INT. MANSION - HALLWAY I - NIGHT
Jill and Sullivan are walking down a brightly lit, pink wallpapered hall with rain beating peacefully ont he large windows on the right wall. There are handsome, wooden shelves on the left.
SULLIVAN
Jill, I'm sorry about Chris.
JILL
It's okay. I know he made it.
SULLIVAN
Jesus... I've hardly been in
the east wing. The estate goes
on forever.
Jill looks at the shelves.
JILL
Oh my god...
SULLIVAN
Huh?
He also looks at the shelves. Inside the glass casings, are strange looking bones and dried up skins, scales. Next to each sample is a small card, saying such things as MA-39 CEREBRUS - FIRST WEEK AFTER DNA ALTERATION, FI-03 NEPTUNE - FIFTH WEEK AFTER DNA ALTERATION, MA121-HUNTER - ELEVENTH WEEK AFTER DNA ALTERATION, RE09-CHIMERA - SEVENTH WEEK AFTER DNA ALTERATION.
In each shelve there is also an empty spece, but the cards next to them proudly boast T-OO2 - TYRANT. ONE YEAR AFTER DNA ALTERATION.
SULLIVAN
Disturbing stuff. What's
it for? What do those
names and codes mean?
JILL
It looks like someone was
showing off experiment
results for someone else...
SULLIVAN
(grabbing his arm)
Shit!
JILL
What is it?
SULLIVAN
It just stung for split
moment.
JILL
Let me see.
Jill rolls up his sleeve and finds a giant boil right above the bandaged area.
SULLIVAN
It seems like I'm going
through puberty again.
JILL
How are you feeling?
SULLIVAN
Well, the arm's sore, but,
you don't think that that
creep infected me...
JILL
I don't know... There must
have been some reason why
he...
(pauses)
...Did what he did. Not to
mention the way he looked
like. And if this was a
virus, there is a great risk
that... Kenneth... I...
SULLIVAN
You're scared of being next
to me, aren't you?
JILL
No. Ken, you're my teammate,
I'll stick to you until the
end. I am just worried about
you.
SULLIVAN
Don't. I'm fine. It can't be
virus. We are not it in some
sleazy Italian splatter movie.
JILL
One thing about, Kenneth,
you never manage to lose
your sense of humor.
CUT TO:
INT. MANSION - HALLWAY II- NIGHT
Three zombies are wondering down the dark, windowless hall. There seem to be no purpose in their movements, the hit walls, small tables, knock over a few paintings that still manage to somehow still hang on the wall. Suddenly, their heads explode consecutively. They drop dead on the floor, revealing Chris, holding up his smoking desert eagle. Chris eyes the numerous doors dotting the hallway, then sees one that is ajar. Chris slowly begins to turn the knob.
CUT TO:
INT. MANSION - HALLWAY III - NIGHT
Chris barges into a more brightly lit, but unbelievebly cold and sterile hallway, paneled in fancy marble. There no one here. A low moan is heard. Chris aims his weapon, jumps around the corner and finds...
...None other than Rebecca Chambers, blood caked, dirt with grime and with a beyond exhausted look on her face. She is sitting on the floor, cradling Richard Aiken. He is very pale, with with two huge puncture wounds in his chest.
REBECCA
Don't shoot!
Chris lowers his weapon.
CHRIS
You're Chambers, right?
Rebecca.
REBECCA
(voice trembling)
Y... Yes, Sir.
CHRIS
Well, I'm Chris Redfield.
What the hell happened here?
Richard!
AIKEN
Chris, Get out of here! This
mansion is full of demons. Go,
while you still have the chance.
Chris kneels down to Aiken.
CHRIS
Aiken, shut your mouth. You'll
be fine. You always are. What
happened to you?
AIKEN
A snake... A giant, poisonous
snake. The damn thing impaled
me with its fangs.
REBECCA
Sir, I...
CHRIS
Cut the sir shit.
REBECCA
Sorry, Si... Chris. I got
here with Richard, Kenneth
and Forest, but we got separated.
Then I found Richard like this,
it seemed that he crawled
here...
Rebecca chokes. Chris looks beond the two and sees a door, smeared in blood, the blood continues on the well and ends by Richard and Rebecca.
CHRIS
(hoplessly)
Do you know where anyone else
is?
REBECCA
No. Those things murdred
Eddie and I have not seen
Enrico since last night.
I lost my track of the
others at about dawn.
CHRIS
So, there is still a chance?
Aiken begins to convulse and gasping.
AIKEN
Rebecca... Get out of this
place with Chris... I won't
make it... Go... With...
He gasps one last time and slips into unconsciousness.
CHRIS
Rich?
Rebecca checks Aiken's pulse.
REBECCA
He's okay. Just unconscious.
But I don't know how long he
will be that way. He needs
medical attention now.
CHRIS
What should I do?
REBECCA
There's this medical room
I was hiding in for a while.
It took me all my courage to
go and look for the others...
In any case, it had some decent
products there. I wanted to
take Richard there, but he's
too heavy.
CHRIS
Right.
Chris calmly raises Richard by his hand, then slumps it over his shoulder. Rebecca gets up and hovers cautiously over her ailing comrade.
CHRIS(CONT.)
Well? What way?
REBECCA
Follow me.
She heads towards the door that Chris entered through. He follows, huffing and grunting under Richard Aiken's weight.
CUT TO:
INT. MANSION - MEDICAL ROOM - NIGHT
The room is small, but so far the cheeriest and most cozy. There are all the comforts of home, a bed, a chair, a cupboard filled with medical products, a lamp, etc.
The door opens and Rebecca enters, followed by Chris, still helping the unconscious Aiken.
REBECCA
Place him on the bed.
Chris heads for the bed and spreads out Richard on top of the sheets. Rebecca shuts the door and rushes to the cupboard.
REBECCA(CONT.)
Please have it... Yes!
Rebecca grabs a small glass vial, some alcohol, cotton, and a plastic syringe.
REBECCA(CONT.)
Chris, hold out his arm.
Chris tears the sleeve on Richard's shirt and uses the torn cloth to wrap around the latter's arm, exposing the vain. Aiken stirs and wakes up.
AIKEN
Becky, it burns...
REBECCA
Don't worry Richard, I'll
give you a shot. Look, I
found some serum...
AIKEN
I can't take it any more...
the pain... Rebecca...
His voice gorws weaker, suddenly, he yelps and cathces the glimpse of Rebecca removing the used syringe from his arm.
AIKEN(CONT.)
Does it never not hurt?
CHRIS
Well, obviously no.
Rebecca discards the used materials into the garbage bin.
REBECCA
Thank god they had Saprafil.
If there was any other serum,
there would have been no hope.
CHRIS
Saprafil?
REBECCA
Yes, it is the best serum,
really, it is manufactured
by Umbrella. Most of the
medicinal goods here are
bearing their logo.
CHRIS
Well, at least we know who
ever lived in this mansion
was rich. That Umbrella
shit is expensive. In any
case, I'll go and continue
my investigation. You help
Richard.
REBECCA
Ye... Yes. I still need
to treat the bite marks.
Chris turns to leave.
REBECCA(CONT.)
Chris?
CHRIS
(turns around)
Yeah?
REBECCA
Please be careful.
Anguished moans are heard from the outside.
CHRIS
Damn it! Those sick fucks
are getting restless!
AIKEN
(sits up)
How are they getting here?
Those don't seem to have
any intelligence.
REBECCA
The doors... I've noticed
that many locks were broken
by someone.
CHRIS
Or something. Who knows
how many things are in
place! Okay, guys. Stay
here and matter what. I
will come back for the
both of you once I find
the others and a way out.
Does anyone have a weapon?
AIKEN
There's a semi in my holster.
CHRISExcellent.
Without uttering another world, Chris calmly exits the room.
Jill and Sullivan are walking down a brightly lit, pink wallpapered hall with rain beating peacefully ont he large windows on the right wall. There are handsome, wooden shelves on the left.
SULLIVAN
Jill, I'm sorry about Chris.
JILL
It's okay. I know he made it.
SULLIVAN
Jesus... I've hardly been in
the east wing. The estate goes
on forever.
Jill looks at the shelves.
JILL
Oh my god...
SULLIVAN
Huh?
He also looks at the shelves. Inside the glass casings, are strange looking bones and dried up skins, scales. Next to each sample is a small card, saying such things as MA-39 CEREBRUS - FIRST WEEK AFTER DNA ALTERATION, FI-03 NEPTUNE - FIFTH WEEK AFTER DNA ALTERATION, MA121-HUNTER - ELEVENTH WEEK AFTER DNA ALTERATION, RE09-CHIMERA - SEVENTH WEEK AFTER DNA ALTERATION.
In each shelve there is also an empty spece, but the cards next to them proudly boast T-OO2 - TYRANT. ONE YEAR AFTER DNA ALTERATION.
SULLIVAN
Disturbing stuff. What's
it for? What do those
names and codes mean?
JILL
It looks like someone was
showing off experiment
results for someone else...
SULLIVAN
(grabbing his arm)
Shit!
JILL
What is it?
SULLIVAN
It just stung for split
moment.
JILL
Let me see.
Jill rolls up his sleeve and finds a giant boil right above the bandaged area.
SULLIVAN
It seems like I'm going
through puberty again.
JILL
How are you feeling?
SULLIVAN
Well, the arm's sore, but,
you don't think that that
creep infected me...
JILL
I don't know... There must
have been some reason why
he...
(pauses)
...Did what he did. Not to
mention the way he looked
like. And if this was a
virus, there is a great risk
that... Kenneth... I...
SULLIVAN
You're scared of being next
to me, aren't you?
JILL
No. Ken, you're my teammate,
I'll stick to you until the
end. I am just worried about
you.
SULLIVAN
Don't. I'm fine. It can't be
virus. We are not it in some
sleazy Italian splatter movie.
JILL
One thing about, Kenneth,
you never manage to lose
your sense of humor.
CUT TO:
INT. MANSION - HALLWAY II- NIGHT
Three zombies are wondering down the dark, windowless hall. There seem to be no purpose in their movements, the hit walls, small tables, knock over a few paintings that still manage to somehow still hang on the wall. Suddenly, their heads explode consecutively. They drop dead on the floor, revealing Chris, holding up his smoking desert eagle. Chris eyes the numerous doors dotting the hallway, then sees one that is ajar. Chris slowly begins to turn the knob.
CUT TO:
INT. MANSION - HALLWAY III - NIGHT
Chris barges into a more brightly lit, but unbelievebly cold and sterile hallway, paneled in fancy marble. There no one here. A low moan is heard. Chris aims his weapon, jumps around the corner and finds...
...None other than Rebecca Chambers, blood caked, dirt with grime and with a beyond exhausted look on her face. She is sitting on the floor, cradling Richard Aiken. He is very pale, with with two huge puncture wounds in his chest.
REBECCA
Don't shoot!
Chris lowers his weapon.
CHRIS
You're Chambers, right?
Rebecca.
REBECCA
(voice trembling)
Y... Yes, Sir.
CHRIS
Well, I'm Chris Redfield.
What the hell happened here?
Richard!
AIKEN
Chris, Get out of here! This
mansion is full of demons. Go,
while you still have the chance.
Chris kneels down to Aiken.
CHRIS
Aiken, shut your mouth. You'll
be fine. You always are. What
happened to you?
AIKEN
A snake... A giant, poisonous
snake. The damn thing impaled
me with its fangs.
REBECCA
Sir, I...
CHRIS
Cut the sir shit.
REBECCA
Sorry, Si... Chris. I got
here with Richard, Kenneth
and Forest, but we got separated.
Then I found Richard like this,
it seemed that he crawled
here...
Rebecca chokes. Chris looks beond the two and sees a door, smeared in blood, the blood continues on the well and ends by Richard and Rebecca.
CHRIS
(hoplessly)
Do you know where anyone else
is?
REBECCA
No. Those things murdred
Eddie and I have not seen
Enrico since last night.
I lost my track of the
others at about dawn.
CHRIS
So, there is still a chance?
Aiken begins to convulse and gasping.
AIKEN
Rebecca... Get out of this
place with Chris... I won't
make it... Go... With...
He gasps one last time and slips into unconsciousness.
CHRIS
Rich?
Rebecca checks Aiken's pulse.
REBECCA
He's okay. Just unconscious.
But I don't know how long he
will be that way. He needs
medical attention now.
CHRIS
What should I do?
REBECCA
There's this medical room
I was hiding in for a while.
It took me all my courage to
go and look for the others...
In any case, it had some decent
products there. I wanted to
take Richard there, but he's
too heavy.
CHRIS
Right.
Chris calmly raises Richard by his hand, then slumps it over his shoulder. Rebecca gets up and hovers cautiously over her ailing comrade.
CHRIS(CONT.)
Well? What way?
REBECCA
Follow me.
She heads towards the door that Chris entered through. He follows, huffing and grunting under Richard Aiken's weight.
CUT TO:
INT. MANSION - MEDICAL ROOM - NIGHT
The room is small, but so far the cheeriest and most cozy. There are all the comforts of home, a bed, a chair, a cupboard filled with medical products, a lamp, etc.
The door opens and Rebecca enters, followed by Chris, still helping the unconscious Aiken.
REBECCA
Place him on the bed.
Chris heads for the bed and spreads out Richard on top of the sheets. Rebecca shuts the door and rushes to the cupboard.
REBECCA(CONT.)
Please have it... Yes!
Rebecca grabs a small glass vial, some alcohol, cotton, and a plastic syringe.
REBECCA(CONT.)
Chris, hold out his arm.
Chris tears the sleeve on Richard's shirt and uses the torn cloth to wrap around the latter's arm, exposing the vain. Aiken stirs and wakes up.
AIKEN
Becky, it burns...
REBECCA
Don't worry Richard, I'll
give you a shot. Look, I
found some serum...
AIKEN
I can't take it any more...
the pain... Rebecca...
His voice gorws weaker, suddenly, he yelps and cathces the glimpse of Rebecca removing the used syringe from his arm.
AIKEN(CONT.)
Does it never not hurt?
CHRIS
Well, obviously no.
Rebecca discards the used materials into the garbage bin.
REBECCA
Thank god they had Saprafil.
If there was any other serum,
there would have been no hope.
CHRIS
Saprafil?
REBECCA
Yes, it is the best serum,
really, it is manufactured
by Umbrella. Most of the
medicinal goods here are
bearing their logo.
CHRIS
Well, at least we know who
ever lived in this mansion
was rich. That Umbrella
shit is expensive. In any
case, I'll go and continue
my investigation. You help
Richard.
REBECCA
Ye... Yes. I still need
to treat the bite marks.
Chris turns to leave.
REBECCA(CONT.)
Chris?
CHRIS
(turns around)
Yeah?
REBECCA
Please be careful.
Anguished moans are heard from the outside.
CHRIS
Damn it! Those sick fucks
are getting restless!
AIKEN
(sits up)
How are they getting here?
Those don't seem to have
any intelligence.
REBECCA
The doors... I've noticed
that many locks were broken
by someone.
CHRIS
Or something. Who knows
how many things are in
place! Okay, guys. Stay
here and matter what. I
will come back for the
both of you once I find
the others and a way out.
Does anyone have a weapon?
AIKEN
There's a semi in my holster.
CHRISExcellent.
Without uttering another world, Chris calmly exits the room.
