CHAPTER 4
A VERY DARK PLACE
We see a very dark room, with just one light on, focused on an aged dining room table. We cannot see any details of the figure sitting there, except that he (or she) is wearing latex gloves. The figure is hunched over, meticulously writing on a card. The penmanship is remarkable.
The figure finishes writing on the card and patiently waits a few minutes for the ink to dry properly. No sense in letting this be messy, after all - or rather, not TOO messy.
When the ink dries, the gloved hands gingerly put the card into an envelope. Using a sponge, the hands then moisten the seal (no telltale DNA from the saliva, you understand) and then seal the envelope.
We can see it is addressed to JORDAN CAVANAUGH – PERSONAL.
The figure nods, as if satisfied, and then we go to commercial.
A VERY DARK PLACE
We see a very dark room, with just one light on, focused on an aged dining room table. We cannot see any details of the figure sitting there, except that he (or she) is wearing latex gloves. The figure is hunched over, meticulously writing on a card. The penmanship is remarkable.
The figure finishes writing on the card and patiently waits a few minutes for the ink to dry properly. No sense in letting this be messy, after all - or rather, not TOO messy.
When the ink dries, the gloved hands gingerly put the card into an envelope. Using a sponge, the hands then moisten the seal (no telltale DNA from the saliva, you understand) and then seal the envelope.
We can see it is addressed to JORDAN CAVANAUGH – PERSONAL.
The figure nods, as if satisfied, and then we go to commercial.