Author's Notes: This is the bonus that I promised you all a long time
ago. I really procrastinated in doing this, dumbass that I am. Well,
here you go.
-------------------------------------------------
Let the Music Be Your Master- Special Bonus: Subdivisions
0:00
(Synthesizer intro. The screen is black with a single green line showing the pitch of the music.)
0:05
(The camera zooms into the green line which fades into the image of a suburban neighborhood. It wildly zooms through like a bird in flight coming to the Morimoto home and passing through the garage door to show the band members practicing the song.)
0:12
(The camera goes through a quick series of tight close-ups of each invdidual member starting with Inuyasha, then Miroku, Shippo and Naraku.)
0:20
(The camera wildly flies away as it did before, passing through scenes of Kagome and Sango walking home from school, Kirara moving into her new home, Yura passing by with her cellphone out, and Koga running a race at the high school track.)
0:36
(As the camera continues to zoom by, it changes perspective to watch Inuyasha walking down the streets playing air guitar to what's on his headphones, Naraku paying for a ticket to see a movie, Miroku cruising by in his car, and Shippo scamming some sap with Three Card Monty.)
0:50
(The camera picks up speed and races through town to the point where everything becomes a blur, taking sharp turns every now and again.)
Sprawling on the fringes of the city
In geometric order
An insulated border
1:04
(Day turns to night as the camera enters downtown with larger buildings. The lights all come on.)
In between the bright lights
And the far unlit unknown
(The camera then goes spiralling straight up into the night sky before plummetting back into the city which becomes day again.)
1:16
(The view changes to a young Inuyasha mourning at his mother's grave.)
Growing up it all seems so one-sided
(The scenery around him morphs into a school hallway with jeering children pointing at him as Miroku walks beside him trying to comfort him.)
Opinions all provided
(The scenery morphs again to see the day in which Kagome and Sango first yelled at Miroku and Inuyasha.)
The future pre-decided
(The camera zooms in to show Inuyasha looking over his shoulder at Kagome with a hurt expression on his face. His face dissolves into hers with a black background as a look of surprise crosses her features.)
Detached and subdivided
In the mass production zone
(Kagome ages from 8 to 18 through a dissolve and the camera goes into a tight close-up of her face. She gasps after the word "dreamer" and looks to her right as if over her shoulder and the camera pans to the left to show half of her face, and revealing an 18-year-old Inuyasha standing behind her with his back turned and looking sternly over his shoulder)
Nowhere is the dreamer or the misfit so alone.
1:41
(Inuyasha and Kagome, still fixed in their standing positions begin to fly in circles, soon joined by Miroku with his hands in his pockets and Sango with her arms folded over her chest. The four of them continue to spin for a moment before they gravitate together back-to-back. The camera zooms in and slowly pans to the right to follow each one as they mouth a lyric.)
Miroku: Subdivisions
Kagome: In the high school halls
Sango: In the shopping malls
Inuyasha: Conform or be cast out
Miroku: Subdivisions
Kagome: In the basement bars
Sango: In the backs of cars
Inuyasha: Be cool or be cast out!
(The four figures all fly away in the way they entered)
2:04
(The camera cuts to show a scene of Inuyasha in his loft bedroom at a small desk trying to write out some sheet music and becoming increasingly frustrated before he swipes everything off the desk and storms to his window, looking out with one arm propping him against the wall.)
Any escape might help to smooth the unattractive truth
But the suburbs have no charms to sooth the restless dreams of youth
(The camera flies out the window and starts racing through the streets as before.)
2:16
(The camera flies along, coming to a stop on a scene of Inuyasha in a fist fight with a couple of football players. Koga is seen in the jeering crowd with Yura who soon walks off to her car and drives off. Her car passes Kagome's. The camera zooms into a close-up of Kagome then zooms out to show her parking in front of a shopping that Miroku is walking out of with a smoothie in hand. The camera zooms into his shoulder then zooms back to show him walking down the streets downtown at dusk and giving Naraku a high five. Naraku then climbs onto his motorcycle and drives off with the camera following him.)
2:46
(Naraku's motorcycle is soon joined by Miroku's car with Inuyasha standing up through the sun roof banging his head and Shippo sticking his head out the window with a peace sign.)
Drawn like moths we drift into the city
A timeless old attraction
Cruising for the action
2:56
(The vehicles pass by Kagome and Sango whom the camera fixes on and they watch the four drive off with expressions of mixed feelings on their faces.)
Lit up like a firefly
Just to feel the living light
3:05
(The camera cuts to show the four bandmembers sitting in the bleachers at the high school stadium. Miroku is staring off into space looking bored, Inuyasha is drowning out reality with his headphones, Shippo is playing on a Gameboy, and Naraku is reading a book. The camera zip pans to show Koga winning a race and looking very smug.)
Well some will sell their dreams for small desires
And lose the race to rats
3:14
(The camera then cuts to Sango looking bored in the stands)
Get caught in ticking traps
3:18
(She then looks up at Miroku who looks back down to her as the camera zooms out to take them both in. On the word "somewhere" everything but the two of them fades away into a black background and they stand as they hover to face each other in profile to the camera.)
And start to dream of somewhere to relax their restless flight
(At the world "lighted" the camera zooms out to show the two of them facing each other under the glow of a street lamp in the middle of the night.)
Somewhere out of a memory of lighted streets on quiet nights
3:32
(Sango and Miroku begin flying around in circles as in the previous chorus and are joined once more by Inuyasha and Kagome. They are in the same circle as before, mouthing the lyrics as the camera focuses on each one of them indivdually)
Miroku: Subdivisions
Kagome: In the high school halls
Sango: In the shopping malls
Inuyasha: Conform or be cast out
Miroku: Subdivisions
Kagome: In the basement bars
Sango: In the backs of cars
Inuyasha: Be cool or be cast out!
(As they fly apart, Inuyasha makes a lunge forward, Kagome steps away looking uncertain, Sango storms off as if angry with something, and Miroku simply walks away with his head down and hands still shoved into his pockets.)
3:56
(The camera cuts to a scene of Kirara sitting on a couch and sobbing as she looks at a picture of her with a woman we assume is her mother. The view pans to her front as Shippo comes up behind her and places his hands on her shoulders trying to comfort her.)
4:05
(The camera cuts to a scene of Naraku sitting in a movie theater. He's slouching deep into his seat and his boots are propped up and crossed on the empty seat in front of him as he munches on another mouthful of popcorn looking very bored. He glances to his right and the camera follows his gaze to show Yura a few seats down sipping out of a large coke and glancing at him out of the corner of her eyes.)
4:13
(The camera goes to a scene of Sesshoumaru and Kikyo walking arm-in-arm down at the beach at dusk and smiling.)
4:22
(The camera cuts back to the band in the garage playing.)
4:38
(Shippo fades away from the scene, followed by Naraku seconds later, and at last Miroku, leaving Inuyasha alone.)
Any escape might help to smooth the unattractive truth
But the suburbs have no charms to soothe the restless dreams of youth
4:49
(Kagome enters the garage and there is a close-up on her before the camera cuts back to a close-up on Inuyasha watching her as he sets his guitar aside. He begins to walk to her. The camera cuts to Kagome moving toward Inuyasha. It then cuts to show the two of them in slow motion as they move to embrace each other in profile to the camera.)
5:10
(The camera zooms into a tight close-up of the two of them as they close the distance between each other's lips. At the music's highest point, they meet in a passionate kiss.)
5:26
(The camera slowly pans over to show Miroku, Shippo, and Naraku back in their places and finishing the song as they look over and smile at their friends.)
5:32
(Fade to black.)
-------------------------------------------------
Author's Notes: Well, what do you guys think? Was this a hit or a miss? Do you think I have a future as a director?
-------------------------------------------------
Let the Music Be Your Master- Special Bonus: Subdivisions
0:00
(Synthesizer intro. The screen is black with a single green line showing the pitch of the music.)
0:05
(The camera zooms into the green line which fades into the image of a suburban neighborhood. It wildly zooms through like a bird in flight coming to the Morimoto home and passing through the garage door to show the band members practicing the song.)
0:12
(The camera goes through a quick series of tight close-ups of each invdidual member starting with Inuyasha, then Miroku, Shippo and Naraku.)
0:20
(The camera wildly flies away as it did before, passing through scenes of Kagome and Sango walking home from school, Kirara moving into her new home, Yura passing by with her cellphone out, and Koga running a race at the high school track.)
0:36
(As the camera continues to zoom by, it changes perspective to watch Inuyasha walking down the streets playing air guitar to what's on his headphones, Naraku paying for a ticket to see a movie, Miroku cruising by in his car, and Shippo scamming some sap with Three Card Monty.)
0:50
(The camera picks up speed and races through town to the point where everything becomes a blur, taking sharp turns every now and again.)
Sprawling on the fringes of the city
In geometric order
An insulated border
1:04
(Day turns to night as the camera enters downtown with larger buildings. The lights all come on.)
In between the bright lights
And the far unlit unknown
(The camera then goes spiralling straight up into the night sky before plummetting back into the city which becomes day again.)
1:16
(The view changes to a young Inuyasha mourning at his mother's grave.)
Growing up it all seems so one-sided
(The scenery around him morphs into a school hallway with jeering children pointing at him as Miroku walks beside him trying to comfort him.)
Opinions all provided
(The scenery morphs again to see the day in which Kagome and Sango first yelled at Miroku and Inuyasha.)
The future pre-decided
(The camera zooms in to show Inuyasha looking over his shoulder at Kagome with a hurt expression on his face. His face dissolves into hers with a black background as a look of surprise crosses her features.)
Detached and subdivided
In the mass production zone
(Kagome ages from 8 to 18 through a dissolve and the camera goes into a tight close-up of her face. She gasps after the word "dreamer" and looks to her right as if over her shoulder and the camera pans to the left to show half of her face, and revealing an 18-year-old Inuyasha standing behind her with his back turned and looking sternly over his shoulder)
Nowhere is the dreamer or the misfit so alone.
1:41
(Inuyasha and Kagome, still fixed in their standing positions begin to fly in circles, soon joined by Miroku with his hands in his pockets and Sango with her arms folded over her chest. The four of them continue to spin for a moment before they gravitate together back-to-back. The camera zooms in and slowly pans to the right to follow each one as they mouth a lyric.)
Miroku: Subdivisions
Kagome: In the high school halls
Sango: In the shopping malls
Inuyasha: Conform or be cast out
Miroku: Subdivisions
Kagome: In the basement bars
Sango: In the backs of cars
Inuyasha: Be cool or be cast out!
(The four figures all fly away in the way they entered)
2:04
(The camera cuts to show a scene of Inuyasha in his loft bedroom at a small desk trying to write out some sheet music and becoming increasingly frustrated before he swipes everything off the desk and storms to his window, looking out with one arm propping him against the wall.)
Any escape might help to smooth the unattractive truth
But the suburbs have no charms to sooth the restless dreams of youth
(The camera flies out the window and starts racing through the streets as before.)
2:16
(The camera flies along, coming to a stop on a scene of Inuyasha in a fist fight with a couple of football players. Koga is seen in the jeering crowd with Yura who soon walks off to her car and drives off. Her car passes Kagome's. The camera zooms into a close-up of Kagome then zooms out to show her parking in front of a shopping that Miroku is walking out of with a smoothie in hand. The camera zooms into his shoulder then zooms back to show him walking down the streets downtown at dusk and giving Naraku a high five. Naraku then climbs onto his motorcycle and drives off with the camera following him.)
2:46
(Naraku's motorcycle is soon joined by Miroku's car with Inuyasha standing up through the sun roof banging his head and Shippo sticking his head out the window with a peace sign.)
Drawn like moths we drift into the city
A timeless old attraction
Cruising for the action
2:56
(The vehicles pass by Kagome and Sango whom the camera fixes on and they watch the four drive off with expressions of mixed feelings on their faces.)
Lit up like a firefly
Just to feel the living light
3:05
(The camera cuts to show the four bandmembers sitting in the bleachers at the high school stadium. Miroku is staring off into space looking bored, Inuyasha is drowning out reality with his headphones, Shippo is playing on a Gameboy, and Naraku is reading a book. The camera zip pans to show Koga winning a race and looking very smug.)
Well some will sell their dreams for small desires
And lose the race to rats
3:14
(The camera then cuts to Sango looking bored in the stands)
Get caught in ticking traps
3:18
(She then looks up at Miroku who looks back down to her as the camera zooms out to take them both in. On the word "somewhere" everything but the two of them fades away into a black background and they stand as they hover to face each other in profile to the camera.)
And start to dream of somewhere to relax their restless flight
(At the world "lighted" the camera zooms out to show the two of them facing each other under the glow of a street lamp in the middle of the night.)
Somewhere out of a memory of lighted streets on quiet nights
3:32
(Sango and Miroku begin flying around in circles as in the previous chorus and are joined once more by Inuyasha and Kagome. They are in the same circle as before, mouthing the lyrics as the camera focuses on each one of them indivdually)
Miroku: Subdivisions
Kagome: In the high school halls
Sango: In the shopping malls
Inuyasha: Conform or be cast out
Miroku: Subdivisions
Kagome: In the basement bars
Sango: In the backs of cars
Inuyasha: Be cool or be cast out!
(As they fly apart, Inuyasha makes a lunge forward, Kagome steps away looking uncertain, Sango storms off as if angry with something, and Miroku simply walks away with his head down and hands still shoved into his pockets.)
3:56
(The camera cuts to a scene of Kirara sitting on a couch and sobbing as she looks at a picture of her with a woman we assume is her mother. The view pans to her front as Shippo comes up behind her and places his hands on her shoulders trying to comfort her.)
4:05
(The camera cuts to a scene of Naraku sitting in a movie theater. He's slouching deep into his seat and his boots are propped up and crossed on the empty seat in front of him as he munches on another mouthful of popcorn looking very bored. He glances to his right and the camera follows his gaze to show Yura a few seats down sipping out of a large coke and glancing at him out of the corner of her eyes.)
4:13
(The camera goes to a scene of Sesshoumaru and Kikyo walking arm-in-arm down at the beach at dusk and smiling.)
4:22
(The camera cuts back to the band in the garage playing.)
4:38
(Shippo fades away from the scene, followed by Naraku seconds later, and at last Miroku, leaving Inuyasha alone.)
Any escape might help to smooth the unattractive truth
But the suburbs have no charms to soothe the restless dreams of youth
4:49
(Kagome enters the garage and there is a close-up on her before the camera cuts back to a close-up on Inuyasha watching her as he sets his guitar aside. He begins to walk to her. The camera cuts to Kagome moving toward Inuyasha. It then cuts to show the two of them in slow motion as they move to embrace each other in profile to the camera.)
5:10
(The camera zooms into a tight close-up of the two of them as they close the distance between each other's lips. At the music's highest point, they meet in a passionate kiss.)
5:26
(The camera slowly pans over to show Miroku, Shippo, and Naraku back in their places and finishing the song as they look over and smile at their friends.)
5:32
(Fade to black.)
-------------------------------------------------
Author's Notes: Well, what do you guys think? Was this a hit or a miss? Do you think I have a future as a director?