Lazy Afternoon – Regina Belle
Download the song before the end is posted. Trust me. It's important.
A
little background on this song: It's actually from an opera, the
Golden Apple. I'm not a HUGE fan of operas,
but I do tolerate them.
I would recommend this one, though, because it is more musical than
opera. The only
reason that it's even classified as opera is
because the whole show, for the most part, is sung. There MIGHT
be
one spoken line. Anyway, the opera is about Helen of Troy and all of
her exploits. I was told that if you watch
Troy the movie, you'll
get the gist of the opera. I played in the pit for this show at the
University that I go to, so I
didn't understand most of it because
I was juggling instruments. (clar, tenor saxe, and bass clar.) One of
the vocal
profs had to explain it to me. Anyway, it's a good opera
and I absolutely fell in love with this song. In the show
version,
there's this awesome English Horn solo with the melody. It's the
perfect tone color for it. Anyway, Enjoy.
P.S. If you like the little background of the song, let me know. I'll start doing it for all of them.
EXT.
MEREDITH'S HOUSE
Ripley
lays in a lawn chair wearing a bikini, an Ipod and a big pair of
black sunglasses. Ripley hears crunching noises over
her music that
gets closer and closer until it stops right beside her. Ripley opens
one eye and lets the figure focus into view.
MEREDITH
(V.O.)
There are some days where we
really don't want to be around people.
But people tend to have a
sixth sense. Because they seem to pop up at
the worst possible
moments.
RIPLEY
It's
my day off. Go away.
DEREK
Don't you go to the children's
center on your day off?
RIPLEY
Only on Wednesdays.
DEREK
Not weekends?
RIPLEY
No. I have chronic fatigue
syndrome. I sleep on weekends. All weekends.
DEREK
Seriously… Chronic fatigue
syndrome? How were you diagnosed with that?
RIPLEY
Seriously. I'm talking in my
sleep right now. It was a long and painful process.
Not really
painful. But it was a long process that included me being diagnosed
with TMJ and carpal tunnel. My doctor just connected the dots after I
had a
blood test for mono. Now, go away.
Derek stands there for a moment.
DEREK
You're
tanning? In October?
Ripley pulls off her sunglasses and looks at Derek.
RIPLEY
It's sunny out. Does it matter
what time of year it is? What? What? What do you
want?
DEREK
Can I talk to you?
RIPLEY
Derek. I'm your psychologist.
DEREK
The first thing you said to me
was that you didn't like me. That's unethical.
RIPLEY
It wasn't that I didn't like
you, I didn't like this so called McDreamy that
broke Meredith's
heart. To me, you weren't that person.
DEREK
Ripley…
RIPLEY
It is my day off. Go make an
appointment with my secretary.
Ripley puts her sunglasses back on.
RIPLEY
(grumbling)
It is my day off. Mine. I do not
treat people on my day off.
When I'm in my bikini. On a lazy
afternoon.
Derek
finally gets the hint and walks away. Ripley relaxes back into the
chair and closes her eyes when she hears something
being dragged and
more crunching. The noises stop, then there is the sound of squeaking
metal and more crunching like
someone is pushing something into the
ground.
Ripley yanks her earphones out of her ears and looks at Izzy, who is now sitting in a metal chair next to her.
RIPLEY
What
what what? It's my day off!
IZZY
You live in a house full of
people. There is no alone time.
Izzy settles down in the chair next to Ripley.
RIPLEY
I
don't live here!
IZZY
But
you're staying here.
RIPLEY
I can't move into my new house
until next week!
Meredith drags another lawn chair and places it on the other side of Ripley.
RIPLEY
Meredith!
What are you doing here?
MEREDITH
It's
my day off.
RIPLEY
Didn't
you just have a day off?
MEREDITH
You
can only work so many days before they send you home.
George comes out of the house.
GEORGE
What
are you guys doing out here?
RIPLEY
DON'T YOU PEOPLE WORK? THIS IS
MY DAY OFF!
DON'T YOU HAVE LIVES TO SAVE?
MEREDITH
Even people who save lives need a
day off.
RIPLEY
AHHHHHHHHHHH!
Ripley
picks up her lawn chair and slams it shut, stomping through the
grass, to the
door, yanking it open and slamming it closed.
RIPLEY
I'M
NOT MOVING OUT SOON ENOUGH.
IZZY
What's
her problem?
MEREDITH
I
don't know. But this was a good idea.
IZZY
We
should keep her around longer.
MEREDITH
We
should have a Halloween party next week.
IZZY
What happened to the
anti-holidays Meredith that we know and love?
MEREDITH
Halloween stopped being family
oriented long ago.
IZZY
Costume party.
MEREDITH
Definitely.
INT.
RIPLEY'S OFFICE
Ripley
grumbles something irritated and incoherent about the people that
she's staying with.
Robin's voice comes over the intercom.
ROBIN
Dr.
Buffet?
RIPLEY
I'm
not here, Robin.
ROBIN
I know. But Dr. Bailey is here.
She can't come to her normal session.
RIPLEY (sighs)
Send her on in.
Bailey walks into the room looking irritated.
RIPLEY
You've done your best to avoid
me, Dr. Bailey.
BAILEY
You've got to be kidding me. I
don't need a shrink. And you're an
expensive shrink. But I'll
talk to you, cause it is not coming out of
my pocket.
Ripley grabs her tape recorder and stands up from behind her desk. Ripley wears a pair of short jean shorts and a tank top and no shoes.
RIPLEY
Sorry about the attire. This was
the only place I could be alone.
And it's my day off.
BAILEY
Whatever.
RIPLEY
So, Dr. Bailey. Tell me about
your childhood.
BAILEY
I had a normal childhood. Mom and
Dad. One sister. The two of us fought all the time,
like sisters do.
My sister died when I was 17. From cancer. Her doctor didn't remove
enough. That's why I became a doctor. Particularly a surgeon. To
make sure that I
could do more than that doctor did.
RIPLEY
Were you close to your sister?
BAILEY
She was my best friend.
RIPLEY
What was her name?
INT.
BURKTINA'S APARTMENT
Christina
gets ready to go to the hospital. Malaina watches Christina from the
couch.
MALAINA
Where
are you going Christina, darling?
CHRISTINA
The
hospital. I have to work today.
MALAINA
Don't you think you should stay
here? With me and Preston?
CHRISTINA
Actually, I'm the only one of
Bailey's interns that is going in
this morning. So, I have to go. I
have no choice.
MALAINA
You always have a choice.
CHRISTINA
Not with Bailey, you don't.
MALAINA
You're boyfriend got shot.
CHRISTINA
And I have done my best.
MALAINA
It's not good enough.
CHRISTINA
No you didn't.
Preston
walks into the living room from the bedroom. He sees Christina fuming
and his mother
looking pointed.
PRESTON
What's
going on here?
Christina points at his mother.
CHRISTINA
She… She just told me that I
wasn't doing enough for you. I'm sorry, Mrs.
Burke if that's
how you feel. Yes, my boyfriend got shot. Yes, I fought with
myself
on whether to run away from the situation or not. But I didn't run.
Christina
takes a step closer to the couch where Malaina sits, Christina's
hands clenching and unclenching
at her sides.
CHRISTINA
I stayed and I did the absolute
best I was capable of. On top of all of that, one
of my friends just
lost her fiancé. And she is devastated. Devastated. And I've
seen her maybe twice since it happened.
Christina takes another step forward.
CHRISTINA
I have been neglecting my work.
Which, as an intern, you cannot do if you want to
get glowing
recommendations from the Attendings.
Christina takes another step forward and points a finger in Malaina's face.
CHRISTINA
I went to work with the flu AND
after I lost a baby. I've missed several days of work
helping out
around here. I cannot afford to miss anymore. I don't want to miss
anymore.
Now, if you'll excuse me, I need to go cut something open.
I need a kick ass surgery.
Christina walks to the door, opens it, then slams it shut.
CHRISTINA
(through the door)
Don't
page me. I won't answer.
MELAINA
Preston. Really. Is she the best
you could do?
PRESTON
Mom, She graduated from the top
of her class at Stanford. She's one of the best interns there
is.
MALAINA
I'm not saying that she's
isn't smart, or talented. She's just…
PRESTON
Mom, it is not your decision who
I date. I love her. That is all you should need to know.
MALAINA
But Preston.
PRESTON
No, buts mother. Now, can you
make some of your world famous apple pie?
MALAINA
You always did know how to get on
my good side. Anything for you, baby.
Malaina jumps up and starts making apple pie from scratch.
INT.
HOSPITALBailey
makes notes on some charts when Christina comes running over while
pulling her hair up
into a ponytail.
CHRISTINA
Okay. I'm here. Is there anyone
I can cut open?
BAILEY
Not yet Dr. Yang. And you're
late.
CHRISTINA
I know. I got here as fast as I
could.
BAILEY
The other interns have been
picking up the slack for you.
CHRISTINA
I know. I'm very grateful and
it won't happen again. I promise.
BAILEY
So Burke doesn't need you?
CHRISTINA
His mother is here.
BAILEY
Still? Then why have you been
spending so little time at work?
CHRISTINA
The woman won't leave me alone.
With getting the orange juice…
And apples. Can't forget the
apples. And the 'It's not good enough'?
BAILEY
Calm down Dr. Yang.
CHRISTINA (half yelling)
I am calm!
INT.
HOSPITAL
Richard
sits in his chair in his office. Ripley sits across from him.
RIPLEY
I can't treat any of the
doctors here anymore. I can't handle them. They think that I'm
their friend.
I'm their psychologist! I'll keep my practice here,
but I can't deal with them anymore.
RICHARD
How am I supposed to find another
Psychologist with your background?
RIPLEY
Richard they're fine. They all
talked to me, except for Alex. He's the only one that should
probably keep
seeing me. They all have normal problems. And honestly,
they need a friend more than a psychologist.
RICHARD
So… Only Alex really needs to
keep seeing you?
RIPLEY
And you. You've been dealing
with a lot Richard. I think you should keep seeing me.
And Addison,
if she wants to.
RICHARD
And Burke?
RIPLEY
If Dr. Burke wants to come see
me, he's more than welcome to. I haven't seen him yet, though.
RICHARD
I'll have him set up an
appointment. Is that all Ripley?
RIPLEY
Yes sir.
INT.
RIPLEY'S OFFICE
Ripley
sits behind her desk typing away at her computer and singing along to
her Ipod that is hooked up to some speakers.
Meredith barges in wearing her scrubs and hospital jacket and hops onto the couch.
MEREDITH
What's
up, doc?
RIPLEY
Meredith.
Don't you knock?
MEREDITH
I stopped doing that in college.
So, we're throwing a Halloween party. At the house.
RIPLEY
Your point?
MEREDITH
We want you to come. Even though
you won't be living with us anymore.
RIPLEY
These people are technically
still my patients. I can't party with them.
MEREDITH
Technically? Rip, you have to
come. We want you to sing.
RIPLEY
Technically. Until the chief
tells them that they're no longer my
patients. Mer, I haven't
sung anything since college.
MEREDITH
LIAR! There's a big sign saying
you're singing at Joe's tonight. (pause)
When did Joe's get a
stage?
RIPLEY
He's had the bar under
construction for the last few days. (pause)
Didn't you have the day
off?
MEREDITH
Just the morning off. I had to be
at work at noon. So did George. Christina was the only
one that had
to be here by 6.
RIPLEY
Sweet. I'm going back to your
house. Is Derek still there?
MEREDITH
I don't know. I don't keep
tabs on him.
Meredith begins playing with the hem of her coat.
RIPLEY
What
is it Mer?
MEREDITH
He left signed divorce papers on
the dining room table.
RIPLEY
So?
MEREDITH
So, that means he's not married
anymore.
Ripley sighs and turns her Ipod and speakers off.
RIPLEY
That means that he's signed
them and is waiting for them to go through. What
does that mean for
you?
MEREDITH
I don't know.
Ripley gets up and walks over to her chair and sits down, looking at Meredith. She leans forward.
RIPLEY
Meredith. McVet is hot. He births
ponies. He likes animals. And he has plans.
MEREDITH
McDreamy is a brain surgeon. He
saves lives. And he's newly divorced.
RIPLEY
So, you've got a choice.
MEREDITH
Who do I choose? Finn is perfect.
Derek certainly isn't.
Meredith gets up and begins to pace in front of the couch.
RIPLEY
I don't think Finn is perfect,
either. But Mer, Finn would never hurt you.
MEREDITH
So you think Finn?
RIPLEY
No, but someone has to fight for
Finn. Mer, sit down. You're making me nervous.
Meredith sits back down on the couch.
MEREDITH
You think I'm going to choose
Derek?
RIPLEY
Mer, you nicknamed him McDreamy.
McVet can't even hold a candle to someone that
you nicknamed that.
Go with your heart. Then give Finn my number.
MEREDITH
What about George?
Ripley lets out another sigh and leans back in the chair.
RIPLEY
What about George? He's still
with Callie.
MEREDITH
They're hanging in limbo. He
likes you Rip. And you need someone like that after…
RIPLEY
Don't even say his name Mer. I
don't want to think about him.
Ripley raises her hands in a defensive pose.
MEREDITH
You haven't even mentioned his
name since you moved here.
RIPLEY
That's because I don't want
to think about him… It wasn't good between
us. Who wants to
relive that?
MEREDITH
So, Joe's tonight?
RIPLEY
Yeah. He talked me into it.
MEREDITH
When did you have time to go to
Joe's?
RIPLEY
I'm not at your house every
night, ya know? I don't always have rehearsal at night.
And it
usually doesn't go until midnight. Plus that place is supposed to
be the doctor
hang out place.
MEREDITH
So how did that thing go with the
other psychologists?
RIPLEY
It was a bummer. Hot guy? Yeah,
totally married. Tried to get me to do a threesome
with him and his
wife.
MEREDITH
Eww.
RIPLEY
My sentiments exactly. You know
it's bad if Mer won't even do it.
MEREDITH
Hey, I'm cleaning my act up.
RIPLEY
Trust me, it's been noted.
MEREDITH
Who talks like that?
RIPLEY
I do.
Ripley sticks her tongue out and throws a pen at Meredith.
MEREDITH
Your
ass has been cranky all day.
RIPLEY
I've
been PMSing. So sue me.
MEREDITH
That
explains so much…
INT.
HOSPITAL – ELEVATOR
George
stands in the elevator, flipping through some folders when the
elevator doors ding open and Callie walks in.
CALLIE
Dr.
O'Malley.
GEORGE
Dr.
Torres.
The elevator doors close.
CALLIE
You haven't been returning my
phone calls Dr. O'malley.
GEORGE
I have been busy, Dr. Torres.
CALLIE
With that little shrink girl?
GEORGE
What? What are you talking about,
Callie?
CALLIE
You haven't been returning my
phone calls ever since SHE showed up.
Just tell me the truth George.
GEORGE
Callie I-
The elevator doors open onto George's floor.
GEORGE
I have to go. We'll talk later
Callie. I promise.
George hurries off of the elevator.
INT. HOSPITAL – ELEVATOR
George stands leaning against the elevator again.
GEORGE
(mumbles to self)
I
hate running labs.
Ripley steps on the elevator.
GEORGE
Dr.
Buffet.
RIPLEY
Dr.
O'malley.
Ripley stands looking at the elevator numbers for a moment.
RIPLEY
Call me Ripley. I'm technically
not your psychologist anymore.
GEORGE
Seriously?
RIPLEY
Seriously.
The elevator doors ding open.
RIPLEY
See
you later. George.
GEORGE
Bye,
Ripley.
Ripley walks off the elevator, doing her best 'look at my butt while I shake it' walk.
GEORGE
I
need a cold shower.
INT. MEREDITH'S HOUSE
Derek packs his stuff up in the living room when Ripley opens the door.
RIPLEY
Hey.
What are you doing?
DEREK
What
does it look like I'm doing?
RIPLEY
It looks like you're packing.
Did Addison finally give up the trailer?
DEREK
No. I left the divorce papers,
signed on the table for Mer to see.
RIPLEY
Ahh... Yes… The divorce papers.
DEREK
You knew about them?
RIPLEY
Well, yes. But that's not
important. Things are complicated for Meredith right, now.
DEREK
How complicated could it be? Me
or Finn?
RIPLEY
That's not fair. Finn's a
good guy. He births ponies.
DEREK
You're defending him?
RIPLEY
Somebody has to.
DEREK
He births ponies, he's kind to
animals. He's a veterinarian. He's perfect.
I've heard all the
defenses for Finn. From Meredith.
RIPLEY
And what have you done to even
make Meredith think that you want anything
more than friendship,
right now?
DEREK
I apologized to her.
RIPLEY
It's going to take more than an
apology and the leaning thing that you do to make
Mer forgive you.
DEREK
Leaning thing?
RIPLEY
That leaning smirk thing that
sends girls' hearts all aflutter, making them
weak in the knees and
ripping their clothes off for you.
Derek does the leaning thing on Ripley
DEREK
So
what would it take?
RIPLEY
That doesn't work on me. So
don't even bother. I'm a psychologist, fool.
I've been trained
against looks like that.
Ripley puts her hands on her hips.
RIPLEY
But, I'll tell you anyway. It's
going to take some effort. Flowers, wining, dining.
The whole nine
yards. You picked Addison over her. Addison.
DEREK
Don't you know that I know that
I screwed up?
RIPLEY
I don't think you know the
extent to how you screwed up.
You have a choice. You canturn your
little tail and run or,
you can grow some damn balls and fight for
the woman
you love!
Ripley
and Derek hear giggling, then Alex and Izzy come tearing down the
stairs. Izzy stops in front of
Ripley like the kid who got caught
with her hand in the cookie jar. Alex just smirks.
IZZY
Hi,
Ripley.
RIPLEY
Izzy,
Dr. Karev.
IZZY
Were
we interrupting something?
ALEX
(dripping with sarcasm)
I'm sure it was nothing. What
could the good doctor have
to say to Sheppard?
IZZY
Alex!
RIPLEY (ignoring Alex)
Remember what I said. Fight for
love.
IZZY
I agree with her. Always fight
for love.
ALEX (scuffs)
Like true love really exists.
IZZY (snapping)
Of course it does, Alex. For
normal people, anyway.
Who knows what happens to the people with 666
on
the back of their head.
RIPLEY
Ouch, that had to hurt, evil
spawn.
ALEX
You can't talk to me like that.
You're my shrink!
RIPLEY
Not anymore. Go find a new one.
ALEX
Good riddance. You were never a
good shrink, anyway.
RIPLEY (angrily)
What did you just say to me?
ALEX
You heard me.
RIPLEY
You little…
Ripley
pulls back and punches Alex right in the nose. Alex stumbles back
with fire in his eyes.
He steps a little closer to Ripley.
RIPLEY
You ass. I'm a psychologist.
One of the best, actually, and you damn
well better believe.
ALEX
Got some anger management issues,
don't you?
RIPLEY
You don't know anger management
issues.
Ripley tries to take another swing at Alex, but Derek pulls her back and picks her up.
DEREK
Get
him outta here, Stevens. NOW!
IZZY
Why do you have to be such an ass
to other people?
ALEX
Izzy…
IZZY
Get out!
ALEX
Fine.
Alex stomps off and slams the door.
RIPLEY
Let
me go! I'm not done with him yet.
DEREK
Ripley!
Calm down.
RIPLEY
I
will not calm down!
DEREK
Shhh…
Come on Ripley. Calm down.
Ripley slumps against Derek, tears begin to fall down her cheeks.
RIPLEY
I'm
not… I'm not finished… with him…
DEREK
Shhh…
Ripley… It's okay… Just calm down…
RIPLEY
It's
okay… I'm okay… Sorry about that…
Ripley
wipes the tears away with the back of the sleeve of the hooded
zippered sweatshirt she is wearing.
A snippet of a flashback is
shown. There are stairs.
MAN
(V.O.)
You're not that good of a
doctor. You never will be.
Then
the flashback ends, with the voice fading away. Ripley shakes visibly
and pulls the sweatshirt closed and
closer to herself. She pulls away
from Derek and rubs her arms.
RIPLEY
Oh god. Sorry about that. I don't
know what came over me.
IZZY
Ripley… Are you okay?
RIPLEY
Oh yeah… Fine… Fine…I'm
sorry what was the question?
DEREK
Are you okay?
RIPLEY
Yeah. I'm okay. Seriously,
guys. Everything is fine. Seriously.
I just need to go upstairs and
take a nap. The Chronic Fatigue
syndrome is just screwing with my
body. That's all.
IZZY
You don't look fine.
RIPLEY
Seriously. I'm totally fine. I
just need to go upstairs and take a nap.
IZZY
Come on. I'll go upstairs with
you.
RIPLEY
Izzy… You don't have to…
IZZY
I know. It's just that you
helped me. I want to help you, too.
RIPLEY
Thanks, Iz.
Izzy pulls Ripley close to her and helps Ripley up the stairs.
Derek
pulls his cell phone out and dials Meredith's cell phone. He gets
her voice mail, as he had
anticipated he would.
DEREK
Mer… There's something wrong
with Ripley. She won't talk
to me or Izzy. You need to get here.
Soon.
Derek snaps his cell phone shut and watches Izzy and Ripley climb up the stairs.
INT.
HOSPITAL – OR
Dr.
Webber performs a surgery and Christina assists.
RICHARD
How
is Dr. Burke doing, Dr. Yang?
CHRISTINA
Good, sir. He's recovering well
physically. He's not taking it well mentally, sir.
RICHARD
Why do you say that?
CHRISTINA
He's talking about taking up
fishing, sir.
RICHARD
Fishing?
CHRISTINA
Yes, sir. Fishing.
INT.
HOSPITAL – CAFETERIA
Meredith
stares at her phone. She flips it open, then closed. She chews on her
bottom lip.
George takes a plate of food and sits down next to
Meredith.
GEORGE
You look like you're
contemplating the circle of life.
MEREDITH
Derek called me. I'm debating…
On whether to check the message or delete it.
GEORGE
You should probably check. There
might be something important on it. Or there
might not be. Because
you know what? People are weird.
MEREDITH
What the hell are you talking
about, George?
GEORGE
People. And their weirdness.
MEREDITH
Right. I'm going to check my
message.
Meredith dials her voice mail and listens for a moment, then begins to chew on her nails.
MEREDITH
Ripley…
GEORGE
Dr.
Sheppard is calling about Ripley?
MEREDITH
There's
something wrong with her.
GEORGE
Call
her. See what's wrong.
MEREDITH
That's
what I'm going to do.
Meredith picks up her tray and throws what is left of her food away.
INT.
MEREDITH'S HOUSE
Ripley
changes into a pair of black pants and a red tank top that dips low
in front. Izzy
lays down on the bed, looking at the ceiling.
RIPLEY
I'm
fine Izzy. I swear.
IZZY
I
know Ripley. I know.
RIPLEY
I'm
singing at Joe's tonight. You coming?
IZZY
Count me in. I need a night out.
I got a phone call from the chief's secretary.
RIPLEY
About what?
Izzy rolls onto her stomach as Ripley sits down at a little vanity, brushing her hair.
IZZY
I have a court date set. For two
weeks from now.
Ripley turns to look at Izzy.
RIPLEY
Oh, Iz. Good luck.
IZZY
I'm going to need it.
Ripley puts the hair brush down.
RIPLEY
Everything will turn out the way
that it is supposed to. Just wait and see.
IZZY
I know. I just… I'm worried.
They might strip me of my license.
RIPLEY
Is that such a bad thing? You'll
find something else that you'll be great at.
IZZY.
All that time and hard work.
That's all I wanted to be when I was growing up.
RIPLEY
You weren't thinking when you
cut that LVAD wire. Call it temporary insanity,
or a person in love.
It boils down to you weren't a doctor at that moment.
IZZY (eyes tearing up)
I should have been. If I had
been… Denny would be alive right now. And Dr.
Burke… Would still
have his career ahead of him. It's all my fault.
RIPLEY
Iz… What's done is done. You
can't change the past, just like you can't tell the future.
Ripley says these words carefully, as if convincing herself rather than Izzy.
IZZY
I
can't accept that.
RIPLEY
Izzy, I don't want to be harsh,
but you can't do anything about it now. You can pick yourself up
with your head held high and tell those doctors your side of the
story. Or don't and definitely be
stripped of your title.
IZZY
Will you be there?
RIPLEY
With bells on.
IZZY (pauses)
Will they be jingling?
RIPLEY
For you? Of course.
INT.
HOSPITAL – HALLWAY
Addison
works on charts at the nurse's station.
ADDISON
Page Meredith Grey. I have a
patient for her to sit with.
DEBBIE
She's with Dr. Bailey today.
ADDISON
When I'm here, she's with me.
Mark walks up behind Addison and leans really close.
MARK
Addi…
ADDISON
Mark…
I'm working. And…
MARK
And
you're not married anymore.
ADDISON
How
did you know?
MARK
I
heard from a reliable source.
ADDISON
Well,
Mark…
MARK
No, Addison. Just be at Joe's
tonight. Just me and you. Nobody else.
ADDISON
Mark, there will be a lot of
people there. That's where everyone goes after work.
MARK
Then that little Italian
restaurant. Around the corner. I know you like Italian.
ADDISON
All right, Mark. I give up. I'll
be there.
MARK
Good. Meet me at 8.
INT.
HOSPITAL – ELEVATOR
Meredith
stands on the elevator. George enters.
GEORGE
Did
you talk to Ripley?
MEREDITH
No, she's not answering her
cell phone. Neither is Izzy.
GEORGE
You didn't try Dr. Sheppard?
MEREDITH
No. (pause) You and Callie.
GEORGE
Are still in limbo. I haven't
returned any of her calls.
MEREDITH
George, don't treat her like I
treated you. Be up front with her. Please.
Especially if you have the
slightest inkling that you like Ripley. She
deserves a good guy
after…
GEORGE
After what?
MEREDITH
Nevermind. Nothing.
Bailey enters the elevator.
BAILEY
What are you two doing on here?
Grey, you should be with the She-sheppard.
She's demanding you.
GEORGE
I'm running labs today. Like
you told me to.
MEREDITH
Right on it, Dr. Bailey.
Meredith exits the elevator walks to the nurses' station where Addison still stands. Addison looks up to see Meredith.
ADDISON
Good to see you show up Dr. Grey.
You need to do post op notes on all of my
patients and you need sit
with the woman in 2422. She's in a coma and someone
needs to be in
there at all times until she wakes up.
MEREDITH (sighs)
Yes, Dr. Sheppard.
Meredith grabs the charts and heads to the room that Addison tells her to go to.
INT.
ELEVATOR
George
stands in the elevator with Dr. Bailey.
BAILEY
Dr. Torres has been requesting
you, O'malley.
GEORGE
But I'm running labs.
BAILEY
Yes, you are running labs as I
told you to Dr. O'malley.
INT.
JOE'S BAR
Meredith
walks in and sits at the bar. The place is a little cleaner. Some of
the tables have
been taken out and a little stage constructed
opposite the bar.
MEREDITH
Hey
Joe.
JOE
My favorite intern. The others
aren't here yet, right?
MEREDITH
No, it's just me.
JOE
I was seeing McDreamy in here a
lot until we closed to build the stage.
MEREDITH
Yeah?
JOE
Yeah. Said he signed some divorce
papers.
MEREDITH
I know. He left them for me to
find.
JOE
So now what?
MEREDITH
Finn's a good guy.
JOE
But?
MEREDITH
He's not McDreamy. Get me a
shot Joe.
JOE
Tequila?
MEREDITH
What else is there?
Izzy sits down next to Meredith at the bar.
IZZY
Hey
Joe.
JOE
Izzy!
How ya doin' girl?
IZZY
Good,
I'm doing good.
MEREDITH
Hey,
I got a call from Sheppard about Rip.
IZZY
Yeah, it was really weird. Alex
was there and he pushed her buttons.
She freaked out and punched him,
then started crying.
MEREDITH
Crap. She's still singing?
IZZY
She said something about how the
show must go on. Hey Joe, can I get a
glass of Shiraz?
Joe sets the shot in front of Meredith.
JOE
Sure
thing, Izzy.
IZZY
Needless to say, Alex will not be
coming over again until Ripley is gone.
George sits down next to Izzy.
GEORGE
What
are you guys doing here?
MEREDITH
Ripley
is singing.
Joe puts the glass of wine in front of Izzy. The bell on the door tinkles. Derek enters.
JOE
Well,
when it rains, it pours with you guys.
Meredith turns and watches Derek sit down at a table with a few other surgeons.
MEREDITH
I
should talk to him.
IZZY
You
should.
Finn
enters when Meredith moves to walk over to Derek. Meredith stays
standing in shock. Finn
walks over to her and gives her a big hug and
a peck on the cheek.
FINN
Hey
Mer.
MEREDITH
Finn…
What are you doing here?
FINN
You mentioned that you used to
come here after work. So, I'd
thought I'd drop in and see if
you're here.
Meredith looks over to see Derek watching her.
MEREDITH
I have to go to the bathroom.
I'll be right back.
FINN
Ok.
Finn
sits on the stool next to the one that Meredith vacated. Meredith
motions her head to the bathroom to
Derek. Meredith walks to the
bathroom and stands next to the pay phone waiting. Derek walks over.
DEREK
Don't
want to be seen talking to me?
MEREDITH
Not
in front of Finn… What happened with Ripley today?
I got part of it
out of Izzy…
DEREK
Alex said something about her not
being a good doctor. She lost it and
swung at him. I grabbed her and
she started crying. It was like she was
gone for a moment. Then she
seemed to wake up and she said that she
was fine.
MEREDITH
Okay. Okay. Thanks Derek.
Meredith turns to leave and Derek grabs her arm.
DEREK
Is
Ripley ok?
MEREDITH
Yeah,
yeah. She's fine.
Meredith lied through her teeth.
DEREK
Seriously?
MEREDITH
Seriously.
Meredith extracts her arm from Derek's grasp and walks back over to Finn.
INT.
LITTLE ITALIAN RESTAURANT
Addison
sits at a table by herself. She glances at her watch, then looks at
the menu trying to decide
what to order. A bell over the door dings.
Mark walks in wearing a suit and holding some flowers
behind his
back, then walks over to Addison.
MARK
Hey
there, sexy.
ADDISON
I
didn't think you were going to show.
MARK
I'm
five minutes late.
ADDISON
Late
enough.
MARK
I
brought these for you.
Mark hands Addison a bundle of wild flowers.
ADDISON
They're
beautiful.
Mark
snaps his fingers at the host that stands at the host table. He pulls
out a violin from
underneath the stand. Tunes it, then begins playing
a romantic tune as he walks over.
ADDISON
Oh,
Mark.
MARK
I'm
not done yet.
He motions to the waiter, who brings over a bottle of wine.
WAITER
Wine
for the madame and sir.
The
waiter pours wine into each glass, then lights the candle in the
middle of the table
and walks over and dims the lights in the
restaurant.
ADDISON
Did
you rent the whole restaurant?
MARK
Gosh.
Does it look that way?
ADDISON
Oh
Mark.
Addisons starts laughing and a real smile crosses her face and reaches her eyes.
INT.
JOE'S BAR.
Joe
walks up to the stage where a band is set up and steps up onto the
stage in front of the mic.
JOE
Hey everyone. Put your hands
together for a very special girl. Ms. Ripley Buffet.
Everyone starts clapping and Ripley comes out onto the stage.
RIPLEY
Hey everybody. The first tune
we'll be doing is Lazy Afternoon.
Ripley sings into the mic.
RIPLEY
Ooooh ooh oh oh oh
It's a lazy afternoon
And the
beetle bugs are zooming
And the tulip trees are blooming
And
there's not another human in view,
But us two
It's a lazy
afternoon
And the farmer leaves his reaping
And the meadow cows
are sleeping
And the speckled trouts stop leaping up stream
As
we dream
Ripley
takes the wireless mic and steps down off of the stage. She walks to
the table of surgeons that Derek sat
at. She ran a hand up his arm
and tousled his hair good naturedly. She looked up to see Meredith
sending her
an angry look.
A far pink cloud hangs over
the hill
Unfolding like a rose
If you hold my hand and sit real
still,
You can hear the grass as it grows
It's a hazy
afternoon
And i know a place that's quiet, except for daisies
running riot
And there's no one passing by it to see
Come spend
this lazy afternoon with me
It's
a lazy afternoon
Ooo
ooo ooo
It's
a lazy afternoon
Lazy
lazy
Ripley continues to where the interns and Finn are sitting, flirting with guys in the audience as she goes.
A
far pink cloud hangs over the hill
Unfolding
like a rose
If
you hold my hand and sit real still
You
can hear the grass as it grows
It's
a hazy afternoon
And I know a place that's quiet, except for
daisies running riot
She
stops when she gets to George and lazily leans against George and
looks up at him as she shimmies down
his side before smiling wickedly
at him. Callie enters the bar in time to see Ripley shimmying against
George.
And
there's no one passing by it to see
Come spend this lazy afternoon
with me
Lazy
afternoon
Don't
you want to come spend some time with me
It's
a lazy afternoon
Spend
it with me
With
me
Me
Summertime
Yes
it is
Yes
it is
Ripley then walks around the audience, flirting with guys by touching their arm and singing to them.
MEREDITH
Yes, people seem to know when we
really need them to see something. Something
that will put everything
right. (shows Callie, then a split screen of Meredith and Derek)
That
way, it's easier to make decisions. (shows George) Sometimes, we
just need someone.
(shows a split screen of Izzy and Ripley)
