DELIVERANCE
BY
HENRIETTE MOUSTAKIS
ACT ONE
SCENE ONE
FADE IN:
INT. ST. MICHAEL'S CHURCH. DAY
FATHER LEONARD MILLER stands by the candle table. He is arranging them when MARY ROSSI comes in and approaches the table and grabs one. He sees her.
FATHER LEONARD MILLER
Hello, Miss Rossi.
MARY ROSSI
Hello, Father.
(puts back candle)
I didn't expect to see you here.
FATHER LEONARD MILLER
I had some free time. I like to spend it here.
(pulls up a candle)
I like to wonder what prayers are here.
MARY ROSSI
By the amount of lit ones, there must be many.
FATHER LEONARD MILLER
(putting back candle)
I'll leave you to yours. You look like you need it.
He starts to walk away.
MARY ROSSI
Father Miller, may I speak to you?
FATHER LEONARD MILLER
(stopping)
Of course. Confessional or office?
MARY ROSSI
Here will be fine. Is there a private place?
FATHER LEONARD MILLER
Come with me.
They go to a pew behind a column and sit down.
FATHER LEONARD MILLER
What is it, Mary?
MARY ROSSI
I have a serious problem and I don't know where to turn.
She is near tears.
FATHER LEONARD MILLER
What is wrong?
MARY ROSSI
I'm pregnant.
FATHER LEONARD MILLER
Who's the father?
MARY ROSSI
You know who.
FATHER LEONARD MILLER
Please don't tell me its John?
She lowers her head.
MARY ROSSI
Yes.
FATHER LEONARD MILLER
What do you intend to do? Will you tell him?
MARY ROSSI
I'm having this baby alone. John must not know.
FATHER LEONARD MILLER
Mary, you are putting me in a VERY difficult position. He is my friend. How can I NOT tell him?
MARY ROSSI
I knew this was a mistake.
(standing)
I better stop now.
FATHER LEONARD MILLER
(grabbing her arm)
Please, Mary! Stay. It's obvious you need guidance. Let me see what I can do. Please sit.
She does and he takes her hands
FATHER LEONARD MILLER
If you don't want me to tell, I won't. Just tell me what you want me to do.
MARY ROSSI
I need to talk to someone. I'm alone here. I know very few people. And I'm about to have a baby.
FATHER LEONARD MILLER
Are you scared?
MARY ROSSI
Terrified. I don't know where to begin.
FATHER LEONARD MILLER
Have you a doctor?
MARY ROSSI
I'm getting medical care. It's everything else I need help with.
FATHER LEONARD MILLER
How about family?
MARY ROSSI
I have four brothers but they live in Boston. They all have family and I'm afraid to tell them. I'm the baby of the family.
FATHER LEONARD MILLER
Your parents?
MARY ROSSI
They're Italian Catholics. How do you think they'll react to an unwed mother? What do I do when they ask about the father? I can't tell them who it is. What do I do? After they kill him, they'll kill me.
FATHER LEONARD MILLER
Have you made ANY friends here?
MARY ROSSI
Paul, my boss.
FATHER LEONARD MILLER
Mr. Robinson, he's a good man.
MARY ROSSI
He's in love with me. He knows about the baby. He doesn't care. He wants them both. I know I should be grateful, but---
FATHER LEONARD MILLER
You love John.
MARY ROSSI
I have for years. We didn't mean for it to happen. It became so uncomfortable that's why I left Seattle. When John came here, we got together. Then he left. And now I'm pregnant. What do I do?
FATHER LEONARD MILLER
You have a problem. You should tell him.
MARY ROSSI
What will he do? Marry me? He's already married.
FATHER LEONARD MILLER
He should be told.
MARY ROSSI
I don't want him to know, ever. Please help me.
FATHER LEONARD MILLER
Alright, I won't tell him. But that won't stop him from finding out. He IS my friend and he DOES come to visit. You and Mr. Robinson work with me. You will show soon. If you should meet, what will you tell him?
MARY ROSSI
I don't know?
FATHER LEONARD MILLER
I will do my part. John usually calls before he comes. He's very busy, as I am. If I should hear from him, I will let you know. That way, he will not see the pregnancy. After you deliver he will not be a threat. That's ALL I can do.
MARY ROSSI
You won't tell him?
FATHER LEONARD MILLER
I never will. Is there anything else I can do for you?
MARY ROSSI
No, that's enough. I just wanted someone else to know the truth. I didn't want to face this alone.
FATHER LEONARD MILLER
Will you tell Mr. Robinson the truth?
MARY ROSSI
He must never know.
FATHER LEONARD MILLER
What about his love for you?
MARY ROSSI
I'll deal with that myself. Thank you, Father Miller.
(standing)
I have to get back to work.
Father Miller rises.
FATHER LEONARD MILLER
Come and see me anytime. I will be there for you.
She turns and walks away.
FATHER LEONARD MILLER
But who will be there for John? This is one time I can't.
CUT TO:
SCENE TWO
INT. PAUL ROBINSON'S OFFICE. DAY -- LATER
PAUL ROBINSON is at her desk when Mary comes in. She still has her coat on. Paul looks at his watch.
PAUL ROBINSON
You're late, and you didn't eat lunch. It's still in the fridge. Where were you?
MARY ROSSI
St. Michael's Church. I was with Father Miller.
PAUL ROBINSON
Business?
MARY ROSSI
No, confession. Is that allowed?
PAUL ROBINSON
Of course it is. I was just concerned about you. But since you were with Father Miller, I know you were safe. Leonard is a good man, not like some priests. The church has a real problem. There's always the few with sexual problems. They do have that kid thing going on. Priests should keep their pants on.
MARY ROSSI
(changing subject)
Any news on the Williams' case?
PAUL ROBINSON
Williams case? Oh, the courts took the child and put her in foster care. Nothing worse than an unwanted child. But then that's not your problem. You want yours.
MARY ROSSI
Yes, I do.
PAUL ROBINSON
Who's the father, Mary?
MARY ROSSI
I'd rather not tell you or anyone else. Please don't ask me again.
(takes off coat)
Now let's get back to work.
CUT TO:
SCENE THREE
INT. MARY'S APARTMENT. NIGHT. -- LATER
She is sitting on the couch with her knees under her. She is drinking coffee. She puts down the cup and dials the phone. At this point the screen is split between her apartment and St. Gregory's Rectory. FATHER JOHN WALKER picks up the phone.
FATHER JOHN WALKER
St. Gregory's? This is Father Walker.
She freezes and cannot speak.
FATHER JOHN WALKER
Hello? Hello? Is anyone there?
She hangs up.
FATHER JOHN WALKER
(hearing click)
Must be a wrong number.
He walks away. She hangs her head and cries.
CUT TO:
SCENE FOUR
INT. MARY'S OFFICE. DAY
She is writing on her computer when Paul enters with a small shopping bag. She looks up as he puts it on the desk.
MARY ROSSI
What's this?
PAUL ROBINSON
I went to the store and picked up a few things.
(pulls out)
Ice cream and pickles. My sister loved this stuff when she was pregnant. She used to eat them together.
MARY ROSSI
That sounds disgusting.
PAUL ROBINSON
You mean you don't like those?
MARY ROSSI
Not together. Why don't we put the ice cream in the freezer? I wouldn't mind a pickle.
He puts it away as she opens the bottle and grabs a pickle. He returns and takes one and sits on the desk.
PAUL ROBINSON
These are pretty good. I always loved kosher dills.
MARY ROSSI
Me too. The more sour the better. How did you know?
PAUL ROBINSON
Sis drove me crazy with her cravings. One day, when I was there, she came out with a big bowl of chocolate ice cream with a pickle coming out of it. I was never so grossed out in my life. She also had this thing with spaghetti and coconuts.
MARY ROSSI
Do I want to know?
PAUL ROBINSON
No. Have you thought about what I asked?
MARY ROSSI
About what?
PAUL ROBINSON
You letting me be your Lamaze partner? It's not like you have alot of friends here.
MARY ROSSI
But you're my boss?
PAUL ROBINSON
I'm also in love with you. I want to help you. Please, let me be your partner.
MARY ROSSI
That would make us more intimate. Are you ready for that?
PAUL ROBINSON
I'm looking forward to it.
(takes another pickle)
Do you have a doctor yet?
MARY ROSSI
Yes. I have an appointment today. She's doing an ultrasound.
PAUL ROBINSON
Let me go with you. I did it for Sis when her husband Lou couldn't.
MARY ROSSI
(taking another pickle)
I don't know. You're treading on dangerous ground. You're not even the father.
PAUL ROBINSON
But I am your Lamaze partner and I SHOULD be there. How about it, Mary? When's the appointment?
MARY ROSSI
Two hours.
PAUL ROBINSON
I'll close the office. We'll see the doc and then we'll have lunch.
(looks at pickle)
These are really good. I have got to get more of these.
CUT TO:
SCENE FIVE
INT. DOCTOR'S WAITING ROOM. DAY. -- LATER
Paul and Mary sit. He looks around the room. He is the only man with a room full of pregnant women. He looks at the table. The magazines are all BABY and SPORTS ILLUSTRATED. He checks out the sports magazines and is disappointed.
MARY ROSSI
What are you looking for?
PAUL ROBINSON
The swimsuit edition. That Kathy Ireland is real hot. She knows how to fill a swimsuit.
MARY ROSSI
You really don't expect that issue to be in a room full of pregnant women?
PAUL ROBINSON
I never thought of it that way.
MARY ROSSI
It's not too late to change your mind.
PAUL ROBINSON
No way, lady. I'm here to stay.
A NURSE comes out.
NURSE
Ms. Rossi, the doctor will see you now.
Paul and Mary walk up to her. The nurse stops him.
NURSE
You can't go in there, sir. You're not her husband.
PAUL ROBINSON
That's true.
NURSE
Are you the father?
PAUL ROBINSON
No.
NURSE
Then I'm afraid it isn't allowed. You'll have to wait out here. Come with me, Ms. Rossi.
CUT TO:
SCENE SIX
INT. EXAMINATION ROOM. DAY. -- MOMENTS LATER
Mary is lying on a table. A FEMALE DOCTOR is with her. By them is an ultrasound machine. The doctor has just put some gel on her belly and is about to start.
FEMALE DOCTOR
This won't hurt one bit.
MARY ROSSI
I came here with a friend. Can he be here?
FEMALE DOCTOR
Is he the father?
MARY ROSSI
No, but he's my Lamaze partner. He really wanted to be here.
FEMALE DOCTOR
How will I know him?
MARY ROSSI
He's the only man out there.
FEMALE DOCTOR
I'll be right back.
The doctor leaves and returns with Paul. He sits by her and holds her hand.
PAUL ROBINSON
I didn't think they let me in.
MARY ROSSI
I bribed someone.
The doctor smiles.
FEMALE DOCTOR
We're about to get started. Just look at the TV monitor.
She starts. Mary and Paul watch the set quietly.
FEMALE DOCTOR
That's him now.
PAUL ROBINSON
How can you tell it's a he?
FEMALE DOCTOR
He has the same parts you have, only smaller.
PAUL ROBINSON
He's beautiful, Mary.
MARY ROSSI
Yes, he is.
PAUL ROBINSON
I can see his fingers.
FEMALE DOCTOR
In a few weeks you'll be able to see the nails.
PAUL ROBINSON
Is he healthy?
FEMALE DOCTOR
I can answer that and so can he.
She pushes buttons and a thumping noise starts.
FEMALE DOCTOR
He's very healthy. That's his heartbeat.
MARY ROSSI
Are they always that strong?
FEMALE DOCTOR
Just when they're going to be football players. Pretty soon he'll be doing touchdowns, and always when you're trying to sleep.
PAUL ROBINSON
That's what my big sister said and she dropped five. They never let her sleep.
MARY ROSSI
I thought that was Lou's job.
PAUL ROBINSON
How soon before he pops out?
FEMALE DOCTOR
The term is delivery.
PAUL ROBINSON
Not with sis.
FEMALE DOCTOR
In about three months. You two better start Lamaze soon. Babies have been known to come out much earlier. We're on THEIR clock.
PAUL ROBINSON
(looks at Mary and smiles)
And when he does, I'm going to be there.
He kisses her hand. She smiles and starts to feel an attachment.
FEMALE DOCTOR
Could you wait outside, Mr. Robinson? I need to finish up.
PAUL ROBINSON
(letting go of hand)
Yeah, sure.
He leaves. The doctor continues the exam.
FEMALE DOCTOR
He sound's like a nice guy.
MARY ROSSI
He is.
FEMALE DOCTOR
Let's get you cleaned up and dressed. Meet me in my office when you're ready. We have alot to talk about.
The nurse comes in with a towel.
CUT TO:
SCENE SEVEN
INT. RESTAURANT. NIGHT. -- LATER
Paul and Mary are eating. She is tired while Paul is on cloud nine. He is blubbering.
PAUL ROBINSON
I can't believe I heard his heartbeat. He sounds like a real fighter. I still remember when I first heard Jack. He's a real character. I remember when he was a baby and I would change him, he would aim. He'd wait till I was almost finished and then he's shoot. I swear he had it out for me. You'll have to expect that with junior. They learn that skill early.
MARY ROSSI
So I've been told. I had four brothers. I was the youngest.
PAUL ROBINSON
So why aren't they helping you?
MARY ROSSI
Because I never told them. No one knows.
PAUL ROBINSON
Why is this baby such a secret, besides the obvious missing wedding ring? Is it the father?
MARY ROSSI
Paul, I told you not to ask me again about him.
PAUL ROBINSON
Just tell me one thing. Were you raped? Is that what this is all about?
MARY ROSSI
No, I was not attacked, and before you ask, the father is white. No one will ever notice. Are you satisfied?
PAUL ROBINSON
For now. I just want you to be happy. I guess I'm alot like Lou. He and I love kids. That's why he created six.
MARY ROSSI
Six?
PAUL ROBINSON
She's about to drop this one any day now.
MARY ROSSI
You like the word drop?
PAUL ROBINSON
That's what happens after the first one. The body gets ready and plop. That's what you will do after this one. And I intend to be there. I'm gonna make them.
MARY ROSSI
You seem pretty confident.
PAUL ROBINSON
It's just a matter of time. And when it happens, all their names will begin with the letter "p". Course since he's yours, I'll give you the choice of name. What will you call him?
MARY ROSSI
I was thinking John.
PAUL ROBINSON
Great! Then the others will be Paul, George and Richard.
MARY ROSSI
The Beatles? And who's Richard?
PAUL ROBINSON
Ringo's real name is Richard Starkey.
MARY ROSSI
Now you're being silly.
PAUL ROBINSON
No, I'm not. My old college roommate did it. We used to exchange cards and every year he would put the family's names. First it was John, then Paul, George and when Richard came I had to ask. He admitted it. He loved the Beatles.
MARY ROSSI
Do you?
PAUL ROBINSON
They were okay. I'm a Stones fan. Give me Mick any day. I also love jazz and blues. That's my favorite. I like to listen to the obscure stars. Why I even have an old Lydia Lane album. Course you wouldn't know about her. She disappeared for no reason and hasn't been heard or seen since.
Mary's face drops.
PAUL ROBINSON
Did I say something wrong?
MARY ROSSI
No, I'm just tired. I'd like to go home now.
PAUL ROBINSON
We'll wrap this to go.
(raises arm)
Waiter!
Mary looks at the food and is disgusted.
CUT TO:
SCENE EIGHT
INT. MARY'S DOORWAY. NIGHT. -- LATER
Paul walks Mary to her door and stops.
PAUL ROBINSON
You can get some rest now. You really look tired.
MARY ROSSI
It's been a long day. Thank you for coming with me.
PAUL ROBINSON
I plan to be there all the way. You can count on that lady. You are an investment.
MARY ROSSI
A growing investment.
PAUL ROBINSON
See you tomorrow at work.
He leans over and kisses her on the lips. She doesn't respond. He pulls away.
PAUL ROBINSON
That's okay. I know it's early. You'll come around soon. I won't rush you. Night.
MARY ROSSI
Night.
He walks away as she enters her apartment.
CUT TO:
SCENE NINE
INT. MARY'S APARTMENT. NIGHT. -- CONTINUOUS
She enters. It is a small one bedroom with every room visible. She has very little wall space. She goes into the kitchen. Some dishes are in the sink. She takes off her coat and puts it on a chair and turns on the water and starts to clean them. As she does, she starts to daydream.
Mary is by the sink doing the dishes. She is further along in the pregnancy. JOHN WALKER comes behind her and puts his arms around her waist, resting his hands on her belly. He kisses her from behind her neck.
JOHN WALKER
Surprise.
MARY WALKER
Why am I not surprised?
She puts her hands over his.
JOHN WALKER
Because I live here, and so do you. How's Johnny?
MARY WALKER
Kicking up a storm. He has alot of energy.
JOHN WALKER
Just like his old man.
She turns around and puts her arms around his neck.
MARY WALKER
You are not an old man.
JOHN WALKER
Prove it.
She kisses him and he responds. She opens her eyes as sees Paul's face and jumps back.
Mary drops a glass and it breaks in the sink. She starts to pick up the pieces and starts crying.
CUT TO:
SCENE TEN
INT. RECTORY STUDY. NIGHT
Father Walker is typing into his computer. He reaches for a book and can't find it. He opens the drawer, checks and pulls out a small book. Under the book are two pictures. They are of John with Mary and Pat. He pulls them out.
FATHER JOHN WALKER
Why is it, God, that you always take my friends away? Is my life that important to you? I guess it is.
(puts pictures back)
Well, I know one friend you won't object to.
He looks at a picture of Father Leonard Miller, his friend and mentor. He picks up his phone and starts to dial and stops.
FATHER JOHN WALKER
Not this time. This time it will be a surprise.
(dials again)
Father Bernard, please.
At this point a voice is heard over the phone. No face is shown. It is the famous, un-seen Father Riccardo. He will never be seen in this series.
FATHER RICCARDO
Bernard is out of the office. This is Riccardo. May I take a message?
FATHER JOHN WALKER
Ricky, just the man I wanted to talk too.
CUT TO:
SCENE ELEVEN
INT. ST. MICHAEL'S CHURCH. DAY
Father Miller is by the candles again. He is arranging them as Father Walker comes from behind him. Miller doesn't see or hear anything.
FATHER JOHN WALKER
BOOO!
FATHER LEONARD MILLER
(turning)
John, what a surprise? Why didn't you tell me you were coming?
FATHER JOHN WALKER
I wanted to surprise you.
FATHER LEONARD MILLER
Who's taking care of your church?
FATHER JOHN WALKER
Ricky is. All he had to hear was Mama's beef stew and he was at the door right after I called.
FATHER LEONARD MILLER
How long this time?
FATHER JOHN WALKER
Just three days. Enough for me to come here, spend a day with you and go home. So, Leonard, tell me what's new? And don't say New York and New Jersey? I heard that one already.
FATHER LEONARD MILLER
Not much, and you?
FATHER JOHN WALKER
Same here. I'm finally settled in.
FATHER LEONARD MILLER
You have your emotions under control now?
FATHER JOHN WALKER
Almost. What do you say we have dinner tonight?
FATHER LEONARD MILLER
I can get hungry very fast. Where did you have in mind?
FATHER JOHN WALKER
That Italian place still on 5th street?
FATHER LEONARD MILLER
Last I checked.
FATHER JOHN WALKER
Then it's settled.
FATHER LEONARD MILLER
Give me a minute. I have to make a call first. Meet me in the office.
FATHER JOHN WALKER
Gotcha.
Father Walker skips off into a hallway. Father Miller pulls out his phone and dials. There is no answer.
FATHER LEONARD MILLER
Come on, Mary. Pick up.
(no answer)
I'll try her cell.
(no answer)
No answer.
(dials again)
Please be home.
There is no reply. He gives up and goes into the hall.
CUT TO:
SCENE TWELVE
INT. LAMAZE CLASS. SAME NIGHT.
Mary and Paul are sitting on the ground. She is on a pillow. Other couples are with them. The COORDINATOR stands before them.
COORDINATOR
Now we're going to try a new exercise. Men can even use this one. They don't need to be pregnant.
PAUL ROBINSON
They can't get pregnant.
COORDINATOR
I did that on purpose. You'd be surprised how many men don't catch that. You have a smart one, Mary. He's a keeper. Back to the exercise. I want the partners to take their hand and straighten out their fingers. Now put the tips at the end of the spine, right above the butt.
(looks around)
Good. Good. Now slowly turn the hand around and keep those fingers straight. This will ease the stress on the lower spine. Mothers have enough pressure on their bladder. Some of it goes to the lower back. How does that feel, ladies?
She looks around the room and the women are more relaxed. Paul looks at Mary.
PAUL ROBINSON
How does that feel?
MARY ROSSI
Like heaven.
PAUL ROBINSON
Three more months to go and this won't be needed. Just remember to breathe.
Mary jumps.
PAUL ROBINSON
What is it?
MARY ROSSI
He kicked.
PAUL ROBINSON
Really? Can I feel?
MARY ROSSI
(taking his hand)
He's right here. Can you feel him?
PAUL ROBINSON
Yeah. He's a real kicker. I do believe he's doing touchdowns.
The coordinator walks up to them.
COORDINATOR
Is junior awake?
MARY ROSSI
Yes.
COORDINATOR
(looks at Paul)
Looks like you'll have a handful, Mr. Robinson. He's starting early.
PAUL ROBINSON
(looking at Mary and smiling)
I'm ready for him.
CUT TO:
SCENE THIRTEEN
INT. ITALIAN RESTAURANT. NIGHT. -- LATER
Father Miller and Father Walker are eating.
FATHER JOHN WALKER
You should see this lake. It's heaven on earth. I've never felt such peace.
FATHER LEONARD MILLER
Maybe I will. I need to find a replacement too. I can't just take off a week at the drop of a hat.
FATHER JOHN WALKER
It doesn't have to be a week. Four days are enough. We'll try to make it a weekend.
FATHER LEONARD MILLER
I'll try, John. I can't promise anything. Is the fishing really that good?
FATHER JOHN WALKER
So I've heard. I never caught any. All I got was a poacher.
FATHER LEONARD MILLER
And a rabbit. You still see him?
FATHER JOHN WALKER
Horatio? I saw him last week. He saw me and jumped into my arms. I never thought rabbits could fly.
FATHER LEONARD MILLER
They can't.
FATHER JOHN WALKER
This one does. He still remembers me. I thought that after he found his mate, he would ignore me. It's quite the opposite.
(eating)
This is great sauce. It really brings out the pasta. I'm glad this place is still here.
FATHER LEONARD MILLER
It's no Olive Garden. It's still family owned.
FATHER JOHN WALKER
There's a place I go to in Seattle just like this. The family has owned it for three generations. Now the grand kids have it.
FATHER LEONARD MILLER
(picking up phone)
I have to make a private call. Will you excuse me?
FATHER JOHN WALKER
Yeah, sure. I'll just drown in this alfredo sauce.
Father Miller gets up and goes towards the bathrooms. They are seated by the women's bathroom. He dials. There is no response, again.
FATHER LEONARD MILLER
Come on, Mary. Pick up.
There is still no reply. He gives up.
FATHER LEONARD MILLER
Can't say I didn't try.
He goes back to the table.
FATHER JOHN WALKER
No luck?
FATHER LEONARD MILLER
Not home.
Father Miller looks at the women going to the ladies room.
FATHER LEONARD MILLER
Ever notice how many of the women that come here are pregnant?
FATHER JOHN WALKER
It's the baby. It pushes on the bladder. It has no where to go. It's especially bad in the third trimester. They live in the can.
FATHER LEONARD MILLER
You sure know alot about pregnancy?
FATHER JOHN WALKER
I see them in mass. I can usually tell how far along they are by the times they have to leave. It's really bad in the summer months. You can tell what they did in the winter.
FATHER LEONARD MILLER
Be fruitful and multiply.
Paul and Mary enter the restaurant. Father Miller can see them. He is at a loss. He looks at his phone.
FATHER LEONARD MILLER
My phone's buzzing. I'll be right back.
He walks away, pretends to answer and comes back.
FATHER LEONARD MILLER
Something's suddenly come up. I have to leave. I'm sorry to cut this meal short.
FATHER JOHN WALKER
I understand. I'll get this to go.
FATHER LEONARD MILLER
Good idea.
Father Miller waits anxiously as the food is prepared. He looks at his watch and the ladies room and silently prays. The two men leave. Paul recognizes Father Miller but cannot see John's face.
PAUL ROBINSON
This must be a popular place. I just saw Father Miller leaving. He was with another priest.
MARY ROSSI
Anyone we know?
PAUL ROBINSON
I couldn't see his face. They all look alike from the back.
MARY ROSSI
You got that right.
PAUL ROBINSON
Which brings me to the reason I brought you here. Tonight proved it for me.
(pulls out ring box)
I think it's time we see Father Miller for ourselves. Time is growing short. I've given you enough time to know me. You know I'm a good guy and I'm safe. We can't wait much longer. Your son will be here in three months. You owe him that much.
MARY ROSSI
You're talking about the rest of our lives.
PAUL ROBINSON
I want to spend it with you and your son. Please say YES.
She takes the box and opens it and then looks at Paul.
MARY ROSSI
Yes.
PAUL ROBINSON
Yes? You mean it?
MARY ROSSI
Yes.
PAUL ROBINSON
Then put on the ring.
MARY ROSSI
I can't. My fingers are swollen, water build-up. I'm going to have to wear it around my neck.
PAUL ROBINSON
I'll get you the chain. I can't believe it. We're finally getting married. We have to go to City Hall and get the license. Let's do it tomorrow.
MARY ROSSI
Can't. Thompson case. We should be finished by next week. Can you wait that long?
PAUL ROBINSON
Just so we do it before junior pops up.
(takes her hands)
Are you ready to be teased?
MARY ROSSI
Why?
PAUL ROBINSON
Your name will be Mrs. Robinson.
(raises glass with one hand)
Here's to you, Mrs. Robinson.
Mary feigns a smile and pulls away.
MARY ROSSI
I'll be right back. Another bathroom stop.
She stands and walks by the now empty table.
CUT TO:
SCENE FOURTEEN
INT. ST. MICHAEL'S CHURCH. DAY. A WEEK LATER
Father Miller sits in the front row. He is silently praying when Paul and Mary approach him. He turns to them.
FATHER LEONARD MILLER
Mr. Robinson? Miss Rossi? What are you doing here?
PAUL ROBINSON
We've come to ask you a favor.
FATHER LEONARD MILLER
What favor?
PAUL ROBINSON
(pulls out license)
Here's our license. We'd like you to marry us.
FATHER LEONARD MILLER
I'll have to check the church schedule. We're pretty booked.
PAUL ROBINSON
We don't want a big ceremony. The chapel will do.
(takes Mary's hand)
We can do the big service after the baby is born. Can you do it?
FATHER LEONARD MILLER
I have a fishing trip. I'm leaving tomorrow.
PAUL ROBINSON
We can wait till you come back.
FATHER LEONARD MILLER
No, let's do it today. Meet me in the chapel.
PAUL ROBINSON
Of course.
FATHER LEONARD MILLER
May I see you alone, Mary?
MARY ROSSI
(letting go of hand)
I'll see you in the chapel.
Paul leaves.
FATHER LEONARD MILLER
Are you sure you want to do this, Mary?
MARY ROSSI
It's my only choice. Paul's a good man and he loves me.
FATHER LEONARD MILLER
Do you love him? It's your life we're talking about.
MARY ROSSI
I can grow to love him. Now you won't have to worry about John. Paul will be the father. It's the right thing to do.
FATHER LEONARD MILLER
Then let's do it.
MARY ROSSI
That way you can concentrate on your fishing trip.
FATHER LEONARD MILLER
That's where you're wrong. The trip is with John. I tried to call you last week. He surprised me. We ended up at the same restaurant. I was lucky to get him out without his seeing you. I don't want to go through that again. John is my friend and I don't like lying to him.
MARY ROSSI
I'm sorry I put you in the middle. I had nowhere to turn.
FATHER LEONARD MILLER
It's a small world, Mary. If you can make it a few months before seeing him again, the worst will be over. With Paul at your side, he won't question the baby. Come, let's get this over with.
The two start walking.
MARY ROSSI
You won't tell him?
FATHER LEONARD MILLER
I can't tell him. That would betray a sacred confidence. Mary, this may be a quick-stop method now; but, it will involve the rest of your life. Once it's done, you will be his wife. Are you ready? A cold bed is not something a husband should have.
MARY ROSSI
I have to be.
The two walk on.
CUT TO:
SCENE FIFTEEN
EXT. ELIZABETH CEMETERY. DAY.
Father Walker and Father Miller approach three graves. They all have stones. The third one is Pat's. JOE KOWALSKI, her uncle, kneels by it. He turns and sees them.
JOE KOWALSKI
Father? What a surprise?
(rises)
I didn't expect you so early.
FATHER JOHN WALKER
Traffic was good. Joe, this is Father Leonard Miller. We're sharing the cabin this weekend.
JOE KOWALSKI
You gonna try and catch some fish this weekend?
FATHER JOHN WALKER
I gave up on that. I just came for the atmosphere.
FATHER LEONARD MILLER
I came for the fishing. It that Pat's grave?
JOE KOWALSKI
(looking at it)
Yes. I put the stone on it months ago. At least now I know she's really there. Before you couldn't tell. It makes me feel better. I know it sounds bad; but, now I have closure.
FATHER JOHN WALKER
A stone does give it closure. I just wish she wasn't there.
JOE KOWALSKI
You and me both. She was so sweet. I miss her. I'm alone now. All my family is dead.
FATHER JOHN WALKER
How come you never married?
JOE KOWALSKI
I did, for awhile. He died from A.I.D.S..
FATHER JOHN WALKER
You're gay?
JOE KOWALSKI
Have been all my life? I just don't show it. Not everyone is a flaming fruit. I never brought it to Elizabeth. My friend lived in another town. I always went there. It wouldn't pay to advertise when I have the ONLY major store. I would lose business. Pat was my excuse for Elizabeth. Everyone saw me as her father.
FATHER JOHN WALKER
Did Bernard know?
JOE KOWALSKI
He knew. He was the only one, except for my brother and his wife.
FATHER JOHN WALKER
And Pat?
JOE KOWALSKI
She figured it out when she grew up. She was cool about it.
FATHER JOHN WALKER
She was cool about alot of things. Are the keys at the store?
JOE KOWALSKI
Yes, and everything else. You'll have to start from scratch. Pat is not here to open the cabin and get it ready. Come with me and I'll get them for you. You chose a good weekend to come. We have a live jazz band at the bar tonight. They've been booked for weeks.
FATHER LEONARD MILLER
That should make you happy, John. You love jazz.
FATHER JOHN WALKER
And this time I brought my sax.
JOE KOWALSKI
You play saxophone?
FATHER JOHN WALKER
I used to be in a band.
JOE KOWALSKI
Maybe if you ask right, you can join them?
FATHER JOHN WALKER
I doubt it.
JOE KOWALSKI
I'll wait at the gate. I know you want some private time with Pat.
Joe walks away and the two men approach the grave. Father Walker kneels.
FATHER JOHN WALKER
Hello, Pat. It's me, John. I've come to visit. I hope you're doing well. I know you're in good hands. I wouldn't be surprised if you're watching me right now. This is Father Miller. He's the reason I became a priest. Say hello to the lady, Leonard.
FATHER LEONARD MILLER
Hello, Pat. I've heard alot about you. I hear I owe you a favor. You're the reason John is still with us. Thank you.
FATHER JOHN WALKER
I see Horatio whenever I can. He still knows me. Did you know that rabbits can fly? Every time he sees me, he flies into my arms. His paw is fine. You can't even tell he's been hurt. He's also a father. He and his wife Clarice, have a whole flock of bunnies. He's very happy. If he were here, I know he'd send his love.
(stands)
Well, Pat. We have to go now. The cabin awaits. Your uncle Joe has told us over the phone it isn't ready. He's gonna have to give us new everything. I guess he's not as organized like you were. Till me meet again, Pat. I miss you.
(to Leonard)
I'm ready, Leonard.
The two men walk off to Joe who is waiting.
CUT TO:
SCENE SIXTEEN
INT. CABIN. DAY. -- LATER
Father Walker and Father Miller enter the cabin. Father Walker is carrying a box. Father Miller has the luggage.
FATHER JOHN WALKER
We're home. What do you think?
FATHER LEONARD MILLER
Nice, small but nice. Where do we sleep?
FATHER JOHN WALKER
There's a bedroom with room for two. We're here for three nights. I'll take two nights on the couch. It isn't that bad.
Father Walker puts down the box and pulls out some sheets and hand them to Father Miller.
FATHER JOHN WALKER
You get the bed. I'll put the groceries away. I'll just get my sax from the car. Be back.
Father Miller goes into the bedroom as Father Walker comes back with his sax and fishing pole. Father Miller comes out.
FATHER LEONARD MILLER
You don't have to sleep on the couch, John.
FATHER JOHN WALKER
I love you, Leonard; but, not that much. I'll take the couch.
Father Walker picks up the box and goes into the small kitchen.
FATHER JOHN WALKER
I got enough for five days. We can always take the rest home. And then there's a small chance we actually catch some fish. That would be a change.
FATHER LEONARD MILLER
Maybe for you. I plan to catch some. Need some help?
FATHER JOHN WALKER
Nope. Why don't you go check the lake? The sun should be setting soon. They're absolutely beautiful out here.
(puts away some groceries)
I figure we make some dinner, watch the sunset and then we can party.
FATHER LEONARD MILLER
I don't see any rabbits yet?
FATHER JOHN WALKER
They're wild out here. Horatio was an exception.
FATHER LEONARD MILLER
Who named him Horatio?
FATHER JOHN WALKER
I'll tell you that one later. Trust me. It's his real name. You want burgers or dogs?
FATHER LEONARD MILLER
Dogs.
FATHER JOHN WALKER
Coming right up. Meet me on the porch. Enjoy the view.
CUT TO:
SCENE SEVENTEEN
EXT. CABIN PORCH. NIGHT. -- LATER
Father Miller is sitting on the porch. Father Walker comes out with dinner and gives him his dog. The sun is setting.
FATHER JOHN WALKER
You're in for a real treat. The sky is clear. You won't believe all the stars after. Look, it's starting.
FATHER LEONARD MILLER
Just look at those colors.
FATHER JOHN WALKER
And it's only the beginning.
The two men eat quietly as it sets. It finally does and the stars come out.
FATHER LEONARD MILLER
And they say there isn't a God. They should see this.
FATHER JOHN WALKER
You can't in the city. Too many lights. I can see why Bernard likes this place so much. You still hungry? We could save some money if we eat at home.
FATHER LEONARD MILLER
Why not? This time with relish.
FATHER JOHN WALKER
Gotcha.
Father Walker leaves and Father Miller looks up.
FATHER LEONARD MILLER
Father, help me to keep quiet. He's my friend and it really hurts me to lie to him.
CUT TO:
SCENE EIGHTEEN
INT. BAR. NIGHT. -- LATER
Father Walker and Father Leonard enter the bar. It is rather crowded. The band is playing. The two men go find seats at the bar. The BARTENDER comes up.
BARTENDER
What are you having?
FATHER JOHN WALKER
Two lights, whatever is on tap.
(to Leonard)
Ready for some jazz, Leonard?
FATHER LEONARD MILLER
Yes, sir. I know you are.
FATHER JOHN WALKER
I miss my days as a Swingboy. Bernard made me stop. He said it wasn't proper for a priest.
FATHER LEONARD MILLER
He's right.
FATHER JOHN WALKER
But it paid for the boiler?
FATHER LEONARD MILLER
It still wasn't proper.
FATHER JOHN WALKER
You are an old fogie.
FATHER LEONARD MILLER
And you need to grow up, John. We already have a bad rap because of a small minority. The remaining ones have to be VERY careful. We can't give them any bait to get us. And whatever you did was bait? Even if it was for a good reason.
FATHER JOHN WALKER
Yes, teach.
Two women start watching them and wave. They are ALICE and RACHEL. The two men wave back and smile.
FATHER LEONARD MILLER
And that is another taboo. We'll leave those two over there. Right, John?
FATHER JOHN WALKER
We have no choice. They're coming over.
The two girls come.
ALICE
Hello.
FATHER JOHN WALKER
Hello, ladies. Before this goes any further, we need to warn you. We are priests. If you want anything more than a friendly handshake, you better look elsewhere.
ALICE
I can live with that. Can you, Rachel?
RACHEL
I have no problem with that. I'm Rachel and this is Alice. We're from the next town. We've come to hear the band. Have you?
FATHER LEONARD MILLER
We're just here for the weekend. We didn't know about the band. They any good?
ALICE
They're very good. This place is packed every time they show up. They even have a few CD's out. They're selling them at the door. You two know anything about music, or is it all church?
FATHER JOHN WALKER
I play sax. I was in a band for awhile.
ALICE
You any good?
FATHER JOHN WALKER
The band said I was.
ALICE
Too bad you don't have your sax. They could use it.
FATHER JOHN WALKER
It's in the cabin.
FATHER LEONARD MILLER
No, it's not.
(pulls out car keys)
I put it in the car before we left. I know you, John. You'd hate yourself if you didn't have it and the opportunity came up. You want the keys or not?
FATHER JOHN WALKER
You bet!
He runs out.
RACHEL
(turning to Leonard)
He any good?
FATHER LEONARD MILLER
He's very good. If he weren't a priest, he could be up there with Kenny G. If you're lucky and the band agrees, you just might see it.
ALICE
I think the band will agree.
FATHER LEONARD MILLER
How do you know?
ALICE
We are OLD friends, if you catch my drift.
Time passes and the female crowd around the two men grow. The single men watching are very confused. Father Walker and Father Miller are having the time of their life. Father Walker is high on the music, not the beer he is drinking.
FATHER JOHN WALKER
Man! They're really good. I wish I were up there.
ALICE
You just might get your chance yet.
A BAND MEMBER goes to the mic and speaks.
BAND MEMBER
Folks, I'm told we have a real surprise in the audience. There is a sax player by the name of Father John Walker. Is he still here?
All the women point to Father Walker.
BAND MEMBER
How about you come up here? We could use some "Tequila", and I don't mean the drink.
ALICE
Bullshit! You want one.
BAND MEMBER
Damn right, Alice.
ALICE
One margarita coming right up.
(to Father Walker)
Well, John, go on. You got your wish. Show us your stuff.
He looks at Father Miller.
FATHER LEONARD MILLER
Well, go on. Show them you're a man of your words.
FATHER JOHN WALKER
I will.
He grabs his sax and goes to the stage. The band members smile nervously.
BAND MEMBER
Ready when you are, Padre?
Father Walker nods and starts to play and they join in on cue. The girls and Father Miller are enjoying themselves but, not as much as Father Walker.
FATHER LEONARD MILLER
Told you he was good.
RACHEL
He's damn good. And cute?
FATHER LEONARD MILLER
And a devoted priest. We both are.
RACHEL
What a loss?
Father Walker finishes and everyone claps.
BAND MEMBER
Let's hear it for Father Walker. Father holds another record in Elizabeth. He is the ONLY person in the history of Elizabeth not to catch ONE fish. Give us a bow, Padre.
Father Walker bows and everyone laughs.
BAND MEMBER
You know what that means?
FATHER JOHN WALKER
No. Tell me.
BAND MEMBER
There's more fish for us. How about another song, Padre?
FATHER JOHN WALKER
Which one?
BAND MEMBER
We'll start and you come in when you're ready.
FATHER JOHN WALKER
Sounds good to me.
The band starts and Father Walker joins in.
CUT TO:
SCENE NINETEEN
EXT. BAR. NIGHT. -- LATER
The two priest exit. Father Walker is happy beyond belief and may be considered drunk. Father Miller holds him and lets go.
FATHER LEONARD MILLER
You stay here. I'll get the car. There is NO way you're driving.
Father Miller leaves and Father Walker is very jumpy. Father Miller comes back and goes to Father Walker.
FATHER LEONARD MILLER
Here you are, John. I'm doing the driving. You're much too drunk.
FATHER JOHN WALKER
With music not with booze. It's been so long since I've been up there. I'd forgotten how GOOD it felt. The beer is long gone. How was I?
FATHER LEONARD MILLER
Good as ever. You haven't lost your touch.
FATHER JOHN WALKER
I was afraid I had. Why do we have to go home?
(twirls around)
The night is young.
FATHER LEONARD MILLER
Yes, Eliza.
FATHER JOHN WALKER
Who?
FATHER LEONARD MILLER
You remind me of Eliza Doolittle in My Fair Lady; right after she came home from the ball.
FATHER JOHN WALKER
I remember. She sang that song about dancing
(twirls in circle)
All night! This is EXACTLY how I feel.
(singing)
I could have played all night. I could have played all night and still have begged for more.
He starts twirling and singing, which attracts a crowd. Father Miller tries to grab him and he continues singing.
FATHER LEONARD MILLER
John, this is becoming embarrassing.
FATHER JOHN WALKER
(singing)
I'll never know what made it so exciting. Why all at once my heart took flight?
FATHER LEONARD MILLER
(grabbing him)
Let's go, Eliza. Time to go home.
He pushes him in the car.
FATHER JOHN WALKER
Yes, Professor Higgins.
Father Miller closes the door and they drive off. The crowd disperses.
CUT TO:
SCENE TWENTY
INT. MARY'S APARTMENT. NIGHT.
Paul and Mary enter. It is an awkward moment. He walks up to her and kisses her.
PAUL ROBINSON
Hello, Mrs. Robinson.
MARY ROBINSON-ROSSI
Hi.
PAUL ROBINSON
Where's the bedroom?
MARY ROBINSON-ROSSI
First door on the left.
PAUL ROBINSON
What do you say we make this arrangement legal?
MARY ROBINSON-ROSSI
(pulling away)
I can't. The doctor said it isn't safe.
PAUL ROBINSON
(grabbing her again)
That's okay. I can wait. At last you're all mine. No one can take you away from me.
MARY ROBINSON-ROSSI
Aren't you going home?
PAUL ROBINSON
I am home, Mary. I just want to hold you tonight and wake up next to you. Tomorrow, we'll go to my place. I have some surprises to show you. Please let me stay. I AM your husband. Where did you say it was? First door to the left?
He puts his arm around her waist and turns her to the door and they walk in together.
FADE OUT:
END OF ACT
ACT TWO
SCENE ONE
FADE IN:
EXT. CABIN. DAY. -- MORNING
Father Walker is sleeping on the couch and dreaming. He is in a fetal position. The dream is disturbing and he twitches. He finally wakes up when the sun hits his face. He opens his eyes and gets up.
FATHER JOHN WALKER
Woow! That was a strange dream.
(looks around)
Leonard?
(gets up)
Leonard?
There is no answer. He turns and sees a note. He picks it up and reads.
FATHER JOHN WALKER
(reading)
Went out fishing early. Join me when you wake up. The rod is front of you.
Father Walker looks up, grabs the rod and goes out.
CUT TO:
SCENE TWO
EXT. LAKE. -- MORNING. -- CONTINUOUS
Father Walker approaches Father Miller. Father Miller is sitting on the pier quietly fishing. By him is a bucket with at least six fish in it. Father Walker sits next to him and gets his rod ready.
FATHER LEONARD MILLER
(turning)
Morning, Eliza. How's the head?
FATHER JOHN WALKER
Fine. Why shouldn't it be?
FATHER LEONARD MILLER
You were acting very strange when you left the bar.
FATHER JOHN WALKER
Oh, yeah. Sorry about that.
FATHER LEONARD MILLER
Not to repeat myself, but we clergy have an image to maintain. We have to appear to be rational at ALL times.
FATHER JOHN WALKER
You're right. It was just the music. I love it too much for it NOT to affect me.
FATHER LEONARD MILLER
How did you sleep?
FATHER JOHN WALKER
Not well. I had a strange dream.
FATHER LEONARD MILLER
What kind of dream?
FATHER JOHN WALKER
I dreamed I was in my mother's womb again.
FATHER LEONARD MILLER
What?
FATHER JOHN WALKER
I felt it all. It was warm and I was surrounded by water. It was dark but light came in from somewhere. It had to be her belly button. And I heard voices and noises. They were muffled. It all felt so real.
FATHER LEONARD MILLER
Why did you dream that?
FATHER JOHN WALKER
Maybe I was tapping into my collective unconsciousness. Some psychologists say we can still remember.
FATHER LEONARD MILLER
I understand that. That's not what I mean. Why now?
FATHER JOHN WALKER
You got me on that one. How long have you been out?
FATHER LEONARD MILLER
A few hours. I watched the sunrise. You're right. It is beautiful out here. I felt God and Heaven. The only thing missing were the angels.
FATHER JOHN WALKER
Speaking about angels, I have something I've been waiting to tell you. I guess this is the best time. Before I start, I want you to know I am sober. Last night is gone. I am COMPLETELY rational.
FATHER LEONARD MILLER
Except for the baby part.
FATHER JOHN WALKER
Please, Leonard, this is serious. Hear me out. I'm going to ask you a question and I want an honest answer.
FATHER LEONARD MILLER
Ask?
FATHER JOHN WALKER
Do you believe in angels? The real kind from Heaven?
FATHER LEONARD MILLER
(thinking)
I guess not. I probably won't until I see it for myself.
FATHER JOHN WALKER
That's what I used to say, till I saw them. Remember I told you about the drive-by shooting and my rabbit?
FATHER LEONARD MILLER
Yes.
FATHER JOHN WALKER
There was a female child psychologist and the temp running the shelter since Mary left. They were both working on the case. They borrowed Horatio.
FATHER LEONARD MILLER
That rabbit again!
FATHER JOHN WALKER
You know how I like to work close with anyone that's helping. I did the same this time. I had them over for dinner to discuss the case. Over dinner I felt I recognized the man. All night I went through my life to find out where I'd seen him and ran a blank. It wasn't till I saw my soup bowl that it came to me. He worked the soup kitchen in San Diego. He introduced us.
FATHER LEONARD MILLER
Andrew? The man with the long hair in the net?
FATHER JOHN WALKER
That very one. Only this time his hair was short and he had glasses.
FATHER LEONARD MILLER
What's this to do with Angels?
FATHER JOHN WALKER
Something bothered me all night. You see, he hadn't aged. He looked the same. It was like talking to Dick Clark. Then he said he had been in Elizabeth the night of the car accident that killed Pat's parents. He was there on business. You saw the dates on the grave. That was over twenty years ago. It didn't make sense. The numbers didn't work.
FATHER LEONARD MILLER
You were always good with numbers.
FATHER JOHN WALKER
They don't lie. If he lived as long as I have, he SHOULD have aged. I have. I don't look the same as when we met. I know you don't. Why does he? Well, the next day I confronted him. This is going to sound crazy but I asked him WHAT he was. That's when he and the psychologist told me the truth. They were Angels.
FATHER LEONARD MILLER
And you believed them?
FATHER JOHN WALKER
Not at first. But then they both lit up. I saw God's light for the first time in my life. I was speechless.
FATHER LEONARD MILLER
That's a first.
FATHER JOHN WALKER
I felt like Moses by the burning bush. They told me they came to help the little girl and Horatio was part of the plan. THEY told me his real name.
FATHER LEONARD MILLER
I don't know what to say. I knew an Angel. Why didn't they tell me?
FATHER JOHN WALKER
You and I weren't supposed to know. They were just to do their job and leave. When I found that out, I asked them if they were going to zap me to forget, and they said they wanted me to tell the truth.
FATHER LEONARD MILLER
That's wonderful, John. You had a REAL visitation. What's the problem?
FATHER JOHN WALKER
I can't tell anyone. They'll lock me away. I'm at a loss. What do I do?
FATHER LEONARD MILLER
No one's suggesting you call the National Inquirer but you can't keep this a secret either.
FATHER JOHN WALKER
That's where I'm at.
FATHER LEONARD MILLER
Well, maybe we'll see Andrew again.
FATHER JOHN WALKER
You don't want to? He told me why he was in Elizabeth that weekend. He was sent to take Pat's parents home.
FATHER LEONARD MILLER
The Angel of Death?
FATHER JOHN WALKER
And that's why he was at the drive-by. He did the same with the girl's mother.
FATHER LEONARD MILLER
But why was he with us?
FATHER JOHN WALKER
It was my lifestyle. If I hadn't met you, I would have died. I wish I could tell others. You and Mama are the only people I can so far. That's because I trust you. You would never lie or hide anything from me.
Father Miller looks troubled.
FATHER JOHN WALKER
Something wrong, Leonard?
FATHER LEONARD MILLER
I have a problem, John. And I don't know what to do.
FATHER JOHN WALKER
What's the problem?
FATHER LEONARD MILLER
A parishioner told me a confidence and I have mixed feelings about it. It involves a third party who's a friend. They asked me to keep their secret. I don't know what to do.
FATHER JOHN WALKER
Let me ask you this. Does this confidence involve a felony or any legal action?
FATHER LEONARD MILLER
No, it's personal
FATHER JOHN WALKER
Well, that's a little better. Whether it's personal or not, our job description requires us to keep that secret. As you have made a point of telling me, we priests already have a bad rap. If we become stooges we would loose the few friends we have left. They would have no one they could trust. You must keep that secret. Does that make you feel better?
FATHER LEONARD MILLER
Yes, John, it does. You have made me feel good about my decision.
Father Walker looks at the fish.
FATHER LEONARD MILLER
My, you did do well. That's enough fish for a week. Let's make some now. I'm getting hungry.
FATHER JOHN WALKER
Don't you want to fish? You have that wonderful Loomis.
FATHER LEONARD MILLER
I won't catch anything. I just keep the rod because Pat gave it to me. It reminds me of her. Let's eat. I'll cook.
FATHER JOHN WALKER
You're on.
The two get up and go back to the cabin.
CUT TO:
SCENE THREE
INT. PAUL'S HOUSE. -- DAY
Paul and Mary enter. Mary looks around.
MARY ROBINSON-ROSSI
This place is big.
PAUL ROBINSON
I grew up here. I got it when my parents died.
(takes her hand)
Come with me. I have a surprise for you.
They go up the stairs. There are several rooms.
PAUL ROBINSON
This will be our room. There are three more bedrooms on the floor. I need to show you this one.
He takes her into an empty room. The only piece of furniture is a dresser. He pulls her inside.
PAUL ROBINSON
Lou and I finished painting this yesterday. The crib and playpen are coming tomorrow.
MARY ROBINSON-ROSSI
Is he putting it together?
PAUL ROBINSON
Shoot! I can do it in my sleep. I helped Sis. I figure we can do the rest. We need sheets, clothes, and toys. That will be totally us. Why are you so quiet?
MARY ROBINSON-ROSSI
I'm just tired. Being pregnant is no picnic.
PAUL ROBINSON
This was my room before I was given the one I have. It has special memories for me. Let's go downstairs. I'll show you the rest of the house; starting with my record collection. My Lydia Lane record is a collector's piece. I'd probably get a fortune for it on Ebay. It's a shame she disappeared.
MARY ROBINSON-ROSSI
She didn't disappear.
PAUL ROBINSON
I suppose you know her?
MARY ROBINSON-ROSSI
She's been serving as secretary at St. Gregory's for the past twenty years. She CHOSE to disappear.
PAUL ROBINSON
For real? Does she still sing?
MARY ROBINSON-ROSSI
I only heard her once. It was a birthday party. She doesn't do it publicly anymore.
PAUL ROBINSON
It's a small world. You hardly talk about St. Greg's. Aside from my sister-in-law Angela, I never heard of the place.
MARY ROBINSON-ROSSI
I left that behind me. My life is here.
PAUL ROBINSON
(taking her hands)
Yes, it is, with me and junior in this house. I'm sure you can get out of the lease. We'll talk to the landlord. Let's see the house now. You'll love the kitchen.
CUT TO:
SCENE FOUR
INT. RECTORY KITCHEN. -- DAY
Father Walker is in the kitchen. He is opening the fridge door and pulls out a bottle of pickles. He then opens the freezer. A box of ice cream stares him in the face. He pulls it out and grabs a bowl and scoops some out and puts it in the bowl. He starts to put the pickles back and stops. He looks around and pulls out one and dips it in the ice cream and puts it in his mouth and bites as MAMA - LYDIA LANE looks on in confusion. He puts the pickle down.
MAMA - LYDIA LANE
Is there something you haven't told me?
FATHER JOHN WALKER
I thought I was alone.
MAMA - LYDIA LANE
Do you always eat that?
FATHER JOHN WALKER
I just wanted to see what all the fuss was about. Pregnant women love this.
MAMA - LYDIA LANE
And you are pregnant?
FATHER JOHN WALKER
No!
MAMA - LYDIA LANE
Could have fooled me with all the weird dreams you've been having. I especially like the one about the womb. Is that combination any good?
FATHER JOHN WALKER
It's terrible. I'll throw it out.
MAMA - LYDIA LANE
Yes, please.
He takes one more look before he throws it out.
CUT TO:
SCENE FIVE
INT. PAUL'S KITCHEN. -- DAY
Mary sits in front of a bowl of ice cream and a pickle sticking out. She grabs the pickle and bites. Paul sits across from her. His face is green.
MARY ROBINSON - ROSSI
(biting)
What's wrong?
PAUL ROBINSON
Is that any good?
MARY ROBINSON - ROSSI
Yeah, want some?
PAUL ROBINSON
No thanks. How soon before you drop the baby?
MARY ROBINSON - ROSSI
A couple weeks. Why?
PAUL ROBINSON
I was just wondering when you'll be eating normal again.
(rising)
If you'll excuse me, I don't feel very well.
He leaves. She continues eating and enjoying it.
CUT TO:
SCENE SIX
INT. RECTORY STUDY. DELIVERY DAY.
Mama enters and finds Father Walker lying on the couch. She is surprised.
MAMA - LYDIA LANE
What are you doing here? Don't you have a baptism?
FATHER JOHN WALKER
I delayed it. I woke up feeling strange. If I have a bug, I don't want to give it to the baby.
MAMA - LYDIA LANE
Good idea.
(goes up to him)
What's wrong?
FATHER JOHN WALKER
I just feel off.
MAMA - LYDIA LANE
(checking forehead)
You don't have a fever?
FATHER JOHN WALKER
I just don't feel right. I haven't all day.
MAMA - LYDIA LANE
The cancer again?
FATHER JOHN WALKER
No, this is different. I think I need to get some rest in my room.
MAMA - LYDIA LANE
Good idea. I'll make you some tea.
She turns to go into the kitchen as he gets up. She hears a thud and turns. He is lying on the floor unconscious.
CUT TO:
SCENE SEVEN
INT. PAUL'S KITCHEN. DELIVERY DAY. -- CONTINUOUS
Paul and Mary are eating. She doesn't have an appetite.
PAUL ROBINSON
You okay?
MARY ROBINSON-ROSSI
I don't feel right.
PAUL ROBINSON
Is it the baby?
MARY ROBINSON-ROSSI
How should I know? This is my first. Woow! That wasn't normal.
PAUL ROBINSON
Is it time?
MARY ROBINSON-ROSSI
I guess so.
PAUL ROBINSON
That can't be. You're not due for a week.
MARY ROBINSON-ROSSI
Babies come when they want too. Wow! We better get to the hospital. My water just broke.
CUT TO:
SCENE EIGHT
INT. DELIVERY ROOM. DELIVERY DAY. -- CONTINUOUS
Mary is in bed with Paul at her side. The doctor and nurse are getting prepared. Paul holds her hand.
PAUL ROBINSON
How do you feel?
MARY ROBINSON-ROSSI
Like my insides are being ripped apart. Your sister had five?
PAUL ROBINSON
Six. She's due any day now.
MARY ROBINSON-ROSSI
If you say the word DROP one more time I'll kill you. Woow! That one hurt.
FEMALE DOCTOR
Very soon, Mrs. Robinson. It's time to use your training.
PAUL ROBINSON
How soon?
FEMALE DOCTOR
Not very long.
(sits in front of her)
Now, Mary, I want you to start pushing with the next contraction. Your little boy wants to come out.
PAUL ROBINSON
I can't wait.
MARY ROBINSON-ROSSI
Then you have him. OW!
FEMALE DOCTOR
Start pushing.
PAUL ROBINSON
Should she be breathing?
FEMALE DOCTOR
That would help. Now push.
CUT TO:
SCENE NINE
INT. RECTORY STUDY. DELIVERY DAY. -- CONTINUOUS
Mama runs to Father Walker and tries to lift him but can't. She goes to the phone and dials.
MAMA - LYDIA LANE
Sister Angela? I need your help now. Father's ill.
She hangs up. A few moments later SISTER ANGELA runs in.
SISTER ANGELA
What happened?
MAMA - LYDIA LANE
He's collapsed. I need to get him off the floor.
The two go to him.
SISTER ANGELA
Where do you want him?
MAMA - LYDIA LANE
The bedroom.
The two look at the distance and shake their head. The couch is much closer.
SISTER ANGELA
Let's try the couch. I'll take his head. You take his feet.
MAMA - LYDIA LANE
I'll take his head.
SISTER ANGELA
No you won't. I'm younger than you and he's no lightweight.
She puts her hands under his elbows.
SISTER ANGELA
I'll pull, you push.
They start to move him.
SISTER ANGELA
When did this start?
MAMA - LYDIA LANE
A few weeks ago. He started eating strange things and this morning he didn't feel right.
SISTER ANGELA
I'll put him on the couch and you drag his legs. What was he eating?
MAMA - LYDIA LANE
Pickles and ice cream.
SISTER ANGELA
You didn't tell me he was pregnant?
MAMA - LYDIA LANE
(putting legs on couch)
Sister, please, be realistic. You watch him. I'll get a wet towel and be back.
CUT TO:
SCENE TEN
INT. DELIVERY ROOM. DELIVERY DAY. -- CONTINUOUS
The action has accelerated. Mary is about to deliver. She is sweating. Paul holds her hand. The doctor is ready.
FEMALE DOCTOR
Okay, Mary, time to let him go. He's almost here. You should have another contraction, real soon now.
MARY ROBINSON-ROSSI
I feel it.
FEMALE DOCTOR
God, now push. This should be it. Push.
MARY ROBINSON-ROSSI
I am pushing!
FEMALE DOCTOR
A little more. I see his head.
PAUL ROBINSON
Go ahead, honey. You're almost there. Sis did it.
MARY ROBINSON-ROSSI
I am tired of hearing about your sister! OW!
FEMALE DOCTOR
Push, Mary. The head's almost out.
She does.
FEMALE DOCTOR
I got him. You have a son. Nurse, I need you.
She puts the baby in a blanket.
FEMALE DOCTOR
We'll clean him up and give him to you. Just give us a minute.
MARY ROBINSON-ROSSI
How does he look?
FEMALE DOCTOR
Perfect.
Paul smiles at Mary.
PAUL ROBINSON
I told you I'd be here.
Mary is crying.
CUT TO:
SCENE ELEVEN
INT. RECTORY STUDY. DELIVERY DAY. -- CONTINUOUS
Father Walker is still on the couch. Sister Angela waits. He wakes up and opens up his eyes. He is confused.
FATHER JOHN WALKER
Sister Angela?
SISTER ANGELA
Father?
FATHER JOHN WALKER
What am I doing here?
SISTER ANGELA
You fainted.
FATHER JOHN WALKER
I what? No way.
He tries to get up but she puts his head down.
SISTER ANGELA
No way, Father.
Mama comes back with a wet towel.
MAMA - LYDIA LANE
He's awake?
SISTER ANGELA
He just woke up.
MAMA - LYDIA LANE
What happened, John?
FATHER JOHN WALKER
You tell me. Last thing I remember I was going to my room. Sister tells me I fainted.
MAMA - LYDIA LANE
You sure did.
FATHER JOHN WALKER
That's silly. I've never fainted in my life.
MAMA - LYDIA LANE
Well, you have now. What were you feeling before the lights went out?
FATHER JOHN WALKER
Like I was being pulled and being beat up from the outside.
MAMA - LYDIA LANE
How's the head?
FATHER JOHN WALKER
Much clearer. My body just hurts. I've never felt this way.
MAMA - LYDIA LANE
And that's why you're going to see the doc tomorrow. You're not going near anyone professionally until you do.
FATHER JOHN WALKER
I won't argue with you there.
SISTER ANGELA
Maybe you wouldn't pass out if you ate normal food?
FATHER JOHN WALKER
What does that mean?
SISTER ANGELA
I know about the pickles and ice cream.
CUT TO:
SCENE TWELVE
INT. DELIVERY ROOM. DELIVERY DAY. -- CONTINUOUS
The nurse give Mary the BABY.
NURSE
Here he is. He's beautiful.
PAUL ROBINSON
You can say that again.
(looks at Mary)
Our son is here.
(to baby)
Say hi to mommy.
(to Mary)
You did it, honey.
MARY ROBINSON-ROSSI
We did it.
She is crying but not for joy. She is thinking about Father Walker not Paul. The nurse comes back.
NURSE
We need to take care of mom and baby. Can you give us some time?
PAUL ROBINSON
Of course.
(kisses Mary)
See you in a few minutes.
He leaves. Mary looks at the baby and kisses him. He looks up at her with big green eyes, John's eyes.
CUT TO:
SCENE THIRTEEN
INT. RECTORY STUDY. DELIVERY DAY. -- CONTINUOUS
Father Walker is still on the couch with the two women attending.
MAMA - LYDIA LANE
You feel like you can go to your room now?
FATHER JOHN WALKER
Yes, actually. My head is very clear.
(touches back of head)
I feel a lump. I must have hit it when I fell. But that's all I feel.
MAMA - LYDIA LANE
What about the rest of you?
FATHER JOHN WALKER
(sitting up)
Much better now. That was really strange. Nothing like having the crap beat out of you from the outside.
(looks at Sister)
Sorry, sister. Sometimes I forget myself.
SISTER ANGELA
That's nothing. You should hear my brother Lou. He could say things that would make the devil blush. Do you need me anymore, Miss Lane?
MAMA - LYDIA LANE
There's some Gatorade in the fridge. Could you bring me a glass?
SISTER ANGELA
Yes, ma'am.
Sister Angela leaves.
MAMA - LYDIA LANE
You need to see the doc.
FATHER JOHN WALKER
But I feel much better.
MAMA - LYDIA LANE
You still fainted. You need lab work.
FATHER JOHN WALKER
Yes, Dr. Lane.
Sister Angela comes back with the drink. Father Walker drinks it and gives her back the glass.
FATHER JOHN WALKER
Thank you, Sister. I'm ready to go now.
He stands and leans on Mama and they start walking to his room. Mama turns to Sister Angela.
MAMA - LYDIA LANE
Could you stay? I'll be right out.
Mama goes inside with Father Walker. Sister Angela can hear them.
MAMA - LYDIA LANE
You get into your nightclothes. I'll be back with some tea.
FATHER JOHN WALKER
That will be nice. Thank Sister for me.
MAMA - LYDIA LANE
I will. You get ready.
Mama comes back out and goes to Sister Angela.
MAMA - LYDIA LANE
Thank you, Sister.
SISTER ANGELA
I hope the doctor finds out what's wrong?
MAMA - LYDIA LANE
I'm sure he will.
SISTER ANGELA
The same thing happened to my brother Lou and the doctor found nothing. He had strange dreams, ate strange things and also passed out.
MAMA - LYDIA LANE
What did the doctor say?
SISTER ANGELA
He was having sympathy pains. He and his wife were having their first baby. He was CONVINCED he was pregnant. He doesn't do that anymore. The sixth one is about to drop out any day now.
MAMA - LYDIA LANE
Drop?
(giving Sister dirty look)
Thank you for your evaluation. I'll be calling you if I need you.
Sister Angela leaves.
MAMA - LYDIA LANE
Pregnant, my ass. I'll be back with the tea, John.
CUT TO:
SCENE FOURTEEN
INT. HOSPITAL ROOM. DAY. -- CONTINUOUS
Mary is resting when Paul enters. She is cleaned up. He sits by her and takes her hand.
PAUL ROBINSON
How do you feel?
MARY ROBINSON-ROSSI
Like I've been mugged from the inside.
PAUL ROBINSON
You look better.
MARY ROBINSON-ROSSI
I'm just glad it's over.
PAUL ROBINSON
So am I. Maybe now we can start eating normal again. Course, we'll be loosing sleep.
MARY ROBINSON-ROSSI
Don't tell me. Your sister told you she lost sleep.
PAUL ROBINSON
How did you guess?
MARY ROBINSON-ROSSI
Because she's supermom. That's pretty good for someone who's four-eleven and only weighs 100 pounds. She's not a mom. She's a baby factory.
PAUL ROBINSON
You'll have her beat. I can feel it. You'll be a VERY good mom. I'm a good judge of character. So, mom, what will you call him?
The nurse comes in with the baby.
NURSE
Your son is cleaned up and ready to meet his parents.
She hands Paul the baby. The baby opens his eyes.
PAUL ROBINSON
He has green eyes.
NURSE
Some babies have blue. They become brown or black within days. But not this one. He's staying green. I can tell. I'll leave you alone.
She leaves.
PAUL ROBINSON
So, what will you call him?
MARY ROBINSON-ROSSI
John Paul Robinson. He should have his father's name.
PAUL ROBINSON
(kissing her forehead)
Thank you. I love you.
She feigns a smile at Paul. She has made her life choice. This will be her REAL family. She doesn't love him but she will try.
MARY ROBINSON-ROSSI
(lying)
I love you.
CUT TO:
SCENE FIFTEEN
INT. RECTORY STUDY. DAY.
Father Walker sits by his computer. He opens the drawer and pulls out Mary's picture, looks at it and puts it back as Mama enters. She sees him and says nothing.
MAMA - LYDIA LANE
What did the doctor say?
FATHER JOHN WALKER
Nothing. He couldn't find out why? All he found was the lump on my head.
MAMA - LYDIA LANE
No bloodwork?
FATHER JOHN WALKER
Nothing in the bloodwork. He gave me some pills for dizziness and sent me home. I'll be fine, Mama. It was just a passing bug.
MAMA - LYDIA LANE
Then I'll redo your appointments. I saw you looking at Mary's picture again.
FATHER JOHN WALKER
I do every once in awhile.
MAMA - LYDIA LANE
Are you over her?
FATHER JOHN WALKER
Yes I am over her. But I still love her. I just think it's time we both moved on. I have. I'm gonna hit the gym.
He turns off the computer and leaves. Mama goes to his appointment book.
FADE OUT: