INT. POLICE DEPARTMENT - BREAK ROOM - DAY
A couple of cops are enjoying lunch in the big room. It obviously used to be a luxurious lounge done in Victorian tyle, but now it has been turned into a typical employee lounge.
Jill and Joseph are drinking coffee, watching FRIDAY THE THE 13TH PART 2 on the television. It is the moment where the heoine puts on Mr. Voorhees's sweater, trying to trick Jason into thinking that she is his deceased mother.
JILL
You, know it really pisses
me off that what used to
be the most luxurious room
in Colorado has been turned
into a seedy employee lounge.
JOSEPH
Hey, its not our fault
they transferred the police
station to the museum.
JILL
I know. I just happen to
be a vey sentimental person.
Jill observes the action unraveling on the television screen.
JILL(CONT.)
This is so retarded.
JOSEPH
No, it's not! Personally,
the suspense is killing
me.
JILL
And how is this invisible
suspense killing you? And
why the hell is she wearing
that filthy sweater?
JOSEPH
Don't you see? That girl
is trying to trick Jason
into thinking that she is
his mother.
JILL
And why? What's the freaking
point?
JOSEPH
So that he would be easier
to---
At that moment, the door slams open and Barry rushes in.
BARRY
Jill! Joseph!
JILL
Barry, what the hell?
JOSEPH
Aw... Have your little Moira
and Polly grown another tooth?
BARRY
(catching his breath)
Arklay... The cannibals...
There's been another
murder!
JILL
What?!
JOSEPH
When did it happen?
BARRY
Just last night. A couple
went camping out in the
woods and... Let's just
say that the scenic view
stole the guys heart, along
with a couple of other
organs.
JILL
What about the girl?
BARRY
Oh, she made it. Wesker
and Chris are questioning
her. The girl's hysterical.
JOSEPH
No shit.
BARRY
Yes shit. Anyway, Jill, they
there. They said that the
interrogation might actually
go somewhere if there's a
woman present.
JILL
I'm going.
Jill and Barry rush out of the room. Joseph sighs and goes back to watching the television, as an advertisemen shows depicting a bird's eye view of a red and white umbrella.
TELEVISION ANNOUNCER
Closed captioning and other
considerations provided by...
The Umbrella Corporation.
Employing forty-five thousand
people right here in Raccoon City.
CUT TO:
INT.POLICE DEPARTMENT - INTERROGATION ROOM - DAY
Anne is sitting behind the table, vey pale and trembling. Her hair is a total mess and the clothes are wrinkled. She is holding a paper cup of coffee.
Wesker and Chris are standing over her.
WESKER
Now once again. You shined
the flashlight and saw...
ANNE
I saw that... That dog. It
was... My god, it was eating
Jared...
CHRIS
Miss Collins, you have to
understand that---
Anne begins to weep.
ANNE
Please, just leave me alone...
I want to go home.
The door opens and Jill rushes in.
JILL
Okay guys, this interview
is over.
CHRIS
Jill, this is not the kind
of help we---
JILL
Be quiet.
(to Anne)
Now, Miss... What's your
name?
ANNE
It's Anne.
JILL
Anne, it's going to be
okay. Just rest up here
for a minute and then
we'll find someone to
escort you home. Does
that sound all right?
ANNE
Yes... Yes it does.
WESKER
Jill? Could we speak to
you you?
JILL
(giving Anne a tissue)
In a sec.
WESKER
Now.
JILL
(sighs)
Fine.
Wesker and Chris escort Jill outside.
CUT TO:
INT. POLICE DEPARTMENT - HALLWAY - DAY
Wesker and Chris are glaring at Jill.
WESKER
What the hell do you think
you're doing?
CHRIS
Come on, Jill. You're the
one that always wanted to
solve this case. Why are
you sending the witness home
all of the sudden?
WESKER
It wouldn't hurt to make
up your mind.
JILL
Listen, I am the only member of
S.T.A.R.S. that has a minor
in psychology and I am the only
one who is capable of handling
that girl. You start interogating
her now and she will never talk.
For god's sake, she just saw her
fiancee turn into a lunch special!
WESKER
So, what do you want me to do?
Book her a room in the Betty
Ford Center?
JILL
She's going home.
WESKER
I will not let you screw up
our investigation.
JILL
And I will not let you screw
up our star witness.
Jill storms back into the interrogation
WESKER
She ought to learn her place.
CHRIS
Well, you have to understand,
she was the head of a Delta
Force team fora year before she got
here. Leadership's in her blood.
WESKER
P.M.S. is in her blood. If the
Alphas do join the Bravos in
the investigation, I can't
have Valentine running around,
bitching orders. In any case,
I have to go and check up with
coroner if they body's been
delivered.
Wesker disappeares behind the corner, as Chris enters the interrogation room.
CUT TO:
EXT. RPD PARKING LOT - FEW HOURS LATER.
Jill, dressed casually, is unlocking her. The wind slowl rustles the leaves in the trees, the lot is deserted.
Heavy Breathing slowly filters in. Jill's eyes slowly shift to the side. A soft sound of shuffling feet is heard behind some cars. It grows louder. Louder.
Jill slowly reaches inside her jacket, grasping the gun in the holster, when Chris jumps out from behind the nearby SUV.
JILL
Jesus, you scared me!
CHIRS
Yeah, twice! Guess I'm going
for a record.
JILL
What do you want?
CHRIS
I just want to tell you that
since we're Alphas, we are not
needed until six.
JILL
Thank god for that.
WESKER
(o.s.)
Well, for you it is five.
Chris and Jill turn around to face Wesker.
JILL
And why is that?
WESKER
I signed you up to observe
the autopsy of the late
Jared Parsons.
JILL
This because I interrupted
the interview with Anne
Collins, isn't it?
WESKER
Hey, you said it, not me.
With a devious smirk, Wesker walks off.
CUT TO:
EXT. SKY - NIGHT
A helicotper is whirring through through the dark clouds. Dense forests and mountains are a few miles below.
Upon closer examinatio, there is an ensign on the helicopter, it says S.T.A.R.S.: Bravo Unit.
CUT TO:
INT. HELICOTPER COCKPIT - NIGHT
The Bravos are are all gathered inside. Kevin Dooly is piloting. Some are checking out their guns, while the others are looking through the window. Rebecca is one of the of the latter.
Edward Dewey changes his attention from his revolver to Rebecca. He gets up and sits down next to her.
DEWEY
Are you okay?
REBECCA
I'm fine. It's just that it
is my first mission and---
EDWARD
I understand. Listen, all
you need---
Suddenly, the helicopter shakes violently. Rebecca screams and falls on the floor, Dewey kneels down to help her.
CUT TO:
EXT. HELICOPTER - NIGHT
A geyser of fire emits out of the openings under the propeller blade.
CUT TO:
INT. HELICOPTER - NIGHT
Enrico turns over to Dooly.
ENRICO
Dooly, what the fuck?
DOOLY
I don't know... the engine
was fine when---
The helicopter thrusts and tilts down to a fifty degree angle.
SULLIVAN
Damn!
DOOLY
Hold on, we're gonna crush!
CUT TO:
EXT. SKY - NIGHT
The helicopter, spewing smoke and fire, begins to lose its altitude and fall towards the ground.
A couple of cops are enjoying lunch in the big room. It obviously used to be a luxurious lounge done in Victorian tyle, but now it has been turned into a typical employee lounge.
Jill and Joseph are drinking coffee, watching FRIDAY THE THE 13TH PART 2 on the television. It is the moment where the heoine puts on Mr. Voorhees's sweater, trying to trick Jason into thinking that she is his deceased mother.
JILL
You, know it really pisses
me off that what used to
be the most luxurious room
in Colorado has been turned
into a seedy employee lounge.
JOSEPH
Hey, its not our fault
they transferred the police
station to the museum.
JILL
I know. I just happen to
be a vey sentimental person.
Jill observes the action unraveling on the television screen.
JILL(CONT.)
This is so retarded.
JOSEPH
No, it's not! Personally,
the suspense is killing
me.
JILL
And how is this invisible
suspense killing you? And
why the hell is she wearing
that filthy sweater?
JOSEPH
Don't you see? That girl
is trying to trick Jason
into thinking that she is
his mother.
JILL
And why? What's the freaking
point?
JOSEPH
So that he would be easier
to---
At that moment, the door slams open and Barry rushes in.
BARRY
Jill! Joseph!
JILL
Barry, what the hell?
JOSEPH
Aw... Have your little Moira
and Polly grown another tooth?
BARRY
(catching his breath)
Arklay... The cannibals...
There's been another
murder!
JILL
What?!
JOSEPH
When did it happen?
BARRY
Just last night. A couple
went camping out in the
woods and... Let's just
say that the scenic view
stole the guys heart, along
with a couple of other
organs.
JILL
What about the girl?
BARRY
Oh, she made it. Wesker
and Chris are questioning
her. The girl's hysterical.
JOSEPH
No shit.
BARRY
Yes shit. Anyway, Jill, they
there. They said that the
interrogation might actually
go somewhere if there's a
woman present.
JILL
I'm going.
Jill and Barry rush out of the room. Joseph sighs and goes back to watching the television, as an advertisemen shows depicting a bird's eye view of a red and white umbrella.
TELEVISION ANNOUNCER
Closed captioning and other
considerations provided by...
The Umbrella Corporation.
Employing forty-five thousand
people right here in Raccoon City.
CUT TO:
INT.POLICE DEPARTMENT - INTERROGATION ROOM - DAY
Anne is sitting behind the table, vey pale and trembling. Her hair is a total mess and the clothes are wrinkled. She is holding a paper cup of coffee.
Wesker and Chris are standing over her.
WESKER
Now once again. You shined
the flashlight and saw...
ANNE
I saw that... That dog. It
was... My god, it was eating
Jared...
CHRIS
Miss Collins, you have to
understand that---
Anne begins to weep.
ANNE
Please, just leave me alone...
I want to go home.
The door opens and Jill rushes in.
JILL
Okay guys, this interview
is over.
CHRIS
Jill, this is not the kind
of help we---
JILL
Be quiet.
(to Anne)
Now, Miss... What's your
name?
ANNE
It's Anne.
JILL
Anne, it's going to be
okay. Just rest up here
for a minute and then
we'll find someone to
escort you home. Does
that sound all right?
ANNE
Yes... Yes it does.
WESKER
Jill? Could we speak to
you you?
JILL
(giving Anne a tissue)
In a sec.
WESKER
Now.
JILL
(sighs)
Fine.
Wesker and Chris escort Jill outside.
CUT TO:
INT. POLICE DEPARTMENT - HALLWAY - DAY
Wesker and Chris are glaring at Jill.
WESKER
What the hell do you think
you're doing?
CHRIS
Come on, Jill. You're the
one that always wanted to
solve this case. Why are
you sending the witness home
all of the sudden?
WESKER
It wouldn't hurt to make
up your mind.
JILL
Listen, I am the only member of
S.T.A.R.S. that has a minor
in psychology and I am the only
one who is capable of handling
that girl. You start interogating
her now and she will never talk.
For god's sake, she just saw her
fiancee turn into a lunch special!
WESKER
So, what do you want me to do?
Book her a room in the Betty
Ford Center?
JILL
She's going home.
WESKER
I will not let you screw up
our investigation.
JILL
And I will not let you screw
up our star witness.
Jill storms back into the interrogation
WESKER
She ought to learn her place.
CHRIS
Well, you have to understand,
she was the head of a Delta
Force team fora year before she got
here. Leadership's in her blood.
WESKER
P.M.S. is in her blood. If the
Alphas do join the Bravos in
the investigation, I can't
have Valentine running around,
bitching orders. In any case,
I have to go and check up with
coroner if they body's been
delivered.
Wesker disappeares behind the corner, as Chris enters the interrogation room.
CUT TO:
EXT. RPD PARKING LOT - FEW HOURS LATER.
Jill, dressed casually, is unlocking her. The wind slowl rustles the leaves in the trees, the lot is deserted.
Heavy Breathing slowly filters in. Jill's eyes slowly shift to the side. A soft sound of shuffling feet is heard behind some cars. It grows louder. Louder.
Jill slowly reaches inside her jacket, grasping the gun in the holster, when Chris jumps out from behind the nearby SUV.
JILL
Jesus, you scared me!
CHIRS
Yeah, twice! Guess I'm going
for a record.
JILL
What do you want?
CHRIS
I just want to tell you that
since we're Alphas, we are not
needed until six.
JILL
Thank god for that.
WESKER
(o.s.)
Well, for you it is five.
Chris and Jill turn around to face Wesker.
JILL
And why is that?
WESKER
I signed you up to observe
the autopsy of the late
Jared Parsons.
JILL
This because I interrupted
the interview with Anne
Collins, isn't it?
WESKER
Hey, you said it, not me.
With a devious smirk, Wesker walks off.
CUT TO:
EXT. SKY - NIGHT
A helicotper is whirring through through the dark clouds. Dense forests and mountains are a few miles below.
Upon closer examinatio, there is an ensign on the helicopter, it says S.T.A.R.S.: Bravo Unit.
CUT TO:
INT. HELICOTPER COCKPIT - NIGHT
The Bravos are are all gathered inside. Kevin Dooly is piloting. Some are checking out their guns, while the others are looking through the window. Rebecca is one of the of the latter.
Edward Dewey changes his attention from his revolver to Rebecca. He gets up and sits down next to her.
DEWEY
Are you okay?
REBECCA
I'm fine. It's just that it
is my first mission and---
EDWARD
I understand. Listen, all
you need---
Suddenly, the helicopter shakes violently. Rebecca screams and falls on the floor, Dewey kneels down to help her.
CUT TO:
EXT. HELICOPTER - NIGHT
A geyser of fire emits out of the openings under the propeller blade.
CUT TO:
INT. HELICOPTER - NIGHT
Enrico turns over to Dooly.
ENRICO
Dooly, what the fuck?
DOOLY
I don't know... the engine
was fine when---
The helicopter thrusts and tilts down to a fifty degree angle.
SULLIVAN
Damn!
DOOLY
Hold on, we're gonna crush!
CUT TO:
EXT. SKY - NIGHT
The helicopter, spewing smoke and fire, begins to lose its altitude and fall towards the ground.
