Chapter Two: Loneliness

About a year and a half later, not long after I turn fourteen, I discover Peeta has ambitions far beyond what I'm sure anyone else could have imagined. As always, I don't see it coming. Not much has changed over the year and a half so much as it has grown. Gale trades with Peeta too now, although his disdain for anyone from Town remains uncomfortably evident. I drop by sometimes for breakfast or supper, bringing trophies from the woods like berries, or wild onions, here and there, so Peeta doesn't feel like I'm using him. I share parts of my life. It's nice, to have someone to talk to outside of school or hunting. Madge and I don't really talk much. Gale and I are only just learning to. And it is this undeniable passage of time that spurs the conversation I never saw coming.

"I have a proposition for you, Katniss, now it's spring."

I have to swallow quickly before answering.

"What sort of proposition?"

"I was hoping you wouldn't mind taking some of your time in the woods to look for some sizeable flood banks, or moist valleys, you know, places water accumulates, and the soil looks good?"

I'm so surprised by the nature of his question my spoon is left suspended in the air.

"Why?"

He places his palms flat on the table in front of him, and draws himself up for what looks like a discussion he's going to feel passionate about.

"Jude's aging out of the Reaping this year."

I nod.

"And I obviously don't want him going down the mines."

I nod again because I have no idea where he's going with this.

"I also rather hate the tesserae system, and how dependent we are on the Capitol for rations in general."

Oh, this is getting dangerous. I swallow.

"Everyone in Town depends on the Capitol for supplies to continue their trade–that's a huge part of the reason no one from the Seam can buy from us, the prices are too high–and it's also what keeps us Town-folk at their mercy. It divides us completely, and still I know people starve everyday."

"Your point," I say tilting my chin down for a stern look, because this topic of conversation is dangerous, and while I would expect it from Gale and his rants, I am not expecting it from Peeta, who prefers to talk about homework, or my relationships with my family, or other safer topics of conversation a man in his mid to late twenties might ask a young girl he looks out for.

"My point is that I want to change that if I can. I've been planning this for years, actually. I want to see if maybe we can farm in the woods. Get our flour from our own sources. Then we could open a bakery at the Hob, and sell at prices people can afford, cut out the middleman. It might help a lot. Of course, no one from the Seam is going to want to buy from me, and while I think if the alternative were tesserae or starve, most would, I thought maybe Jude could do it? And that way I don't have to worry about him either."

"You're crazy." The way I say it though sounds nothing short of awestruck. "You really could hang for this."

He gives this about a second's thought which either proves he's not thinking this through, or he's thought this through so much he's already made up his mind. Knowing him, both could somehow be true at the same time.

"I could, but I'm one person. Children starve to death everyday."

"What about the children you're already responsible for?" I note even as I am saying it that technically Peeta isn't responsible for them. The Home is. The Capitol is. The District is. But they are so inadequate, Peeta has stepped in.

"I know. I know. It is a risk. It's a gamble. I just don't see any other option I can live with in clear conscience. This is way bigger than that, and no matter what I do, there are risks we face."

I can't say he's wrong, and who am I to argue with him when I risk my life everyday to feed Prim? I could hang for it, be shot for it, and if that happens, what'll happen to Prim? But if I don't she might starve and still die, or take tesserae and be that much more likely to die. It's like Peeta said. It's a gamble. It's a risk.

"What's in it for me?"

I don't mean to sound callous, but business is business, and this is risky business. Peeta doesn't seem to mind. A wide smile returns to his face. In truth it annoys me at times he seems to find my stern-negotiating-face adorable. I don't want to be associated with adorable. I am not adorable. Regardless, he agrees to pay me a certain amount to find the land for him, and if they succeed in growing anything, he'll give me enough grain to match my monthly tesserae rations. While it won't mean I'll be able to stop taking out tessera, since I split everything with Gale, it will mean decreasing the number of times I have to put my name in each year. I probably would have agreed to this scheme anyway, but there's no way I could turn down a deal like that.

As it turns out, Peeta really has put a lot of thought into this farming scheme. I suppose I shouldn't be surprised. Perhaps it's part of being a bakeer–the way he gets up at three every morning and methodically kneads dough–but deliberateness permeates his being. Peeta is as steady and solid as the earth he means to till. He's been stockpiling barrels, and building airtight containers to store flour in. He's been looking into long-term storage. He has a contact in Eleven, (how I dare not ask), who got him corn and wheat seed. He asked his blacksmith brother to make him several hoes, (and laments he couldn't find a domesticated horse or ox even if it were possible to bring such a creature past the fence), and has even made arrangements with the Goat Man to shovel his manure which Peeta plans to use as fertiliser. Never has it been more obvious to me what a planner Peeta is. Since I usually react to things and don't generally think past tomorrow, it's rather mind-boggling to see the lengths to which one man can scheme. Peeta has even grilled Greasy Sae on what she can remember from before the Dark Days about farming in the area. Peeta's decided to plant corn in the spring and summer, and then wheat in the fall and winter. Who knew wheat just sort of stayed packed under the snow and waited to be harvested come spring? I didn't. Now I do.

Peeta has this way of talking about things that keeps you interested. Like when he talked about why he convinced his Aunt to give him chickens. I didn't know gluten is what made bread stick together, and any flour he might get from corn, or even acorns, would need something else to make it stick. Hence, the eggs which he got from his Aunt, the butcher, who can occasionally get animals into the district. That's just the tip of the iceberg. I have little particular interest in the making of bread, and I had no idea there was so much to the subject of flour, oil, sugar, water, and yeast, but there is, and I listen, because he is interesting. Peeta asked if he was boring me, and I told him he wasn't, but it wasn't really because what he was saying was interesting, but his eyes lit up, and his arms gestured, and his humour was on point. His entire countenance took on such an animated, light-giving quality, I'd dare anyone to not have been absorbed. It seemed too important to him. Peeta has tendency to wrap you up in his enthusiasm, and make you smile in spite of yourself. It's infectious. I almost hate him for it.

He is truly pouring his all into this crazy scheme. He only works part-time at the bakery now. The rest of the day he is out in the woods, by the river, in the valley, hoeing the land. He's crazy. He is. There's no other word. It's insanity. I worry all the time wild animals are going to savage him, but he carries several knives, and he has a hoe, and I've taught him how to scale a tree fast, (which was hilarious because he's stocky and definitely wasn't made to scale trees, so much as haul them home for fuel), so I tell myself he'll be fine. For the first two weeks though, come schools end, I race into the woods to make sure he's okay. He teases me when he notices.

"Worried about me?" He chortles.

I roll my eyes as he tugs my braid and splashes me with river water. I pretend I don't care. I can sort of see the humour of a girl who barely reaches up to his chest crouching in trees to keep an eye on him, but it's harder to not get aggravated when Prim joins in the teasing.

"It's alright," she says one day when I meet her after school to tell her where I'm going. "I'd run into the woods with Peeta too." I immediately tell her off as she giggles. She is ten; I don't know where she gets all this from. I point out that Mr. Mellark will be thirty come November, but she keeps laughing and later has mom tell a story about how her first crush was on the carpenter who was an older guy too. I huff and storm outside. Don't they know why I worry? What Peeta has done for us, and still does for us? Of course, I'm worried. Of course I keep tabs on him. Maybe it's just that I know nothing good stays. It's nothing to do with crushes on older, stronger men. The problem is they've got me so worked up, I question every natural observation I have that Peeta's arms are strong, and look good when they flex, or the way his shirt sticks to his skin when he sweats, or the way his hair shines gold when the light hits it just right. It's normal to see these things when you look at someone. It doesn't mean anything, but I head home when my keeping tabs on him results in me seeing him strip off his shirt and pour cool water over his head. There were many trails of water to follow over his chest, droplets that cascaded down him and dazzled in the sun, and he didn't know I was there so it wasn't fair.

On weekends, and everyday come summer, the rest of Peeta's pseudo-family join him. There is Jude, who is the oldest, and Jet who I know from various conversations over the last year is seventeen, and lives with his mom who is an alcoholic. Then there is Colleen and her brother Cole, who are fourteen and twelve. They were orphaned in the blast that killed my father. Finally, there are the babies of this group, Sarai and her brother Elliot, who were the first of Peeta's foster kids I met. They don't help much with the plowing, but they're up bright and early every morning when the time comes for planting the seeds. I dare say it keeps them out of trouble. I help out too when I can, which always earns me a huge smile from Peeta that makes it hard to maintain eye contact with him. I refuse any form of payment pointing out that this is an investment for me too. Truth is, I just wanted to. Seeing them all work so hard tugs my heartstrings. Contrary to popular belief, I do have them. The corn grows fast, and high, and waves in the wind.

It sometimes takes me time to find where they are working since Peeta has divided the farming land into sections. He hopes that'll reduce the likelihood of damage to his crop than if they're all in one place, and of the Capitol clueing into what's going on with the two or three acres or so of land they're farming. I have to say I agree. It was only a few months previously Gale and I had seen two people fleeing the Capitol only to be captured by hovercraft. I hadn't told anyone but Peeta. Prim I couldn't tell for fear of worrying her, and the same went with my mother. I don't want to risk her checking out again, but Peeta, he is the one person in the world today I would say I trust unconditionally. That's why I told him about the cabin by the lake my father brought me, in case he wants to fix that up to store grain in. He seemed terribly touched I'd told him, and I was glad he'd understood what it meant to me. Sometimes I go to the lake and see the work done and while it saddens me that this place is no longer my own, I am glad that my knowledge, my life, might now sustain others. (You're Jack Everdeen's daughter.)

Gale cautions me about getting too involved in all this.

"It'll be great if it works out, Catnip, but if it doesn't, don't go wasting your time with it. We've got our own mouths to feed." I hate he has a point, and reluctantly agree. It doesn't end there though. Another time he points out, "And don't go giving away our trade secrets either. We don't need that kind of competition."

Again I agree with him, but a bakery isn't going to compete with us, and I've known starvation too well not to help when I can, especially when I know what help has meant to me, and even more so when it is the person who helped me when I most needed it.

"Stupid Townie," Gale mutters. "If he wants to help out, fine, but the woods are ours. He's stepping in where he doesn't belong, trying to take advantage of us, thinks we can't do better, but what else is new?"

I get where Gale is coming from. I really do. We've been at the backdoors of people who will give us a pittance for our work, because they know we can't really say no, especially when the law is on their side. It's frustrating to say the very, very least, but I resent even more the notion that Peeta Mellark is like that when he is the one out here sweating under a hot sun, and working so hard I know I saw blood on the handle of his hoe. I also know that blood is there because he gave Jet his own gloves, and never let on a hint to his own pain. Peeta is staking a lot on this venture. I tell Gale so, and before I know it we're in a flaming row. I generally try to avoid rows with Gale, or wait until we're done hunting. They scare off the game, but I can't help myself this time. There is a lot of huffing, arm-waving, and finger-pointing, and Gale calls me a naive child, again, and eventually we just stop unable to reach an accord. He's only two years older, I wish he'd stop acting uppity. The truth is, I should have seen this coming. I've been called a halfie a few times, and that's one of the kinder words out there. It doesn't matter how much my mother does as a healer in the Seam, and I am proud of her for that if nothing else, she is still from Town, and people still skirt around her. It's no different for Peeta. Gale is sceptical. He always will be, I think. It exhausts me.

It works though. The corn grows, is harvested, dehydrated, and stored to be ground into cornmeal. I take Sarai and Elliot through the woods with massive buckets to get acorns to supplement that as well. One Sunday in October, Peeta invites me to join in a celebration in the woods. I am told I can bring my mother and Prim if I want to, but something in me hesitates and I seek them out alone. When I arrive I find a massive bonfire, and Jet playing something on some kind of wooden instrument. There are some cookies to snack on, and everyone is milling and dancing about the flames. I stop in the shadow of a tree just to watch them as the night grows darker. It's strange this group of people. Seam colouring aside, they don't look like a family, and Peeta doesn't even have that. Jet is the only one that has anything merchant to him, blue eyes, because he's the product of some Townie looking for fun without responsibility. Jude is lean and thin faced, but Jet is circular and short. Colleen and Cole look related of course, but their hair is blunt and straight, as are their noses. Then the youngest, Sarai and Eliot, well they have an impish look to them, even as serious as Eliot can be. Peeta sticks out like a sore thumb. Yet there is a harmony to this group, a joy, and a hope that unites them as they join hands and spin around and laugh together. They seem bound by something beyond anything I've experienced before. It makes something in me ache. I want to join in, but it feels dangerous to do so. I am not a part of this, and celebrating something scares me in a way I don't fully understand. It seems risky, even as I wish it.

"Katniss!" Elliot has spotted me. "Come on!" He runs forward and pulls me in. Jude hands me a cookie. It's delicious, and I can't help but smile. Soon Sarai who had been enjoying a piggy-back ride by Colleen runs over to get me to dance with her, and her joy drags all of us in as we spin and spin around. Half way through a twirl I lose my balance and Peeta catches me. All I notice is his warmth, his strong arms and chest, and then his blue eyes and his smile, and I forget to breathe. The urge to move forward is so overwhelming I shove him away.

"I-I'm sorry. It's getting late. My family'll worry."

"Of course," Peeta nods, apparently finding nothing the matter with my reaction. I suppose maybe I'm just that awkward. "Give them my regards."

"Yeah, sure."

I turn away to hug the youngest one's goodbye and dash off trying to ignore the uncomfortable feeling that my mother and Prim were right.

I avoid him after that. It's stupid, because it's not like he'd care, but I don't know how to act. I trade with him as always, but insist that with winter here, I'm needed elsewhere so I don't stay. Peeta looks concerned, but I brush him off and he lets it go. I encourage Gale to trade there more often. Gale notices and asks if Peeta has done anything wrong, but he really hasn't. Gale doesn't believe me, of course, but he lets it go for which I'm grateful.

I am, however, kept up to date on everything that's happening in Peeta's life by Colleen. For whatever reason she has decided we are friends now we've been to a bonfire together. I discovered this when she decided to sit with Madge and I and lunch. I don't discourage it though, it wouldn't be particularly nice, and I also know Colleen, like me, doesn't have many friends. Still, she's a chatterbox which is an odd change since I think Madge and I are friends-of-a-sort, because we both don't like to talk. Colleen isn't shallow though, and her conversation does cover things that are at least relevant or interesting. I don't think I could've bourne a gossip. Funnily enough, the injection of a talker to our group seems to have done Madge and I a bit of good allowing us to actually acknowledge that we are, in fact, friends. She drags us both to her house to teach us to play the piano, which is a huge laugh to say the least, and she talks us into bringing her to the woods. It's been so long since I've done anything besides hunt and trade and work, I never realised how much I missed it. Short of some joking with Prim, or family time at New Years, I haven't just had fun since my father died. It fills me with a deep ache in my heart. My father and I used to spend time together just singing with the mockingjays. Sometimes, he would seat me on his lap and teach me to sing in harmony with him. Silly songs. Folk songs. Love songs. I learned them all, and now waching Madge laugh as Colleen fudges up her part of Heart and Soul, I almost feel I could cry. For the first time, it doesn't feel quite so much like death and loss, but life and growth. The cracking of a shell I'm out-growing. I've never considered that new life comes in to the world to us with pain, so much as I have fixated on the losing of it.

Gale and I stop trading with Peeta as of November. We split the grain he gives us between our families, and go straight to the new bakery in the Seam if we need bread. Greasy Sae has partnered with it to give it even more legitimacy, if such is a concern in a black market, and it is gaining popularity quickly. I am told there was a problem with the other bakery at the Hob. The system worked where children could sell there tesserae grain for coin, and that grain would be milled down and baked and sold at the Hob. Before Peeta, that was the best most people could hope for for a bakery in the Seam. With Jude selling now, fewer people were buying tesserae bread, or even having to sell as much tesserae grain for coin. Jude and Jet had almost come to blows with the other baker, I think his name was Mr. Salter, before people came to break it up before the Peacekeepers were forced to actually remember they were on duty. Peeta sorted it out by arranging to pay the Salter family help him mill down his grain, since it's hard for them to farm, bake, and mill, all by themselves, and now they've settled into a reluctant sort of truce. Jude has not been condemned to the mines.

But death comes anyway. It's unstoppable. Colleen looks sombre come February.

"Did something happen?" Madge asks, concerned.

"Peeta's mother died."

None of us say much after that, but after pacing around the woods guilty, I visit Peeta for the first time in four months. When he answers the door he looks dreadfully exhausted. His eyes have a haunted quality to them, and his hair seems simultaneously lank and uncombed. There is stubble where he is usually so clean shaven.

"Hey, Katniss." He mumbles and motions for me to enter.

"I, um, heard about your mother." I offer tentatively as I place several squirrels on the table for him.

He sits down and sighs with weariness that is soul-deep.

"Yeah, it's no surprise really. She's been sick for awhile, and had stroke a few years back besides."

I hadn't known that she was sick. I should've known that. Guilt is rising steadily in me, as Peeta emotionally runs his hand through his hair which waves in a way that makes it clear he's been doing that a lot today. I have never seen him sit with such a slump in his shoulders before. Not knowing what else to do, I decide to cook the squirrel. I remember how hard it can be to move when you lose a parent, how simple tasks can seem monumental. I'm not a brilliant cook; I've never had much opportunity to learn, but I think I can handle a stew. Something about the smell seems to wake Peeta up and he enters the kitchen as the stew is bubbling.

"Thank you."

I just nod. Saying "You're welcome," seems trite somehow. This was the least that should be expected. I have been a poor friend to him.

"I didn't expect it to be so hard," he continues as he sits down, his voice has this hollow quality to it. "She and I were never close. I was her disgrace…but now that she's gone. I guess, I don't know, there's no way to ever make it right. Not that it was ever going to be made right, of course. Ever. So what's the use in–" he waves half-heartedly with his hand, unable to articulate himself for once. All I do is hand him over a bowl of soup. You can't go wrong with feeding someone, right? I pass him a spoon, and I can tell something's wrong by the way he stares at it, turning it back and forth before his eyes like it is the key to some kind of puzzle. He drops the spoon and covers his face with his hands. His sobs are mostly soundless, but I can tell they are there by the shaking of his shoulders. They wrack his whole body.

After a time, I hesitantly place a hand on his shoulder, and start to rub his back. This seems to help a little. I'm half tempted to sing to him, like I would to Prim, but he's a grown man and that feels strange so I restrain myself. It hurts to see him like this. I've never really registered how alone he is. He's here, in this house, alone, even though he has a father, two married brothers, and several nieces and nephews. It is I who comforts him. I can feel my heart swell with the absurd need to cradle and protect a man so many years my senior. When he calms, he gently places a large, warm hand over my small one, and smiles. I smile gently back.

"Sorry to do that in front of you."

"It's fine."

"Thanks for the soup. It helps. The kids'll be in soon, and then I've got to go meet with my brothers and Dad about the arrangements."

"If you ever need anything, please just…let me know." I say the words earnestly and hesitantly, because I've never considered before that I could be of any real help to Peeta Mellark. His face lights a slight amount anyway, and he seems more like himself. He tugs my braid lightly and musses my hair and says he'll bear that in mind. The gesture squeezes my heart in a way that pains. I know what I've always known, that he sees me as a cute kid, the daughter of a good friend, but it's better that way I think as I walk home. There's no reason that should hurt me. If I ever had to be attracted to anybody, best to be attracted to someone way beyond me. Peeta is older, from Town. It could never work. He'd never notice me, so I have nothing to fear. I can, however, be a partner to him, and more than just in trade. Gale and I share the burdens of having to help support our households. It makes things easier. I can do the same with Peeta, and bringing him some of Prim's old clothes for Sarai is a good start, because no one deserves to shoulder the burdens of a family alone. I mean to bridge that gap however I can.