CUT TO. EXT-BARREN FIELDS, REAL WORLD: The ship comes out of a crevice in a wall of rock. It glides over the fields towards several massive cylenders rising up from the ground. Near to the cylenders are fields of mechanical looking trees with pink, fleshy bulbs attached.
CUT TO. INT-COCKPIT: The entire crew is inside. Turkish stands up.
TURKISH
I'll moniter.
HEMMINGTON( in a daze)
Okay.
INT-COCKPIT: The crew looks out over the fields and stare in awe at the power plants towering before them.
CUT TO. INT-HARDWARE STORE, NIGHT, MATRIX: Sarah backs away from Jones. Jones follows her from out behind the desk. He takes out his Walther P99 and pulls it across the counter.
JONES
Ms. Burns. I would have though I would never have to look upon your face again.
SARAH
Yeah. I bet it's tourture enough looking in the mirror.
INT-STORE: Jones raises his gun. Sarah takes out one of her many weapons. They both fire at eachother and they both skillfully dodge eachother's bullets. After each of their clips are empty Jones looks at Sarah in shock.
JONES
That's not possible.
INT-STORE: Sarah throws away her gun and rushes Jones. They begin to fight hard.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington stears the ship around the power plants.
TURKISH(V.O)
I've got her!!!
HEMMINGTON
Get her an exit!
CUT TO. INT-CONTROL ROOM: Turkish begins typing. He turns and faces Sarah when he hears her seat jostle. Sarah jerks and spasams like she is being punched and kicked.
TURKISH
Oh shit.
CUT TO. EXT-STREETS, NIGHT, MATRIX: Sarah flies out of the building. She skids across the street and comes to a halt at the opposing sidewalk. Jones steps out of the building.
CUT TO. EXT-ROOFTOP, NIGHT, MATRIX: Brown steps up to the ledge. It begins to snow.
CUT TO. EXT-STREETS, NIGHT: Johnson steps out of the nearby allyway behind Sarah. She gets up and looks at the trio of suits.
JONES
There is no way out of this. We are going to kill you, it is a mere matter of time.
SARAH
Boy, ever though that it may be a good idea to just shut the hell up?
EXT-STREETS: Sarah spins around and kicks Johnson in the face. The Agent takes it lightly. His head snaps back then her looks back at Sarah.
SARAH
You're shitting me.
EXT-STREETS: Johnson lunges at Sarah. She backflips high into the air and into a building.
CUT TO. INT-OFFICE BUILDING: Sarah smashes through the glass and lands on her feet. She looks over the room and hears that mechanical screech. Suddenly, Jones stands up from behind a cubical. He shoots at her. Sarah runs to the edge and sees Johnson. She looks up and sees Brown. Sarah takes a great leap forward into the building across the street. Jones follows suit.
Brown runs along the roofs and Johnson chases from ground level.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington looks ahead. Suddenly alarms go off.
HEMMINGTON
Stay cool, they should still think we're from Zion.
CUT TO. EXT-POWER PLANTS: The ship is now hovering in front of the pylons. Suddenly, from above, three mechanical things drop. They look like giant, armor plated cockroaches with eight long tenticals extending out behind. These are sentinals. They look at the ship with three bright red eyes each. The centre eye turns green and scans the ship.
CUT TO. INT-COCKPIT: Hemmington looks concerned as the machines do this.
HEMMINGTON
What is this?
HELENA
I think we've been made.
HEMMINGTON
Get on your guns, now! Turkish, did you call her?
TURKISH(V.O)
I'm on the phone now.
CUT TO. EXT-BUILDING, NIGHT, MATRIX: A window explodes, centre frame. Sarah flies across the screen.
CUT TO. INT-OFFICE BUILDING: Sarah smashes through the window and lands on her feet. She is about to keep on running when her phone rings. She begins to run. She picks up her phone.
SARAH
This better be good!
TURKISH(V.O)
I've got an exit! Clearview High. About one click north.
CUT TO. EXT-BUILDING, NIGHT: Sarah spins in the air and falls to the street. Jones follows. He lands in front of Johnson.
JONES
I'll take her!
EXT-STREETS: Johnson stops running. Jones continues in hot pursuit.
CUT TO. EXT-POWER PLANTS, REAL WORLD: The sentinals stop their scans. They take up positions around the ship.
CUT TO. INT-COCKPIT: Hemmington watches the squiddies and makes a decision. He activates the headset.
HEMMINGTON
Alright folks, hope you've got your lunch stowed away.
CUT TO. INT-CONTROL ROOM: Turkish looks up at the nearest speaker box.
TURKISH
What the he...
INT-CONTROL ROOM: Turkish suddenly lurches forward.
CUT TO. EXT-POWER PLANTS: The ship makes a nose dive. The sentinals give chase. The ship begins fireing at the squiddies.
CUT TO. EXT-HIGH SCHOOL, MATRIX: Sarah smashes through the front doors. Jones follows her in.
CUT TO. INT-SCHOOL, NIGHT: The student commons is a large room with long tables and many chairs. The ceiling is very high and topped off with a round, parabolic window formation. The commons is accessed by stairs and ramps on all sides. Sarah runs in, past the main office, to a trio of payphones, one of which is ringing. Sarah grabs the ringing phone and puts it to her ear.
CUT TO. INT-SCHOOL, NIGHT, BULLET TIME: A single bullet ripples towards the phone cord. The bullet tears through it.
CUT TO. INT-SCHOOL, REAL TIME: The receiver snaps back. As does Sarah. She steps back from the phone and looks at the doors. Jones stares back at her.
SARAH
You could have hit me. Why did you miss?
JONES
I never miss.
SARAH
Then why did you hit the cord and not me?
JONES
Because Ms.Burns, I wanted to feel gratifacation while I am choking the life from your body.
SARAH
A.I with homicidal tendencies.
JONES
No, just purpose being served with extreme satisfaction.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington is manuvering wildly.
HEMMINGTON
Is she out?!
CUT TO. INT-CONTROL ROOM: Turkish looks concerned.
TURKISH
No! An Agent wasted the line!
HEMMINGTON(V.O)
God fucking dammit!!! Her phone?!
TURKISH
The Agent must have a jamming signal in place.
CUT TO. INT-COCKPIT: Hemmington continues to listen while he is manuvering his way around the power plants.
TURKISH
Until he's out of the picture, she's stuck in The Matrix!
HEMMINGTON
Well, for her sake and ours, prey she gets him out of the picture.
CUT TO. INT-SCHOOL, NIGHT, MATRIX: Sarah takes off her red coat. She stands facing Jones. They both clench their fists. Sarah begins to run. Jones runs. They slam into eachother and begin to fight. Jones delivers fast, precice blows. Sarah takes some, blocks some and dodges others all while delivering sudden strikes to Jones' face and torso.
CUT TO. INT-SCHOOL, BULLET TIME: Jones kicks Sarah in the stomach. His foot nearly tears her in half.
CUT TO. INT-SCHOOL, REAL TIME: Sarah is sent sailing into the student commons. She slams through the chairs stacked on the tables. Jones steps up to a flight of stairs. He walks down them and into the commons.
CUT TO. CLOSE ON SARAH: She is shivering from shock and is badly bruised and bloodied.
CUT TO. INT-COCKPIT: The ship rocks hard as Hemmington tries to maintain control.
HEMMINGTON
How is she?!
CUT TO. INT-CONTROL ROOM: Helena is cleaning up blood dribbling out of Sarah's mouth. She looks to Turkish and shakes her head.
TURKISH
Not too good. She's going at it with an Agent!
HEMMINGTON(V.O)
What the fuck is she thinking?!
TURKISH
Probably that she is The One.
CUT TO. INT-SCHOOL COMMONS, NIGHT: Sarah looks up at the ceiling. Outside, the wind has picked up and so has the snow. She looks at Jones. He is standing over her. Jones grabs her throat and lifts her into the air. Sarah is hitting Jones' arm. Jones is smiling as she does this
JONES
I find this disappointing. I was expecting more from you.
SARAH
Who said I was done asshole?
INT-COMMONS: Sarah pivots in Jones' grasp. She kicks him in the face and knocks off his shades. Jones lets her loose. He takes a couple of steps back. Sarah gets to her feet. She jumps high into the air and lands on the opposite side of the room. She picks up her coat and puts it on.
CUT TO. INT-CONTROL ROOM: Turkish watches the events within The Matrix unfold. He smiles.
TURKISH
Kill that asshole baby.
CUT TO. INT-COMMONS, NIGHT, MATRIX: Sarah turns to Jones. She takes a powerful stance and gestures with her hand for Jones to attack. Jones gnashes his teeth and clenches his fists.
CUT TO. INT-COMMONS, BULLET TIME: Jones runs towards Sarah at full speed. In his wake, all the tables, chairs, trashcans etc... are being thrown into the air. He arrives at Sarah and they continue to fight.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington is sweating porfusely as he dodges, now, an innumerable amount of squiddies.
CUT TO. EXT-POWER PLANTS, REAL WORLD: The sentinals begin to take hold of the Dionysus. They begin to cut into it with lazers. The ship steers closely to the ground.
CUT TO. INT-COCKPIT: Hemmington looks pissed.
HEMMINGTON
Is she out yet?!!!
TURKISH(V.O)
No not quite!
HEMMINGTON
Fuckn' shit!!! How is she?!!
TURKISH(V.O)
She's taking one hell of a beating!!
INT-CONTROL ROOM: Turkish looks over at Sarah. She sputters blood from her mouth. She snaps her head sideways and a large, purple bruise forms.
CUT TO. INT-SCHOOL, NIGHT, MATRIX: Jones grabs Sarah by her neck and throws her down a hall. She slams into a series of lockers causing a large dent. She looks up to find Jones baring down on her again. Sarah gets to her feet, runs a bit, then kicks off the wall and flies over Jones. Jones sticks out his hand and grabs her ankle. Sarah screams in pain as her ankle is crushed by the Agent's might. Jones drags her back into the student commons. He hoists her up to look her in the eye.
JONES
Facinating, so much damage, yet you continue to fight the inevitable.
INT-COMMONS: Jones throws Sarah up high. She slams through the ceiling, allowing thr snow storm outside to pour in.
CUT TO. EXT-ROOFTOP, NIGHT: Sarah falls into frame. She rolls on to her back and stares at the snow. Her eyes go wide as she begins to remember something.
SARAH
My dream.
CUT TO. INT-COCKPIT: The entire crew is inside. Turkish stands up.
TURKISH
I'll moniter.
HEMMINGTON( in a daze)
Okay.
INT-COCKPIT: The crew looks out over the fields and stare in awe at the power plants towering before them.
CUT TO. INT-HARDWARE STORE, NIGHT, MATRIX: Sarah backs away from Jones. Jones follows her from out behind the desk. He takes out his Walther P99 and pulls it across the counter.
JONES
Ms. Burns. I would have though I would never have to look upon your face again.
SARAH
Yeah. I bet it's tourture enough looking in the mirror.
INT-STORE: Jones raises his gun. Sarah takes out one of her many weapons. They both fire at eachother and they both skillfully dodge eachother's bullets. After each of their clips are empty Jones looks at Sarah in shock.
JONES
That's not possible.
INT-STORE: Sarah throws away her gun and rushes Jones. They begin to fight hard.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington stears the ship around the power plants.
TURKISH(V.O)
I've got her!!!
HEMMINGTON
Get her an exit!
CUT TO. INT-CONTROL ROOM: Turkish begins typing. He turns and faces Sarah when he hears her seat jostle. Sarah jerks and spasams like she is being punched and kicked.
TURKISH
Oh shit.
CUT TO. EXT-STREETS, NIGHT, MATRIX: Sarah flies out of the building. She skids across the street and comes to a halt at the opposing sidewalk. Jones steps out of the building.
CUT TO. EXT-ROOFTOP, NIGHT, MATRIX: Brown steps up to the ledge. It begins to snow.
CUT TO. EXT-STREETS, NIGHT: Johnson steps out of the nearby allyway behind Sarah. She gets up and looks at the trio of suits.
JONES
There is no way out of this. We are going to kill you, it is a mere matter of time.
SARAH
Boy, ever though that it may be a good idea to just shut the hell up?
EXT-STREETS: Sarah spins around and kicks Johnson in the face. The Agent takes it lightly. His head snaps back then her looks back at Sarah.
SARAH
You're shitting me.
EXT-STREETS: Johnson lunges at Sarah. She backflips high into the air and into a building.
CUT TO. INT-OFFICE BUILDING: Sarah smashes through the glass and lands on her feet. She looks over the room and hears that mechanical screech. Suddenly, Jones stands up from behind a cubical. He shoots at her. Sarah runs to the edge and sees Johnson. She looks up and sees Brown. Sarah takes a great leap forward into the building across the street. Jones follows suit.
Brown runs along the roofs and Johnson chases from ground level.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington looks ahead. Suddenly alarms go off.
HEMMINGTON
Stay cool, they should still think we're from Zion.
CUT TO. EXT-POWER PLANTS: The ship is now hovering in front of the pylons. Suddenly, from above, three mechanical things drop. They look like giant, armor plated cockroaches with eight long tenticals extending out behind. These are sentinals. They look at the ship with three bright red eyes each. The centre eye turns green and scans the ship.
CUT TO. INT-COCKPIT: Hemmington looks concerned as the machines do this.
HEMMINGTON
What is this?
HELENA
I think we've been made.
HEMMINGTON
Get on your guns, now! Turkish, did you call her?
TURKISH(V.O)
I'm on the phone now.
CUT TO. EXT-BUILDING, NIGHT, MATRIX: A window explodes, centre frame. Sarah flies across the screen.
CUT TO. INT-OFFICE BUILDING: Sarah smashes through the window and lands on her feet. She is about to keep on running when her phone rings. She begins to run. She picks up her phone.
SARAH
This better be good!
TURKISH(V.O)
I've got an exit! Clearview High. About one click north.
CUT TO. EXT-BUILDING, NIGHT: Sarah spins in the air and falls to the street. Jones follows. He lands in front of Johnson.
JONES
I'll take her!
EXT-STREETS: Johnson stops running. Jones continues in hot pursuit.
CUT TO. EXT-POWER PLANTS, REAL WORLD: The sentinals stop their scans. They take up positions around the ship.
CUT TO. INT-COCKPIT: Hemmington watches the squiddies and makes a decision. He activates the headset.
HEMMINGTON
Alright folks, hope you've got your lunch stowed away.
CUT TO. INT-CONTROL ROOM: Turkish looks up at the nearest speaker box.
TURKISH
What the he...
INT-CONTROL ROOM: Turkish suddenly lurches forward.
CUT TO. EXT-POWER PLANTS: The ship makes a nose dive. The sentinals give chase. The ship begins fireing at the squiddies.
CUT TO. EXT-HIGH SCHOOL, MATRIX: Sarah smashes through the front doors. Jones follows her in.
CUT TO. INT-SCHOOL, NIGHT: The student commons is a large room with long tables and many chairs. The ceiling is very high and topped off with a round, parabolic window formation. The commons is accessed by stairs and ramps on all sides. Sarah runs in, past the main office, to a trio of payphones, one of which is ringing. Sarah grabs the ringing phone and puts it to her ear.
CUT TO. INT-SCHOOL, NIGHT, BULLET TIME: A single bullet ripples towards the phone cord. The bullet tears through it.
CUT TO. INT-SCHOOL, REAL TIME: The receiver snaps back. As does Sarah. She steps back from the phone and looks at the doors. Jones stares back at her.
SARAH
You could have hit me. Why did you miss?
JONES
I never miss.
SARAH
Then why did you hit the cord and not me?
JONES
Because Ms.Burns, I wanted to feel gratifacation while I am choking the life from your body.
SARAH
A.I with homicidal tendencies.
JONES
No, just purpose being served with extreme satisfaction.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington is manuvering wildly.
HEMMINGTON
Is she out?!
CUT TO. INT-CONTROL ROOM: Turkish looks concerned.
TURKISH
No! An Agent wasted the line!
HEMMINGTON(V.O)
God fucking dammit!!! Her phone?!
TURKISH
The Agent must have a jamming signal in place.
CUT TO. INT-COCKPIT: Hemmington continues to listen while he is manuvering his way around the power plants.
TURKISH
Until he's out of the picture, she's stuck in The Matrix!
HEMMINGTON
Well, for her sake and ours, prey she gets him out of the picture.
CUT TO. INT-SCHOOL, NIGHT, MATRIX: Sarah takes off her red coat. She stands facing Jones. They both clench their fists. Sarah begins to run. Jones runs. They slam into eachother and begin to fight. Jones delivers fast, precice blows. Sarah takes some, blocks some and dodges others all while delivering sudden strikes to Jones' face and torso.
CUT TO. INT-SCHOOL, BULLET TIME: Jones kicks Sarah in the stomach. His foot nearly tears her in half.
CUT TO. INT-SCHOOL, REAL TIME: Sarah is sent sailing into the student commons. She slams through the chairs stacked on the tables. Jones steps up to a flight of stairs. He walks down them and into the commons.
CUT TO. CLOSE ON SARAH: She is shivering from shock and is badly bruised and bloodied.
CUT TO. INT-COCKPIT: The ship rocks hard as Hemmington tries to maintain control.
HEMMINGTON
How is she?!
CUT TO. INT-CONTROL ROOM: Helena is cleaning up blood dribbling out of Sarah's mouth. She looks to Turkish and shakes her head.
TURKISH
Not too good. She's going at it with an Agent!
HEMMINGTON(V.O)
What the fuck is she thinking?!
TURKISH
Probably that she is The One.
CUT TO. INT-SCHOOL COMMONS, NIGHT: Sarah looks up at the ceiling. Outside, the wind has picked up and so has the snow. She looks at Jones. He is standing over her. Jones grabs her throat and lifts her into the air. Sarah is hitting Jones' arm. Jones is smiling as she does this
JONES
I find this disappointing. I was expecting more from you.
SARAH
Who said I was done asshole?
INT-COMMONS: Sarah pivots in Jones' grasp. She kicks him in the face and knocks off his shades. Jones lets her loose. He takes a couple of steps back. Sarah gets to her feet. She jumps high into the air and lands on the opposite side of the room. She picks up her coat and puts it on.
CUT TO. INT-CONTROL ROOM: Turkish watches the events within The Matrix unfold. He smiles.
TURKISH
Kill that asshole baby.
CUT TO. INT-COMMONS, NIGHT, MATRIX: Sarah turns to Jones. She takes a powerful stance and gestures with her hand for Jones to attack. Jones gnashes his teeth and clenches his fists.
CUT TO. INT-COMMONS, BULLET TIME: Jones runs towards Sarah at full speed. In his wake, all the tables, chairs, trashcans etc... are being thrown into the air. He arrives at Sarah and they continue to fight.
CUT TO. INT-COCKPIT, REAL WORLD: Hemmington is sweating porfusely as he dodges, now, an innumerable amount of squiddies.
CUT TO. EXT-POWER PLANTS, REAL WORLD: The sentinals begin to take hold of the Dionysus. They begin to cut into it with lazers. The ship steers closely to the ground.
CUT TO. INT-COCKPIT: Hemmington looks pissed.
HEMMINGTON
Is she out yet?!!!
TURKISH(V.O)
No not quite!
HEMMINGTON
Fuckn' shit!!! How is she?!!
TURKISH(V.O)
She's taking one hell of a beating!!
INT-CONTROL ROOM: Turkish looks over at Sarah. She sputters blood from her mouth. She snaps her head sideways and a large, purple bruise forms.
CUT TO. INT-SCHOOL, NIGHT, MATRIX: Jones grabs Sarah by her neck and throws her down a hall. She slams into a series of lockers causing a large dent. She looks up to find Jones baring down on her again. Sarah gets to her feet, runs a bit, then kicks off the wall and flies over Jones. Jones sticks out his hand and grabs her ankle. Sarah screams in pain as her ankle is crushed by the Agent's might. Jones drags her back into the student commons. He hoists her up to look her in the eye.
JONES
Facinating, so much damage, yet you continue to fight the inevitable.
INT-COMMONS: Jones throws Sarah up high. She slams through the ceiling, allowing thr snow storm outside to pour in.
CUT TO. EXT-ROOFTOP, NIGHT: Sarah falls into frame. She rolls on to her back and stares at the snow. Her eyes go wide as she begins to remember something.
SARAH
My dream.
