EXT-ROOFTOP: She reaches under her coat. Jones lands on his feet behind her. Sarah whips out two large calibre, automatic weapons. She fires them into Jones. Jones ridgedly dodges each shot. Sarah empties her guns and Jones stops dodging. He straigtens his tie and smiles wryly at her. Sarah stammers to her feet. She looks at Jones and smiles a bloody smile. Jones is caught a little off guard by this.

SARAH

Don't fuck with a human woman.

JONES

But human...

SARAH&JONES

...none the less.

EXT-ROOFTOP: Jones and Sarah clench their fists. They move toward eachother and continue to fight harder than ever before.

CUT TO. INT-COCKPIT, REAL WORLD: The ship lurches forward. Hemmington dodges around the last of the power plants.

HEMMINGTON

We just lost three pads!!! HOW IS SHE?!!!

CUT TO. INT-CONTROL ROOM: Sarah shudders, twitches and sputters more blood. Her bio-signs go flatline. Turkish throws off his headset and runs to her. Helena and the others look at him, panic stricken.

HELENA

What the hell are you doing?!

ANDREW

I've got it!

INT-CONTROL ROOM: Andrew rushes to assume to operating duties. Turkish holds on to Sarah, a tiny tear runs down his cheek.

CUT TO. EXT-ROOFTOP, NIGHT, MATRIX: Sarah lands not far from where she stood. She has three bullet holes in her. Jones walks up to her. Brown and Johnson step on to the roof from a nearby ladder. They too walk up to Sarah. Jones bends down and takes her pulse. He smiles victoriously as he erects himself.

BROWN

I am satisfied that it took less time than originally expected.

JOHNSON

I too am pleased with the results.

JONES

None more so than I. She caused much aggrivation in me.

EXT-ROOFTOP: The Agents turn and walk away. Looking at the Agents' faces, one can see Sarah lying dead behind them. They take a few more steps. Sarah is now standing, staring at the Agents.

CUT TO. INT-CONROL ROOM: Turkish jolts as Sarah begins to breathe. He looks to the Matrix feed. The code begins to fluxuate and churn.

HEMMINGTON(V.O)

What's happening down there?!

INT-CONTROL ROOM: Turkish stares at Sarah. He smiles.

TURKISH

She is The One.

CUT TO. EXT-ROOFTOP, NIGHT, MATRIX: All of Sarah's wounds have disappeared. She looks at The Agents.

SARAH

Hey, assholes!

EXT-ROOFTOP: The Agents draw their guns as they turn to look.

ANTIGONE

My name is Antigone, and I am nobody's bitch!!

EXT-ROOFTOP: The Agents fire their guns. Antigone puts out her hand. The bullets stop right in front of her. The Agents lower their weapons. Jones is really pissed. He takes a run for Antigone. He begins to throw punches. She blocks every one of them as though they didn't exist. She grabs his wrist at one point and pulls him close. Jones looks scared.

ANTIGONE

I told you not to fuck with a human woman.

EXT-ROOFTOP: Antigone grabs Jones' throat and throws him into the air. Antigone gathers her strength and jumps.

CUT TO. MID AIR, NIGHT, MATRIX: Antigone is headed straight for Jones as he falls.

CUT TO. EXT-MID AIR, BULLET TIME: Antigone clenches her fists as she tears through Jones. Streams of green code stick to her as the green ghost of Jones is pulled from his body.

CUT TO. EXT-MID AIR, REAL TIME: Antigone hovers in mid air as Jones' body falls. She takes a deep breath as streams of green code run down her body. The code becomes brighter and brighter. Soon there is a bright green aura all over her. She puts out her hands and she falls back to the building.

CUT TO. EXT-ROOFTOP, NIGHT: Brown and Johnson are still standing in their place as Jones' body slams into the roof. He shatters into a million green shards that rain down all over the Agents. Antigone lands in front of them.

CUT TO. INT-CONTROL ROOM, REAL WORLD: Andrew is taking orders from Turkish.

TURKISH

Call her, tell her to get to a small apartment complex two miles off.

ANDREW

Righto.

CUT TO. EXT-ROOFTOP, NIGHT, MATRIX: Antigone hangs up her cell phone. She moves to the edge of the roof. Brown and Johnson are still standing. Antigone takes one last look at the Agents.

ANTIGONE

Leave.

EXT-ROOFTOP: The Agents look at eachother and run away.

CUT TO. EXT-ROOFTOP, BULLET TIME: Antigone, once again, gathers her strength and leaps high into the air.

CUT TO. EXT-TUNNELS, REAL WORLD: The ship has lost most of the squiddies but about thrirty remain to continue the assult on the Dionysus.

CUT TO. INT-CONTROL ROOM: Turkish stares at the Matrix feed on his computer. The code begins to flutter, then, returns to normal. Antigone wakes up and Helena pulls the plug out of her head. Turkish gets on his headset.

TURKISH

She's out!

CUT TO. INT-COCKPIT: Hemmington's hand has been sitting on a trigger most of the time.

HEMMINGTON

Good girl.

INT-COCKPIT: Hemmington pulls the trigger.

CUT TO. EXT-TUNNELS: The Dionysus spins in the air and quickly shuts down. The ship emmits a massive wave of energy that ripples out from the hull and proptly shuts down all of the sqiddies. The ship rams into the tunnel floor and come to a skidding halt.

X-FADE TO. INT-CONTROL ROOM: Turkish looks around the room. Everyone is alive. He moves to Antigone who is lying against a wall. Her wounds from her Matrix fight linger. Turkish leans down to her face. Antigone looks up at him, staring at him through a pair of bloodshot eyes. She smiles weakly.

ANTIGONE

You never took your eyes off me.

TURKISH

And I never will.

INT-CONTROL ROOM: they move closer to eachother and kiss tenderly.

(FACE OUT)