Rating: G, can you believe it?
Summary: Drosselmeyer is bored.
Copyright: Not mine, not mine at all. The characters just took over my brain.
Credit: Gratitude for Mei-chan and Meimi for bothering to point out grammar errors here and there.
Commentary: Always. XD
Ah, but an old
man gets bored with all his puppets asleep and nobody there to
entertain him.
Wake up, Drosselmeyer said to Mytho. Dance for
me.
Mytho's eyes jerked open. In truth he needed not sleep.
When it grew dark he obediently laid in his bed, closed his eyes, and
turned off his consciousness, but only because Fakir made such a fuss
otherwise. Sleeping, waking, it made no difference to him. He felt
nothing either way.
If Mytho wondered why his bedroom had been
replaced with the ruin site of an ancient Greek structure he did not
ask. He merely rose to his feet and began to dance.
Drosselmeyer
rocked back and forth on his rocking chair, content. Nothing was
better than a good story, true, but sometimes physical poetry was so
much more relaxing. Particularly the prince's. Fakir was lovely for
his emotionally intensive movements, making him someone Drosselmeyer
watched when he was in the mood for a stomach-ache. (All that
frowning and sweating agitated him. It made him want to throw a
tomato or two at the boy. It's just a dance! Don't pull your life
conflicts into it. Relax already, life is a joke. Not that
Drosselmeyer really had any right to criticize Fakir's personality
seeing how he himself had created it.)
Mytho threw a look at
Drosselmeyer; would you like to dance with me? Everyone else does.
Drosselmeyer waved him away, no, no, I'm not just old, I'm dead, if I
were up to running and jumping and cart wheeling I wouldn't have all
you puppets to keep me entertained, now would I? Puppet prince
shrugged, almost as if to say, your loss, but of course the shrug
meant no such thing. Mytho couldn't care less either way.
No
music played. Music served as Mytho's cue as to where to start and
stop. Without it he was set on infinite loop. Where his energy came
from is a mystery (and, as Drosselmeyer would chuckle if asked,
aren't mysteries what make a story interesting?) but whatever it was
he seemed to have an unlimited supply of it. If you do not draw from
life you cannot exhaust the source.
For a puppet he moved with
surprising fluidity. Perhaps it's because Drosselmeyer didn't pull on
his strings, per say, more like imbued commands into his head,
commands that revived old memories. Mytho's dance was based on a
faded memory. The body never truly forgets what was ingrained onto
it. Thus Mytho knew his steps perfectly, but without a soul to fill
the dance, it was lifeless. Like his eyes.
You were never my
favorite, Drosselmeyer told Mytho. There's scores of characters I
like better than you-- there's that witty cat in boots, for one.
Always good for a laugh. You're not even my favorite from my own
stories. You were just too perfect. Who's going to like a prince
that's all strong, all loving, all sacrificing? No reader can
sympathize with a flawless being. I'm glad I died while writing your
story. It finally stripped you of that annoying perfectness.
Mytho
was undisturbed by these revelations. You cannot hurt feelings that
do not exist.
No, mused Drosselmeyer further, you weren't the
interesting one. You're a smidgeon bit interesting now, puppet that
you are, but the ones that are really bringing the story to life are
all those other characters. How they go insane over you! The lengths
they'll go to have you as theirs! That's the advantage of a perfect
character-- it inspires the others to do so much more. They all want
the same thing, you know-- you. Heaven knows why. What can you do
with a mute pretty toy aside from watch it?
At this
Drosselmeyer laughed openly. Look at me, watching you. I'm no better
than those characters I made up!
Mytho went on dancing to the
tune of Drosselmeyer 's chuckles and ramblings.
