"I don't know who, but someone is definitely withholding information from us." Dinner went well, but Meyer isn't ready to accept that their job is going to be so easy. T for language. Part 6 of "Petty Crimes."

"No one's making you stay here, Charlie. You can go to bed." Meyer struggles to fall asleep while Charlie has always found it incredibly easy, so Meyer has to think of a different way to lull himself to sleep. T for language.

"I don't really like doin' business with Jews in the first place. They're all cold bastards." Meyer and Charlie are in Chicago, but Meyer can't shake the feeling that there's something he's missing. T for language and minor slurs. Part 5 of "Petty Crimes." (Also contains Johnny Torrio and Big Jim Colosimo, but they're not in the character lists.)

"We both know what kinda judgment I have. Besides, A.R. ain't the type you say no to." There's a twenty-two hour train ride separating New York City from Chicago. A lot can change in that time. Or maybe not. T for language and sexual content. Part 4 of "Petty Crimes."

"Before all this, before A.R. became this big gangster and founded this empire, he started off a gambler. And considering you, I'd say he still is." Meyer and Lucky get a run-down of what exactly their job will entail and are forced to confront some less-than-pleasant possibilities. T for language. Part 3 of "Petty Crimes."

"What kinda Mafia-type job you got that your boss wants to meet me?" After Meyer spills the story of his encounter with Lucky to A.R., Rothstein decides he wants to meet Lucky for himself. T for language. Part 2 of "Petty Crimes."

After Nucky lets him go, Meyer has a lot of thinking to do. Set between episodes 7 and 8 of season 1, no later spoilers. Lanskiano porn because I'm not sorry. M for language, slurs, and smut.

"You want to earn a hundred dollars, yes? I can make you work for it." When a would-be pickpocket fails to steal his wallet, Meyer Lansky gets more than he bargained for and less than he wants. Modern day AU because I love the idea of Meyer in present-day New York. T for language and non-explicit smut. Part 1 of "Petty Crimes."

Four soldiers Richard doesn't connect with and one he does.

Too long Gyp Rosetti has been fantasizing about the beautiful, red-haired Gillian Darmody and it seems like his wishes have finally come true as she treats him exactly as he deserves to be treated. (Alternate take on the scene between Gillian and Gyp before the massacre at the Artemis Club.)

Some love stays

For a split second he wonders why she would need help. The sugar canister is on the bottom shelf, and then it dawns on him. He follows quickly behind her, grasping her hips and pressing himself into her softness, grateful for her ruse. She pushes back firmly with a quiet shuddering breath before whispering, "Jesus Christ, you're killing me."

Maria's life on the surface is that of a normal immigrant to New York in the 1920s. But she is surrounded by those who delve into the underworld. Her brother, her neighbours, her husband, even her employer. How will she handle the truth when it comes to surface? Slightly AU.

Christmastime has come to Atlantic City, forcing Gillian, Richard, and Tommy into new domestic territory. As they bicker their way through buying presents and decorating the tree, the spirit of the season starts to make even this ragtag group feel like a family. Written for the Speakeasy Holiday Stash on Tumblr.

A.R has a reason for wanting her there. A.R x Margaret. I'm obsessed with this ship and I had to write something! Un-betaed. Please R&R!

[SPOILER ALERT: S4] Richard thought his death had separated him from his living family forever, but then he makes contact with Tommy and everything changes. Featuring Julia, Emma, and everyone under the Harrows' roof at the end of s4. DISCLAIMER: I have never written anything "supernatural" before, so I have no idea how this is gonna go.

A chance encounter with a charitable stranger offers Richard another chance at life. Contains MAJOR spoilers for s4. Basically I'm sad and writing this made it a tiny bit better.

"Look at me," she implores quietly, her other hand pulling gently on his shoulder. He doesn't move, and she can feel a lump forming in her throat. Although he sits beside her, he feels so far away. SPOILER for the promo clip "Not an Opinion" in "Farewell Daddy Blues."

They've been married for three weeks. In that time she has gradually begun to trust him again. One night, while playing Chess with Paul, Tommy perched on his lap, he catches her staring at him. When their eyes met, she smiled.

A mostly unrelated series of ficlets or one-shots/two-shots requested on tumblr; all Diola, all the time, mostly nsfw, unbeta'd, Dean/Viola,

"Though often surrounded by them, young and pretty women were not a common distraction for Rothstein. So what was it about this one?" - Rothstein cashes out after a good night of poker and happens across an alluring young temptress with onyx hair and sapphire eyes. After haunting his consciousness, how will Alice Cohen become ensnared in Arnold Rothstein's web?

Diola: Hymie and Viola on November tenth. For Rigmor, Dean O'Banion/Viola O'Banion

Gillian Darmody is the beautiful queen bee of Enoch Thompson Prep; Richard Harrow is the mysterious new kid hiding demons of his own. It would be social suicide if anyone found out, but she finds herself drawn to him all the same. Can he see beyond her tragic past and help her learn to trust again, or will they prove to be each other's undoing? Featuring cameos from your favs.

Julia opens her journal again, for the first time in years.

Richard and Julia consummate their marriage-of-necessity. Contains gratuitous smut and spoilers from s4 (up to ep 9, "Marriage and Hunting").