Red Dead Redemption 2 and its characters are owned by Rockstar Games.

Rent is owned by the estate of Jonathan Larson.

We then go to the loft of Maureen and Joanne where the phone rings. We then see Maureen in silhouette.

Voice Mail #2

(Mary/Maureen)

Hi. You've reached Maureen and Joanne. Leave a message and don't forget

"Over the Moon" – My performance, protesting the eviction of the homeless

(and artists) from the Eleventh Street Lot. Tonight at midnight in the lot between

A and B. Party at Life Café to follow.

The greeting of the message is then proceeded by a beep where we see Joanne's parents leave a message.

(Mr. Jefferson)

Well, Joanne – we're off

I tried you at the office

And they said you were stage managing or

Something.

(Mrs. Jefferson)

Remind her that those unwed mothers in Harlem

Need her legal help too.

(Mr. Jefferson)

Call Daisy for our itinerary or Alfred at

Pound Ridge

Or Eileen at the State Department in a pinch

We'll be at the spa for New Year's

Unless the senator changes his mind.

(Mrs. Jefferson)

The hearings

(Mr. Jefferson)

Oh yes Kitten

Mummy's confirmation hearing begins on the

Tenth

We'll need you alone – by the sixth.

(Mrs. Jefferson)

Harold!

(Mr. Jefferson)

You hear that?

It's three weeks away

And she's already nervous

(Mrs. Jefferson)

I am not!

(Mr. Jefferson)

For mummy's sake, kitten

No Doc Martens this time and wear a dress

Oh, and kitten – have a merry

(Mrs. Jefferson)

And a bra

They sing as they exit. We then go back to Roger and Mark's loft. Roger sits on the steel table, playing his guitar as Mark stands downstage center and talks to the audience.

Today 4 U

(Arthur/Mark)

Enter Tom Collins, computer genius, teacher, vagabond

Anarchist, who ran

Naked through the Parthenon.

Collins then comes in carrying Angel's plastic pickle tub, now filled with provisions.

(Arthur/Mark & Charles/Collins)

Bustelo – Marlboro

Banana by the bunch

A box of Captain Crunch will taste so good

(Charles/Collins)

And firewood

(Arthur/Mark)

Look – it's Santa Claus

(Charles/Collins)

Hold your applause

(John/Roger)

Oh hi.

(Charles/Collins)

'Oh hi' after seven months?

(John/Roger)

Sorry.

(Charles/Collins)

This boy could use some Stoli!

(Charles/Collins & Arthur/Mark)

Oh holy night

(John/Roger)

You struck gold at M.I.T?

(Charles/Collins)

They expelled me for my theory of actual

Reality

Which I'll soon impart

To the couch potatoes at New York

University

Still haven't left the house?

(John/Roger)

I was waiting for you, don't you know?

(Charles/Collins)

Well, tonight's the night

Come to the Life Café after Maureen's show

(John/Roger)

No flow

(Charles/Collins)

Gentleman, our benefactor on this

Christmas Eve

Whose charity is only matched by talent, I

Believe

A new member of the Alphabet City Avant-

Garde

Angel Dumott Schunard!

Angel then twirls her way in. She is gorgeously dressed up in Santa drag, with a stack of twenty-dollar bills in each hand. She hands one to both Roger and Mark.

(Javier/Angel)

Today for you – tomorrow for me

Today for you – tomorrow for me

(Charles/Collins)

And you should hear her beat!

(Arthur/Mark)

You earned this on the street?

(Javier/Angel)

It was my lucky day today on Avenue A

When a lady in a limousine drove my way

She said, "Darling be a dear haven't slept in a

Year

I need your help to make my neighbor's yappy dog disappear"

"This Akita-Evita just won't shut up

I believe if you play non-stop that pup

Will breathe its very last high-strung

Breath

I'm certain that cur will bark itself to

Death"

Today for you – tomorrow for me

Today for you – tomorrow for me

We agreed on a fee – a thousand dollar

Guarantee

Tax-free – and a bonus if I trim her tree

Now who could fortell that it would go

so well

But sure as I am here that dog is now in

Doggy hell

After an hour – Evita – in all her glory

On the window ledge of that 23rd story

Like 'Thelma and Louise' did when they got the

Blues

Swan dove into the courtyard of the Gracie Mews

Today for you – tomorrow for me

Today for you – tomorrow for me

Angel then does a fabulous dance and a fantastic drum solo.

Then back to the street where I met

My sweet

Where he was moaning and groaning on the

Cold concrete

The nurse took him home for some

Mercurochrome

And I dressed his wounds and got him back on his feet

Sing it!

Today for you – tomorrow for me

Today for you – tomorrow for me

Today for you – tomorrow for me

Today for you – tomorrow for me

You'll See

Benny then enters.

(Micah/Benny)

Joy to the world

Hey, you bum yeah, you, move over

Get your ass off that Range Rover!

(Arthur/Mark)

That attitude toward the homeless is exactly what

Maureen is protesting tonight

Mark then holds his camera in a close-up towards Benny.

Close up: Benjamin Coffin III, our ex-roommate who married Alison Grey, of

The Westport Grays – then bought the building and the lot next door

From his father-in-law in hopes of starting a cyber-studio

(Micah/Benny)

Maureen is protesting

Losing her performance space

Not my attitude

(John/Roger)

What happened to Benny

What happened to his heart

And the ideals he once pursued?

(Micah/Benny)

The owner of that lot next door

Has a right to do with it as he pleases

(Charles/Collins)

Happy birthday, Jesus!

(Micah/Benny)

The rent

(Arthur/Mark)

You're wasting your time

(John/Roger)

We're broke

(Arthur/Mark)

And you broke your word – this is absurd

(Micah/Benny)

There is one way you won't have to pay

(John/Roger)

I knew it!

(Micah/Benny)

Next door, the home of Cyberarts, you see

And now that the block is re-zoned

Our dream can become a reality

You'll see boys

You'll see boys

A state of the art, digital, virtual

Interactive studio

I'll forego your rent and on paper

Guarantee

That you can stay here for free

If you do me one small favor

(Arthur/Mark)

What?

(Micah/Benny)

Convince Maureen to cancel her protest

(Arthur/Mark)

Why not just get an injunction or call the cops?

(Micah/Benny)

I did, and they're on stand by

But my investors would rather

I handle this quietly

(John/Roger)

You can't quietly wipe out an entire tent city

Then watch 'It's A Wonderful Life' on TV!

(Micah/Benny)

You want to produce films and write

Songs?

You need somewhere to do it!

It's what we used to dream about

Think twice before you pooh-pooh it

You'll see boys

You'll see boys

You'll see – the beauty of a studio

That lets us do our work and get paid

With condos on the top

Whose rent keeps open our shop

Just stop the protest

And you'll have it made

You'll see – or you'll pack!

Benny then exits.

(Javier/Angel)

That boy could use some Prozac.

(John/Roger)

Or heavy drugs.

(Arthur/Mark)

Or group hugs.

(Charles/Collins)

Which reminds me

We have a detour to make tonight

Anyone who wants to can come along

(Javier/Angel)

Life Support's a group for people coping with life

You don't have to stay too long

(Arthur/Mark)

First I've got a protest to save

(Javier/Angel)

Roger?

(John/Roger)

I'm not much company you'll find

(Arthur/Mark)

Behave

(Javier/Angel)

He'll catch up later – he's just got other things on his mind

You'll see boys

(Arthur/Mark & Charles/Collins) (sitting on both sides of John/Roger and pushing him playfully)

We'll see boys

(John/Roger) (steps away with his guitar)

Let it be boys!

(Charles/Collins)

I like boys

(Javier/Angel)

Boys like me

Angel and Collins exit the stage with linked arms followed by Mark.

(All)

We'll see

Mark then turns back around. Light fades out on Roger, while one follows Mark.