A hearing and the murder of three

So I'm alive! Feels like forever since I updated this Story but anyway another chapter done and dusted.

SCENE 17

EXT. OVERCAST LONDON, WHITEHALL—THREE MONTHS LATER

—AFTERNOON

A gloomy silence. Establishing shot.

An owl flutters down into the Ministry.

SCENE 18

INT. MINISTRY OF MAGIC—AFTERNOON

NEWT SCAMANDER sits alone in a dingy waiting area, staring abstractedly

into space. After a moment, he feels something tugging on his wrist. He looks

down. Pickett, a Bowtruckle, is swinging on a loose thread in his cuff.

The thread snaps. Pickett falls. NEWT'S button rolls away down a corridor.

NEWT and Pickett watch it go.

A beat.

Then both chase after it. NEWT just gets there first. As he bends to pick it up, he

finds himself confronted by a pair of female feet.

There were a few laughs at the mazoologists in question.

LETA (O.S.)

They're ready for you, Newt.

He stands up. Face-to-face with LETA LESTRANGE, who is beautiful and

smiling, NEWT stuffs the button and Pickett into his pocket.

NEWT

Leta . . . what are you doing here?

LETA

Theseus thought it would be good if I became part of the Ministry family.

"Who calls it the ministry family." Said someone.

Theseus was trying to hide the blush that covered his face.

NEWT

Did he actually say the words "Ministry family"?

She gives a little laugh. They head off along the corridor. Tension. A lot of history.

NEWT

That sounds like my brother.

Theseus elbowed newt in the side.

LETA

Theseus was disappointed you couldn't come to dinner. Any of the nights we asked you.

NEWT

Well, I've been busy.

LETA

He's your brother, Newt, he likes spending time with you. And so do I.

NEWT spots Pickett climbing onto his lapel and holds out the breast pocket of

his coat.

NEWT

(to Pickett)

Oi, you! Hop in, Pick.

Pickett snuggles down.

LETA

(smiling)

Why do strange creatures love you so much?

NEWT

Well, there are no strange creatures—

"Only blinkered people" both Leta and newt looked at each other and laughed

NEWT & LETA

"—only blinkered people."

There were a few laughs.

She is smiling again. NEWT—just—reciprocates.

LETA

How long did you get in detention for saying that to Prendergast?

NEWT

You know, I think it was a month that time.

LETA

And I set off a Dungbomb under his desk so I could join you, do you remember?

They have come within sight of scary, official doors leading to the meeting room.

THESEUS SCAMANDER emerges.

NEWT

No, I actually don't remember that.

There were a few curious looks, how the arrival of one person could be such a mood change.

Rebuffed, she comes to a halt. NEWT walks away toward THESEUS, who is very

like NEWT, but more outgoing, easier in manner. THESEUS winks at LETA

before turning to NEWT.

THESEUS

Hello.

LETA

Theseus. We were just talking about Newt coming for dinner.

THESEUS

Really? Well . . . Look, before we go in there I—

NEWT

—It's my fifth attempt, Theseus. I know the form.

THESEUS

This isn't going to be like the other times. This is . . . Just try and

keep an open mind, will you? And maybe a little less—

A wordless gesture indicates Pickett, NEWT'S blue coat, and his messy hair.

NEWT

—like me?

"What?" There were more than a few irked looks.

They went keen on how newt downgraded himself.

THESEUS

(not without affection)

Well, it can't hurt. Come on, let's go.

SCENE 19

INT. MINISTRY OF MAGIC, HEARING ROOM—AFTERNOON

NEWT and THESEUS enter the room, where TORQUIL TRAVERS (harsh, mean-

spirited), ARNOLD GUZMAN (American), and RUDOLPH SPIELMAN (who is

still bruised from GRINDELWALD'S escape, the bloody bite visible on his neck)

are already sitting.

There were a few sighs of relief, at least he wasn't dead.

Two empty chairs, which NEWT and THESEUS take. The corners of the room

are in darkness.

TRAVERS

Hearing commences.

The quill begins to write. TRAVERS opens a file in front of him, which contains

pictures of NEWT'S Wanted pictures and of the post-Obscurial devastation in

New York.

TRAVERS

You want an end to the ban on your traveling internationally. Why?

NEWT

Because I like to travel internationally.

There were a few laughs at newts comeback.

SPIELMAN

(reading from his own file)

"Subject uncooperative and evasive on reasons for last international

trip."

All look at NEWT, waiting.

NEWT

It was a field trip. I was collecting material for my book on magical beasts—

TRAVERS

You destroyed half of New York.

"True"

NEWT

No, that's actually factually incorrect on two counts—

A few laughs.

THESEUS

(quiet but stern)

Newt!

NEWT stops, frowns.

GUZMAN

Mr. Scamander, it's clear you're frustrated and, frankly, so are we.

In the spirit of compromise, we'd like to make a proposition.

Many were leaning in now curious as to what proposition the modesty could be willing to prove.

NEWT glances at THESEUS warily. THESEUS nods: Listen.

NEWT

What kind of proposition?

TRAVERS

The committee will agree to lift your travel ban under one condition.

NEWT waits. SPIELMAN leans forward.

SPIELMAN

You join the Ministry. Specifically, your brother's department.

NEWT digests this, then:

Judging by the look newt gave of at this idea it was clear on his opinion of the whole matter.

"Theseus while I admire what you do, merlin himself would have to resurrect before i ever joined your department."

Many agreed with the man.

However much he may have like to have newt working with him he knew newt wouldn't do it, not to say that newts comment didn't hurt a little bit.

NEWT

No, I—that isn't my kind of—Theseus is the Auror. I think my talents lie elsewhere—

GUZMAN

Mr. Scamander. The wizarding and non-wizarding worlds have been

at peace for over a century. Grindelwald wants to see that peace

destroyed, and for certain members of our community his message

is very seductive. Many purebloods believe it is their birthright to

rule not only our world but the non-magic world as well. They see

Grindelwald as their hero, and Grindelwald sees this boy as a means

to make this all come true.

Hearing this, NEWT frowns, watching as CREDENCE'S face emerges in the

surface of the table.

NEWT

I'm sorry. You're talking about Credence as if he were still here.

"So everyone thinks I died." Credence piped up.

THESEUS

He survived, Newt.

NEWT stops cold, his eyes fixed on THESEUS. THESEUS nods.

THESEUS

He's still alive. He left New York months ago. He's somewhere in Europe. Where exactly, we don't know, but—

NEWT

And you want me to hunt Credence down? To kill him?

Credence tensed you at this, his hands griping the arm rests to the point the he's starting to break through the leather to expose the Cotten underneath.

"Credence I would never agree to that."

Out of the shadows in the corner comes deep, nasty laughter.

GRIMMSON

Same old Scamander.

NEWT reacts to the sound of the voice. GRIMMSON moves into the light.

Scarred, brutal, he is a beast hunter for hire.

There were a irked looks at this new man.

NEWT

(furious)

What's he doing here?

GRIMMSON

Taking on the job you're too soft to do.

GRIMMSON walks toward them while the ghostly image of CREDENCE

shimmers on the enchanted surface of the table.

GRIMMSON

(of CREDENCE)

Is that it?

NEWT rises furiously, storms toward the door.

TRAVERS

(calling after him)

Travel documentation denied!

THESEUS stares at the door as it closes. The committee looks unsurprised, turns

their gazes to the smirking GRIMMSON.

SCENE 20

INT. MINISTRY OF MAGIC, CORRIDOR—AFTERNOON

THESEUS chases after NEWT.

THESEUS

Newt!

NEWT stops. Turns.

THESEUS

(testy)

You think I like the idea of Grimmson any more than you do?

"Well you didn't exactly make any attempt to speak up about your dislike."

NEWT

Listen, I don't want to hear how the ends justify the means, Theseus.

THESEUS

I think you're gonna have to pull your head out of the sand!

NEWT

(exasperated)

Okay, right, here we go. What a selfish . . . irresponsible . . .

THESEUS

You know, the time is coming when everyone's going to have to pick a side. Even you.

The sad truth of this whole thing

This was the thought of many.

NEWT

I don't do sides.

THESEUS

Newt . . .

He turns to go, but THESEUS runs after him, grabs his arm to hold him back.

THESEUS

(pulling him in for a hug)

C'mere.

NEWT doesn't reciprocate but doesn't fight him off either.

THESEUS

(in NEWT'S ear)

They're watching you.

A few backs straighten at this confession.

SCENE 21

INT. MINISTRY OF MAGIC, HEARING ROOM—AFTERNOON

GRIMMSON is sitting in what was NEWT'S seat, facing the committee.

GRIMMSON

Well, gentlemen. I assume this means I have the job.

SCENE 22

EXT. SKYLINE OF UPMARKET QUARTER OF PARIS—AFTERNOON

Establishing shot.

SCENE 23

EXT. ELEGANT STREET OF 19TH-CENTURY PARISIAN HOUSES—

AFTERNOON

GRINDELWALD and ACOLYTES stand in the street. GRINDELWALD points his

cane at a particularly fine house.

A clatter announces the arrival of a horse-drawn hearse.

NAGEL, KRALL, CARROW, ABERNATHY, KRAFFT, ROSIER (female), and

MACDUFF approach the front door. KRALL opens it with his wand. The

ACOLYTES enter.

PARISIAN MAN (O.S.)

Chérie?

PARISIAN WOMAN (O.S.)

(worried)

Qui est là?

GRINDELWALD looks around the street, calm, waiting, tapping on the pavement

with his cane.

We see a green flash—the Killing Curse. The door reopens. Two black coffins

exit. GRINDELWALD watches as NAGEL and KRAFFT load the coffins onto the carriage.

No one says a word shocked at this act by grindelwald.

How casually he can take life.

SCENE 24

INT. GRINDELWALD'S HIDEOUT, DRAWING ROOM—AFTERNOON

GRINDELWALD surveys the elegant clutter left by the haut bourgeois family he

has just murdered.

GRINDELWALD

Yes. This will be suitable after a thorough cleanse.

(to NAGEL)

I want you to go to the circus now. Give my note to Credence, begin his journey.

Credence can't help but shiver at the mere thought of the man ever coming near him.

NAGEL nods and leaves.

ROSIER

When we've won, they'll flee cities in the millions. They've had their time.

GRINDELWALD

We don't say such things out loud. We want only freedom. Freedom to be ourselves.

ROSIER

To annihilate non-wizards.

GRINDELWALD

Not all of them. Not all. We're not merciless. The beast of burden will always be necessary.

We hear the sound of a child close at hand.

Now many occupants of the room backs straighten.

SCENE 25

INT. GRINDELWALD'S HIDEOUT, NURSERY—AFTERNOON

GRINDELWALD enters. A small child looks up, puzzled. GRINDELWALD

contemplates him for a moment, then nods at CARROW and turns to leave.

We see another green flash as GRINDELWALD closes the door.

There is silence...

No one says a word...

What can they say...

The lengths one man would go to...

Albus looked down in shame, this was not the man he loved, this was someone else.

The resolve to capture Grindelwald stronger than ever.

This had to end.