Pinky and The Brain: The Musical

by GiovanniGo

Playing at the "Shubert Theater" in New York City, the famous Steven Spielberg cartoon about 2 lab mice bent on world domination comes to life in this 2 hour and 30-minute Broadway musical production. Its business as usual for Pinky and Brain, until suddenly, Brain's former friend, Snowball the hamster, shows up! What does he want? Well, just read and find out during the musical!

6. Act 1, Scene 5

Hello again, everyone! This coronavirus pandemic unfortunately doesn't seem to have a definite ending date yet, but soon enough, we will go back to our lives as they once were before this pandemic began. But until then, I will continue to update this musical story! In this scene, Pinky and Brain will take the time machine to Vienna, Austria in the year 1912 so that Brain can make an appointment with famous hypnosis psychiatrist, Dr. Sigmund Freud. Once Brain begins this appointment session, Brain will use a pair of mirrored glasses to reverse the process to hypnotize Dr. Freud instead. Once he does that, Brain plans to get the doctor to hypnotize Emperor Joseph Franz into giving him the throne, allowing Brain to FINALLY take over the world! Will the plan start off well? Well, you'll all just have to ready and find out for yourselves! Now, let's all move on to Scene 5 of Act 1 of this brand-new Broadway musical script story of mine!

Brain (turning oversized screwdriver): Now...just a few more twists...(turns oversized screwdriver some more) Almost there...(makes one final twist with oversized screwdriver) Yes...YES! (tosses oversized screwdriver out of view to the left) It is finished, Pinky! (grins happily)

Pinky (falls on his back): Narf! (laughs)

Brain (sighs and folds arms): Pinky...what are you doing?

Pinky (looks up): Oh, I was trying to do a backflip, Brain. (smiles) How did I do?

Brain: Pinky...that was hardly a backflip considering that fact that you just fell over on your back without any flipping whatsoever!

Pinky (gets back up): Awww man! But I tried so hard, Brain!

Brain: Ugh...Pinky, when this plan works and we succeed and taking over the world, I'll hire you the best personal trainer I can find to teach you how to do a perfect backflip!

Pinky (nods): Okay! Speaking of taking over the world, are we ready to time travel yet? (walks in front of the time machine's door)

Brain: Oh yes, my dear Pinky! (puts a hand around Pinky's and faces forward with him) This is the first time machine I have made...and I had to make it with pieces of garbage!

Pinky: Egad Brain, you're a time machine-inventing genius! (jumps up and claps wildly)

Brain (smirks and let's go of Pinky's shoulder): That's because I have the brain, Pinky. (points to his head) Now, we shall enter this time machine and travel back in time to Vienna, Austria in the year 1912. (points to time machine)

Pinky: Oh boy, I'm so excited! (claps wildly) Oh, and can we stop and see some dinosaurs along the way?! Narf!

Brain (shakes head): Pinky...first of all, we don't have time for that. And second of all, how will that help us take over the world?!

Pinky: Well, I really want to meet Littlefoot from "The Land Before Time"! Poit! Narf! (laughs)

Brain (sighs): Pinky...how many times much I tell you that "The Land Before Time" is only a movie?

Pinky: Oh...right! (laughs nervously) I guess I forgot...Narf!

Brain: Anyways...we have bigger fish to fry...(steps forward and opens time machine's door)

Pinky: Oh, fish to fry?! I'll have a...

Brain (interrupting Pinky): And no, I did not mean that in a way that says we are actually eating fish. (steps inside time machine structure) Now, come on and get inside!

Pinky (sighs): Aw, but I was hungry for fish, Brain...(looks down)

Brain (sighs): Pinky...when we succeed in taking over the world, you can have all the cooked fish you can ever eat! Now, get inside the time machine so we can get back to 1912!

Pinky: Okay Brain...but won't people in that time period get surprised over a time machine from 1997 just appearing out of nowhere. (walks up to open time machine door)

Brain: Pinky, you don't think I thought of that part? I programmed the time machine's coordination calibrator to specifically land us in an alleyway within 1912 Vienna, so that NO one will see this time machine.

Pinky: Oh, okay! (smiles) But...won't the people get socked over seeing two talking mice?

Brain (shakes head): Pinky, you know why no one got shocked about that fact back at the library a while ago?

Pinky (scratches top of his head): Uh...no? (stops scratching top of his head)

Brain (sighs): Pinky, these disguises we've been wearing since we got here to London have fooled the people into thinking that we are just like them. So obviously, they will also work in 1912. Now, stop stalling this and come along! (ushers Pinky to come inside)

Pinky: Okay, Brain! (smiles and enters the time machine structure with Brain)

Brain (closes door): Now, I will start the process. Computer, take us to an alleyway in Vienna, Austria in 1912!

Computerized Female Voice: Order acknowledged, Brain. Time travel to Vienna, Austria in 1912 commencing in 10...9...8...7...6...5...4...3...2...1...0...time travel now in session!

(Suddenly, suspenseful transitional music begins to play in the background. As it does, some white flashing lights begin to flash wildly all over the stage while the lights over the back and center area of the stage, and another set transition begins to take place. As it does, the entire time machine structure slides out of view on the right side of the stage. As it does, the back curved wall resembling the wall of the sewer rises up out of view, and the 2 massive brick columns in the front-left and front-right part of the stage slide out of view on the left and right side. As they do, an entire wall panel constructed to resemble a front façade of a few 1912-built buildings (including the front façade of Dr. Freud's office), comes down on the center area of the stage, concealing the entire back area of the stage. As the façade wall covers up the back area of the stage, 2 old-looking streetlamps slide into view on the center-left and center-right area of the stage, and a wooden bench rises up into view on the right area of the stage right in front of the façade via sliding trapdoor and hydraulic lift. As the wooden bench comes into view, an ensemble actor dressed up as a 1912 salesman wheels out a round tablecloth-covered table with a plate of donuts and a place card price tag into view, positioning it on the front-left area of the stage. As he does this about 8 more ensemble actors (both male and female), come into view dressed up as 1912 Vienna citizens, positioning themselves all over the new setting. Then, the white lights stop flashing wildly, the stage lights over the center area of the stage come back on, and the suspenseful transitional music stops playing in the background. As it does, the set transition completes as the ensemble actors playing the 1912 citizens of Vienna are now in view, doing random things within the new setting, like walking around the new setting, looking at a map of the city, and talking to one another. Then, the next scene of the musical begins to take place...)

Random Male 1912 Citizen 1 (walking up to table of donuts): Excuse me, sir.

1912 Salesman: Yes?

Random Male 1912 Citizen 1: How much for a donut? (pulls out wallet)

1912 Salesman: Oh, its just 1 dollar for a donut, sir.

Random Male 1912 Citizen (takes out a dollar and hands it to the salesman)

1912 Salesman (takes dollar and pockets it): Take your pick, sir.

Random Male 1912 Citizen: Certainly. (takes a donut off the plate) Well, thank you for your service! (exits stage left)

Random Male 1912 Citizen 2: Oh my dear, isn't it a beautiful day today?

Random Female 1912 Citizen 1: Oh yes, honey! The sky is blue and the birds are singing like there is no tomorrow! (kisses her male companion on the mouth)

Random Male 1912 Citizen 2 (blushes): Oh dear...not in front of the public! (smiles embarrassedly)

Random 1912 Little Girl (holding a kite): I hope this kite flies high today! (runs to the right side of the stage, disappearing from view)

Narrator (enters stage right): Ah...Vienna, Austria in the year 1912! A simpler time before computers, electric cars, or modern first-world problems. (turns page) Now, after making it to 1912, both Pinky and Brain made it to an alleyway behind a local schoolhouse, and then made their way into the central area of the city (turns around and sees new setting) or...what the central area of Vienna looked like back then, that is...(faces the audience again) Anyways, on a typical day like this, kids would either play outside, go fly a kite high in the sky, go explore the town, attend school on weekdays at their local schoolhouse, or even, if they had money saved up, buy a donut or any treat they wanted. (turns page) Adults did many things back then, too...such as go on walks through the city, go to the general store to buy food or other basic nessecitires, go for a bike ride, or simply take a relaxing ride on a horse-drawn carriage. (turns page) You see, this was before the invention of automobiles, trains, planes, trucks, or many modern transportation method for that matter. Yes, there was the "R.M.S. Titanic" steamship and it's maiden voyage…(adjusts his glasses) But, t-t-that's a story for another time. (turns page) Now, as Pinky and Brain made their way through town, Dr. Freud was...

(Suddenly, a random male child actor dressed up in 1912 clothing enters stage left, walking up towards the Narrator, and interrupting what he was saying at that moment...)

Random 1912 Little Boy (interrupting the Narrator): Excuse me, good sir?

Narrator (pauses and looks down at the boy): Oh...uh...yes? (closes book and holds it in his left hand)

Random 1912 Little Boy: Want to see something really cool? (grins)

Narrator: Uh...(shrugs): I guess so. I mean...why not? (smiles and gets down to the boy's level) And what is it that you wanted to show me? (turns to face him)

Random 1912 Little Boy: Its...(falls up a fist) THIS! (Suddenly punches the Narrator in the face and nose)

Narrator (covers nose with right hand): OOOOOOOOOOOOOOOOOWWWWWWWWWWWWWWWWW! OOOOOOOOOOOWWWWWWWW, YOU LITTLE BRAT! THAT HURTS! (stands back up) WHAT ON EARTH WAS THAT FOR!?

Random 1912 Little Boy: HAHAHAHAHAHAHAHA! Looser! (runs out of view to the right, exiting stage right)

Narrator (Keeping nose covered; faces the audience): Man, that hurts! What was that kid's problem? I-I didn't bother him! First, I get chewed out by Brain, and now this! (sighs) Well, due to this little unexpected injury of mine, I'm going to have to go and find a hospital nearby so that I can have this looked at and treated before I get back to you all. But...since I know parts of the story by heart without the book, I will tell you all that this next scene takes us to the inside of Dr. Sigmund Freud's office where he was just near the end of one of his appointments...man, this REALLY hurts! (exits stage left)

(As the Narrator exits stage left, some more transitional musical begins to play in the background, and another set transition begins. As it does, the stage lights shinning over the front area of the stage dim. As they do, the 1912 Salesman grabs the tablecloth-covered table with donuts and slides it out of view on the before disappearing from view. As he does this and disappears from view, a wall panel (this time resembling the wall of Dr. Sigmund Freud's office) painted in purple with green vertical stripes spaced at least 2 feet between each other comes down a few feet in front of the building façade wall panel, concealing said building front façade panel behind it. This wall panel was a wooden door on the far left side of it. As the wall panel sets itself into place, a bookcase full of various thick slides into view on the left, positioning itself next to the door on the right. Then, a wooden desk with a folder and sheets of paper on it, and a soft leather chair rise up into view in the center of this new setting right in front of the wall panel via sliding trapdoor and a hydraulic lift. A very soft therapy couch covered in a lush blue comforter and complete with a blue-green pillow on the headrest area of it slide into view on the right, positing itself on the far right side of the stage, with the bed facing vertically towards the audience, and with the headrest area of it facing the wall panel. As the therapy couch gets in position, a small bedside table with a gas lamp on it slides into view from the right, position itself next to the head of the therapy couch on the right. Then, a lush blue armchair slid into view from the left, positioning itself next to the head of the therapy couch on the left. The armchair already has the actor playing Dr. Sigmund Freud sitting on it with a note pad and paper in his hands, and the therapy couch has an actress playing a woman in a fancy blue dress/gown on it. Then, as the set transition completes, the transitional music stops playing in the background, and the lights shinning above the center area of the stage come back on. As they do, the next scene begins to take place...)

Lady In Blue Dress: Oh thank you, thank you for curing me, Dr. Freud! Thanks to your miracle technique, I' am no longer delusional!

Dr. Sigmund Freud: Its called hypnosis, madam. (lowers notepad) I took you back to reexperience your childhood.

Lady In Blue Dress: Well, whatever you did, it worked! (lifts head up) I used to think that little men were following me around, but know I know the little men were just in my imagination.

Dr. Sigmund Freud: That's good, madam. You see, your childhood experience caused...

(However, before Dr. Sigmund Freud could say anything else, the sound effect of a bell ringing is heard in the background. Dr. Freud looks to the left at this before standing up and walking towards his office door...)

Dr. Sigmund Freud: Ah, excuse me, madam. (opens office door) I think someone is ringing the bell outside the door. I'll be right back. (steps through doorframe and closes door behind him)

(As Dr. Sigmund Freud exits the setting of his office via the door, the lights shinning over the center and front area of the stage dim, the bell ringing sound effect continues to ring in the background, and another set transition begins to take place. As it does, another wall panel resembling the front façade of Dr. Freud's office building comes back down a few feet in front of the office setting, concealing the entire setting of Dr. Freud's office behind it. This front façade wall panel resembles the same one from the previous scene in the setting of Vienna. As the wall panel comes down, the lights shining over the front and center area of the stage come back one, and the set transition completes. As it does, both Pinky and Brain are seen by one of the windows of the front façade wall of Dr. Freud's office. Pinky is seen ringing the bell above the office's entry door via a long piece of string while positioning himself low on the stage to stay "hidden" from anyone who comes out. Both he and Brain also happen to be right in front of an open window in the building façade wall panel. Underneath the windowsill of this open window is a brown briefcase full of random items...)

Brain (looking in the open window): Alright...(looks back over at Pinky) That's enough, Pinky.

Pinky (says nothing but stops bringing the bell)

Brain (ushers Pinky to follow him): Come. (climbs through the window)

Pinky (doesn't say anything but follows Brain's lead and climbs through the window, too)

Dr. Sigmund Freud (opens office door and steps outside): Hello? (steps forward and looks left and right) Hello? Anyone here? Someone rang?

Narrator (enters stage left with a bandage wrapped over his nose): Ah, right on time. Luckily the doctor told me all I needed was ice and this bandage. (points to nose bandage) Now, where were we? (faces the audience again and pulls out his book, flipping back to the last page he was on) Now, as Dr. Sigmund Freud went to answer the door, Pinky and Brain snuck inside and...

Dr. Sigmund Freud (looks over at Narrator): Hey, excuse me, sir.

Narrator (pauses and looks behind him, seeing Dr. Sigmund Freud): Oh! Uh...(lowers book) Y-yes, can I help you? (tugs on dress shirt collar)

Dr. Sigmund Freud (nods): Yes...did you ring the bell? (points to bell above his office door)

Narrator: Uh...no? (smiles sheepishly)

Dr. Sigmund Freud (shrugs): Hmmm...oh well, thanks anyways. (turns back, opens office door and steps inside, closing the office door behind him)

Narrator (turns back around to face the audience): Phew, that was a close one. A-Anyways...(holds out book again) Pinky and the Brain snuck inside, and Brain told Pinky to keep a look out while he wrote his name in Dr. Freud's appointment book...(exits stage left)

(Without any lights shinning above the stage dimming, the front wall panel resembling the building rises up again, revealing the entire setting of Dr. Freud's office from the previous scene. As it does, Pinky and Brain are seen behind Dr. Freud's desk, all while the Lady In Blue Dress is breathing in and out to stay relaxed...)

Brain (opens the folder on the desk): Pinky, you stand lookout while I write my name in Dr. Freud's appointment book...(grabs a pen)

Pinky: Right, Brain. (steps forward, stands next to the desk on the right, and notices the lady): Oh, hello!

Lady In Blue Dress (stops breathing and slowly looks over at Pinky)

Pinky (takes off brown bowler hat) Lovely day, isn't it? (puts brown bowler hat back on his head) Narf! (smiles)

Lady In Blue Dress (eyes widen): Uh...D-Doctor...? (shivers in fear)

Brain (finishes writing his name in the appointment book and closes folder): Hurry Pinky, let's go. (grabs the end of Pinky's tail and "drags" him away from the desk)

Pinky (as he's dragged away frim the desk): Ta-ta! Nice chatting with you!

(Both Pinky and Brain exit stage left. As they do, the Lady In Blue Dress remains frozen is sock, but looks like she will have an episode of delusional behavior at any moment. At this point, the office door opens, and Dr. Sigmund Freud reenters his office setting...)

Dr. Sigmund Freud: Funny, there was nobody there. (closes office door behind him) Now...(faces Lady In Blue Dress) madam, where were we?

Lady In Blue Dress (jumps off the therapy couch): AAAAAAAAAAAAAAAHHHHHHHHHHHHHH! (rushes over to Dr. Sigmund Freud, surprising him) AAAAAAAAAAAAAHHHHHHHHHHHHHHH! (grabs Dr. Freud's shoulders) The little men! The little men! THEY'RE BAAAAAACK! (shoves him aside and opens office door fast) AAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH! (runs out of office setting and slams door shut)

(The entire audience cheers and laughs very loudly at this moment. After about 30 seconds, the loud cheering and laughing dies down, and the scene continues to take place...)

Dr. Sigmund Freud (stunned): Hmmmm…(opens office door and pokes his head outside of it) You know you might want to think about another appointment! (gets back inside office and closes door)

(Once again, without any of the lights shinning above the center and front areas of the stage, the previous wall panel resembling the detailed front façade of Dr. Freud's office and some other buildings comes back down again a few feet in front of the office setting, concealing it from view. Once the front building façade wall panel is in place, both Pinky and Brain are seen climbing back out the same window and back onto the stage again. As they do, the doors to the office building swing open, and the Lady In Blue Dress runs out screaming in fear, exiting stage left as she runs. As she does, the next scene continues to take place...)

Lady In Blue Dress: AAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH! (runs out view to the left, exiting stage left)

Pinky: What are we going to do now, Brain? Ring some more doorbells and run away?! (smiles)

Brain (shakes his head): No, Pinky. We've come to Vienna in 1912 to see the great hypnotizing psychiatrist, Dr. Sigmund Freud! (steps forward)

Pinky: Oh, bravo Brain! (grabs briefcase from underneath windowsill) You're finally getting some help for that problem of yours!

Brain (turns around to face Pinky): Problem of mine? Pinky, what are you talking about?!

Pinky: You know, the one where you ring other people's doorbells and then run away! (smiles) Troz! (walks up to where Brain is standing)

Brain: Look Pinky...(reaches into his tailcoat pocket and pulls out folded-up blue print) I'll explain this one more time...(unfolds blueprint) My "appointment" with Dr. Freud is only a ruse. (points to blueprints as he shows it Pinky) When he tries to hypnotize him, I will slip on a pair of mirrored glasses to reverse the process, therefore hypnotizing Freud himself! (folds up blueprint and places it back into tailcoat pocket again)

Pinky (places briefcase down next to him: Egad, brilliant Brain! (pulls out a piece of paper from his suit jacket pocket with a silly drawing) And then you can make him wear a lovely dress and act like a monkey! (smiles)

Brain (snatches paper out of Pinky's hands and crumbles it up into a ball): Pinky, how can that possibly help us in taking over the world?! (tosses it out of view on the left)

Pinky: Actually...I was think if it more as entertainment. (grabs briefcase) Poit!

Brain (approaches the front door of the office): All of Vienna knows that the Emperor Franz Joseph is being treated by Freud for depression. When Dr. Freud is under my spell, I will order him to hypnotize the Emperor into giving ME, the Brain, his right to the Imperial Throne, allowing me to take over the world!

Pinky (nods and follows Brain up to the office door)

Brain (opens office door and enters): Come along now, Pinky. (disappears from view)

Pinky (enters through the office door and closes it behind him and Brain)

(As both Pinky and Brain disappear from view, some more transitional music begins to play in the background. As it does, the lights shining above the center and front area of stage dim. As they do, another set transition begins. As it does, the entire building façade panel rises up, and once it's out of view, 2 more additional sliding panels (made in 2 halves), slide into view from both the left and right side, joining together to form one wall panel, continuing to conceal the setting of Dr. Sigmund Freud's office behind it. The wall panel is white with brown vertical stripes painted a foot apart from each other, complete with several of Dr. Freud's framed photos hanging on it, and a door lading to Dr. Freud's main office built into the right side of it. This new setting is the waiting room of Dr. Freud's office building. As the wall panel sets itself into view, a red armchair sides into view on the left, with a sad-looking man dressed in a blue jacket, a blue scarf, grey pants, black does, and a dark-blue top hat sitting down in it. As the chair with the Very Sad Man slides into view, the lights above the front and center area of the stage come back on, the transitional music stops playing in the background, and the next scene proceeds to take place. As it begins to take place, 3 more ensemble actors dressed up as other patients are seen standing against the wall on the left side, waiting to be seen by Dr. Freud, too. At this point, Pinky and Brain both enter stage right...)

Brain: Did you bring my mirrored glasses, Pinky?

Pinky: Yes I did, Brain! (opens briefcase) They're right in here with all of the fun, fun, games I brought to play with in the waiting room! Zort! (takes out an oversized metal jack) Oh look! I got Jacks...(pulls out an oversized "M&M" wind-up toy) wind-up toys...(pulls out an oversized mahjong title) and a mahjong tile...(pulls out oversized metal bottlecap), and...Ooooooh…(pulls out an oversized ball of red-purple yarn) Yarn! (smiles)

Brain (folds arms and sighs)

(Suddenly, the door leading into Dr. Sigmund Freud's main office opens up and Dr. Sigmund Freud himself steps into the waiting room setting...)

Dr. Sigmund Freud: Brain?

Brain (looks over): Yes?

Dr. Sigmund Freud: You're next.

Pinky (suddenly tosses yarn out of view on the right): NOOOOOOOO! (gets on the floor and grabs onto Brain's right ankle) DON'T LEAVE ME! I'LL BE SO BORED! (cries dramatically) WHAT SHALL I DO!? (let's go of Brain's ankle)

(The entire audience burst out laughing very loud. The laughter from the audience lasts for about 30 seconds. After 30 seconds, the loud laughter from the entire audience dies down. As it does, the rest of the scene continues to take place as normal...)

Brain: Well, what about all this stuff?! (points to random oversized items on the floor around them)

Pinky (stops crying suddenly): Boring! (folds arms) Been there, done that.

Brain: Well...(ushers Pinky out of his way) Make small talk with that man over there...(points to the Very Sad Man) Now, give me my mirrored glasses...(puts random oversized items back in briefcase and grabs what he thinks are his mirrored glasses, hiding them in the pocket of his tailcoat) Now Pinky, if you'll excuse me, its time for my "appointment" with destiny! (walks up to Dr. Sigmund Freud) I'm ready, doctor. (sighs)

Dr. Sigmund Freud: Brain, you don't look to happy?

Brain (pretending to be depressed): Oh, of course I'm not happy, doctor. My life is depressing and so am I. (sighs)

Dr. Sigmund Freud (nods): Oh, don't worry, Brain. I will help you become less depressed. (puts a hand on his left shoulder) Just follow me to my office and make yourself comfortable. (removes hand from Brain's left shoulder and enters his office)

Brain (sighs and nods): Yes doctor...(follows Dr. Freud into his office, closing the door behind him)

Random Patient 1: Ugh, I feel sad for that man...or is he a mouse? (looks confused)

Random Patient 2: Meh, I have no idea...nor do I actually care right now. (sighs)

Random Patient 3: Ugh...(sighs) All I want is to get hypnotized already. (sighs)

(Pinky looks over at the Very Sad Man, closes the briefcase, picks it up, and walks over to the chair where he is sitting over on the left...)

Pinky: Hi.

Very Sad Man (turns his head to face Pinky)

Pinky: Let's see...uh...do you know anything about illocutions?

Very Sad Man (in depressed tone): Excuse me?

Pinky: I-I'm sorry. I'm just trying to make small talk...(looks concerned)

Very Sad Man: Ah, don't trouble yourself. I'm just a sad little sad man. Life brings me nothing but dreary sadness. I'm sad all the time! Boy am I sad!? (tilts his face forward and looks down)

Pinky: Hmmm...(looks down at briefcase and sets it on the floor) Well, I got a pair of googly-eyed glasses! (shits through briefcase contents to look for them) That ought to cheer you up! (grabs mirrored glasses and puts them on) OOOGILY-BOOGLEY! HAHAHAHAHAHAHA! NARF!

Very Sad Man: But...all I see is my own dreary sad little sad face...(points to reflection on the glasses)

Pinky: Poit! (takes glasses off and turns them around) Wait...these aren't my googly-eyed glasses...these are mirrored glasses...(pauses) Uh oh...

(Then, without any transitional music playing in the background, the lights shinning over the front area of the stage dim. As they do, a other set transition begins. As it does, both Pinky and the Very Sad Man disappeared from view on the right, and the chair the Very Sad Man was sitting on slides out of view on the right, and the entire wall panel rises up once again to reveal the previous setting of the inside of Dr. Sigmund Freud's office, which is empty right now, but won't be for long once the next scene begins to take place. As the wall panel disappears from view, the stage lights shining over the front area of the stage come back on. As they do, the Narrator enters stage left, turns to face the entire audience, pulls out his book from underneath his left arm, opens to the last page he was on, and begins to narrate once again...)

And that was the conclusion of Scene 5 of Act 1 of this brand-new Broadway musical script story of mine! It seems that everything went well up until Pinky unintentionally gave Brain the googly-eyed glasses by mistake right as he was called into Dr. Freud's office for his appointment. Heck, we even got the recreation of the scene from the actual "Leggo My Ego" episode where Pinky scares off another one of Dr. Freud's patients. Sorry that there was no song within this scene, but in most musicals, not EVERY scene has a musical number included in it. I also hope you liked the set transition from the sewers underneath London to Vienna, Austria in 1912. Anyways, in the next scene, we will see what happens when Brain's hypnosis session with Dr. Sigmund Freud begins. So, let's all sit back, relax, turn off our cellphones, and move on to Scene 6 of Act 1 of this brand-new Broadway musical script story of mine!