Red Dead Redemption and its characters are owned by Rockstar Games.

Rent and its characters are owned by the estate of Jonathan Larson.

We then go to the street where we see a street with a payphone on it that Collins got attacked and we see a street drummer with a plastic pickle tub that's like a drum. The street drummer bangs the beat to the rhythm as he notices something in the alley. He sees Collins moaning and limping across the stage.

You Okay Honey?

(Javier/Angel)

You okay honey?

(Charles/Collins)

I'm afraid so.

(Javier/Angel)

They get any money?

(Charles/Collins)

No

Had none to get

But they purloined my coat

Well you missed a sleeve.

He sings as Angel wipes his face with a handkerchief. "Thanks." he said.

(Javier/Angel)

Hell, it's Christmas Eve

I'm Angel

(Charles/Collins)

Angel..?

He said as he looked up this beautiful specimen that was tending to his injured self. "Indeed." Collins says.

An angel of the first degree

He introduces himself. "Friends call me Collins- Tom Collins." He says as they shake hands.

Nice tree

(Javier/Angel)

Let's get a band-aid for your knee

I'll change

There's a 'Life Support' meeting at 9:30

Yes this body provides a comfortable home

For the Acquired Immune Deficiency Syndrome

(Charles/Collins)

As does mine

(Javier/Angel)

We'll get along fine

Get you a coat, have a bite

Make a night, I'm flushed

(Charles/Collins)

My friends are waiting

(Javier/Angel)

You're cute when you blush

The more the merry ho ho ho

And I do not take no

We then switch to Mark and Roger's loft as Mark leaves for an occasion.

Tune Up #3

"Where are you going?" Roger asks.

"Maureen calls." Mark replies.

"You're such a sucker!" Roger humorously retorts.

"I don't suppose you'd like to see her show in the lot tonight?" Mark asks as Roger shrugs his soldiers.

"…Or come to dinner?" Mark continues.

Roger says as he scoffs. "Zoom in on my empty wallet."

"Touche. Take your AZT." Mark sternly responds with.

(Arthur/Mark)

Close on Roger

His girlfriend April

Left a note saying "We've got AIDS."

Before slitting her wrists in the bathroom.

"I'll check up on you later – Change your mind. You have to get out of the house." Mark begs Roger as he exits the loft.

"I'm writing one great song before I." He says as he plays the Musetta's Waltz before getting frustrated and slamming his guitar on the table.

One Song Glory

(John/Roger)

One song

Glory

One song

Before I go

Glory

One song to leave behind

Find one song

One last refrain

Glory

From the pretty boy front man

Who wasted opportunity

One song

He had the world at his feet

Glory

In the eyes of a young girl

A young girl

Find glory

Beyond the cheap coloured lights

One song

Before the sun sets

Glory – on another empty life

Time flies – time dies

Glory – one blaze of glory

One blaze of glory – glory

Find

One song

A song about love

Glory

From the soul of a young man

A young man

Find

The one song

Before the virus takes hold

Glory

Like a sunset

One song

To redeem this empty life

Time flies

And then – no need to endure anymore

Time dies

Roger is then interrupted by a sharp knock on the door. It is Mimi Marquez, their beautiful downstairs neighbor.

Light my Candle

(John/Roger)

What'd you forget?

(Abigail/Mimi)

Got a light?

(John/Roger)

I know you? You're

You're shivering

(Abigail/Mimi)

It's nothing

They turned off my heat

And I'm just a little weak on my feet

Would you light my candle?

What are you staring at?

(John/Roger)

Nothing

Your hair in the moonlight

You look familiar

He lights her candle after Mimi leaves, but she stumbles on the way out.

Can you make it?

(Abigail/Mimi)

Just haven't eaten much today

At least the room stopped spinning

Anyway, what?

(John/Roger)

Nothing

Your smile reminded me of

(Abigail/Mimi)

I always remind people of

(John/Roger)

She died, her name was April.

Mimi then, discreetly, blows out the candles to stay in the loft.

(Abigail/Mimi)

It's out again

Sorry about your friend

Would you light my candle?

Roger then lights the candle. After, they linger, albeit, a bit awkwardly.

(John/Roger)

Well-

(Abigail/Mimi)

Yeah. Ow!

(John/Roger)

Oh, the wax it's—

(Abigail/Mimi)

Dripping! I like it—between my?

She tries to get closer to Roger who abruptly steps away.

(John/Roger)

Fingers. I figured…

Oh, well… goodnight

He then heads back to the table to play his guitar as Mimi leaves the loft, only to blow out the candle and knock on the door as Roger answers.

It blew out again?

(Abigail/Mimi)

No – I think that I dropped my stash.

(John/Roger)

I know I've seen you out and about

When I used to go out

Your candle's out

(Abigail/Mimi)

I'm illin'

I had when I walked through the door

It was pure

Is it on the floor

(John/Roger)

The floor?

(Abigail/Mimi)

They say that I have the best ass below 14th Street

Is it true?

(John/Roger)

What?

(Abigail/Mimi)

You're staring again

(John/Roger)

Oh no

I mean you do – have a nice

He tries to say as she stands up and looks at him.

I mean, you look familiar

(Abigail/Mimi)

Like your dead girlfriend?

(John/Roger)

Only when you smile

But I'm sure I've seen you somewhere else

Mimi then crouches her legs to the floor again to look for her stash.

(Abigail/Mimi)

Do you go to the Cat Scratch Club?

That's where I work – I dance – help me look!

(John/Roger)

Yes!

They used to tie you up—

(Abigail/Mimi)

It's a living

(John/Roger)

I didn't recognize you without the handcuffs

Mimi then stands back up and starts walking over to Roger.

(Abigail/Mimi)

We could light the candle

Oh won't you light the candle?

Roger lights it again.

(John/Roger)

Why don't you forget that stuff

You look like you're sixteen

Mimi then gets down all on fours again and tries searching for her stash.

(Abigail/Mimi)

I'm nineteen but I'm old for my age

I'm just born to be bad

(John/Roger)

I once was born to be bad

I used to shiver like that

(Abigail/Mimi)

I have no heat – I told you

(John/Roger)

I used to sweat

(Abigail/Mimi)

I got a cold

(John/Roger)

Uh huh

I used to be a junkie

Mimi then stands back up and faces him, somewhat defensively.

(Abigail/Mimi)

But now and then I like to

(John/Roger)

Uh huh

(Abigail/Mimi)

Feel good

Roger then stops and picks up a small object: Mimi's stash, as he puts it in his pocket.

(John/Roger)

Here it – um

(Abigail/Mimi)

What's that?

(John/Roger)

It's a candy bar wrapper

(Abigail/Mimi)

We could light the candle

Roger then discreetly blows out the candle.

What'd you do with my candle?

Roger then sits on the table again as Mimi sits next to him.

(John/Roger)

That was my last match

(Abigail/Mimi)

Our eyes'll adjust, thank god for the moon

(John/Roger)

Maybe it's not the moon at all

I hear Spike Lee's shooting down the street

(Abigail/Mimi)

Bah humbug… bah humbug

Mimi then places her hand under his, pretending to do it by accident.

(John/Roger)

Cold hands

(Abigail/Mimi)

Yours too

Big, like my father's

You wanna dance?

She says as she grabs his hand and pulls him up.

(John/Roger)

With you?

(Abigail/Mimi) (sarcastically)

No – with my father

(John/Roger)

I'm Roger

(Abigail/Mimi)

They call me

They call me Mimi

As they dance together under the moon, they almost kiss, but Mimi reaches into Roger's pocket and pulls out her stash. As she finishes her lines, she pushes him away and waves the stash in his face before leaving the loft.

Lights then dim down as both John and Abigail exit stage.