INT. POLICE DEPARTMENT - BREAK ROOM - DAY

A couple of cops are enjoying lunch in the big room. It obviously used to be a luxurious lounge done in Victorian tyle, but now it has been turned into a typical employee lounge.

Jill and Joseph are drinking coffee, watching FRIDAY THE THE 13TH PART 2 on the television. It is the moment where the heoine puts on Mr. Voorhees's sweater, trying to trick Jason into thinking that she is his deceased mother.

JILL

You, know it really pisses

me off that what used to

be the most luxurious room

in Colorado has been turned

into a seedy employee lounge.

JOSEPH

Hey, its not our fault

they transferred the police

station to the museum.

JILL

I know. I just happen to

be a vey sentimental person.

Jill observes the action unraveling on the television screen.

JILL(CONT.)

This is so retarded.

JOSEPH

No, it's not! Personally,

the suspense is killing

me.

JILL

And how is this invisible

suspense killing you? And

why the hell is she wearing

that filthy sweater?

JOSEPH

Don't you see? That girl

is trying to trick Jason

into thinking that she is

his mother.

JILL

And why? What's the freaking

point?

JOSEPH

So that he would be easier

to---

At that moment, the door slams open and Barry rushes in.

BARRY

Jill! Joseph!

JILL

Barry, what the hell?

JOSEPH

Aw... Have your little Moira

and Polly grown another tooth?

BARRY

(catching his breath)

Arklay... The cannibals...

There's been another

murder!

JILL

What?!

JOSEPH

When did it happen?

BARRY

Just last night. A couple

went camping out in the

woods and... Let's just

say that the scenic view

stole the guys heart, along

with a couple of other

organs.

JILL

What about the girl?

BARRY

Oh, she made it. Wesker

and Chris are questioning

her. The girl's hysterical.

JOSEPH

No shit.

BARRY

Yes shit. Anyway, Jill, they

there. They said that the

interrogation might actually

go somewhere if there's a

woman present.

JILL

I'm going.

Jill and Barry rush out of the room. Joseph sighs and goes back to watching the television, as an advertisemen shows depicting a bird's eye view of a red and white umbrella.

TELEVISION ANNOUNCER

Closed captioning and other

considerations provided by...

The Umbrella Corporation.

Employing forty-five thousand

people right here in Raccoon City.

CUT TO:

INT.POLICE DEPARTMENT - INTERROGATION ROOM - DAY

Anne is sitting behind the table, vey pale and trembling. Her hair is a total mess and the clothes are wrinkled. She is holding a paper cup of coffee.

Wesker and Chris are standing over her.

WESKER

Now once again. You shined

the flashlight and saw...

ANNE

I saw that... That dog. It

was... My god, it was eating

Jared...

CHRIS

Miss Collins, you have to

understand that---

Anne begins to weep.

ANNE

Please, just leave me alone...

I want to go home.

The door opens and Jill rushes in.

JILL

Okay guys, this interview

is over.

CHRIS

Jill, this is not the kind

of help we---

JILL

Be quiet.

(to Anne)

Now, Miss... What's your

name?

ANNE

It's Anne.

JILL

Anne, it's going to be

okay. Just rest up here

for a minute and then

we'll find someone to

escort you home. Does

that sound all right?

ANNE

Yes... Yes it does.

WESKER

Jill? Could we speak to

you you?

JILL

(giving Anne a tissue)

In a sec.

WESKER

Now.

JILL

(sighs)

Fine.

Wesker and Chris escort Jill outside.

CUT TO:

INT. POLICE DEPARTMENT - HALLWAY - DAY

Wesker and Chris are glaring at Jill.

WESKER

What the hell do you think

you're doing?

CHRIS

Come on, Jill. You're the

one that always wanted to

solve this case. Why are

you sending the witness home

all of the sudden?

WESKER

It wouldn't hurt to make

up your mind.

JILL

Listen, I am the only member of

S.T.A.R.S. that has a minor

in psychology and I am the only

one who is capable of handling

that girl. You start interogating

her now and she will never talk.

For god's sake, she just saw her

fiancee turn into a lunch special!

WESKER

So, what do you want me to do?

Book her a room in the Betty

Ford Center?

JILL

She's going home.

WESKER

I will not let you screw up

our investigation.

JILL

And I will not let you screw

up our star witness.

Jill storms back into the interrogation

WESKER

She ought to learn her place.

CHRIS

Well, you have to understand,

she was the head of a Delta

Force team fora year before she got

here. Leadership's in her blood.

WESKER

P.M.S. is in her blood. If the

Alphas do join the Bravos in

the investigation, I can't

have Valentine running around,

bitching orders. In any case,

I have to go and check up with

coroner if they body's been

delivered.

Wesker disappeares behind the corner, as Chris enters the interrogation room.

CUT TO:

EXT. RPD PARKING LOT - FEW HOURS LATER.

Jill, dressed casually, is unlocking her. The wind slowl rustles the leaves in the trees, the lot is deserted.

Heavy Breathing slowly filters in. Jill's eyes slowly shift to the side. A soft sound of shuffling feet is heard behind some cars. It grows louder. Louder.

Jill slowly reaches inside her jacket, grasping the gun in the holster, when Chris jumps out from behind the nearby SUV.

JILL

Jesus, you scared me!

CHIRS

Yeah, twice! Guess I'm going

for a record.

JILL

What do you want?

CHRIS

I just want to tell you that

since we're Alphas, we are not

needed until six.

JILL

Thank god for that.

WESKER

(o.s.)

Well, for you it is five.

Chris and Jill turn around to face Wesker.

JILL

And why is that?

WESKER

I signed you up to observe

the autopsy of the late

Jared Parsons.

JILL

This because I interrupted

the interview with Anne

Collins, isn't it?

WESKER

Hey, you said it, not me.

With a devious smirk, Wesker walks off.

CUT TO:

EXT. SKY - NIGHT

A helicotper is whirring through through the dark clouds. Dense forests and mountains are a few miles below.

Upon closer examinatio, there is an ensign on the helicopter, it says S.T.A.R.S.: Bravo Unit.

CUT TO:

INT. HELICOTPER COCKPIT - NIGHT

The Bravos are are all gathered inside. Kevin Dooly is piloting. Some are checking out their guns, while the others are looking through the window. Rebecca is one of the of the latter.

Edward Dewey changes his attention from his revolver to Rebecca. He gets up and sits down next to her.

DEWEY

Are you okay?

REBECCA

I'm fine. It's just that it

is my first mission and---

EDWARD

I understand. Listen, all

you need---

Suddenly, the helicopter shakes violently. Rebecca screams and falls on the floor, Dewey kneels down to help her.

CUT TO:

EXT. HELICOPTER - NIGHT

A geyser of fire emits out of the openings under the propeller blade.

CUT TO:

INT. HELICOPTER - NIGHT

Enrico turns over to Dooly.

ENRICO

Dooly, what the fuck?

DOOLY

I don't know... the engine

was fine when---

The helicopter thrusts and tilts down to a fifty degree angle.

SULLIVAN

Damn!

DOOLY

Hold on, we're gonna crush!

CUT TO:

EXT. SKY - NIGHT

The helicopter, spewing smoke and fire, begins to lose its altitude and fall towards the ground.