ORACLE

I like you, don't screw up.

EXT-STREETS: The Oracle turns around to see a door against a wall open. Seraph steps out. He motions The Oracle to enter. She leaves with him and the door closes. Sarah is now standing on the sidewalks looking a little lost. She gets out her cell phone and quickly dials.

TURKISH(V.O)

Operator.

SARAH

I got her out.

TURKISH(V.O)

How the hell did you manage that?!

SARAH

Just get me out of here.

TURKISH(V.O)

Okay. Ahah! There's an exit down the street in an old mom and pop hardware store.

SARAH

Alrighty.

EXT-STREETS: Sarah hangs up and begins walking down the street at a fast pace.