CSI: Crime Scene
Investigation
Written by: (name not disclosed)
Created by:
Anthony E. Zuiker
Producer: Jerry Bruckheimer
Summary: The team
investigates the murder of an eleven-year-old girl. New evidence
later reveals that the girl's mother and father fought around their
household, making the girl very insecure and emotionally scarred. The
case gets very emotional for Sara.
Episode: Insecure
EXT.-
Nighttime- Las Vegas
(Sky view. Shows a house in the country.
Yelling is heard in the background.)
CUT TO:
INT.-
Nighttime- House
OLIVIA JOHNSON: I told you! Just shut the hell
up, you fat bastard!
JASON JOHNSON: No! You should leave me the
hell alone, you bitch!
(Indistinct yelling)
CUT TO:
INT.-
Nighttime- House
JANIE JOHNSON: (stands in her room with her door
cracked open a little, watching.)
CUT TO:
EXT.- Early
Morning- Front of Johnson's House
(Police sirens are heard in
the distance)
BRASS: Vic's name was Janie Johnson.
GRISSOM:
(standing by BRASS) She was so young. Where're the parents?
BRASS:
Over there.
(BRASS points to the parents, standing next to each
other.)
CUT TO:
EXT.- Early Morning- Front of Johnson's
House
(A car drives up to the scene and parks in front of the
house. SARA walks out from the car.)
SARA: What'd we
got?
GRISSOM: 11-year-old girl. Murdered.
BRASS: -In front of
her house. While her parents were home.
SARA: Sounds
fishy.
GRISSOM: Exactly.
END OF TEASER
OPENING
CREDITS
COMMERCIAL SET
EXT.- Early Morning- Front of
Johnson's House
(They all gather evidence)
GRISSOM:
Sara?
SARA: Yeah?
GRISSOM: Go to the autopsy. They're taking
the body now.
SARA: Right.
(SARA leaves)
CUT TO:
INT.-
Early Morning- CSI Lab
ROBBINS: Well, there was definitely a
struggle- bruises and defensive wounds on her arms and wrists.
SARA:
Makes sense. COD?
ROBBINS: COD was a swift blow to the head.
SARA: There was no weapon recovered at the crime scene.
ROBBINS:
No weapon was used.
SARA: What do you mean?
ROBBINS: She was
beaten to death.
(Camera holds on SARA)
ROBBINS: She was beaten
post-mortem.
SARA: Killer wouldn't stop- sounds personal.
CUT
TO:
EXT.- Early Morning- Crime Scene
GRISSOM: Finish
questioning the parents? (To BRASS)
BRASS: They're not
talking.
GRISSOM: Are they in shock…or are they trying to
protect themselves?
CUT TO:
INT.- CSI Lab- Later
Morning
(Sara's looking at pictures from the autopsy)
SARA:
No weapon marks…it was all bare hands…
CUT TO:
(JANIE JOHNSON BEING BEATEN)
END OF FLASHBACK
RESUME
(Sara
sighs, thinking about something else. NICK enters.)
NICK: Grissom
found footprints at the crime scene. It seems they were a match to
the Vic and her parent's. They were far apart, as if they were
chasing her.
SARA: Son of a bitch.
(SARA exits)
NICK:
Sara?
FADE OUT
COMMERCIAL SET
INT.- CSI Lab-
Day
(GRISSOM'S walking through the lab. He spots CATHERINE and
walks up to her.)
GRISSOM: Where's Sara?
CATHERINE: Uh, Nick
said she just left.
GRISSOM: She just left?
CATHERINE: Yeah, I
know, sounds weird.
(GRISSOM thinks for a minute.)
CATHERINE:
Oh, Greg tested the blood on the parent's hands, came back a match
to the Vic's.
(Camera holds on GRISSOM)
CUT TO:
INT.-
Sara's Apartment- Bedroom- Afternoon
(SARA is sitting on her bed
in the dark. Tears are running down her face.)
SARA: (quietly) She
was running…
CUT TO:
EXT.- Nighttime- Front of Johnson's
House
(JANIE, running and being followed.)
END OF
FLASHBACK
RESUME
(SARA'S phone rings; the answering
machine picks up.)
GRISSOM: (over phone) Sara, if you can hear me,
the blood on the parent's hands was a match to the Vic's. (sighs)
Thought you'd want to know. (hangs up)
(SARA looks around and
dries her eyes again.)
CUT TO:
INT.- Interrogation Room-
Late Afternoon
(BRASS is sitting with JASON and OLIVIA
JOHNSON)
BRASS: Admit it, you both killed your daughter.
(Both
are silent for a long moment.)
(SARA comes in and sits down. BRASS
watches her.)
SARA: You can choose to deny it all you want, but
you killed her. And by god, I'm going to do a damn good job to make
sure you both get convicted.
JASON: She was a bitch.
OLIVIA: We
hated her.
SARA: You two are the bitches.
(Long silence)
SARA:
Arrest them.
(SARA leaves. BRASS watches her and then leaves with
her. An officer arrests OLIVIA and JASON JOHNSON.)
CUT TO:
INT.-
Late Afternoon- CSI Lab- Hallway
(BRASS stops SARA)
BRASS: What
the hell was that about?
SARA: Nothing.
BRASS: Nothing?
SARA:
That's right, you heard me.
BRASS: Have you been
drinking?
SARA: No, I can't believe you would ask me that. I
need to be alone, all right?
(SARA walks away)
BRASS: (calls
back to her) Just take care of yourself!
(Camera holds on SARA
leaving until she goes out of frame.)
FADE OUT
COMMERCIAL
SET
INT.- Evening- CSI Lab
(WARRICK, CATHERINE, NICK, and
GRISSOM are sitting in the break room)
WARRICK: I haven't seen
Sara today, what happened to her?
NICK: Not sure.
CATHERINE:
She's been acting strange.
GRISSOM: Strange?
(GRISSOM stares
at all of them)
GRISSOM: Your assumptions aren't always correct.
Maybe this is normal for her.
CATHERINE: I doubt it…
NICK:
Maybe Grissom's right, maybe this is normal.
(BRASS
enters)
BRASS: Oh, this isn't normal. She just bitch-slapped the
Vic's parents about an hour ago.
CATHERINE: Did you just say
'bitch-slapped?'
(BRASS shrugs)
NICK: Sounds like typical
Sara.
WARRICK: Why did she do it?
GRISSOM: Nobody knows…
CUT
TO:
INT.- Evening- Sara's Apartment- Kitchen
(The lights
are off in SARA'S house. Her phone rings. The answering machine
picks up.)
BRASS: (over answering machine) Sara, the parents are
going to be released tonight. We have no proof for a conviction.
(Hangs up)
(SARA sighs. She opens a beer and starts
drinking.)
CUT TO:
INT.- Evening- CSI Lab- Break
Room
CATHERINE: You call Sara? (To BRASS)
BRASS: Yeah, she
didn't pick up.
NICK: She's probably home.
WARRICK: Maybe
we should just give her some space, guys.
GRISSOM: Maybe…
WARRICK:
What do you mean?
GRISSOM: (blinks) Oh, nothing. I'll see you
guys later.
(GRISSOM exits)
CUT TO:
INT.- Late Evening-
Sara's Apartment- Kitchen
(SARA drops a beer bottle on the floor
and it shatters. She walks around, woozy from drinking, and gets into
her car. She starts it up and pulls out of the parking lot.)
CUT
TO:
(GRISSOM, at SARA'S apartment, seeing she's left. He
goes the way she went.)
CUT TO:
(SARA, her vision getting a
bit blurry, and she's swerving between lanes on the highway.)
CUT
TO:
GRISSOM
(Continues following her.)
CUT
TO:
SARA
(Closes her eyes, and starts going off the
road.)
CUT TO:
GRISSOM
(Sees this and drives faster
over to her.)
CUT TO:
SARA
(Car goes through the
concrete wall blocking the river, and goes over into the water.
CUT
TO:
GRISSOM
(Runs out of car and jumps into the river. He
looks to see SARA inside of the car, eyes closed, still buckled.
GRISSOM opens a side door and gets inside and unbuckles her and swims
to the surface. The car sinks.)
GRISSOM: (holding SARA, gets to
the surface gasping for breath.)
(By now, cars have stopped and
have seen the whole thing.)
GRISSOM: Call an ambulance!
CUT
TO:
INT.- Nighttime- Hospital
(GRISSOM sits in the waiting
room with his head down. A doctor walks up to him.)
DOCTOR: Mr.
Grissom?
GRISSOM: (standing up) Yes?
DOCTOR: Come with
me.
(GRISSOM follows the DOCTOR into a room set aside from all the
others.)
DOCTOR: Have a seat, Mr. Grissom.
(GRISSOM sits down
in one of the chairs, as does the DOCTOR)
DOCTOR: (sighs) Mr.
Grissom…we have determined from a blood test…that Ms. Sidle had a
large dose of alcohol in her system.
GRISSOM: So she was driving
intoxicated?
DOCTOR: Yes…she had a very dangerous amount of
alcohol in her system…she must've passed out.
GRISSOM: I
see…
DOCTOR: Mr. Grissom, did Ms. Sidle have a history of
drinking and driving?
(Camera holds on GRISSOM)
FADE
OUT
COMMERCIAL SET
INT.- Nighttime- Hospital(WARRICK,
NICK, CATHERINE, BRASS, and GRISSOM are standing outside SARA'S
room.)
WARRICK: (sighs) I can't believe it.
NICK: I mean,
Sara of all people…
CATHERINE: I never would've guessed.
GRISSOM: (frustrated) That's enough, guys.
(The DOCTOR comes
out of her room.)
DOCTOR: She's awake now; you can talk to
her.
GRISSOM: Thank you.
(WARRICK, CATHERINE, GRISSOM, and NICK
enter her room.)
WARRICK: Hey.
SARA: (dryly) Hey…
CATHERINE:
We heard about what happened.
SARA: The whole story?
NICK: The
whole story.
GRISSOM: Sara, why did you do it?
(SARA
sighs)
SARA: I don't know. I was angry and sad. I had a few
drinks and then thought I'd go back to the lab.
GRISSOM: You
drove intoxicated.
CATHERINE: You understand that, don't
you?
SARA: Of course I do, I don't need everyone telling me all
the time.
NICK: Sara…
SARA: Don't lecture me- I don't
need it right now.
WARRICK: (sighs and leaves) Just take care of
yourself.
(Everyone leaves, but BRASS finally enters the
room)
BRASS: Hey, kid.
SARA: Please, don't start.
BRASS: I
told you to take care of yourself.
SARA: I know.
BRASS: And
then I get a call from Grissom saying you went off the side of the
road in your car while driving drunk, and falling into the river. He
had to get into your car and unbuckle you, then swim to the
surface.
SARA: I know…
BRASS: And that's it? 'I know'?
That's all you have to say?
SARA: I made a mistake, all right? I
understand…
(SARA gets up)
SARA: I'm leaving.
BRASS: Not
until the hospital says you can.
SARA: I'm fine.
BRASS: You
had a dangerous amount of alcohol in your system.
SARA: (sighs and
sits back down) Please, just leave.
(BRASS leaves)
(Camera
holds on SARA)
FADE OUT
COMMERCIAL SET
FADE IN
INT.-
MORNING- BREAK ROOM
(GRISSOM is sitting in the break room with
CATHERINE, WARRICK, and NICK.)
GRISSOM: What do we have so
far?
CATHERINE: Well, aside from the match to the blood on the
parent's hands, nothing.
NICK: Great, so we're at a dead
end.
WARRICK: We're right where we were from the
beginning.
(They all stop talking as they realize who walks in
next. It's SARA. She has a wide grin on her face and she comes in
and gets some coffee.)
SARA: (noticing them staring at her)
Hey.
CATHERINE: (blinks) Uh, hey.
NICK: How's it going?
SARA:
Good…
WARRICK: How're you feeling?
SARA: Fine.
(They all
continue to stare at her. It is silent for a long moment before SARA
breaks the silence.)
SARA: Uh, see ya guys.
(SARA leaves.)
CUT
TO
INT.- LOCKEROOM-MORNING
(Sara's searching through her
things and pops a mint in her mouth when BRASS walks up to
her.)
BRASS: Hey.
SARA: (without looking at him) Hey.
BRASS:
How're you feeling?
SARA: Fine. Why's everyone asking me
that?
BRASS: We're just concerned.
SARA: I'm fine.
BRASS:
Sure. See ya around.
(BRASS exits and SARA sighs before slamming
her locker.)
CUT TO
INT.- MORNING- CSI LAB
GRISSOM: So,
the little girl was beaten to death. There was no weapon recovered at
the crime scene. Girl's blood on the parent's hands, no sign of
forced entry. It's obvious.
CATHERINE: So, you agree that the
parents did kill the little girl.
GRISSOM: The evidence says so.
The footprints belong to the little girl and her parents.
WARRICK:
Saying that no one else was in or out of that house except
them.
NICK: And they were running.
GRISSOM: Do we have a
motive?
CATHERINE: Not exactly, but the facts support their
actions. Parents fought a lot.
NICK: So the kid was exposed to
violence.
WARRICK: Damn, that's gotta screw up a kid.
GRISSOM:
Yes…but again, why did they kill her?
(SARA enters. She's been
listening the whole time.)
SARA: Maybe they didn't need one.
They were angry and they saw their kid- they could release their
anger.
(SARA leaves and they all think about this.)
FADE
OUT
COMMERCIAL SET
FADE IN
INT.- INTERROGATION ROOM-
AFTERNOON
BRASS: No signs of forced entry at the scene, blood on
both your hands; your footprints at the scene…that points to you
two for the murder of your own daughter.
(Both parents are sitting
together and are silent for a long moment.)
JASON JOHNSON: We
fight a lot.
OLIVIA JOHNSON: Over everything. We never got
along.
BRASS: Yeah, we could tell that much from watching you two
together.
OLIVIA: We were fighting that night…
CUT
TO:
(Indistinct yelling; JASON and OLIVIA'S voices.)
RESUME
TOJASON: We saw Janie watching us…
OLIVIA: We hated our
daughter.
JASON: More than we hated each other.
BRASS: So you
killed her.
JASON: Damn right we did!
OLIVIA: It was either
kill her or kill each other.
JASON: We were angry and we wanted to
release that anger.
OLIVIA: So…the rest has already been
explained.
JASON: (sighs) We never wanted a kid…
BRASS: You
know that's 25 to life for murder.
OLIVIA: …She never
appreciated us…
(SARA is watching from the other room and she
quickly comes in the room.)
SARA: You know what? I don't believe
this. You killed her and now you're trying to make it sound like you were the victim here? You say she never appreciated you. I bet
she hated you most of the time. You made her life a living hell; she
had no social life, no friends, not even a pet. So you know what?
Don't you feel sorry for yourself, because the real victim here was
Janie.
OLIVIA: What the hell do you know about the life of my
daughter? You never knew her.
SARA: Oh yeah? I used to be
her.
(Long pause.)
BRASS: Officer, arrest them.
(A nearby
officer arrests them and SARA walks out quickly. BRASS watches
her.)
CUT TO
INT.- BREAK ROOM- EVENING
(SARA is sitting
in the break room by herself, staring at what's in front of her.
She doesn't blink. GRISSOM is walking by and sees her and stops. He
walks in.)
GRISSOM: Hey.
SARA: (sighs) Hey…
GRISSOM: Uh,
Brass told me about what happened…
SARA: Oh…
GRISSOM: Yeah,
I heard the whole thing…
SARA: Well, I should get going…I-I
need to be alone for a while…
GRISSOM: Okay.
(SARA leaves and
GRISSOM watches her.)
CUT TO
INT.- RESTERAUNT-
NIGHTTIME
(CATHERINE, NICK, WARRICK, AND GRISSOM are all sitting
at a table eating.)
CATHERINE: So, good job on the case,
guys.
NICK: Nah, it was easy. The blood and footprints gave it all
away.
WARRICK: So, uh Grissom, where's Sara?
GRISSOM: She
said she needed to be alone.
CATHERINE: Is she all right?
GRISSOM:
(sighs) I'm not so sure.
NICK: Hmm…
WARRICK: She's
probably fine.
GRISSOM: Brass told me she's been acting a
little…odd lately…
CATHERINE: How so?
GRISSOM: For
instance- what she said this afternoon in the interrogation
room?
CATHERINE: What?
CUT TO
INT.- SARA'S APARTMENT-
NIGHTTIME
(One light is on in SARA'S apartment. She sighs as she
looks at some items in a cardboard box and wipes some tears from her
eyes. One item, an old ripped teddy bear catches her eye. She picks
it up and brushes some dust off of it and looks at it closer. A tear
runs down her face as she hugs the bear tightly.)
CUT TO
INT.-
GRISSOM'S HOME- NIGHTTIME
(GRISSOM comes in and sighs as he
removes his jacket and sets his keys on the counter of his kitchen.
He goes to his bedroom and sits down on his bed, thinking.)
CUT
TO
SARA
(SARA is now on her computer pulling up some
information on the case against her mother. When she finishes, she
shuts down her computer and lies on her bed, staring at the ceiling.
She sighs before she turns off the light on the nightstand next to
her.)
(Camera holds on SARA.)
FADE TO BLACK
