Red Dead Redemption 2 and it's characters are owned by Rockstar Games.

Rent and it's characters are owned by the estate of Jonathan Larson.

The lights then fade back up as we are in a church for Angel's memorial service. All of her friends go up and say what they loved about her.

(Abigail/Mimi)

Angel was one of my closest friends. It's right that it's Halloween, because it was her favorite holiday. I knew we'd hit it off the moment we met – that skinhead was bothering her and she said she was more of a man than he'd ever be and more of a woman than he'd ever get…

(Arthur/Mark)

… And then there was the time he walked up to a gang of tourists – and they were petrified because A – they were obviously lost and B – had probably never spoken to a drag queen before in their lives and he… she just offered to escort them out of Alphabet City …and then she let them take a picture with her – and then she said she'd help them find the Circle Line…

(Mary/Maureen)

… So much more original than any of us – you'd find an old tablecloth on the street and make a dress – and next year, sure enough – they'd be mass producing them at the GAP! You always said how lucky you were that we were all friends – but it was us, baby, who were the lucky ones.

Collins then walks up to say what he felt about Angel and he goes up there, obviously crying, and holding the leather jacket Angel bought him on Christmas Eve.

(Charles/Collins)

Live in my house

I'll be your shelter

Just pay me back with one thousand kisses

Be my lover

And I'll cover you

Open your door –

I'll be your tenant

Don't got much baggage

To lay at your feet

But sweet kisses I've got to spare

I'll be there – I'll cover you

I think they meant it

When they said you can't buy love

Now I know you can rent it

A new lease you are, my love, on life

All my life

I've longed to discover

Something as true

As this is

(The following is sung simultaneously.)

(Soloists)

So with a thousand sweet kisses I'll

Cover you

With a thousand sweet kisses

I'll cover you

With a thousand sweet kisses

I'll cover you

With a thousand sweet kisses

I'll cover you

(Charles/Collins)

If you're cold and you're lonely

You've got one nickel only

When you're worn out and tired

When your heart has expired

(Company) (sung with Charles/Collins and Soloist)

Five hundred twenty-five thousand six hundred minutes

Five hundred twenty-five thousand moments so dear

Five hundred twenty-five thousand six hundred minutes

Five hundred twenty-five thousand

(Charles/Collins & Company)

Oh lover

I'll cover you

Oh lover

(Charles/Collins)

I'll cover you

(Company)

Five hundred twenty-five thousand six hundred minutes

Five hundred twenty-five thousand

Seasons of love

(Charles/Collins)

I'll cover you

Halloween

Mark is outside the church on a payphone and talks to Alexi Darling.

(Arthur/Mark)

Hi. It's Mark Cohen. Is Alexi there? … No need to bother her.

Just let her know I'm running a little late for my appointment … I'm at my … Yes, I'll still be there … Yes, I signed the contract … Thanks…

How did we get here?

How the hell…

Pan left – close on the steeple of the church

How did I get here?

How the hell…

Christmas

Christmas Eve – last year

How could a night so frozen

Be so scalding hot?

How can a morning this mild

Be so raw?

Why are entire years strewn

On the cutting room floor of memory

When single frames from one magic night

Forever flicker in close-up

On the 3D IMAX of my mind

That's poetic

That's pathetic

Why did Mimi knock on Roger's door

And Collins choose that phone booth

Back where Angel set up his drums

Why did Maureen's equipment break down

Why am I the witness

And when I capture it on film

Will it mean that it's the end

And I'm alone

Goodbye Love

The principals emerge from the church.

(Abigail/Mimi) (to John/Roger)

It's true you sold your guitar and bought a car?

(John/Roger)

It's true – I'm leaving now for Santa Fe

It's true you're with this yuppie scum?

(Micah/Benny)

You said – you'd never speak to him again

(Abigail/Mimi)

Not now

(Mary/Maureen)

Who said that you had any say

In who she says things to at all?

(John/Roger)

Yeah!

(Tilly/Joanne)

Who said that you should stick your nose in other people's…

(Mary/Maureen)

Who said I was talking to you?

(Tilly/Joanne)

We used to have this fight each night

She'd never admit I existed

(Arthur/Mark)

Calm down

Everyone please

(Abigail/Mimi)

He-was the same way – he was always

"Run away – hit the road

Don't commit" – you're full of shit

(Micah/Benny)

Mimi

(Tilly/Joanne)

She's in denial

(Abigail/Mimi)

He's in denial

(Tilly/Joanne)

Didn't give an inch

When I gave a mile

(Arthur/Mark)

Guys

Come on

(Abigail/Mimi)

I gave a mile

(John/Roger)

Gave a mile to who?

(Arthur/Mark)

Come on guys chill!

(Abigail/Mimi & Tilly/Joanne)

I'd be happy to die for a taste

Of what Angel had

Someone to live for – unafraid

To say I love you

(John/Roger) (angrily)

All your words are nice Mimi

But love's not a three-way street

You'll never share real love

Until you love your self – I should know

(Charles/Collins)

You all said you'd be cool today

So please – for my sake

I can't believe he's gone

(to John/Roger)

I can't believe you're going

I can't believe this family must die

Angel helped us believe in love

I can't believe you disagree

(All)

I can't believe this is goodbye

Maureen and Joanne immediately burst into tears and embrace in front of everybody. Collins returns to the church. Mimi and Benny leave together. Roger and Mark are left alone.

(Mary/Maureen)

Pookie

(Tilly/Joanne)

Honeybear

(Mary/Maureen)

I missed you so much

(Tilly/Joanne)

I missed you

(Mary/Maureen)

I missed your smell

(Tilly/Joanne)

Your mouth, your –

Joanne then kisses Maureen firmly on the lips.

(Mary/Maureen)

Ow!

(Tilly/Joanne)

What?

(Mary/Maureen)

Nothing, Pookie

(Tilly/Joanne)

No, Baby you said "Ow" – what?

(Mary/Maureen)

You bit my tongue

(Tilly/Joanne)

No, I didn't

(Mary/Maureen)

You did – it's bleeding

(Tilly/Joanne)

No, it isn't

(Mary/Maureen)

I think I should know…

(Tilly/Joanne)

Let me see –

(Mary/Maureen)

She doesn't believe me

(Tilly/Joanne)

I was only trying to…

They then hug and exit. The Pastor from the church emerges on the above.

(Pastor)

Thomas B. Collins?

(Charles/Collins)

Coming

The Pastor exits above & Collins exits into the church. Benny stands off to the side as Mimi approaches Roger, who turns away. She hesitates before leaving with Benny.

(Arthur/Mark)

I hear there are great restaurants out West

(John/Roger)

Some of the best. How could she?

(Arthur/Mark)

How could you let her go?

(John/Roger)

You just don't know… How could we lose Angel?

(Arthur/Mark)

Maybe you'll see why when you stop escaping your pain

At least now if you try – Angel's death won't be in vain

(John/Roger)

His death is in vain!

Mimi reappears up left, in the shadows. She overhears Mark and Roger's conversation.

(Arthur/Mark)

Are you insane?

There's so much to care about

There's me – there's Mimi

(John/Roger)

Mimi's got her baggage too

(Arthur/Mark)

So do you

(John/Roger)

Who are you to tell me what I know, what to do

(Arthur/Mark)

A friend

(John/Roger)

But who Mark, are you?

"Mark has got his work"

They say, "Mark lives for his work"

And "Mark's in love with his work"

Mark hides in his work

(Arthur/Mark)

From what?

(John/Roger)

From facing your failure, facing your loneliness

Facing the fact you live a lie

Yes, you live a lie – tell you why

You're always preaching not to be numb

When that's how you thrive

You pretend to create and observe

When you really detach from feeling alive

(Arthur/Mark)

Perhaps it's because I'm the one of us to survive

(John/Roger)

Poor baby!

(Arthur/Mark)

Mimi still loves Roger

Is Roger really jealous

Or afraid that Mimi's weak

(John/Roger)

Mimi did look pale

(Arthur/Mark)

Mimi's gotten thin

Mimi's running out of time

Roger's running out the door

(John/Roger)

No more! Oh no!

I've gotta go

(Arthur/Mark)

Hey, for somebody who's always been let down,

Who's heading out of town?

(John/Roger)

For someone who longs for a community of his own,

Who's with his camera alone?

Roger takes a step to go, then stops, turns, and says.

I'll call

I hate the fall

Roger turns to go but sees Mimi at the door.

You heard?

(Abigail/Mimi)

Every word

You don't want baggage without lifetime guarantees

You don't wanna watch me die?

I just came to say

Goodbye, love

Goodbye, love

Came to say goodbye, love, goodbye

(Abigail/Mimi) (John/Roger)

Just came to say Glory

Goodbye love One blaze of

Goodbye love Glory

Goodbye love, I have to find

Goodbye

Roger then exits. Benny returns. Mimi steps away.

(Abigail/Mimi)

Please don't touch me

Understand.

I'm scared

I need to go away

(Arthur/Mark)

I know a place – a clinic

(Micah/Benny)

A rehab?

(Abigail/Mimi)

Maybe – could you?

(Micah/Benny)

I'll pay

(Abigail/Mimi)

Goodbye love

Goodbye love

Came to say goodbye, love, goodbye

Just came to say

Goodbye love

Goodbye love

Goodbye love

Hello – disease

Mimi then runs off.