Hey guys, so I haven't updated in a long time but a lot of stuff has happened over the last few weeks, stuff that I don't feel comfortable talking about, because it's not fair for certain individuals in that are involved with the situation, but anyway it's not been easy for anyone in my family, but you probably don't want to here me going on, you want to get to the story, I just want to say to all those who have followed this story, the comments etc. They mean the world to me, I read every single one of them.
Disclaimer: I do not own COG or any others from the series, all rights go to J.K Rowling.
SCENE 85
EXT. DERELICT BUILDING, ROOFTOP—LATE AFTERNOON
CREDENCE is breaking up birdseed and feeding it to a small chick when
NAGINI appears behind him.
The children coo at the baby bird.
Though some adults slightly cringe at the hairless creature.
NAGINI
(urgently)
Credence.
She leads him back through the open window, out onto the roof. The Eiffel Tower
is visible behind them.
We pan around and see GRINDELWALD sitting on the rooftop near them both.
Nagini in her snake from has coiled herself round credence in a protective manner as if to she were able to strike the very man down.
GRINDELWALD
Shh.
CREDENCE
(whispers)
What do you want?
GRINDELWALD
From you? Nothing. For you? Everything I never had. But what is it
you want, my boy?
Septimus turns to his honorary brother.
"Don't listen to him credence."
Credence looked to septimus the young boy had quickly wormed his way into credence's heart, infant all of the Weasleys had, they had welcomed him and his sister in with open arms, the burrow had become more of a home to him than when he lived with ma.
CREDENCE
I want to know who I am.
Credence couldn't help but agree with his onscreen self, he loves living with the Weasleys not to mention his adopted sisters and wouldn't trade the life he has now for anything , he can't help but wonder if he maybe has family out there maybe other siblings or grandparents, uncles, aunts, cousins...
Or just someone who had a picture of them.
Cordelia turned to speak to her foster son.
" you always have a place in our family credence we adore you, as well as your sisters, though I do understand, I can't promise much but if by the end of this movie and we still have our memories,
Me and phythagerous will see if we can find anything about your family,maybe you come from one of the 28 families, though I doubt it, you could be a half blood."
Credence gave his foster mom a slight smile.
GRINDELWALD
This is where you will find proof of your true identity.
GRINDELWALD takes a piece of parchment from his pocket and throws it into
the air. The parchment flutters to CREDENCE and lands gently in his hand.
GRINDELWALD
Come to Père Lachaise tonight and you will discover the truth.
He bows, then Disapparates, leaving CREDENCE holding a map of Père
Lachaise cemetery.
SCENE 86
INT. FLAMEL HOUSE—END OF DAY
An uncomfortable JACOB is asleep in a chair beside the semiconscious KAMA.
KAMA is muttering.
KAMA
Father . . . why did you make me . . . ?
JACOB jolts awake as if from a bad dream.
JACOB
Wait! Wait—
Now fully awake, JACOB'S stomach begins to rumble.
A figure appears behind JACOB. Six-hundred-year-old NICOLAS FLAMEL
stands at the entrance to his alchemist's studio.
Some people jump at the ghost like figure.
FLAMEL
I'm afraid we keep no food in the house.
Who doesn't keep food?
JACOB yelps in fear.
JACOB
(terrified)
Are you a ghost?
FLAMEL
(amused)
No, no, I am alive, but I am an alchemist, and therefore immortal.
This catches the attention of many wizards there are very few alchemist and even fewer immortal wizards.
JACOB
You don't look a day over three-seventy-five. Hey, sorry we didn't
knock—
FLAMEL
No matter. Albus told me some friends might be dropping in.
(holding out his hand)
Nicolas Flamel.
Many wizard recognise that name and look to the screen to get a glimpse of the famed alchemist.
JACOB
Oh. Jacob Kowalski.
They shake hands. JACOB'S grip is firm—too firm for the alchemist's fragile
bones.
FLAMEL
Ooh!
JACOB
I'm sorry.
FLAMEL
It's all right.
JACOB
I didn't—
"Why is he so sickly?" Jacob asks to no one in particular.
It is albus who responds to the confused muggle.
"Well he is 600 years old."
"But he's immortal." Modesty's Voice now joins in the conversation.
"That doesn't mean that his body won't age."
That thought plagued many minds.
Suddenly immortality didn't seem so appealing, living forever sure had it's perks, but have your body be reduced to nothing but skin and bone, becoming so frail that a mere handshake hurts you...
FLAMEL looks over at the large crystal ball, in which dark billowing clouds and
flashes of lightning have appeared.
FLAMEL
Aha! At last, we see developments!
JACOB
(drawing closer)
I've seen one of these before. It was at the fair. There was this dame
there, and she had a veil. I gave her a nickel and she told me about
my future.
(beat)
She missed out on quite a bit, actually.
Jacob let out a laugh
"Just a bit."
We close in on the orb, into dark billowing smoke and flashes of lightning, into
the center where we see CREDENCE—
JACOB (O.S.)
Hey—wait a minute! I know him. That's that kid. That's Credence
—
—and then it becomes the Lestrange tomb, its stone raven prominent. Suddenly,
QUEENIE appears inside the tomb, sitting on a stone bench, waiting . . .
JACOB
Hey! That's Queenie! There she is.
(as if to QUEENIE)
Hi, baby!
"She can't here you Mr Kowalski."
(to FLAMEL)
Where is this? Is this—is this here?
FLAMEL
This is the Lestrange tomb. It lies in the cemetery of Père
Lachaise. . .
Leta try's to ignore the looks that she's receiving.
Knowing why credence will be going to the vault.
She hoped to Merlin that it wasn't going to be what she thought.
To have people know her most shameful secret, her biggest regret.
Something that she swore she would take to the grave.
Not only having to relive those memories but to have everyone else finding out.
The judgement.
The looks of horror.
Not even Theseus knew of what happens that fateful night.
How could she even look anyone in the eye again.
JACOB
(to QUEENIE in the crystal ball)
I'm coming, baby. Stay right there—
(to FLAMEL)
Thank you, thank you, Mr. Flamel!
JACOB clutches FLAMEL'S hands in gratitude.
FLAMEL
Ahh!
JACOB
Oh no. I'm sorry! I'm sorry, okay?
FLAMEL
Ouch.
JACOB
Oh—look after Mr. Tentacles for me.
He turns. The sofa is empty. JACOB runs out of the room into the hall. The front
door stands open. KAMA has escaped.
Jacob tried not to blush at the looks he was receiving.
Queenie places a quick kiss to his cheek.
"It's okay honey."
JACOB
Oh no. I'm sorry, I gotta go.
FLAMEL
Please, you must not go to the cemetery!
"Jacob you really should of listens to flamel."
Jacob turned to Tena.
"What was I meant to do."
But JACOB too runs off into the night.
BACK TO FLAMEL.
He has shuffled after JACOB, but on realizing he is gone, FLAMEL turns
anxiously back to the orb. Black flames are swirling around it.
FLAMEL shuffles back into his studio and opens a cupboard. We glimpse glass
vials, tubes, and the glowing Philosopher's Stone. He heaves from a shelf a
padlocked book embossed with a phoenix. He touches the padlock and it springs
open.
CLOSE ON THE BOOK as he flicks through it.
Each page holds a photograph captioned with a name. FLAMEL turns the
pages, but the subjects of all the pictures are missing.
FLAMEL
Oh dear—
DUMBLEDORE'S portrait is blank.
FLAMEL flicks open another page. EULALIE HICKS, a young American
professor at Ilvermorny, looks around, worried.
"Hey I remember her."
Tena looked closer to the portrait.
"It's professor hicks, remember she was our potions professor."
Queenie didn't really remember much about school though she did have quite a good memory when it came to faces.
EULALIE
What's happening?
FLAMEL
Exactly what he said would happen. Grindelwald rallies tonight at
the cemetery, and there will be death!
Who said it would happen?
Most knew who it was but mainly the ministry present didn't want to admit it to themselves.
Didn't want to admit he was right.
EULALIE
Then you gotta go!
FLAMEL
(panicked)
What? I haven't seen action in two hundred years . . .
EULALIE
You can do this, Flamel. We believe in you.
SCENE 87
EXT. PLACE DE FURSTEMBERG—DAY
TINA and NEWT stand in a nearby alleyway, looking out over the square where
tree roots previously rose to form the birdcage elevator to the French Ministry.
"Newt you do realise your a wanted man right, the moment you step foot in the ministry people will know it's you."
NEWT
The box is in the ancestral records room, Tina. So, three floors down.
NEWT rummages in his pockets and pulls out a tiny bottle with only a couple of
muddy drops left inside it.
TINA
Is that Polyjuice?
NEWT
(of the bottle)
Just enough to get me inside.
He looks down at his coat and finds one of THESEUS'S hairs on his shoulder.
He adds it to the mixture, drinks, and turns into THESEUS, still wearing
NEWT'S clothes.
Newt try's to ignore the pair of eyes burning into the side of his head.
Theseus tried to sooth the aneurysm he knew was coming, Damn his little brother.
What's worse is he knows he can't stay angry with him, it was almost impossible to stay mad at the zoologist especially when he gave you his signature look, it all but has Theseus warped around his finger.
TINA
Who—?
NEWT
My brother, Theseus. He's an Auror. And a hugger.
Modesty turned to Theseus with a bright smile on her face.
"I like hugs to." The child received a small smile from said wizard.
Leta smiled at the interaction between the two.
Theseus was truly a wonderful wizard.
SCENE 88
INT. MINISTÈRE DES AFFAIRES MAGIQUES, MAIN LEVEL—NIGHT
THESEUS exits a meeting room and strides toward LETA, who is waiting for
him.
LETA
What's happening?
THESEUS
Grindelwald's rallying. We don't know where, but we think it's tonight.
Leta turns to her Fianće
"Please be carful."
"This hasn't happened yet."
Leta grabs his has and brings it to her lips placing a small kiss on his knuckles
LETA and THESEUS kiss.
LETA
Be careful.
Leta blushes
THESEUS
Of course.
LETA
Promise me you'll be careful.
THESEUS
Of course, I'm going to be careful. Listen, I want you to hear this
from me. They think that Credence boy might be your missing brother.
LETA
My brother is dead. He died. How many times, Theseus?
THESEUS
I know, I know. And the records, the records will prove that, okay?
They can't lie.
TRAVERS
(sharply)
Theseus.
THESEUS leaves LETA and joins TRAVERS.
TRAVERS
I want every person at that rally arrested. If they resist—
Albus frowned at travers.
"It will only push more people into Grindelwalds circle."
Travers refused to look at the professor, who's intense stare was beginning to unnerve him.
THESEUS
Sir—forgive me . . . but if we go in too heavy, don't we run the risk
of adding to the—
TRAVERS
Just do it.
THESEUS catches sight of NEWT-AS-THESEUS and TINA walking, heads
down, through the Ministry typing pool. The brothers' eyes meet.
Many people watch the scene with rapt attention not wanting to miss the brothers interaction.
ANGLE ON NEWT-AS-THESEUS AND TINA.
NEWT-AS-THESEUS grabs TINA'S arm and makes a sharp turn down a
corridor. THESEUS sets off in pursuit, leaving LETA and the angry TRAVERS
(who hasn't spotted NEWT) behind. LETA backs away from the throng and slips
through a side door.
"Somebody's in trouble now." Jacob jokes to newt.
He gets a few chuckles
SCENE 89
INT. MINISTÈRE DES AFFAIRES MAGIQUES, CORRIDOR—NIGHT
NEWT-AS-THESEUS and TINA run along a corridor lined with pictures, the
Polyjuice Potion already wearing off NEWT.
NEWT
I don't suppose you can Disapparate on Ministry premises in
France, can you?
TINA
No.
NEWT
Pity.
The Potion wears off completely.
TINA
Newt!
NEWT
Yes, I know. I know there's—
At once, every portrait along the corridor turns into NEWT. An alarm sounds.
People wince
That's not good.
ALARM (O.S.)
Urgence! Urgence! Un sorcier suivi, Newt Scamander, est entré
dans le Ministère! Emergency! Emergency! A tracked wizard, Newt
Scamander, has entered the Department of Magic!
THESEUS moves into shot.
"You better start running."
THESEUS
Newt!
TINA
(running)
That's your brother?
NEWT
Yes—I think I may have mentioned in my letters we have quite a
complicated relationship—
People who knew the two couldn't help but scoff a little, that was an understatement, there relationship had improved much in the last few months that was for sure.
Though for most it wasn't hard to forget how it was before when nearly every conversation between the two brothers ended up in some form of disagreement, or time when you could cut the tension between the two with a knife, of times when Theseus would come into the office stressed from dealing some illegal activity his brother had done or upset when his brother missed dinner.
They were so happy that the two were on the way to fixing there relationship.
THESEUS
NEWT, STOP!
NEWT and TINA sprint through a second door, which leads—
SCENE 90
INT. MINISTÈRE DES AFFAIRES MAGIQUES, MAILROOM—NIGHT
—into a mailroom. Two elderly PORTERS are pushing mailcarts across the
circular room.
TINA
Does he want to kill you?
"Frequently." Newt said to Tina.
Who has noticed that the man in question had her hand in his without having to be promoted.
Newt looked down and blushed to his hair and went to move his hand in embarrassment, though before he could let go, Tina held his hand firmly.
NEWT
Frequently.
THESEUS
No!
As they sprint past the mailcarts, THESEUS sends a curse after them, sending
the mailcart boxes flying. TINA blocks the spell.
TINA
He needs to control his temper!
TINA points her wand. THESEUS is slammed down into a high chair that TINA
has conjured out of nowhere. Hands bound, THESEUS flies backward on the
chair into a meeting room, where he slams into a wall.
Laughter fills the room at the war hero's expense.
Some were laughing harder that other, mainly Theseus's co-workers, it amused them to see there leader tied up, it was not often you could get the jump on the aoura so when it did happen it caused grey not for the aoura office.
NEWT
(awed)
I think that might have been the best moment of my life.
Theseus sent a mock glare to his younger brother.
TINA laughs. NEWT and TINA sprint on