SLY VOICE-OVER
(Normal, everyday scene: Sly reading the paper, Murray working out, Bentley tinkering with something) It was good to be back. We weren't committing any crimes in the present day, so Carmelita wasn't after us.
(Image of Carmelita in her little black dress) Quite the opposite, in fact: she took a vacation for the first time since she got assigned to throw me in jail. Her bosses never learned I'd pulled off that museum job, so as far as anyone else was concerned, (images from the end of game 3) I was the undercover officer who helped her break up the Cooper gang, even if we didn't lock them away. And now, I was bringing her to plays, museums, and restaurants. (images of them doing each of these things as they come up.) We even went camping. (image of them randomly breaking up some form of smuggling ring in the middle of the woods while their half-set-up tent falls down in the background.) Once.
But we all knew the good times could only last so long. Penelope was still sending Bentley postcards,(images of said postcards) and after following that last one, they didn't seem safe to ignore.(Shows Bentley analyzing postcards and writing notes.) Based on Bentley's analysis of the three we've gotten since my rescue, there's something else going on in the past. And for us to check it out, we'll need a necklace on display at the Paris Museum of Modern History. (Image of necklace)
Hitting up that place for the necklace would be a cakewalk...(Sly rubbing hands together... and then frowning) but the last time I robbed a museum, I got in hot water with Carmelita. (Image from Sly 4's opening sequence.) So this time, instead of trying to go under her nose... I told her about it.(Image of him doing just that.)
(Image of Carmelita bursting into the safe-house brandishing a jewelry carrying case in one hand and the mask Bentley gave her in the other.) She had it classified as 'evidence' and 'secured' in Interpol's evidence lock-up by the end of the week. And now, we're on our way to a Caribbean Island in the 1600's. (Group of them in the van, setting off)
You know... (Sly adjusts rear-view mirror to look at Carmelita in the back) I think I love that woman.
SLY COOPER
AND THE GANG
IN:
FISHING FOR FEATHERS
