Hello everyone!

Okay here we go with a new story, with an old speech that has been tweaked a bit.

Don't know why, but i figured i take baby steps with this kind of crossover. After a couple of failed attempts, all form me unable to figure out where to go with this, the situation on how this will work and small things like that, i'd figured this be the easiest way to do it:

Complete and utter chaos.

Now, i do still plan to make a three way crossover between Marvel/DC/Fate-series but for whatever reason, i could never find a good starting point. However with recent thoughts and ideas, i came up with a new idea. All the while, like i said in "Fate Ga Kill A Darker Path" i am going to honor the Fate-series aged old thing, of creating completely different timelines, form a certain event in time.

I won't say which story it is, as i make the timeline, after that certain point in time. I originally thought about just going on with the story, with the extra crossover, but i realized some people won't like that and rather then waste such a chance, i decide to create an entirely new crossover with that story acting as the baseline of said story.

But enough about that, so lets get into it. As always i don't own Fate-series or DC.

So please read, review and "What the fuc-BOOM"


Prologue: The Holy Grail

The Holy Grail.

The legend of the Grail possibly was inspired by Greek, Roman, and Celtic mythologies, which abound in horns of plenty, magic life-restoring caldrons, and the like. The first extant text to give such a vessel Christian significance as a mysterious holy object was Chrétien de Troyes's late 12th-century unfinished romance Perceval; ou, le conte du Graal, which introduces the guileless rustic knight Perceval, whose dominant trait is innocence and who quests for the Grail. In this poem, the religious is combined with the fantastic. In the 13th century, Robert de Boron's verse trilogy Joseph d'Arimathie, Merlin, and Perceval (sometimes called, together, the Estoire dou Graal) extended the Christian significance of the legend, while Wolfram von Eschenbach gave it profound and mystical expression in his epic Parzival. (In Wolfram's account, the Holy Grail became a precious stone, fallen from heaven.)

Prose versions of Robert de Boron's works began to link the Holy Grail story even more closely with Arthurian legend. A 13th-century German romance, Diu Krône, made Gawain the Grail hero. The Queste del Saint Graal (which forms part of the Vulgate cycle [c. 1210–30]) introduced a new hero, Galahad. Sir Thomas Malory's Le Morte Darthur, completed about 1470 and printed in 1485, transmitted the essence of the Queste del Saint Graal to English-speaking readers and helped it to exert the widest influence on the legend of the Holy Grail.

Robert de Boron's poem recounted the Holy Grail's early history, linking it with the cup used by Christ at the Last Supper and afterward by Joseph of Arimathea to catch the blood flowing from Christ's wounds as he hung upon the Cross. The Queste del Saint Graal transformed the quest for the Holy Grail into a search for mystical union with God and made the pure knight Galahad the Grail's ideal hero. Only Galahad could look directly into it and behold the divine mysteries that cannot be described by human tongue. The Queste del Saint Graal was influenced by the mystical teachings of St. Bernard de Clairvaux, the states of grace it describes corresponding to the stages by which St. Bernard explained an individual's rise toward perfection in the mystical life. The work gained an added dimension by making Galahad the son of Lancelot, thus contrasting the story of chivalry inspired by human love (Lancelot and Guinevere, who was Arthur's queen) with that inspired by divine love (Galahad). In the last branch of the Vulgate cycle, the final disasters were linked with the withdrawal of the Holy Grail, symbol of grace, never to be seen again.

That is what the world knows, as only a select few know what truly happened to the Grail and they belong to The Church and Mage's Association.

As you can guess, these people have magic. Not just any kind of magic, but use a style of magic known as Magecraft. Magecraft or Thaumaturgy, is the artificial reenactment of Mystery, which is ordinarily possible only by inhuman beings. It is the ability to bring about what is possible through science with supernatural means; although the process is considered a miracle, the result is not.

The limits of Magecraft have changed with time, as science evolved and Magic from the past became possible through science.

There exists no impossibility for modern Magecraft within the rules of the world and limits of human intellect; there are limitations, however, where it only appears that something is possible. Because Magecraft acts as the reenactment of preexisting phenomena, it is impossible to use it to create new Mysteries; even with an infinite amount of research, there exists a "wall" preventing human wisdom from doing so in the current era. The realm past this "wall" is known as Magic.

Modern Magecraft is inferior to that from the Age of Gods in terms of magnitude because magi from that era had acquired their magical energy from the Root directly. The difference between modern and traditional Magecraft is explainable by the difference in civilizations - while the civilization of the Age of Gods existed side-by-side with the truth, the civilization of the Age of Man exists in order to search for the truth.

Because of this, the time of modern magus have died out, to the point where only one person retrains the magical circuits, needed to summon it's greatest creation:

Heroic Spirits or commonly called, Servants.

Beings that are born form the legends of humanity's history. Heroes, who the common folk have record throughout history and have been etched into the Throne of heroes. They were, for all intents and purposes, beings created to protect humanity, should anything happen to it. Be it by their own foolish will or an outside force, these heroic spirits will fight the threat.

...And not just in one world but ALL worlds.

As the Holy Grail peered through the multiverse, it found a world full of super heroes and super villains. But this version of Earth was dying, while the heroes stopped the villains, they didn't finish the job. Much like sun light and water, they showed too much mercy. They have spared villains, time and time again, even those without a soul or conscience.

The same villains, that not only kill hundreds, if not thousands ever year. Some of them do it for money, others do it to make a point and a rare few do it, to get back at a society that turned their backs on them. However, some of them kill and torture innocent people just for kicks.

Self-centered and self-serving the Grail might be, even it felt disgust at what it was seeing in this world. The so called "Heroes" had their shot and yes, while the Grail could respect their choices and actions, the world was dying. It needed something...more. Make no mistake, the heroes were indeed an impressive bunch and have well earned their titles.

But they weren't enough.

To fight the monsters that live in human skin, you need monsters.

Or Servants.

The last and soul master of Chaldea has proven he has what it takes to save the world. After fixing the seven singularity, saving Solomon and defeating Goetia, the Grail decided:

He was needed.

If the heroes don't have the will to make the hardest choices, then it'll find someone else that does. Yes, it understood where the heroes where coming form, trying to stand above the monsters they fight, but it just wasn't enough. Things have stagnant and change was needed.

Whether they wanted it or not.

Which is why, when Xero Mazoku and the rest of Chaldea suddenly disappear form their world and end up in the worst and crime infested city any world has ever known:

Gotham city.

He had only one thought.

"DA VINIC, THIS IS ALL YOU'RE FAULT DAMNIT!"

And hopefully, knock some sense into these morons!


Done.

Print.

Copy.

Devil out.